Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.25, Rendition: 793898
The image is a scanned copy of a newspaper article from The New York Times dated September 15, 1929, with a secondary clipping from the Herald dated September 15, 1929, and September 22, 1929. It discusses the establishment of the Museum of Modern Art (MoMA) in New York City and details its early planning and activities.
The article by Edward Alden Jewell, titled "MUSEUM OF MODERN ART: Idea Long Agitated in This City Comes to Fruition—A Few Phases Considered," outlines the history of discussions about creating a modern art museum in New York and the progress made by a group of art lovers to bring this idea to fruition. It mentions the Museum's commitment to a series of loan exhibitions, focusing on French art initially, followed by American and European works, and then distinguished contemporary American painters. The article highlights the collaborative efforts of various individuals and institutions in making the museum a reality.
The secondary clipping from the Herald discusses "ART DOINGS AT CINCINNATI," reporting on the activities and progress of the Cincinnati Museum and its new director, Walter H. Siple, who has a background in Harvard-trained museum work. It also mentions her plans to increase her involvement in art education and appreciation.
Another clipping from the same Herald, dated September 22, 1929, titled "MUCH ART AT H. U.," provides updates on art exhibitions and collections, especially at Harvard Law School and the Fogg Art Museum. It details various art exhibitions, including the Law School's fine collection of portraits and early American jurists, and the Fogg's collections of Chinese art and modern sculptures.
Each article is marked with a handwritten label identifying the newspaper (New York Times or Herald) and the date. The pages are slightly aged, with visible creases and a faint brownish tone, indicating they are from an older printed source.
This image shows a page from a scrapbook or collection of clippings, featuring articles from newspapers dated in September 1929. The clippings are pasted onto a larger sheet of paper, which has handwritten notes at the top indicating the sources and dates of the articles.
Top Left Article:
Top Right Article:
Bottom Right Article:
The handwritten notes on the page provide additional context, such as the sources of the clippings and the dates they were published. The clippings are arranged in a somewhat overlapping manner, and the overall appearance suggests a historical collection of art-related news articles.
This image displays a scrapbook page containing several clipped newspaper articles from the fall of 1929, all focused on the art world, particularly the founding of the Museum of Modern Art (MoMA) in New York City.
The page has three visible binder holes along its right edge and is mounted on a slightly larger off-white backing sheet. Handwritten in ink at the top and bottom right corners is “Herald Sept 15, 1929” and “Herald Sept 22, 1929,” suggesting these clippings were collected from the New York Herald.
The clippings are arranged in two main columns:
Left Column (Dominant Article):
Right Column (Smaller Articles):
Top Article:
Middle Article:
Bottom Article (Partially visible):
Overall Significance:
The scrapbook page captures a pivotal moment in American art history—the very early days of the Museum of Modern Art’s public life, just a few weeks before its official opening in November 1929. The articles provide contemporary context, detailing the museum’s origins, leadership, and ambitious early programming. The inclusion of articles about Cincinnati and Harvard suggests the collector was broadly interested in the American museum scene and art education during this period. The handwritten dates indicate a careful, dated compilation of these news items.
The image shows a newspaper clipping from the New York Times, dated September 15, 1929. The clipping is part of a larger document, possibly a scrapbook or a collection of clippings, as it is placed on a white surface with other documents. The clipping itself is focused on the establishment of a Museum of Modern Art in New York City, which was a significant cultural development at the time. The text discusses the idea behind the museum, its potential impact on the art world, and the various phases and considerations involved in its creation. The clipping also mentions other art-related news, such as the arrival of a collection of ancient Chinese art at Harvard University and the exhibition of a notable painting by a French artist at the Fogg Museum.
The image is a page from a newspaper, specifically the New York Times, dated September 15, 1929. The page is divided into several sections, each with distinct headings and content.
The top left section is titled "MUSEUM OF MODERN ART" and features an article discussing the idea of establishing a museum of modern art in New York City. The article mentions the efforts of various individuals and institutions, including the Museum of Modern Art, which has been planning for several years to create a space dedicated to modern art. It highlights the challenges of finding a suitable location and the anticipation of the public for such a museum. The article also touches on the potential impact of such a museum on the art scene in New York.
The top right section is titled "ART DOINGS AT CINCINNATI" and provides updates on art activities in Cincinnati. It mentions the appointment of a new director for the Cincinnati Museum, the upcoming loan exhibitions, and the museum's efforts to acquire significant artworks. The article also discusses the museum's educational programs and the involvement of local artists and patrons.
The bottom left section is titled "MUCH ART AT H. U." and reports on the art collection at Harvard University. It mentions the acquisition of new artworks, the display of these pieces across various departments, and the efforts to document and preserve the collection. The article also highlights the contributions of faculty and students to the art collection.
The bottom right section is titled "MORALE" and appears to be a continuation of the article from the top right section, discussing the morale and enthusiasm surrounding the art activities in Cincinnati. It mentions the upcoming exhibition to commemorate the death of a prominent French artist and the inclusion of modern art in the exhibition.
The page also includes a small advertisement for the "Magazine Section" at the bottom, promoting the content available in the magazine section of the newspaper.
Overall, the page provides a comprehensive overview of the art scene in various locations, highlighting the efforts to establish and maintain art institutions, the acquisition and display of artworks, and the educational and cultural impact of these institutions.
The image is a scanned page from a newspaper, specifically from the New York Times dated September 15, 1929. The page features two articles:
Headline: "MUSEUM OF MODERN ART"
Subheadline: "Idea Long Agitated in This City Comes to Fruition—A Few Phases Considered"
Byline: By EDWARD ALDEN WELCH
This article discusses the establishment of the Museum of Modern Art (MoMA) in New York City. Key points include:
Headline: "ART DOINGS AT CINCINNATI"
This article provides updates on art activities in Cincinnati, including:
At the bottom of the page, there is a smaller article titled "MUCH ART AT H.U." which discusses art exhibitions at Harvard University, mentioning collections, lectures, and student engagement with art.
The image captures a historical moment in the development of modern art institutions, particularly the founding of MoMA, which was a significant cultural milestone. The articles reflect the broader interest in art and culture during the late 1920s, highlighting both local and international developments in the art world.
The image presents a scanned newspaper article from the New York Times, dated September 15, 1929, with the title "MUSEUM OF MODERN ART" and the subtitle "Idea Long Agitated in This City Comes to Fruition - A Few Phases Considered." The article is written by Edward Alden Jewell and discusses the establishment of the Museum of Modern Art in New York City.
In summary, the image presents a scanned newspaper article from the New York Times, dated September 15, 1929, discussing the establishment of the Museum of Modern Art in New York City. The article provides context for the museum's creation, highlights the efforts of various individuals and organizations involved, and discusses the potential impact of the museum on the city's cultural scene.
This image depicts a newspaper clipping from the New York Times, dated September 15, 1929, featuring an article titled "Museum of Modern Art" by Edward Alden Jewell. The article discusses the establishment of the Museum of Modern Art in New York City and its mission to showcase contemporary art.
The clipping is yellowed with age and has three holes punched along the right edge, suggesting it was once part of a binder or folder. The text is written in black ink and includes several paragraphs of information about the museum's founding, its goals, and its plans for exhibitions and programming.
Overall, the image provides a glimpse into the early history of the Museum of Modern Art and its significance in the art world.
The image depicts a page of newspaper clippings, likely from 1929, featuring articles about art and museums. The page is off-white with a yellowish tint and has three holes punched along the right side, suggesting it was once part of a binder or scrapbook.
The main article, titled "MUSEUM OF MODERN ART" in bold font, is from the New York Times and dated September 15, 1929. The article discusses the establishment of the Museum of Modern Art in New York, its goals, and its potential impact on the art world. The text is written in a formal and informative style, indicating that it is a serious news article.
To the right of the main article are two smaller clippings, also dated September 1929. The top clipping is from the Heraldic and discusses the Cincinnati Art Museum's new director, Walter H. Siple. The bottom clipping is also from the Heraldic and talks about the Harvard University art gallery.
The background of the image is a plain gray color, which helps to focus attention on the newspaper clippings. Overall, the image appears to be a historical document or archive related to the art world, specifically the establishment of the Museum of Modern Art in New York.
The image presents a vintage newspaper clipping from the New York Times, dated September 15, 1929, featuring an article about the Museum of Modern Art. The clipping is attached to a white sheet of paper with three holes punched along its right edge.
Newspaper Clipping:
Attached Clippings:
Handwritten Notes:
Overall, the image provides a glimpse into the early days of the Museum of Modern Art and its significance in the art world during the late 1920s.