Archives Scrapbooks

The image shows a collection of newspaper clippings and notes, dated between November 23 and November 30, 1929. Here is a detailed summary of the contents:

1. Francis on Graphic Arts and 19th Century Influences (Nov 23, 1929)

   • Discusses the influence of 19th-century painting on 20th-century graphic arts.
   • Mentions Walter S. Brewster, director of the Cincinnati Museum, and his views on the influence of Impressionism.
   • Highlights the work of artists like Renoir, Cézanne, and Delacroix.
   • Explains the importance of color in graphic arts and the influence of Delacroix's use of color.

2. Pioneer Workers for Blind Here (Nov 26, 1929)

   • Features Winifred Holt Mather and her husband, who are working on a system to help the blind read through raised dots.
   • Describes their work in India, Egypt, and other countries to promote education for the blind.
   • Mentions their efforts to establish a center for the blind in Japan.
   • Highlights their travels and the support they have received from various organizations.

3. Fogg Art Museum Notes (Nov 24, 1929)

   • Lists events and exhibitions at the Fogg Art Museum, Harvard University.
   • Includes an exhibition of drawings from the Fiftieth Anniversary Exhibition of the Society of Painters in Water Colors.
   • Mentions a lecture by John Nicholas Brown on prints from the Fifteenth to the Eighteenth Centuries.
   • Notes a lecture by John Coolidge on drawings by John Singer Sargent.
   • Announces a recent acquisition of paintings by Giotto.
   • Mentions a lecture by G. Holmes Perkins on the School of Giotto.
   • Includes a notice about a lecture by Paul J. Sachs on Fine Arts and the Fogg Art Museum.

4. Muneyoshi Yanagi Lecture (Nov 28, 1929)

   • Announces a lecture by Muneyoshi Yanagi, a Japanese critic and authority on Japanese art.
   • Mentions his work on the "Unknown Craftsman" and his expertise in folk art.
   • Highlights his views on the artistic value of everyday objects.

5. Stradivarius Instruments Concert (Nov 29, 1929)

   • Announces a concert featuring Stradivarius instruments.
   • Mentions the use of a Stradivarius violin, viola, and cello in the concert.
   • Highlights the rarity and value of these instruments.

6. Post Event Note (Nov 17, 1929)

   • Mentions a post-event at the Fogg Art Museum, Harvard University.
   • Includes a lecture by Paul J. Sachs on the development of the museum's collections.

7. Exhibition of Forty-one Sorrento Drawings (Nov 30, 1929)

   • Announces an exhibition of drawings by John Singer Sargent at the Fogg Art Museum.
   • Mentions that the drawings are largely studies for decorations.
   • Highlights the acquisition of these drawings through Thomas A. Fox.

The clippings provide a snapshot of cultural and educational events and initiatives from late November 1929, focusing on art, education, and social welfare.

The image displays a collection of newspaper clippings, each with its own distinct headline and content. The clippings are dated between November 17 and November 30, 1929, as indicated by the timestamps at the top of each article. Here is a detailed summary of each clipping:

1. Clipping 1 (Top Left, Dated Nov. 23, 1929)

   • Headline: "Francis on Graphic Arts and 19th Century Influences"
   • Content: The article discusses the artistic traditions of France in the 19th century and their global impact. It mentions Walter S. Stable, a former curator at the Fogg Art Museum, who is quoted discussing the influence of French artists like Ingres and Delacroix on modern art. The piece also touches on how the Fogg Art Museum is preparing for a new exhibition.

2. Clipping 2 (Top Right, Dated Nov. 26, 1929)

   • Headline: "Pioneer Workers for Blind Here"
   • Content: This article profiles Winifred Holt and Rufus Graves, pioneers in the field of education for the blind. They are recognized for their work at the Perkins Institution and their efforts to promote Braille. The article details their careers, achievements, and the Perkins Institution's activities, including a lecture by Rufus Graves.

3. Clipping 3 (Middle Left, Dated Nov. 24, 1929)

   • Headline: "Color Triumphant Over Lines"
   • Content: This article explores the shift from line-dominated art to color-dominated art, with references to artists like Ingres and Delacroix. It discusses the evolution of artistic techniques and the growing appreciation for color in modern art.

4. Clipping 4 (Middle Center, Dated Nov. 26, 1929)

   • Headline: "This week in Boston"
   • Content: The article lists events at the Fogg Art Museum, including exhibitions of drawings by John Nicholas Brown and John Singer Sargent, and a lecture by Rufus G. Mather. Specific details about the exhibits and the schedule of events are provided.

5. Clipping 5 (Middle Right, Dated Nov. 30, 1929)

   • Headline: "Muneyoshi Yanagi, Japanese Critic and Philosopher, to Give Lecture on 'Peasant Paintings of Japan'"
   • Content: This article announces a lecture by Muneyoshi Yanagi on Japanese peasant paintings at the Fogg Art Museum. It also mentions an exhibition of Japanese folk art and a concert featuring Japanese music.

6. Clipping 6 (Bottom Left, Dated Nov. 17, 1929)

   • Headline: "Post Nov. 17, 29"
   • Content: This short piece discusses the Fogg Art Museum's exhibition of drawings by John Singer Sargent and the historical significance of the works on display.

7. Clipping 7 (Bottom Right, Dated Nov. 30, 1929)

   • Headline: "FOGG ART MUSEUM"
   • Content: The article describes an exhibition of forty-one drawings by John Singer Sargent, donated to the Fogg Art Museum by his sisters, Mrs. Francis Ormond and Miss Emily Sargent.

Each clipping provides a glimpse into the cultural and artistic events of the time, with a particular focus on the activities and exhibitions at the Fogg Art Museum, lectures, and profiles of influential figures in art and education.

The image is a collection of newspaper clippings from the Boston Transcript and the Boston Globe, covering various dates in November 1929. Here is a detailed summary of each article:

1. Top Left - Transcript, Nov 23, 1929: "Francis on Graphic Arts and 19th Century Influences"

   • This article discusses the influence of the 19th-century French artist Francis on the graphic arts. It highlights how Francis’s work in printmaking impacted the artistic traditions of France and beyond, particularly noting his use of line and color. Walter Pach, an art critic, delivered a lecture on this topic at the Cincinnati Art Museum.

2. Top Right - Transcript, Nov 26, 1929: "Pioneer Workers for Blind Here"

   • This article profiles Rufus Graves Mather and his wife, pioneer workers for the blind. They have dedicated their lives to improving conditions for the blind globally, working in various countries and helping to establish organizations for the blind. Mr. Mather is scheduled to speak at the Fogg Art Museum.

3. Center Left - Transcript, Nov 26, 1929: "Color's Triumphant Over Line"

   • This piece elaborates on a lecture by Walter Pach about the use of color in art, particularly the innovations by artists like Delacroix and the Impressionists. It argues that color has become a dominant force in modern art, moving beyond the classical emphasis on line and form.

4. Center - Transcript, Nov 24, 1929: Events at Fogg Art Museum

   • This segment lists upcoming events at the Fogg Art Museum, Harvard University. It mentions exhibitions, including one of drawings by John Singer Sargent and prints by John Nicholas Brown, as well as a lecture by Rufus G. Mather on the pioneer work for the blind.

5. Bottom Right - Post, Nov 17, 1929: "Post" Article

   • This article announces a special exhibition of drawings by John Singer Sargent at the Fogg Art Museum. It also notes a lecture by Rufus Graves Mather on the work for the blind, emphasizing the importance of such initiatives.

6. Bottom Right - Gazette, Nov 30, 1929: "Fogg Art Museum"

   • This article from the Gazette highlights an exhibition of preliminary work for decorations by John Singer Sargent. The drawings are on loan to the Fogg Art Museum and are displayed in memory of Sargent.

7. Additional Small Clippings

   • There are smaller notices about museum open hours and an event featuring Japanese critic Yanagi discussing Japanese folk art.

Overall, these articles from November 1929 focus on art exhibitions, lectures, and significant figures in the art world and their contributions, particularly in the realms of graphic arts and work for the visually impaired.

The image is a collection of newspaper clippings and transcripts from various dates in November 1929, featuring articles and announcements related to the Fogg Art Museum at Harvard University.

1. Transcript, Nov. 23, 29:

   • Francis on Graphic Arts and 19th Century Influences:
     • This article discusses the influence of 19th-century graphic arts on Francis, a former curator of prints at the Fogg Art Museum.
     • It mentions Francis's research on the techniques of printmaking, specifically the use of line and color, and the influence of artists such as Ingres.
     • The article highlights the importance of line in graphic arts and the various techniques used by artists to achieve desired effects.

2. Transcript, Nov. 26:

   • Pioneer Workers for the Blind Here:
     • This article focuses on Winifred Holt Mother and her husband, Rufus Graves Mother, who are pioneers in establishing schools for the blind.
     • It details their efforts in establishing centers for the blind in various countries, including Egypt, Italy, Poland, and China.
     • The article mentions their work in founding the West Virginia School for the Blind and their extensive travels to promote their cause.

3. Nov. 26, 1929:

   • Muneyoshi Yanagi, Japanese critic and artist:
     • A lecture by Muneyoshi Yanagi, a Japanese critic, is announced.
     • The lecture, titled "Japanese Folk Art and its Influence on Modern Art," will be held at the Fogg Art Museum.
     • The lecture is scheduled for December 12, 1929, and will be followed by a special exhibit of Japanese folk art drawings.

4. Nov. 24:

   • Fogg Art Museum, Harvard University:
     • This article provides information about the Fogg Art Museum's opening hours and exhibitions.
     • It mentions the loan exhibition of drawings from the Fitzwilliam Museum and the exhibition of prints from the 15th to the 19th century.
     • An upcoming lecture by Rufus G. Mother on "Documentary Research in the Fine Arts" is also announced.

5. Post, Nov. 17, 29:

   • Fogg Art Museum, Harvard University:
     • The article discusses the opening of the Fogg Art Museum to the public from 9 a.m. to 5 p.m. on weekdays and 2 to 5 p.m. on Sundays.
     • It lists the exhibitions and special events, including the loan exhibition of drawings from the Fitzwilliam Museum and a lecture by John Nicholas Brown.

6. Gazette, Nov. 30:

   • FOGG ART MUSEUM:
     • An exhibition of forty-one Sargent drawings is announced.
     • These drawings are studies for preliminary work for decorations and were given to the museum by John S. Sargent's sisters.

Overall, the clippings provide a snapshot of the cultural and educational activities at the Fogg Art Museum during November 1929, highlighting lectures, exhibitions, and the pioneering work of individuals like the Mothers in the field of education for the blind.

The image displays a series of newspaper clippings and a transcript from the late 1920s to early 1929. Here is a detailed summary of the content:

1. Top Left: Transcript, Nov. 23, 1929

   • The article discusses the influence of French graphic arts and the 19th-century trends on the art of the nineteenth century. It mentions Mr. Francis, a curator at the Fogg Art Museum, who was previously at the Cleveland Museum of Art. The text delves into the techniques and influences of the French artist Ingres, emphasizing his use of line and color.

2. Top Right: Transcript, Nov. 26

   • The article highlights the pioneering work of Rufus Graves Mother and Winifred Holt Mother for the blind. It details their extensive tour of the world, establishing centers for the blind in various countries, including Egypt, Palestine, Syria, Greece, China, and Japan. The Mothers were instrumental in founding the Florence Nightingale School for the Blind in Egypt.

3. Middle Left: This Week in Boston, Nov. 24

   • This section lists various events at the Fogg Art Museum, including exhibitions and lectures. Notable events include a lecture by Rulfs G. Mother on the Division of Fine Arts and a documentary research session. The museum was open to the public on specific days and times.

4. Middle Right: Post, Nov. 17, 1929

   • This section mentions the Fogg Art Museum's open hours and a special exhibition of drawings by John Nicholas Brown. It also notes a loan exhibition of drawings from the Fogg Museum, including works by various artists such as Paul J. Weber.

5. Bottom Left: Fog Art Museum, Harvard University

   • The clipping notes the opening of an exhibition of forty-nine Sargent drawings, a special exhibition to honor John S. Sargent through his sisters, Miss Emily Sargent and Mrs. Francis Ormond, and curated by Mr. Thomas A. Fox.

6. Bottom Right: Gazette, Nov. 30

   • This section provides details about the opening of the exhibition of forty-nine Sargent drawings at the Fogg Art Museum, which were given in memory of John S. Sargent by his sisters.

Overall, the clippings and transcript detail the activities, exhibitions, and educational initiatives related to the Fogg Art Museum during late 1929 and early 1929, focusing on art exhibitions, lectures, and the work of pioneering individuals in the field of art and education for the blind.

The image is a collage of newspaper clippings and a magazine article, dated from November 1929. Here is a detailed summary of each section:

1. Top Left (Transcript, Nov. 23, 29):

   • Title: Francis on Graphic Arts and 19th Century Influences
   • Content: Discusses the artistic evolution and influences of graphic arts in the 19th century, focusing on the works of artists like Ingres. It highlights the impact of color and line in graphic techniques and mentions Francis' role in the Museum’s bulletin.

2. Top Right (Transcript, Nov. 26):

   • Title: Pioneer Workers for Blind Here
   • Content: Discusses the efforts of Wintfred Holt Mother and Rufus Graves Mother, pioneers in establishing graphic art centers for the blind. They have traveled extensively to establish such centers in various parts of the world, including the United States, Europe, and Asia.

3. Bottom Left (This Week in Boston, Nov. 24):

   • Details: Announces the opening of the Fogg Art Museum on Quincy Street and Broadway, Cambridge. It mentions special exhibitions and events:
     • Loan exhibition of drawings from the Fitzwilliam Museum.
     • Exhibition of prints from the Fifteenth to the Nineteenth Century.
     • Lecture by John Nicholas Brown on graphic prints.
     • Lecture by Rulius G. Math on graphic art and its relationship to the Division of Fine Arts.
     • A documentary research session on the Fine Arts.

4. Bottom Middle (Post, Nov. 17, 29):

   • Content: Announces the opening of the Fogg Art Museum’s exhibition of Sargent drawings. It highlights the significance of these drawings in honoring the legacy of John Sargent by his sisters.

5. Bottom Right (Gazette, Nov. 30):

   • Title: Fogg Art Museum
   • Content: Details an exhibition of forty-nine Sargent drawings given in memory of John Sargent. The exhibition is part of the Fogg Art Museum’s ongoing efforts to preserve and promote Sargent's legacy.

The combined content indicates a focus on graphic art, the contributions of early pioneers in art education for the visually impaired, and the cultural and educational events taking place at the Fogg Art Museum in Cambridge, Massachusetts, around late November 1929.

This image features a page with various newspaper clippings pasted onto it, dating from November 1929. It seems to be arranged in a scrapbook-like format, with clippings of different sizes and from different sources placed together on the same sheet. The page is organized in columns with individual articles. Here are some of the pieces I can identify:

1. On the top left is an article titled "Transcript, Nov. 23 '29" which appears to discuss Francis on Graphic Arts and 19th Century Influences on art trends.

2. Next to the first clipping, on the right side at the top, is another article from "Transcript, Nov. 26" talking about "Pioneer Workers for Blind Here," referring to the arrival of Mr. and Mrs. Wilfred Matlhon and their work in the development of a workshop for the blind.

3. On the bottom left, there's a section labeled "This week in Boston, Nov. 24" with a mention of an art show "held under the auspices of Quincy Street," possibly at a museum or exhibition space.

4. To the bottom right, there's a clipping from "Gazette, Nov. 30" discussing a "FOGG ART MUSEUM" with an exhibition of drawings, including works by John Singer Sargent.

5. To the right of the article discussing Pioneer Workers for the Blind, there are two smaller clippings with dates "Nov. 30, 1929" and "Nov. 4, 1929," which are a bit harder to read due to their size and the quality of the image.

The page itself shows signs of wear and aging, including discoloration, edge damage, and holes for binder rings on one side. This collage-like collection of articles provides insight into artistic and cultural events of late November 1929, as covered by different publications.

The image contains a collection of newspaper clippings, which are mounted on a sheet of paper. The clippings cover various topics and events, primarily related to the Fogg Art Museum and individuals associated with it.

1. Clip titled "Francis on Graphic Arts and 19th Century Influences"

   • Dated Transcript, Nov. 23, 1929.
   • Discussion on trends in graphic arts.
   • Mentions Henry S. Francis, Assistant Curator of the Museum of Fine Arts, Boston.
   • Includes details about his lecture on European graphic arts history.

2. Clip titled "Pioneer Workers for Blind Here"

   • Dated Transcript, Nov. 26 (no year provided).
   • Feature on Winifred Holt Mather and Ruth Greenough Mather, who are notable for their work aiding the blind.
   • Describes their visit to Boston and their lecture on "Documentary Research" at the Fogg Art Museum.
   • Discusses their efforts to create instructional materials for blind individuals and their international travels for philanthropic work.

3. Clip titled "Fogg Art Museum" (left column)

   • Detailing exhibitions and lectures at the Fogg Art Museum.
   • Advertises John Nicholas Brown's Exhibitions and tours.

4. Clip titled "Post, Nov 17, 29"

   • Mention of an exhibition of portraits by John Singer Sargent at the Fogg Art Museum.
   • Promotes portraits of Mrs. F. W. Gair and Charles G. Washburn.

5. Clip titled "Gazette, Nov. 30"

   • Another mention of an exhibition at the Fogg Art Museum.
   • Describes an exhibition of preliminary works and drawings by John Singer Sargent, donated by the artist's sisters.

The sheet also has handwritten annotations noting dates, such as "Transcript Nov. 30, 1929" and other dates associated with respective articles. The presence of hole punches suggests it may have been stored in a binder or similar storage device.

The image shows a scrapbook or collection of newspaper clippings and handwritten notes arranged on a single sheet, each dated around late November 1929. The content centers mostly on art-related events and announcements, specifically related to the Fogg Art Museum at Harvard University.

Key elements include:

1. An article titled "Francis on Graphic Arts and 19th Century Influences" discussing artistic traditions in 19th century France and their influence on graphic arts. It references Henry S. Francis, former curator of prints at the Cleveland Museum and assistant to the director of the Fogg Museum.

2. A clipping about "Pioneer Workers for Blind Here," featuring Winifred Holt Mather and her husband Rufus Graves Mather and their efforts in establishing "Lighthouses" for the blind worldwide, with detailed information about their international work.

3. A small newspaper announcement about a lecture by Muneyoshi Yanagi, a Japanese critic and essayist, discussing "Peasant Paintings of Japan," scheduled at the Fogg Art Museum.

4. A brief note about a Stradivarius Quartet performance on the evening of an upcoming Thursday.

5. A section titled "Post, Nov. 17, '29" about the Fogg Art Museum opening daily and featuring exhibitions of drawings and prints from the 15th to 19th centuries.

6. A description of "This week in Boston, Nov. 24," highlighting the Fogg Art Museum's open hours and exhibitions, including a special lecture by Rufus G. Mather.

7. A clipping from the Gazette on Nov. 30 detailing an exhibition of 41 Sargent drawings at the Fogg Art Museum, given in memory of John S. Sargent.

Overall, the sheet combines historical newspaper and journal excerpts primarily related to exhibitions, lectures, and notable figures connected with the Fogg Art Museum and the art world in Boston during late 1929. The edges of the sheet and clippings show signs of aging with some discoloration and small tears. There are also three punched holes on the right side, indicating the sheet may have been stored in a binder.

The image depicts a scanned page from a newspaper or publication, dated November 24, 1929. The page contains several articles and announcements related to art, culture, and events in Boston. Here is a detailed description:

Layout and Content:

1. Header:

   • The top of the page features the title: "Transcript, Nov. 26", indicating that this is a transcript or summary of events or articles from November 26, 1929.
   • There is also a handwritten note in the top-right corner that reads "Transcript Nov. 30, 1929", suggesting that this is a transcript or summary of events from November 30, 1929, as well.

2. Main Articles:

   • The page is divided into multiple sections, each containing different articles or announcements.

Left Column:

• Article Title: "Francis and 19th Century Influences"

  • This article discusses the influence of the 19th-century artist Jean-François Millet on later artists, particularly focusing on how Millet’s work, such as his painting The Gleaners, inspired other artists. The text explores Millet’s legacy and how his style and themes were adopted or adapted by subsequent artists.
  • The article mentions Millet’s influence on artists like John Singer Sargent and others, highlighting the enduring impact of his work.

• Article Title: "Pioneer Workers for Blind Here"

  • This article focuses on Winifred Holt Mather and her husband, Rufus Graves Mather, who were pioneers in advocating for the blind. It details their work in establishing institutions and programs to support the blind, including the founding of the American Foundation for the Blind in 1921.
  • The article highlights their efforts in creating educational and employment opportunities for the blind, such as the Industrial Home for the Blind in Brooklyn and the American Foundation for the Blind in New York. It also mentions their international work, including trips to Egypt, Java, and other regions to promote blindness prevention and support.

Right Column:

• Article Title: "Fog Art Museum, Harvard University"

  • This section provides details about an exhibition at the Fogg Art Museum, located at the corner of Quincy Street and Broadway in Boston. The museum is open free to the public on certain days, and the article lists several exhibitions and events:
    • Maya Art, lent from 9 to 5.
    • Peabody Museum Loan Exhibition of Drawings from the Fiftteenth and Sixteenth Centuries.
    • John Nicholas Brown Exhibition of Prints from the Fifteenth to the Nineteenth Century.
    • Exhibition of Drawings by John Singer Sargent.
    • Exhibition of Paintings from the School of Giotto.
    • A lecture by Rufus G. Mather on "The Documentary Research in the Fine Arts" will be held at 4:30 p.m., under the auspices of the Division of Fine Arts.

• Additional Notes:

  • The article also mentions that the Fogg Art Museum will host a special exhibit of forty-one Sargent drawings, which are largely studies of preliminary work for decorations being shown at the museum in memory of John S. Sargent, his sisters, Miss Emily Sargent and Mrs. Frances Ormond, through Mr. Thomas A. Fox.

Other Elements:

• Handwritten Notes:

  • In the top-right corner, there is a handwritten note: "Transcript Nov. 30, 1929", indicating that this page is part of a transcript or summary of events from November 30, 1929.
  • There are additional handwritten notes in the margins, such as "But there is music in the air before Thursday" and "This evening the Stradivarius Quartet of New York City will give as the first of their three programs...", suggesting that the page may have been annotated or used for personal reference.

• Footer:

  • At the bottom of the page, there is a note: "This week in Boston, Nov. 24", indicating the date of the publication or the events being summarized.

Visual Characteristics:

• The page has a classic newspaper layout with columns of text, headlines, and subheadings.
• The text is printed in a serif font, typical of newspapers from the early 20th century.
• The page shows signs of age, with slight discoloration and some faint markings, suggesting it is a historical document.

Overall Impression:

The page provides a snapshot of cultural and artistic events in Boston during the late 1920s, highlighting the influence of Millet on modern art, the pioneering work of the Mathers for the blind, and various exhibitions and lectures at the Fogg Art Museum. The handwritten notes suggest that the page was used for personal reference or annotation, adding a layer of historical context to its content.