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ARCH.2003.25, Rendition: 793881
The image is a page from the "Harvard Alumni Bulletin" dated March 14, 1924. It features four reproductions of paintings, each accompanied by a title and the artist's name. The paintings are:
At the bottom of the page, it is noted that these artworks are from an exhibition of French paintings at the Fogg Art Museum. The page appears to be a scanned or photographed reproduction of the original print, and there is a hole punch visible on the left side, indicating it was likely part of a document or album. The background is a light gray, and the overall tone of the image is sepia or aged, suggesting it is an older document.
This image appears to be a page from the "Harvard Alumni Bulletin," dated March 14, 1929. The page contains four black-and-white reproductions of paintings from the exhibition of French paintings in the Fogg Art Museum. The paintings are arranged in a 2x2 grid and are labeled as follows:
The page number "690" is located in the top left corner, and the date "March 14, 1929" is handwritten in the top right corner. The text at the bottom of the page reads, "FROM THE EXHIBITION OF FRENCH PAINTINGS IN THE FOGG ART MUSEUM." The page is slightly discolored, indicating its age.
This image is a vintage page from the Harvard Alumni Bulletin, specifically page 690, featuring a printed reproduction of four French paintings from an exhibition held at the Fogg Art Museum.
The page is mounted on a larger, off-white sheet of paper with three punched holes along the left margin, suggesting it was part of a binder or archive. Handwritten in pencil in the upper right corner of the page is: “March 14, 1924”.
The page is arranged in a 2x2 grid, displaying black-and-white halftone reproductions of the paintings, each captioned with its title and artist:
Top Left:
Top Right:
Bottom Left:
Bottom Right:
At the bottom of the image, centered text reads:
FROM THE EXHIBITION OF FRENCH PAINTINGS IN THE FOGG ART MUSEUM
Overall Description:
The page serves as a historical document, capturing a curated selection of significant French art—from Neoclassicism (David) and Symbolism (Redon) to Post-Impressionism (Van Gogh) and Impressionism (Renoir)—presented to the Harvard alumni community in 1924. The page’s aged paper, typographic layout, and archival markings contribute to its historical character, offering a glimpse into early 20th-century art dissemination and taste.
The image shows a page from the Harvard Alumni Bulletin, dated March 14, 1929. The page features four black-and-white images of paintings, each with a title and artist's name. The first image is titled "Giovanna Crouzet" by David, the second is titled "Still Life" by Odilon Redon, the third is titled "La Maison de La Cran" by Vincent Van Gogh, and the fourth is titled "Lady with a Parasol" by Pierre-Auguste Renoir. The page also includes a brief description of the paintings, which are from the Exhibition of French Paintings in the Fogg Art Museum.
The image shows a page from the Harvard Alumni Bulletin, dated March 27, 1924. It features four black-and-white photographs of paintings, each accompanied by the title and artist's name. The paintings are "Giovanne Crouzet" by David, "Still Life" by Odilon Redon, "La Maison de La Cran" by Vincent Van Gogh, and "Lady with a Parasol" by Pierre-Auguste Renoir. The page also includes the headline "FROM THE EXHIBITION OF FRENCH PAINTINGS IN THE FOGG ART MUSEUM" at the bottom.
The image depicts a page from the Harvard Alumni Bulletin, dated March 14, 1919. The page features four black-and-white illustrations of artworks, each accompanied by a caption identifying the artist and the title of the piece. The layout is clean and organized, with the illustrations arranged in a 2x2 grid.
Top Left Illustration:
Top Right Illustration:
Bottom Left Illustration:
Bottom Right Illustration:
The page serves as a visual and informational piece, likely intended to showcase notable works of art from the exhibition, providing readers of the Harvard Alumni Bulletin with a glimpse into the cultural offerings of the time. The inclusion of renowned artists such as David, Odilon Redon, Vincent Van Gogh, and Pierre-Auguste Renoir highlights the significance of the exhibition. The design is simple and elegant, typical of early 20th-century publication aesthetics.
This image shows a page from the Harvard Alumni Bulletin, dated March 4, 1932. The page is a visual representation of selected paintings from an exhibition of French paintings in the Fogg Art Museum. On display in the image are reproductions of three artworks:
The page appears to have been taken from a binder or a document collection, as evident by the two holes on the left margin, typically used for filing purposes. The pictures and text are black and white, which suggests the age of the document and the printing technology available at the time.
This image is a page from the Harvard Alumni Bulletin with the header indicating issue number 690. It features four artworks from the exhibition of French paintings in the Fogg Art Museum. The artworks displayed include:
The page is dated March 4, 1939, and contains hole punches on the side, suggesting it was part of a binder.
This image shows a page titled "HARVARD ALUMNI BULLETIN" at the top center, with the page number "690" at the upper left. The page features four black-and-white reproductions of paintings arranged in a grid of two rows and two columns. Each image has a caption below identifying the artwork and the artist:
At the bottom of the page, there is a line of text that reads, "FROM THE EXHIBITION OF FRENCH PAINTINGS IN THE FOGG ART MUSEUM."
The page has three punched holes along the left margin, indicating it may have been stored in a binder. On the upper right margin, there is handwriting in pencil that reads "March '44," and "K29".
The faces in the portraits have been blurred or obscured in the image.
The image displays a page from the Harvard Alumni Bulletin. Four black-and-white reproductions of artworks are presented on the page, with accompanying captions below each. There are visible three-hole punches along the left margin, indicating the page was part of a larger bound collection.