Archives Scrapbooks

The image appears to be a compilation of newspaper clippings and a photograph, likely from the early 20th century, given the date references and the style of the clippings. Here’s a detailed description:

1. Top Left Clipping:

   • The headline reads: "A Great Collection of Modern French Art."
   • The text discusses a book published by Alfred Knopf in New York, titled "Before Manet to Modigliani." It is described as a collection of modern French art, with a focus on paintings from the past century and a quarter. The book is highly regarded for its historical-critical introduction and beautiful illustrations.
   • The text also mentions that the book is a continuation of the great collection seen at the Fogg Museum of Harvard University, which had a similar exhibition the previous week.
   • The book is praised for its comprehensive nature, including reproductions of works by artists such as Cézanne, Courbet, Manet, Pissarro, Redon, and Van Gogh.
   • It is noted that the collection is one of the most important privately owned groups of modern art in the country.

2. Top Right Clipping:

   • This section is a brief announcement about the Fogg Art Museum, located at the corner of Quincy Street and Broadway, Cambridge.
   • It mentions the hours of operation (weekdays 9 to 5, Sundays 1 to 5) and that admission is free.
   • It highlights current exhibitions, including Maya Art lent by the Peabody Museum and an exhibit of recent acquisitions, such as embroidery, prints, Oriental paintings, sculpture, pottery, and illuminated manuscripts.

3. Bottom Right Clipping:

   • This is a photograph of the entrance to the New Fogg Museum at Cambridge.
   • The text below the photo identifies it as "Entrance to the New Fogg Museum at Cambridge."
   • It is credited to Ewing Galloway.

The image collectively provides information about a significant collection of modern French art, the Fogg Art Museum, and the entrance to the museum, all from the perspective of a newspaper article from April 17, 1929.

This image is a scanned page from a document that appears to be a collection of clippings and annotations related to modern French art and the Fogg Art Museum. Here are the details:

1. Top Left Section:

   • Headline: "A Great Collection of Modern French Art"
   • Content: A detailed article discussing a catalogue of the immense collection of modern art owned by Mr. and Mrs. Chester Dale. The article mentions the catalogue titled "Before Manet to Modigliani," published by Alfred Knopf of New York. It describes the exhibition at the Fogg Museum of Harvard University and the artists represented in the collection, including Cézanne, Courbet, Daumier, Corot, Manet, Pissarro, Redon, Renoir, Van Gogh, Vlaminck, and others.
   • Annotations: The top of the page has handwritten notes that say "Transcript, April 17, 1929."

2. Top Right Section:

   • Content: A smaller text box providing information about the Fogg Art Museum, including its location at the corner of Quincy Street and Broadway in Cambridge, its opening hours, and current exhibitions.
   • Annotations: The top of this section also has the handwritten note "Transcript, April 17, 1929."

3. Bottom Right Section:

   • Headline: "ONE OF HARVARD'S GATES"
   • Image: A photograph of an entrance gate to the New Fogg Museum at Cambridge, taken by Ewing Galloway.
   • Annotations: This section is labeled "New York Times, April 21, 1929."

The page appears to be part of a scrapbook or a collection of articles and notes related to art exhibitions and the Fogg Art Museum, dated April 1929. The document is neatly arranged with clear sections for different pieces of information.

This image displays a single, aged, off-white sheet of paper, likely from an archive or scrapbook, held together by three punched holes on its left edge. The paper contains three distinct clippings from 1929, arranged on the page, along with handwritten annotations.

The clippings primarily concern the opening of the Fogg Art Museum at Harvard University and a related publication about modern French art.

Top Left Clipping: "A Great Collection of Modern French Art"

This is a lengthy article, likely a transcript from the New York Times, dated April 17, 1929. It announces and reviews a new, lavishly illustrated book titled “Before Manet to Modigliani,” which catalogs the immense private collection of modern art owned by Mr. and Mrs. Chester Dale.

• Content: The article praises the book as a “brief and intelligently written historico-critical introductory chapter” that serves as an “adequate pictorial history of modern French art of the past century and a quarter.” It notes the book is published by Alfred Knopf of New York and costs five dollars.
• Exhibition Link: It directly links the book to the recent, highly successful exhibition of French art at the Fogg Museum, which had just closed. It states the book is a “continuation” of that exhibition and is timely for those unable to view the original collection.
• Artists Mentioned: The article highlights that the book and the exhibition include works by Pablo Picasso, Amedeo Modigliani, Manet, Renoir, Van Gogh, Degas, Courbet, Daumier, Cézanne, and even lesser-known talent Frederic Bazille.
• Significance: The piece emphasizes the Dale collection's importance, noting it is one of the most important privately owned collections of modern art in the country and rivals the famed Havemeyer collection, which was recently bequeathed to the Metropolitan Museum.

Top Right Clipping (Small Box)

This is a smaller, separate clipping, also dated April 17, 1929, and labeled “Transcript.”

• Content: It provides brief details about the Fogg Art Museum's location (corner of Quincy Street and Broadway, Cambridge), its hours (open weekdays 9 to 5, Sundays 1 to 5, admission free), and its exhibits. It specifically mentions a “Maya Art” exhibit lent by the Peabody Museum (consisting of stone drawings) and another exhibit of “recent acquisitions,” including “embroideries, relics, Oriental paintings, sculpture, pottery and illuminated manuscripts.”

Bottom Right Clipping: "ONE OF HARVARD'S GATES"

This is a clipping from the New York Times, April 21, 1929. It features a prominent, black-and-white halftone photograph captioned “Entrance to the New Fogg Museum at Cambridge.”

• Photograph: The image shows a grand, imposing stone entrance or gate, heavily adorned with carvings and reliefs. It includes large, sculpted figures and a central staircase leading up to the entrance.
• Credit: The photograph is credited to “Irving Galloway.”

Handwritten Annotations

Several handwritten notes in pencil are present on the page:

• At the very top, written above the left article: “Transcript, April 17, 1929.”
• Above the small right article: “Transcript, April 17, 1929.”
• Above the bottom article: “New York Times, April 21, 1929.”

The overall composition suggests a historian, collector, or interested party meticulously compiling primary source material related to a significant event in American art history: the opening of the Fogg Museum and the public unveiling of the important Chester Dale collection.

The image appears to be a document or article featuring a photograph of an exhibit of modern French art. Here is a detailed description of the image:

The image shows a document or article with two main sections. The top section contains a brief and intelligently written historical-critical introductory chapter that provides background information on the exhibit. The exhibit is described as an immense and beautiful collection of modern French art owned by Mr. and Mrs. Chester Dale, which is being displayed at the Fogg Museum in Cambridge, Massachusetts.

The bottom section of the image features a photograph of an exhibit at the Fogg Museum. The photograph shows an entrance to the museum with a large archway and a tree in the foreground. The caption reads "Entrance to the New Fogg Museum at Cambridge."

The article mentions that the exhibit includes a great collection of modern French art, including works by famous artists such as Monet, Renoir, Degas, and Cézanne. The article also highlights the significance of the exhibit, which is described as one of the most important private collections in the world and a privilege to view.

Overall, the image provides a glimpse into an exhibit of modern French art at the Fogg Museum, showcasing the beauty and significance of the collection.

The image shows a newspaper clipping that is attached to a white sheet of paper with a metal clip. The clipping is from the New York Times, dated April 21, 1929, and features an article about the Fogg Art Museum. The article discusses the museum's collection of modern French art, which includes works by renowned artists such as Monet, Pissarro, Renoir, and Van Gogh. The article also mentions the museum's acquisition of a significant collection of French art from the estate of Mrs. H.O. Havemeyer, which includes notable works by Manet and Degas. The article highlights the importance of the museum's collection in showcasing the evolution of French art from the past century to the present.

The image shows a page from a transcript or publication dated April 21, 1929, from the New York Times. The page is divided into two main sections:

Left Section:

• Title: "A Great Collection of Modern French Art"
• Content: This section appears to be a review or announcement of a significant art collection, likely associated with the Fogg Art Museum at Harvard University. The text discusses the collection's historical and artistic significance, mentioning notable artists such as Manet, Degas, Monet, and others. It highlights the exhibition's importance, noting that it was a continuation of a previous exhibition that had closed the previous Sunday at the Fogg Museum. The text emphasizes the collection's value, describing it as one of the most important private collections of modern French art in the world. It also references the sale of some works to the Wildenstein Gallery and the charitable nature of the exhibition.

Right Section:

• Title: "ONE OF HARVARD'S GATES"
• Image: A black-and-white photograph of an entrance gate to the New Fogg Museum at Cambridge. The gate is ornate, featuring classical architectural details, including columns and decorative elements. The caption beneath the image reads: "Photograph by Ewing Galloway. Entrance to the New Fogg Museum at Cambridge."

Additional Details:

• At the top of the page, there is a header indicating that this is a "Transcript, April 17, 1929," suggesting that the page is part of a larger document or archive.
• The layout is formal, typical of newspaper or archival transcripts from the early 20th century.
• The overall tone and content suggest that the page is documenting an art exhibition and its significance, along with a visual representation of the museum's entrance.

This page combines textual commentary on a notable art collection with a visual depiction of the Fogg Museum, providing both context and imagery related to the event.

The image shows a collection of article clippings mounted on a page. There are three main clippings, each one from a different newspaper and date, as indicated by the respective headers. The largest clipping features a headlined article from the "Transcript, April 11, 1929," titled "A Great Collection of Modern French Art," and details an exhibition of art pieces. The top right clipping is a small excerpt from the "Transcript, April 11, 1929," advertising a museum located at the corner of West and Elm streets. The bottom clipping comes from the "New York Times, April 21, 1929," and features an article titled "ONE OF HARVARD'S GATES" with an accompanying black and white photograph captioned "Entrance to the New Fogg Museum at Cambridge."

The page appears to be from an archive or scrapbook, as evidenced by the age discoloration and the hole punches on the left side. The articles are focused on museum exhibitions and collections, offering a glimpse into the promotion and coverage of art and cultural institutions in the late 1920s.

This image depicts a scrapbook page featuring clippings from newspapers. The headlines indicate that these articles were published on April 17 and April 21, 1929. The scrapbook contains three clippings.

1. The largest clipping is titled "A Great Collection of Modern French Art" and appears to be a detailed article about an art exhibition, possibly held at the Fogg Art Museum in Cambridge, Massachusetts. The article discusses the exhibition's content, including paintings from artists such as Manet, Monet, Cézanne, and Renoir, and an overview of the significance of these artworks.

2. Above this large clipping is a small piece from "Transcript, April 17, 1929," detailing the dates for upcoming exhibitions at the Fogg Art Museum, featuring European paintings, sculpture, pottery, and Persian art.

3. The third clipping, originating from the "New York Times," dated April 21, 1929, features a photograph of one of Harvard’s gates, showing the entrance to the New Fogg Museum in Cambridge. The photograph is credited to Jessie Tarbox Beals, a famous photographer.

At the top left of the page, there is a handwritten note indicating "Transcript, April 17, 1929," which perhaps refers to the date of the clippings or the publication where the clippings were sourced. The page itself appears to be part of an archival collection or a personal scrapbook, designed to preserve and document newspaper articles related to the museum and art exhibitions.

This is a scrapbook page with three vintage newspaper clippings glued to a sheet with binder holes.

• On the left is a long article headlined “A Great Collection of Modern French Art.”
• In the upper center is a small clipping about the Fogg Art Museum.
• In the bottom right is a New York Times clipping with the headline “ONE OF HARVARD’S GATES” showing a photograph of the entrance to the New Fogg Museum at Cambridge.
  The clippings are sepia-toned and handwritten captions at the top note dates (April 1929).

This is an old scrapbook page featuring newspaper clippings from April 1929.

• At the top left, there's a prominent clipping titled "A Great Collection of Modern French Art." It provides an introduction and detailed discussion of a French art exhibit, mentioning significant artists and collections on display.
• A smaller clipping is located above this article, labeled "Transcript, April 17, 1929," with a brief description referencing an exhibit at the Fogg Art Museum.
• On the bottom right, there's a visually striking clipping from the New York Times (April 21, 1929) featuring a photograph titled "One of Harvard’s Gates." The image shows a grand gate opening to a staircase and building entrance, labeled as the "Entrance to the New Fogg Museum at Cambridge."
• The page has visible holes on the left margin, likely for storage in a binder or scrapbook.

The clippings celebrate art exhibits and the opening of a museum, reflecting historical interest in cultural and artistic achievements of the period.