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ARCH.2003.25, Rendition: 793927
The image depicts a historical document or newspaper clipping. The document is titled "Morgan Manuscript in Persian Miniature," dated January 29, 1930, and features two articles. The left side contains an article with the headline "Famous Bestiary of Thirteenth Century Lent for Exhibition, Which Includes Many Fine Miniatures" by Henry S. Francis. This article discusses a significant exhibition of Persian miniature paintings, likely from a thirteenth-century manuscript, at a museum, possibly the Fogg Museum at Harvard University, as indicated by the reference to "At the Fogg Museum, Harvard University." The text provides context on the historical and cultural significance of Persian miniature art.
The right side of the document contains another article titled "Crimson, Jan. 22: Persian Paintings and Books on View at Fogg." This article, written by H.S. Francis, mentions a display of Persian paintings and books at the Fogg Museum, highlighting the Timurid and Herat schools of art and the presence of rare manuscripts. It emphasizes the importance of Persian paintings after the twelfth century and provides insights into the history and development of Persian art, including the influence of the Mongols and subsequent rulers.
Both articles appear to be part of a series or reportage about the exhibitions and scholarly discussions surrounding Persian art and manuscripts, reflecting the interest in these cultural artifacts during the early 1930s. The document is well-preserved, with visible creases and some discoloration, suggesting its age.
The image is a scanned page of a newspaper or magazine article, dated January 29, 1930, titled "Morgan Manuscript in Persian Miniature." The article is written by Henry S. Francis and discusses the famous Bestiary of Thirteenth Century, which is on loan for exhibition and includes many fine miniatures. The text elaborates on the historical and cultural significance of Persian miniature paintings, tracing their development from the thirteenth century onward.
The article is divided into several sections, discussing various aspects of Persian art, including the influence of Mongol rule, the characteristics of Timurid and Herat schools of painting, and the artistic contributions of specific artists like Bihzad and Mirak. The text mentions the Fogg Museum at Harvard University, where the exhibition is taking place, and highlights the contrast between the modern formula of artistic achievement and the gentle accomplishments of Persian art.
The page also includes a smaller section titled "Crimson, Jan. 22," which briefly mentions "Persian Paintings and Books on View at Fogg," indicating that the exhibition includes rare manuscripts and important works dated after the twelfth century. The article is detailed and informative, providing a comprehensive overview of Persian miniature paintings and their historical context.
This image displays a page from a vintage newspaper or museum transcript, dated January 29, 1930, as indicated at the top left under the heading “Transcript.” The page is printed on aged, yellowed paper and has three binder holes along the right margin, suggesting it was filed in a binder.
The main headline reads:
“Morgan Manuscript in Persian Miniature”
Written by Henry S. Francis, the article is a detailed review of an exhibition titled “Famous Bestiary of Thirteenth Century Lent for Exhibition, Which Includes Many Fine Miniatures.” The exhibition, held at the Fogg Museum, Harvard University, features a collection of Persian paintings and manuscripts, chiefly from the 13th to 17th centuries.
The article is structured into several sections:
Introduction: Highlights the “vigorous determinative moments” of Persian art as a benchmark for aesthetic judgment, contrasting its refined elegance with the “naive and graceful” works of earlier times from Greece, Rome, and Egypt.
An Influence in Development: Discusses the Islamic cultural context and the artistic continuity from the Fatimid dynasty in Egypt to Persian art, especially noting the role of the Mongol invasion (1258) as a turning point that spurred a renaissance under new rulers like Timur.
Post-Mongol Art: Focuses on the evolution of Persian art after the Mongol conquest, describing the refinement and sophistication of the Timurid school (late 14th–15th centuries), naming masters like Bihzad and the court of Shah Tahmasp.
Before the Decline: Notes the last great innovator before the decline of Persian miniature painting: Reza ‘Abbasi (c. 1565–1635), renowned for his expressive figures and lyrical compositions.
The right column, under a bold sub-headline — “PERSIAN PAINTINGS AND BOOKS ON VIEW AT FOGG” — summarizes key points of the exhibition:
A short paragraph below the headline notes: "The following review... was written by H.S. Francis '24, assistant to the directors of the Fogg Art Museum..." confirming his role and expertise.
Visual note: There is a large, dense block of text at upper right, which appears to be unrelated content — possibly a misprinted or poorly cropped portion of another page, as its characters are distorted and unreadable, suggesting an OCR or scanning error. This section does not pertain to the actual article.
Overall impression: This is a scholarly, well-structured review documenting an important exhibition of Persian miniature paintings at a major American museum in the early 20th century. It reflects the growing Western academic interest in non-Western art during that era and showcases the depth of museum curation and art historical analysis at institutions like Harvard’s Fogg Museum.
(Note: The article is marked “(Continued on page four)” at the bottom right.)
This is a transcript of a newspaper article published in 1930. The article is about the Morgan Manuscript in Persian Miniature, which was on display at the Fogg Art Museum, Harvard University. The manuscript is a famous Lent for Exhibition, which includes many fine miniatures. The article discusses the cultural significance of the manuscript and its importance in the political world of the Persians. The article also mentions that the manuscript was created in the 13th century and was influenced by the Mongol power. The article provides a detailed description of the manuscript's miniatures and their artistic value.
The image is a photograph of a newspaper clipping featuring an article titled "Morgan Manuscript in Persian Miniature." The clipping is from a publication dated January 29, 1930. The article is written by Henry S. Francis, who appears to be an art historian or curator, given the context of the article.
The article discusses the significance of a thirteenth-century Persian manuscript that is part of the Morgan Library's collection. The manuscript is described as a "famous breviary of thirteenth-century Lent for exhibition," which includes many fine miniatures. The article highlights the importance of this manuscript as a representation of Persian art and culture.
The text is dense and filled with historical and artistic analysis. It mentions the Fogg Museum at Harvard University, where the manuscript is exhibited, and discusses the influence of Persian miniatures on the artistic achievements of Greece and Rome. The article also touches on the historical context of the manuscript, including the rise of Mohammedan religion and its impact on artistic traditions.
The clipping is mounted on a piece of paper with two circular holes punched on the right side, suggesting it may have been part of a larger collection or display. The edges of the clipping are slightly frayed, indicating it has been handled or stored for a long time.
The article is part of a larger discussion about Persian paintings and books, as indicated by the headline "Persian Paintings and Books on View at Fogg." The text also mentions an exhibition of Persian paintings from the thirteenth to the seventeenth century, curated by S. Francis, which includes works from the Fogg Museum and New York galleries.
The article provides a detailed examination of the artistic and historical significance of Persian miniatures, their influence on other cultures, and the importance of preserving and studying these works. It also touches on the challenges of dating and attributing these works, given the lack of definitive information and the gradual development of artistic styles over time.
The image shows a scanned page from a historical or academic publication, likely a journal or magazine, dated January 29, 1930. The page is titled "Morgan Manuscript in Persian Miniature" and appears to be an article discussing Persian art, specifically focusing on manuscripts and miniatures. The layout and typography suggest it is from an early 20th-century publication, with dense text and a structured format typical of scholarly or artistic journals.
The page is divided into two main sections, each discussing different aspects of Persian art and culture:
This section is authored by Henry S. Francis and explores the Morgan Manuscript, a notable example of Persian miniature art from the 13th century. Key points include:
Historical Context:
Artistic Merit:
Cultural Significance:
Exhibition Context:
This section is a continuation or related article, focusing on Persian painting and books on view at the Fogg Art Museum. Key points include:
Exhibition Overview:
Historical Period:
Artistic Techniques:
Cultural and Historical Context:
The page reflects a scholarly and artistic interest in Persian miniature art, particularly from the 13th to the 16th centuries. It combines historical analysis, artistic critique, and cultural context to provide readers with a comprehensive understanding of the significance of Persian manuscripts and paintings. The mention of the Fogg Art Museum indicates that the article is part of a broader effort to showcase and preserve these valuable artifacts.
The content is dense and informative, aimed at an audience with an interest in art history, cultural studies, or the history of the Middle East.
The image depicts a newspaper clipping from the "Crimson" dated January 29, 1930, featuring an article titled "Morgan Manuscript in Persian Miniature." The article discusses the discovery of a 13th-century manuscript in the Morgan Library and Museum, which includes many fine miniatures. The article highlights the significance of the manuscript, which is believed to be one of the oldest and most valuable examples of Persian miniature art.
The article also mentions that the manuscript was written by Henry S. Francis, who was an assistant to the directors of the Fogg Museum and lecturer in Fine Arts. The article concludes by stating that the manuscript is now on display at the Fogg Museum, and that it is an important work dated after the twelfth century.
Overall, the article provides a detailed description of the manuscript and its significance, as well as its current location and availability for viewing.
This image presents a scanned newspaper clipping from 1930, featuring an article titled "Morgan Manuscript in Persian Miniature" by Henry S. Francis. The article is divided into two columns and includes a subheading that reads, "Famous Bestiary of Thirteenth Century Lent for Exhibition, Which Includes Many Fine Miniatures."
The article discusses the significance of the Morgan Manuscript, a renowned bestiary from the 13th century, which has been lent for exhibition. It highlights the manuscript's importance as a cultural artifact, showcasing the artistic and literary achievements of the time. The article also mentions the inclusion of many fine miniatures within the manuscript, further emphasizing its value as a historical treasure.
In addition to the main article, the clipping features a smaller section on the right-hand side, titled "Persian Paintings and Books on View at Fogg." This section provides information about an exhibition of Persian paintings and books at the Fogg Museum, which is likely related to the Morgan Manuscript. The overall tone of the article is informative and appreciative, highlighting the cultural significance of the Morgan Manuscript and its importance in understanding the artistic and literary traditions of the past.
The image shows a yellowed newspaper clipping with the title "Morgan Manuscript in Persian Miniature" at the top.
The clipping is divided into two columns of text, with the left column featuring an article titled "Famous Bestiary of Thirteenth Century Lent for Exhibition, Which Includes Many Fine Miniatures" by Henry S. Francis. The right column contains another article titled "Persian Paintings and Books on View at Fogg."
The articles discuss the cultural significance of Persian art and its influence on other cultures, as well as the exhibition of Persian paintings and manuscripts at the Fogg Art Museum. The text is written in a formal and informative style, suggesting that the clipping is from a scholarly or art-focused publication.
The background of the image is a light gray color, which provides a neutral contrast to the yellowed newspaper clipping. Overall, the image appears to be a scanned or photographed copy of a historical newspaper article, likely from the early 20th century.
The image presents a vintage newspaper clipping, specifically the front page of "The Crimson" dated January 22, 1930. The article's title, "Morgan Manuscript in Persian Miniature," is prominently displayed at the top.
Article Content
The article discusses an exhibition featuring a collection of Persian miniature paintings from the 13th century, which includes works from the Fogg Art Museum at Harvard University. The author, Henry S. Francis, provides an in-depth analysis of the artwork, highlighting its significance and historical context.
Newspaper Layout
The article is divided into two columns, with a smaller inset article on the right-hand side titled "Persian Paintings and Books on View at Fogg." This section appears to be a continuation of the main article, providing additional information about the exhibition.
Visual Characteristics
The newspaper clipping exhibits signs of aging, including:
The overall appearance suggests that the clipping has been preserved for many years, likely in an archive or library setting.
Background
The background of the image is a light gray color, providing a neutral backdrop for the newspaper clipping.