Archives Scrapbooks

The image is a page from a newspaper, specifically the New York Times, dated April 21, 1929. The page contains two main articles and a photograph.

1. Top Left Article:

   • Title: "A Great Collection of Modern French Art"
   • Content: This article discusses a collection of modern French art assembled by a knowledgeable and intelligent collector. The collection is described as being of high quality and includes paintings by renowned artists such as Monet, Renoir, Cézanne, and others. The article mentions the publication of a book with illustrations of these paintings and highlights the significance of the collection. It also notes the similarity between this collection and the recent Havemeyer collection.

2. Top Right Article:

   • Title: "Fogg Art Museum Opens"
   • Content: This article announces the opening of the Fogg Art Museum at Harvard University. It mentions that the museum houses a collection of modern French art, including works by Monet, Renoir, Cézanne, and others. The article also notes the presence of Chinese and Japanese art, as well as Oriental sculpture and pottery.

3. Bottom Right Article:

   • Title: "One of Harvard's Gates"
   • Content: This article discusses the gates of Harvard University, specifically mentioning the entrance to the new Fogg Museum at Cambridge. The article is accompanied by a photograph of the entrance to the museum, showing a grand gate with intricate designs.

The page provides a historical snapshot of the art scene in 1929, highlighting significant collections and the opening of a new museum.

The image is a collage of two newspaper articles from April 1929.

Left Side:

• The article is titled "A Great Collection of Modern French Art" and is transcribed from April 17, 1929.
• It discusses a catalog titled "Before Manet to Modigliani," which is a beautifully illustrated book showcasing a collection of modern French art.
• The catalog is owned by Mr. and Mrs. Dale, who are noted for their private collection of paintings.
• The text mentions that the catalog is priced at five dollars and includes significant works, such as those by Manet and other prominent artists of the period.
• The article highlights a recent exhibition of French art, which is closely aligned with the content of the catalog, indicating that the publication is a continuation of the exhibition’s theme.
• It notes the reproduction of paintings in the catalog, emphasizing their historical and artistic significance, and mentions notable reproductions of works like "La Grande Jatte" by Georges Seurat and "Portrait of Mme. Michelet-Lévy."

Right Side:

• The article is titled "ONE OF HARVARD'S GATES" and is from April 21, 1929.
• It features a photograph of the entrance to the New Fogg Museum at Cambridge, taken by Edwin Uhlowey.
• The caption mentions that the museum is the location where the "Before Manet to Modigliani" exhibition is displayed.
• The Fogg Museum is described as having a grand entrance, emphasizing its significance and the quality of art it houses.

Together, these articles highlight the importance and display of modern French art at the New Fogg Museum and the publication of the catalog that accompanies the exhibition.

The image shows two newspaper clippings, both dated April 21, 1929, and both related to art and museums.

The first clipping, from the New York Sun, is titled "A Great Collection of Modern French Art." The article discusses a catalogue of modern art owned by Mr. and Mrs. Chester Dale. The catalogue, which is preface by Paul Jamot, is a comprehensive guide to their collection, which is considered one of the most important of its kind. The article mentions that the collection includes works by Manet, Pissarro, Renoir, and others, and that it is currently on display at the Fogg Art Museum at Harvard University. The article also notes that the catalogue itself is a work of art, with beautiful reproductions and an elegant binding.

The second clipping, from the New York Times, is titled "ONE OF HARVARD'S GATES." The article is about the entrance to the new Fogg Museum at Cambridge, which is one of the gates of Harvard. The photograph shows the gate, which is a reproduction of an 18th-century design. The article also mentions that the Fogg Art Museum houses the Dale collection of modern French paintings, which is open to the public. The article notes that the collection is particularly strong in its representation of the 19th century, and that it includes works by many of the most important French artists.

Both clippings are pasted onto a page, which has a handwritten note at the top that reads "Transcript, April 21, 1929."

The image contains a newspaper clipping from April 1929, featuring two main articles and a photograph.

1. Left Side: Article Titled "A Great Collection of Modern French Art"

   • Content Summary:
     The article discusses a newly published catalog of a significant collection of modern French art owned by Mr. and Mrs. Chester Dale. The catalog is introduced by a brief, insightful historical-critical preface written by Paul J. Sachs.
     • The collection includes notable works from the past century and a half, covering artists such as Ingres, Delacroix, and leading modernists.
     • The catalog is illustrated and bound similarly to the catalog of the renowned Dale collection exhibited at the Knoedler Galleries in New York.
     • The article highlights that the exhibition and catalog aim to show the development of French art since the early 19th century.
     • Several famous paintings are specifically mentioned, including works by Manet, Renoir, Cézanne, Degas, and others.
     • The author reflects on the impressive nature of the Dale collection and its historical significance, comparing it to the notable collections of the Havemeyers and the Barnes Foundation.

2. Right Side: Article and Photo Titled "One of Harvard's Gates"

   • Content Summary:
     This part features an article and a photograph of the entrance to the new Fogg Museum at Harvard University.
     • The photograph, taken by Edwin G. Bolles, shows the grand entrance to the museum.
     • The article mentions various details about the Fogg Art Museum, including its collections of paintings, drawings, engravings, and more, which are highly regarded.
     • It also references the recent exhibition of the Dale collection at the museum, which was a significant event.

Overall, the clippings highlight the cultural importance of modern French art collections and the role of Harvard's Fogg Museum in showcasing such art.

The image contains two pages of clippings from April 1929, each with a different article related to art.

Left Page:

• The article is titled "A Great Collection of Modern French Art."
• It is a transcript from April 17, 1929.
• The article discusses the publication of a catalog of an Immenway collection of modern art owned by Mr. and Mrs. Immenway. The catalog is described as bound and beautifully illustrated, with an introductory essay by Alfred H. Barr Jr.
• The article mentions a private collection of paintings from the period before Manet to Modigliani, which is considered an excellent example of French art from the past century.
• The catalog is praised for its detailed reproductions of paintings, including works by artists such as Manet, Monet, Degas, Renoir, and Cézanne.
• It also highlights the significance of the collection, which is being exhibited at the Fogg Art Museum.
• The text notes that the catalog and the exhibition are timely, following the recent opening of the Metropolitan Museum’s exhibition of French art.

Right Page:

• The article is titled "ONE OF HARVARD'S GATES."
• It is a transcript from April 21, 1929, from the New York Times.
• The article describes the entrance to the New Fogg Museum at Cambridge, Harvard University, featuring a photograph by Ewing Galloway.
• It mentions that the Fogg Art Museum, located at Quincy Street and Broadway, is a repository for many rare and interesting pieces, including old master drawings, prints, and illuminated manuscripts.
• The article notes the museum’s extensive collection of paintings, sculptures, pottery, and other art forms, spanning a wide range of periods and styles.

Overall, both articles emphasize significant developments in the presentation and cataloging of French art collections at the time, highlighting their importance and the quality of the works being showcased.

The image shows a collection of documents and newspaper clippings dated April 1929.

1. Top Left (Transcript, April 17, 1929):

   • The text is a review or description of a catalog titled "Before Manet to Modigliani: A Great Collection of Modern French Art." The catalog is described as a beautifully illustrated work with a private collection of paintings by French artists from the past century, including works by artists like Renoir, Cézanne, Gauguin, and others.
   • The catalog is prefaced by a historical-critical introduction and includes reproductions of the paintings.
   • The review notes that the catalog's publication coincides with an exhibition at the Fogg Museum, which closed on Sunday, April 21, 1929. The catalog provides a continuation of the exhibition experience for those who missed it.

2. Top Right (Transcript, April 1929):

   • A brief announcement about an exhibition at the Fogg Art Museum on Quincy Street and Cambridge Street, which includes paintings and drawings by modern French artists. The exhibition is open from 10 AM to 5 PM on Sundays and is free of charge.

3. Bottom Right (New York Times, April 21, 1929):

   • This is a newspaper article featuring a photograph of the entrance to the New Fogg Museum at Cambridge. The article is titled "One of Harvard's Gates" and provides a description of the entrance, emphasizing its architectural beauty and significance. The photograph was taken by Ewing Galloway.

The documents collectively highlight the importance and scope of the French art collection at the Fogg Museum and provide historical context about the exhibitions and catalogs associated with it in April 1929.

The image shows a scrapbook or album page with three newspaper clippings affixed to it. The page has three punched holes on the left side for binding.

1. The largest clipping on the left side is an article titled "A Great Collection of Modern French Art," dated April 17, 1929. The article discusses a catalogue of a collection of modern art owned by Mr. and Mrs. Chester Dale. It talks about the exclusivity of the collection, some notable artists like Picasso and Modigliani, and the continuation of the exhibition at the Fogg Museum of Harvard University.

2. A smaller clipping near the top center of the page provides some details about the Fogg Art Museum, located at the corner of University and Quincy Streets in Cambridge, Massachusetts. It mentions the opening day for the exhibition and lists the types of art included such as drawings, paintings, sculpture, pottery, and illuminated manuscripts.

3. The largest clipping on the right side of the page is titled "ONE OF HARVARD'S GATES" and dated April 21, 1929, from The New York Times. It features a photograph showing the entrance to the New Fogg Museum at Cambridge. The photo captures an open wrought iron gate leading to a set of steps and a monument or statue beyond. The photograph is credited to Ewing Galloway.

Overall, the page documents an exhibition and collection of modern French art at Harvard's Fogg Museum in 1929 along with an image of the museum's entrance gate.

The image shows a collection of article clippings mounted on a page. There are three main clippings, each one from a different newspaper and date, as indicated by the respective headers. The largest clipping features a headlined article from the "Transcript, April 11, 1929," titled "A Great Collection of Modern French Art," and details an exhibition of art pieces. The top right clipping is a small excerpt from the "Transcript, April 11, 1929," advertising a museum located at the corner of West and Elm streets. The bottom clipping comes from the "New York Times, April 21, 1929," and features an article titled "ONE OF HARVARD'S GATES" with an accompanying black and white photograph captioned "Entrance to the New Fogg Museum at Cambridge."

The page appears to be from an archive or scrapbook, as evidenced by the age discoloration and the hole punches on the left side. The articles are focused on museum exhibitions and collections, offering a glimpse into the promotion and coverage of art and cultural institutions in the late 1920s.

This image depicts a scrapbook page featuring clippings from newspapers. The headlines indicate that these articles were published on April 17 and April 21, 1929. The scrapbook contains three clippings.

1. The largest clipping is titled "A Great Collection of Modern French Art" and appears to be a detailed article about an art exhibition, possibly held at the Fogg Art Museum in Cambridge, Massachusetts. The article discusses the exhibition's content, including paintings from artists such as Manet, Monet, Cézanne, and Renoir, and an overview of the significance of these artworks.

2. Above this large clipping is a small piece from "Transcript, April 17, 1929," detailing the dates for upcoming exhibitions at the Fogg Art Museum, featuring European paintings, sculpture, pottery, and Persian art.

3. The third clipping, originating from the "New York Times," dated April 21, 1929, features a photograph of one of Harvard’s gates, showing the entrance to the New Fogg Museum in Cambridge. The photograph is credited to Jessie Tarbox Beals, a famous photographer.

At the top left of the page, there is a handwritten note indicating "Transcript, April 17, 1929," which perhaps refers to the date of the clippings or the publication where the clippings were sourced. The page itself appears to be part of an archival collection or a personal scrapbook, designed to preserve and document newspaper articles related to the museum and art exhibitions.

The image shows a page from a transcript or publication dated April 21, 1929, from the New York Times. The page is divided into two main sections:

Left Section:

• Title: "A Great Collection of Modern French Art"
• Content: This section appears to be a review or announcement of a significant art collection, likely associated with the Fogg Art Museum at Harvard University. The text discusses the collection's historical and artistic significance, mentioning notable artists such as Manet, Degas, Monet, and others. It highlights the exhibition's importance, noting that it was a continuation of a previous exhibition that had closed the previous Sunday at the Fogg Museum. The text emphasizes the collection's value, describing it as one of the most important private collections of modern French art in the world. It also references the sale of some works to the Wildenstein Gallery and the charitable nature of the exhibition.

Right Section:

• Title: "ONE OF HARVARD'S GATES"
• Image: A black-and-white photograph of an entrance gate to the New Fogg Museum at Cambridge. The gate is ornate, featuring classical architectural details, including columns and decorative elements. The caption beneath the image reads: "Photograph by Ewing Galloway. Entrance to the New Fogg Museum at Cambridge."

Additional Details:

• At the top of the page, there is a header indicating that this is a "Transcript, April 17, 1929," suggesting that the page is part of a larger document or archive.
• The layout is formal, typical of newspaper or archival transcripts from the early 20th century.
• The overall tone and content suggest that the page is documenting an art exhibition and its significance, along with a visual representation of the museum's entrance.

This page combines textual commentary on a notable art collection with a visual depiction of the Fogg Museum, providing both context and imagery related to the event.