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The image is a historical document from February 1930, detailing the acquisition of a painting by the Fogg Museum of Art at Harvard University. The document includes a photograph of the painting, which is a depiction of Christ by the Italian Renaissance artist Botticelli. The text accompanying the image provides context about the artwork and its significance.

Key points from the document:

1. Painting Details: The painting is of Christ by Botticelli, one of the most famous works by the artist. It is noted for its religious significance and artistic merit.

2. Acquisition: The painting was recently acquired by the Fogg Museum of Art from the collection of Prince Massimo of Rome. It is considered a significant addition to the museum's permanent collection.

3. Artist and Provenance: The painting is attributed to Botticelli and his workshop. It is one of the few works by the artist that remains in private hands, making it a rare and valuable piece.

4. Historical Context: The document mentions that the painting was last sold in 1928 and was previously part of the collection of Prince Massimo. The acquisition is highlighted as an important event for the Fogg Museum and the art world.

5. Publications: The document includes references to publications such as "Parnassus" and "The Times," indicating that the acquisition was reported in contemporary media.

Overall, the image and accompanying text emphasize the historical and artistic importance of the Botticelli painting and its acquisition by the Fogg Museum.

The image displays a historical document related to the acquisition of an artwork by the Fogg Museum at Harvard University.

1. Main Document:

   • Title and Date: The header mentions "Transcript, Feb. 8, 1930" and "Newly Acquired by the Fogg."
   • Artwork: A black-and-white reproduction of a painting titled "Christ" by the artist Botticelli. The artwork is described as a portrait of Christ with a gesture of blessing.
   • Text Excerpt: The document explains that the painting was last known to have been in the collection of Prince Massimo of Rome. It was rediscovered in a private collection in 1929, and it is now part of the permanent collection at the Fogg Museum at Harvard University. The painting is noted for its importance and is estimated to be one of the few remaining works by Botticelli in existence. The text highlights the significance of this acquisition and its historical context.

2. Inset Articles:

   • From "Parnassus" (February 1930): A small clipping from the publication "Parnassus" dated February 1930, referencing the Botticelli painting. It mentions the work's recovery and its significance.
   • Extract from "The Times" (London, Feb. 1930): Another clipping from "The Times" dated February 1930, detailing the acquisition by the Fogg Museum. The article states that the work was secured from Messrs. Agnew’s, London, and mentions the painting’s history and importance, noting that it was previously thought lost for centuries.

Overall, the collection of documents highlights the historical and artistic significance of the Botticelli painting, its rediscovery, and its acquisition by the Fogg Museum.

The image depicts a display or collage of materials related to an artwork, specifically a painting by Botticelli, which has been acquired by the Fogg Museum (now known as the Harvard Art Museums). Here is a detailed description:

1. Central Image: The main focus is a black-and-white photograph of Botticelli's painting. The painting appears to be a depiction of a figure, likely religious, with an inscription in Italian underneath, which may be part of the original artwork.

2. Title and Description: At the top, there is a heading that reads "Newly Acquired by the Fogg," indicating that this is a recent acquisition. Below this, there is a detailed description of the painting. The text identifies the painting as a work by Botticelli, lost for centuries and recently rediscovered. It was once in the collection of Prince Massimo of Rome and is noted for its historical significance and artistic value. The description also mentions that the painting was acquired from the M. Knoedler & Co. in New York.

3. Supporting Documents:

   • Left Side: There is a small, typed note that appears to be a transcript dated February 8, 1930.
   • Right Side: Another document, possibly from a publication titled "PARNASSUS," dated February 1930, includes a reference to the Botticelli painting.
   • Bottom Right: An extract from "The Times" (London), dated February 10, 1930, mentions the acquisition of the painting by the Fogg Museum. It highlights the painting's significance and its previous ownership by Prince Massimo of Rome.

The collage provides a comprehensive overview of the acquisition of this significant artwork, including its historical background, its recent rediscovery, and the details of its addition to the museum's collection.

The image is a display related to an acquisition by the Fogg Museum at Harvard University. It showcases a newly acquired painting by the Renaissance artist Sandro Botticelli.

Key elements of the image include:

1. Title and Date:

   • The top of the display indicates that the manuscript is from February 8, 1930.

2. Painting Image:

   • The left side of the display features a photograph of a Botticelli painting depicting Christ, with a crown of thorns and a sorrowful expression. The painting is rendered in a style typical of the Renaissance period.

3. Label Information:

   • The label on the right side of the image includes the heading "PARNASSUS," followed by a reference number (V.11, no.2, p.27), and the date February 1930.
   • The name "Botticelli" is prominently mentioned.

4. Newspaper Extract:

   • An extract from "The Times" newspaper dated February 11, 1930, is included on the right side. The article details the acquisition:
     • The Fogg Museum of Art at Harvard University has secured a significant Botticelli painting from the Massimiliano Massimi collection.
     • The painting is described as portraying Christ with his right hand raised in a blessing and the left holding a reed scepter, measuring 22¾ by 13¾ inches.
     • This artwork was previously part of notable collections, including those of the Duke of Marlborough and Prince Massimo of Rome.
     • The article also mentions that this painting had been lost for centuries and was only rediscovered a year prior in a collection in Rome.
     • The acquisition is noted as a rare addition to the few known works by Botticelli, enhancing the museum's collection significantly.

The overall display provides historical and acquisition context for the Botticelli painting, emphasizing its importance and the details of its rediscovery and procurement by the Fogg Museum.

The image is a historical document featuring a newspaper clipping and related articles about a newly acquired painting by the Fogg Museum, now part of Harvard Art Museums. The clipping is dated February 1930.

1. Main Clipping:

   • Headline: "Newly Acquired by the Fogg"
   • Image: A black and white photograph of a painting depicting a bearded man, presumably Christ, with a crown of thorns and making a gesture with his right hand.
   • Text: The article discusses the acquisition of a painting by Botticelli, specifically a work titled "Christ with the Thorn Crown." The painting was rediscovered in the collection of Prince Massimo of Rome and was purchased by the Fogg Museum for $2,500. The painting is noted to be on linen and measures 22 1/2 inches by 13 3/4 inches. It is described as an important addition to the museum's collection, which already had a few works by Botticelli.

2. Additional Notes:

   • There is a small slip of paper on the right side of the main clipping that mentions "PARNASSUS V.11, no.2, p.27 February, 1930" and "Botticelli," indicating a reference to an article in the Parnassus journal from that period.
   • Another small clipping from "The Times, London," dated February 10, 1930, provides a brief extract about the acquisition. It mentions that the Fogg Museum acquired the painting from Messrs. Agnew and Erlangers, who had bought it from the collection of Prince Massimo of Rome.

The document appears to be carefully preserved, with the clippings and notes attached to provide a comprehensive historical record of the acquisition of the Botticelli painting by the Fogg Museum.

The image shows a collection of documents related to the acquisition of a painting by Sandro Botticelli. Here is a detailed summary:

1. Newspaper Clipping (Main Image):

   • The main image is a newspaper clipping titled "Newly Acquired by the Fogg," dated February 8, 1930.
   • It features a black-and-white photograph of a painting by Botticelli depicting Christ with a crown of thorns and one hand raised, possibly in blessing or teaching.
   • The text beneath the image provides details about the painting:
     • The painting was rediscovered about a year ago in the collection of Prince Massimo of Rome.
     • It is described as one of the few surviving examples of Botticelli's works and is noted for its tenderness and poignancy.
     • The painting was acquired by the Fogg Museum at Harvard University from Messrs. Agnew's of London and sold to the museum.
     • It is noted that there are not more than a dozen Botticelli works in the United States.
     • The painting is estimated to be from the artist's early period, influenced by Savonarola.

2. Additional Document (Top Right):

   • This is a small note or slip with the heading "Parmassus," volume 11, number 2, page 27, dated February 1930.
   • It mentions "Botticelli."

3. Newspaper Extract (Bottom Right):

   • This is an extract from "The Times" dated February 10, 1930.
   • It states that the Fogg Museum of Art, Harvard University, has secured from Messrs. Agnew's a painting by Botticelli which was lost for centuries and rediscovered in the collection of Prince Massimo of Rome.
   • The article mentions that the Metropolitan Museum also owns two Botticelli paintings, and that the Fogg Museum's acquisition is a significant addition to their collection.

Overall, the image documents the acquisition of a significant Botticelli painting by the Fogg Museum in 1930, highlighting its historical importance and the efforts made to obtain it.

This is an image of a newspaper clipping highlighting the acquisition of an artwork by the Fogg Museum. The main article discusses a painting of Christ by Sodoma, with additional commentary on its importance. The clipping includes fragments of other articles and details such as the date (February 1930) and a citation (Parnassus, Vol. II, No. 2, p. 27). There is also an excerpt from The Times, dated London, L.M.E. 30, discussing the painting's significance and noting its esteemed place alongside works by Botticelli in the museum's collection. The overall context suggests a focus on art history and the enhancement of museum collections.

The image shows an old newspaper clipping mounted on a page. The clipping features an image of a religious painting, presumably of Christ, by Botticelli. The painting displays Christ's right hand raised with fingers pointing upwards and the left hand held across the chest. The surrounding text includes a headline indicating that the artwork has been newly acquired by the Fogg Museum, with mentions of Botticelli's notable painting technique. Additionally, there are excerpts from The Times newspaper dated February 1, 1930, discussing the acquisition of the artwork by the Fogg Museum at Harvard University and its significance.

This image shows a scrapbook or archival page containing several clippings related to a painting by Botticelli. The page is titled at the top "Newly Acquired by the Fogg," with a handwritten note "Transcript, Feb. 8, 1930" above it.

On the left side is a large, faded image of the painting, which depicts a figure with one hand raised in a gesture of blessing and the other hand positioned near the chest. The face of the figure has been blurred or obscured.

To the right of the image are two smaller clippings: one is a typed note referencing "PARNASSUS V.11, no. 2, p.27 February, 1930 Botticelli" and below it is an "Extract from The Times LONDON Date: 10 FEB 30" newspaper clipping. The Times excerpt states that the Fogg Museum of Art, Harvard University, has acquired a painting by Botticelli, which is said to have been lost for centuries and recently rediscovered.

At the bottom of the page is a longer, detailed paragraph describing the painting and its significance. It notes that the painting of Christ by Botticelli was lost for centuries and rediscovered recently in the collection of Prince Massimo of Rome. The painting features Christ with his right hand raised in a gesture of blessing and left hand indicating a wound, painted on linen measuring 22 1/4 by 13 1/8 inches. The work is noted for its tenderness and poignancy characteristic of Botticelli’s late manner. It is mentioned that the painting is considered an important addition to Botticelli's works already present in Florence, and that the Museum (the Fogg Museum) has secured this painting from Messer Agnew for its permanent collection.

The page has two punched holes on the right side, indicating it's part of a binder or archive. The overall tone and style suggest this is a historical document or reference page from 1930 about a significant art acquisition by the Fogg Museum.

The image shows a historical document or article from February 8, 1930, titled "Newly Acquired by the Fogg." It appears to be a transcript or clipping from a publication, likely related to art and museum acquisitions. The document includes several key elements:

Main Image:

• A black-and-white illustration of a religious figure, likely Christ, based on the context. The figure is depicted with a beard, wearing a crown of thorns, and holding a staff or scepter. The style and details suggest it is a Renaissance or early modern artwork, possibly by the artist Botticelli, as mentioned in the text.

Text Content:

1. Header:

   • The top of the document reads: "Transcript, Feb. 8, 1930."
   • Below this, the title "Newly Acquired by the Fogg" is prominently displayed.

2. Main Article:

   • The article discusses the acquisition of a painting by Botticelli, titled "Christ with the Thorn Crown," by the Fogg Art Museum at Harvard University.
   • The painting is described as having been lost for centuries and rediscovered. It is noted as the only work by Botticelli in the collection of Prince Massimo of Rome.
   • The article mentions that the painting was sold by Thomas Agnew & Son in Italy and purchased by the Fogg Museum.
   • The dimensions of the painting are given as 22½ by 13½ inches, and it is described as being on linen, characteristic of Botticelli's style.

3. Additional References:

   • The document includes a reference to "Parnassus," a publication, with the citation: "V.11, no.2, p.27, February, 1930."
   • There is also an extract from The Times (London), dated February 10, 1930, which confirms the acquisition and provides further details about the painting's history and significance.

Visual Layout:

• The document is structured with a clear hierarchy:
  • The main illustration is centrally placed, drawing attention to the artwork being discussed.
  • The text is organized into paragraphs, with headings and subheadings that guide the reader through the information.
  • The inclusion of publication references and citations adds credibility and context to the article.

Contextual Details:

• The article highlights the historical and artistic significance of the acquisition, noting that the painting is one of only a dozen works by Botticelli in the United States.
• It also mentions other notable Botticelli works in American museums, such as those in the Metropolitan Museum of Art, the Detroit Institute of Arts, and the Los Angeles County Museum of Art.

Overall Impression:

The document serves as a historical record of an important art acquisition, emphasizing the rediscovery and preservation of a significant Renaissance artwork. It combines visual and textual elements to convey the importance of the painting and its place within the broader context of Botticelli's oeuvre and the collections of major museums.