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ARCH.2003.25, Rendition: 793925
The image appears to be a scanned page from the New York Times dated January 19, 1930. The article is titled "The Cincinnati Museum Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection," written by James J. Sweeney. The page is divided into two columns with text discussing the reopening of the Cincinnati Museum of Fine Arts, its new wings, and the collection of art housed within.
The article highlights the museum's expansion, mentioning three new wings and the extensive art collection, including works by famous artists such as Van Dyke, Cranach, Thomas Gainsborough, and Rembrandt. It also touches on the contributions of private collectors like Mary M. Emery, Mary Hanna, and Herbert Greer French. The article provides details about the exhibitions and the important pieces of art on display.
At the bottom of the page, there is a small photograph depicting a still life scene with a book, an apple, and what looks like a piece of bread or a loaf of bread in a bag. The photograph has a vintage, black-and-white quality, consistent with the time period of the article.
The paper appears to be slightly aged with some discoloration, and there are perforated holes on the right side, suggesting that it might have been part of a loose-leaf notebook or a binder. The article gives insight into the culture and art scene of Cincinnati in 1930 and the significance of the museum's reopening.
This image is a scanned page from the New York Times, dated January 19, 1930. The page contains an article titled "The Cincinnati Museum Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection" by James J. Sweeney. The article discusses the reopening of the Cincinnati Museum of Fine Arts with the addition of three new wings and highlights the many great pictures in the collection.
The article is divided into two columns, with the left column containing the main text and the right column providing additional details about the museum's collection. At the bottom of the left column, there is a black-and-white photograph of a painting, which appears to be one of the works in the museum's collection.
The article mentions the recent appointment of Mr. Siple as the new curator and describes the renovations and reorganization of the museum. It also discusses the fundraising efforts for the museum and the new curatorial focus on contemporary decorative arts. The article goes on to describe the collections donated by various individuals and the significance of the new additions to the museum.
At the bottom of the page, the date "Jan. 19, 1930" is handwritten, indicating the date of the newspaper. The page also has three holes punched into the right margin, suggesting it was part of a scrapbook or binder.
This image displays a vintage newspaper clipping from The New York Times, dated January 19, 1930, featuring an article titled:
"THE CINCINNATI MUSEUM Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection"
The article is written by James J. Sweeney and provides a detailed review of the reopening and expansion of the Cincinnati Museum of Fine Arts.
Reopening & Expansion: The museum reopened after renovation and was expanded with three new wings, marking its 50th anniversary. This was also the first public showing under its new curator, Mr. Siple.
Funding & Significance: A $4,000,000 fund (raised in 1928) supported these expansions, enabling the museum to display its extensive art collection and solidify Cincinnati’s status as an important cultural center in the Midwest.
Curator’s Background: Mr. Siple is described as having a “determined, almost ‘ivory tower’ attitude.” He previously worked at the Fogg Museum at Harvard, taught at Groton, and studied in Europe, particularly at the Fogg in 1927.
New Collections:
Notable Artworks Mentioned:
Artistic Philosophy: Siple is noted for organizing the collection around “advanced tendencies of the twentieth century” and favoring “subtlety” over “sensationalism” — a modernist curatorial approach.
Photo Inset: On the lower-left side of the page, there is a small, grainy, black-and-white photograph of what appears to be a painting or sculpture depicting a draped female figure, possibly in profile, though the image is blurry and details are indistinct.
“New York Times Jan 19, 1930”
The article reflects the cultural ambition of Cincinnati in the 1930s and positions the museum — and its new curator — as bold and forward-thinking in its curatorial choices. The tone is admiring of Siple’s vision and the museum’s acquisitions, framing the reopening as a major regional milestone in American art.
This clipping serves as a historical document illuminating early 20th-century American museum practices, the role of private collectors, and the evolving tastes in art curation.
The image is a newspaper article titled "The Cincinnati Museum Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection." The article, dated January 19, 1920, discusses the reopening of the Cincinnati Museum, which was renovated and expanded to celebrate its fiftieth anniversary. The museum's curator, Mr. Sipe, played a significant role in the renovation and expansion, which included new wings and an increase in display space.
The article highlights the museum's collection, which features works from various periods and artists, including notable pieces by Van Dyck, Titian, and Thomas Gainsborough. It also mentions the contributions of Mr. French, who donated a collection of fine prints and drawings, and the J. J. Emery collection, which contains works by artists such as Rembrandt, Cranach, and Van Leyden.
The article emphasizes the educational value of the museum and its role in preserving and showcasing art. It concludes by noting the significance of the museum's reopening and the importance of its resources for the community.
The image is a scanned page from a newspaper, dated January 9, 1920, published by the New York Times. The page features a headline that reads, "THE CINCINNATI MUSEUM Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection." The article is authored by James J. Sweeney.
The article discusses the reopening of the Cincinnati Museum, which had undergone a significant renovation and expansion. The museum now boasts three new wings, each dedicated to different artistic collections. The first wing houses the collection of Mr. Sipe, which includes fine old masters and works by contemporary artists. The second wing is a gift from Miss Mary M. Emery, featuring notable canvases such as Dirk Bouts' "Portrait of the Mees," Titian's "Philip II of Spain," and Bronzino's "Portrait of Toledo and Her Son." The third wing, a donation from Mr. French, showcases classic Italian art, including works by Raphael, Leonardo da Vinci, and others.
The article highlights the contributions of various collectors and donors, including Miss Hanna, whose collection is described as "the finest late nineteenth-century work in Cincinnati." It also mentions the museum's acquisition of important oil paintings for the Dale Collection in New York, which has not yet been presented to the public.
The article emphasizes the museum's commitment to education and its role in preserving and displaying significant works of art. It concludes by noting the museum's efforts to attract more visitors and the positive impact of the recent renovations on the institution.
The image is a scanned page from a historical newspaper or magazine article titled "THE CINCINNATI MUSEUM". The article discusses the reopening of the Cincinnati Museum of Fine Arts, which took place on Last Thursday, marking the fifth anniversary of the institution's founding. The article is authored by James J. Sweeney and is dated January 19, 1920, as indicated by a handwritten note at the bottom right corner.
Reopening Details:
Fundraising and Support:
New Additions:
Art Collections:
Artistic and Architectural Features:
Curatorial and Educational Role:
Historical Context:
Overall, the image captures a historical moment in the life of the Cincinnati Museum of Fine Arts, showcasing its transformation, expansion, and commitment to art education and preservation.
This image is a photograph of an old newspaper clipping mounted on a page, as indicated by the three holes punched on the left margin suitable for filing. The headline reads "THE CINCINNATI MUSEUM Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection," and the article is written by James S. Sherrill for The New York Times, dated January 9, 1920. Below the headline on the left side, there is a small, somewhat faded image, likely a photograph related to the content of the article.
The article discusses the reopening of the Cincinnati Museum and its new additions, highlighting aspects of its collection and the significance of its various exhibits. On the right side, another column is visible, which seems to continue a separate article from the previous column, but details on its content aren't fully discernible due to the overlap and the cutting off of text from the image provided. The visible portion on the right column mentions the name "Miss Hanna" and references to gardening and art collecting. A phrase "Going to Market" is also visible, which could be related to a painting or artwork being discussed in this section.
The condition of the clipping and the manner in which it is presented suggest it has historical value and is being preserved for archival or research purposes. The handwriting "New York Times" at the bottom right corner of the page further confirms the newspaper source.
This image shows a newspaper clipping from the New York Times dated January 19, 1930. The clipping discusses the reopening of the Cincinnati Museum with three new wings and highlights notable pictures in the collection.
The article is titled "The Cincinnati Museum Has Just Been Reopened, With Three New Wings - Many Great Pictures in Collection" by James S. Sweeney. It includes a detailed description of the museum's expansion, mentioning specific artworks and contributions from various artists.
A photograph is featured in the lower section of the clipping, depicting a still life with a few objects, possibly fruit, arranged on a surface.
The article contains references to notable art pieces and artists such as Van Dyck, Sir Martin Conway, and Hans Holbein, among others, and mentions several collections, including the Mary M. Emery Collection. Additionally, it discusses the efforts and vision of Mr. Siple, the recently appointed director, and mentions contributions from Miss Hanna and Mr. French.
The clipping is mounted on a sheet with holes punched on the side, possibly for inclusion in a binder.
This image features a newspaper clipping, which appears to be an article discussing the reopening of the Cincinnati Museum of Art with the addition of three new wings. The article, written by James Sweeney and dated January 19, 1930 (as noted at the bottom), details the museum's expansion and highlights significant pieces in its collection.
The text is divided into two columns with a focus on the museum's newly curated selection, organizational efforts, and the efforts of Mr. Siple, a key figure in the reopening. Additionally, a small, grainy image of artwork depicting a still life (possibly with fruit or other objects) is located near the lower left corner of the clipping.
Overall, this document provides historical insight into the Cincinnati Museum of Art and its evolution during the early 20th century.
A scanned scrapbook page showing two old newspaper clippings about The Cincinnati Museum. The left clipping features a bold headline: “The Cincinnati Museum Has Just Been Reopened, With Three New Wings—Many Great Pictures in Collection,” by James J. Sweeney, with dense text and a black-and-white photo near the bottom. The right clipping is a narrow column layout with more text about the museum’s collection. The page is aged, with yellowed tint and two punched holes on the right edge, and at the bottom someone has handwritten “New York Times Jan 29, 1920.” There are blue-green marks circling parts of the text.