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ARCH.2003.25, Rendition: 793927
The image depicts a historical document or newspaper clipping. The document is titled "Morgan Manuscript in Persian Miniature," dated January 29, 1930, and features two articles. The left side contains an article with the headline "Famous Bestiary of Thirteenth Century Lent for Exhibition, Which Includes Many Fine Miniatures" by Henry S. Francis. This article discusses a significant exhibition of Persian miniature paintings, likely from a thirteenth-century manuscript, at a museum, possibly the Fogg Museum at Harvard University, as indicated by the reference to "At the Fogg Museum, Harvard University." The text provides context on the historical and cultural significance of Persian miniature art.
The right side of the document contains another article titled "Crimson, Jan. 22: Persian Paintings and Books on View at Fogg." This article, written by H.S. Francis, mentions a display of Persian paintings and books at the Fogg Museum, highlighting the Timurid and Herat schools of art and the presence of rare manuscripts. It emphasizes the importance of Persian paintings after the twelfth century and provides insights into the history and development of Persian art, including the influence of the Mongols and subsequent rulers.
Both articles appear to be part of a series or reportage about the exhibitions and scholarly discussions surrounding Persian art and manuscripts, reflecting the interest in these cultural artifacts during the early 1930s. The document is well-preserved, with visible creases and some discoloration, suggesting its age.
The image is a scanned page of a newspaper or magazine article, dated January 29, 1930, titled "Morgan Manuscript in Persian Miniature." The article is written by Henry S. Francis and discusses the famous Bestiary of Thirteenth Century, which is on loan for exhibition and includes many fine miniatures. The text elaborates on the historical and cultural significance of Persian miniature paintings, tracing their development from the thirteenth century onward.
The article is divided into several sections, discussing various aspects of Persian art, including the influence of Mongol rule, the characteristics of Timurid and Herat schools of painting, and the artistic contributions of specific artists like Bihzad and Mirak. The text mentions the Fogg Museum at Harvard University, where the exhibition is taking place, and highlights the contrast between the modern formula of artistic achievement and the gentle accomplishments of Persian art.
The page also includes a smaller section titled "Crimson, Jan. 22," which briefly mentions "Persian Paintings and Books on View at Fogg," indicating that the exhibition includes rare manuscripts and important works dated after the twelfth century. The article is detailed and informative, providing a comprehensive overview of Persian miniature paintings and their historical context.
This image displays a page from a vintage newspaper or museum transcript, dated January 29, 1930, as indicated at the top left under the heading “Transcript.” The page is printed on aged, yellowed paper and has three binder holes along the right margin, suggesting it was filed in a binder.
The main headline reads:
“Morgan Manuscript in Persian Miniature”
Written by Henry S. Francis, the article is a detailed review of an exhibition titled “Famous Bestiary of Thirteenth Century Lent for Exhibition, Which Includes Many Fine Miniatures.” The exhibition, held at the Fogg Museum, Harvard University, features a collection of Persian paintings and manuscripts, chiefly from the 13th to 17th centuries.
The article is structured into several sections:
Introduction: Highlights the “vigorous determinative moments” of Persian art as a benchmark for aesthetic judgment, contrasting its refined elegance with the “naive and graceful” works of earlier times from Greece, Rome, and Egypt.
An Influence in Development: Discusses the Islamic cultural context and the artistic continuity from the Fatimid dynasty in Egypt to Persian art, especially noting the role of the Mongol invasion (1258) as a turning point that spurred a renaissance under new rulers like Timur.
Post-Mongol Art: Focuses on the evolution of Persian art after the Mongol conquest, describing the refinement and sophistication of the Timurid school (late 14th–15th centuries), naming masters like Bihzad and the court of Shah Tahmasp.
Before the Decline: Notes the last great innovator before the decline of Persian miniature painting: Reza ‘Abbasi (c. 1565–1635), renowned for his expressive figures and lyrical compositions.
The right column, under a bold sub-headline — “PERSIAN PAINTINGS AND BOOKS ON VIEW AT FOGG” — summarizes key points of the exhibition:
A short paragraph below the headline notes: "The following review... was written by H.S. Francis '24, assistant to the directors of the Fogg Art Museum..." confirming his role and expertise.
Visual note: There is a large, dense block of text at upper right, which appears to be unrelated content — possibly a misprinted or poorly cropped portion of another page, as its characters are distorted and unreadable, suggesting an OCR or scanning error. This section does not pertain to the actual article.
Overall impression: This is a scholarly, well-structured review documenting an important exhibition of Persian miniature paintings at a major American museum in the early 20th century. It reflects the growing Western academic interest in non-Western art during that era and showcases the depth of museum curation and art historical analysis at institutions like Harvard’s Fogg Museum.
(Note: The article is marked “(Continued on page four)” at the bottom right.)
This is a transcript of a newspaper article published in 1930. The article is about the Morgan Manuscript in Persian Miniature, which was on display at the Fogg Art Museum, Harvard University. The manuscript is a famous Lent for Exhibition, which includes many fine miniatures. The article discusses the cultural significance of the manuscript and its importance in the political world of the Persians. The article also mentions that the manuscript was created in the 13th century and was influenced by the Mongol power. The article provides a detailed description of the manuscript's miniatures and their artistic value.
The image is a photograph of a newspaper clipping featuring an article titled "Morgan Manuscript in Persian Miniature." The clipping is from a publication dated January 29, 1930. The article is written by Henry S. Francis, who appears to be an art historian or curator, given the context of the article.
The article discusses the significance of a thirteenth-century Persian manuscript that is part of the Morgan Library's collection. The manuscript is described as a "famous breviary of thirteenth-century Lent for exhibition," which includes many fine miniatures. The article highlights the importance of this manuscript as a representation of Persian art and culture.
The text is dense and filled with historical and artistic analysis. It mentions the Fogg Museum at Harvard University, where the manuscript is exhibited, and discusses the influence of Persian miniatures on the artistic achievements of Greece and Rome. The article also touches on the historical context of the manuscript, including the rise of Mohammedan religion and its impact on artistic traditions.
The clipping is mounted on a piece of paper with two circular holes punched on the right side, suggesting it may have been part of a larger collection or display. The edges of the clipping are slightly frayed, indicating it has been handled or stored for a long time.
The article is part of a larger discussion about Persian paintings and books, as indicated by the headline "Persian Paintings and Books on View at Fogg." The text also mentions an exhibition of Persian paintings from the thirteenth to the seventeenth century, curated by S. Francis, which includes works from the Fogg Museum and New York galleries.
The article provides a detailed examination of the artistic and historical significance of Persian miniatures, their influence on other cultures, and the importance of preserving and studying these works. It also touches on the challenges of dating and attributing these works, given the lack of definitive information and the gradual development of artistic styles over time.
The image shows a scanned page from a historical or academic publication, likely a journal or magazine, dated January 29, 1930. The page is titled "Morgan Manuscript in Persian Miniature" and appears to be an article discussing Persian art, specifically focusing on manuscripts and miniatures. The layout and typography suggest it is from an early 20th-century publication, with dense text and a structured format typical of scholarly or artistic journals.
The page is divided into two main sections, each discussing different aspects of Persian art and culture:
This section is authored by Henry S. Francis and explores the Morgan Manuscript, a notable example of Persian miniature art from the 13th century. Key points include:
Historical Context:
Artistic Merit:
Cultural Significance:
Exhibition Context:
This section is a continuation or related article, focusing on Persian painting and books on view at the Fogg Art Museum. Key points include:
Exhibition Overview:
Historical Period:
Artistic Techniques:
Cultural and Historical Context:
The page reflects a scholarly and artistic interest in Persian miniature art, particularly from the 13th to the 16th centuries. It combines historical analysis, artistic critique, and cultural context to provide readers with a comprehensive understanding of the significance of Persian manuscripts and paintings. The mention of the Fogg Art Museum indicates that the article is part of a broader effort to showcase and preserve these valuable artifacts.
The content is dense and informative, aimed at an audience with an interest in art history, cultural studies, or the history of the Middle East.
This image shows a vintage newspaper clipping featuring an article with the headline "Morgan Manuscript in Persian Miniature." The date at the top of the clipping reads "Transcript, Jan. 29/30," suggesting that it is from January 29 or 1930.
The article discusses a 13th-century bestiary that was on exhibit, including many fine miniatures and is authored by Henry S. Francis. The text is presented in two columns on what appears to be a page from a newspaper's arts section.
On the right side of the clipping, a smaller article titled "PERSIAN PAINTINGS AND BOOKS ON VIEW AT FOGG" is visible, also written by Henry S. Francis. This article focuses on Persian paintings and books from Timurid and Herat schools shown at a museum, mentioning that they are rare manuscripts and include important works dated after the twelfth century.
At the bottom of the first column, the word "Continued" indicates that the story likely continues on another page not visible in the image. The newspaper itself shows signs of age with yellowing and slight wear, and it also has three punched holes on the right-hand side, which indicate that it may have been stored in a binder or filing system.
The image shows a yellowed newspaper clipping with two articles.
At the top, prominently featured in bold letters, is the headline: "Morgan Manuscript in Persian Miniature." Underneath the headline, the article by Henry S. Francis details the exhibition of a famous bestiary of the thirteenth century, which includes many fine Persian miniatures. The date at the top indicates "Transcript, Jan. 28, 1930."
The article discusses the historical and artistic significance of the Persian miniatures, noting their cultural impact and development over time. It examines the influence of various regions and significant figures on Persian miniature art, and discusses the importance of careful study and preservation of these works.
Beside this article, there is a smaller clipping dated "Crimson, Jan 28" with the headline: "Persian Paintings and Books on View at Fogg." This article reviews the exhibition at the Fogg Art Museum, noting the collection of Persian paintings and rare manuscripts from the twelfth century onwards. It provides a brief context about Persian paintings, their historical timeline, and the types of works included in the exhibition.
The entire page appears to be carefully preserved, possibly punched for binder storage, indicating its value for archival purposes.
This image depicts an old newspaper or magazine clipping titled "Morgan Manuscript in Persian Miniature." The article, authored by Henry S. Francis, mainly discusses a famous illuminated manuscript of Persian miniature paintings from the 13th century. It was loaned for exhibition, likely at a museum or gallery, and contains fine miniatures of particular cultural or artistic significance.
The text consists of two segments. The left portion contains a detailed article describing the historical and artistic importance of Persian miniature painting and its context in history. It specifically mentions the 1258 capture of Baghdad and the subsequent effects on Persian art and culture. An analysis of stylistic developments and influential figures in this art form occupies much of the discussion.
The right portion is a smaller clipping titled "Persian Paintings and Books on View at Fogg," discussing Timurid and Herat school Persian works on display at the Fogg Art Museum. This section mentions rare items and manuscripts dated after the 12th century.
The layout features black printed text on aged, slightly discolored paper. The sheet has hole punches on the right-hand side, likely for archiving purposes. Handwritten at the top left is "Transcript, Jan. 29, 1930," denoting the clipping source and date.