Archives Scrapbooks

This image appears to be a scanned page from the "Harvard Alumni Bulletin" dated January 17, 1929. The page contains an article about the Fogg Art Museum, discussing its history, architecture, and collections. The article is divided into two main sections. The first section, titled "The Fogg Art Museum," discusses the museum's purpose, its role in the university, and its dedication on June 20, 1927. It also mentions the museum's exhibits, which include Italian 17th and 18th century paintings and drawings. The second section of the article provides more detail about the exhibition, mentioning notable pieces such as the ex-Governor Fuller’s Piazzetta, Mr. Pope’s “Caritas,” and Tiepolo’s “Antony and Cleopatra.” The text is formatted in a typewriter style, and the paper shows signs of age, with some yellowing and wear. The page is double-sided, with the back of the page visible, showing the same "Harvard Alumni Bulletin" title and date, January 24, 1929.

The image shows a page from the "Harvard Alumni Bulletin" dated January 17, 1929. The page contains three separate articles or sections, each discussing the Fogg Art Museum. The text is printed on a light-colored paper and appears to have been cut out and pasted onto a larger sheet of paper for archiving purposes.

1. The first section, titled "THE FOGG ART MUSEUM," is written by Dr. Hubert Philippart. It describes his observations of American universities and the Fogg Art Museum during his visit to the United States in 1927. He praises the architectural style of the university buildings and the museum's facilities, which include exhibition galleries, lecture halls, laboratories, and administrative offices. The museum also has a large library with a capacity for 75,000 volumes and storage for 60,000 photographs and 20,000 lantern slides.

2. The second section provides a detailed description of the exhibition of Italian 17th and 18th-century paintings and drawings at the Fogg Art Museum. The exhibition features works by notable artists such as Caravaggio, Piazzetta, Tiepolo, and Guardi. It highlights the organization of the exhibition, the variety of artworks on display, and the lenders who contributed to the collection.

3. The third section, titled "FOGG ART MUSEUM," continues the discussion of the exhibition, focusing on the 18th-century paintings and drawings. It mentions specific works by artists like Tiepolo, Zuccarelli, and Longhi, and notes the difficulty of attributing some of the artworks due to the lack of detailed study of the period compared to the Renaissance.

The page is neatly arranged with clear headings and text, making it easy to read and understand the content. The use of quotes and references to specific artists and artworks suggests that the articles are informative and intended for an audience interested in art history and museum exhibitions.

This image shows a single, aged page from the Harvard Alumni Bulletin, dated January 24, 1929. The page is printed on off-white, slightly yellowed paper and features three distinct columns of typewritten text, characteristic of a newsletter or bulletin format.

The content is focused on the Fogg Art Museum at Harvard University. The page is headlined “Harvard Alumni Bulletin Jan 24, 1929” at both the top and bottom.

Here’s a breakdown of the content by column:

Left Column: “THE FOGG ART MUSEUM”
This column features an excerpt from a travel account by Dr. Hubert Philippart, an official from the Musées Royaux de Cinquantenaire in Brussels and a lecturer at the University of Brussels. He visited the U.S. in 1927 and published his observations in the Revue de l'Université de Bruxelles. The excerpt describes Harvard University’s campus and the Fogg Art Museum in glowing, almost poetic terms, comparing it favorably to Cambridge and praising its facilities, atmosphere, and dedication to student life and art appreciation. He notes Harvard’s unique balance of academic rigor and aesthetic environment.

Middle Column: (Continuation of Philippart’s account)
This column continues Philippart’s description, praising the museum’s architecture and facilities, including its central court, exhibition galleries, lecture halls, laboratories, and large library capable of holding 75,000 volumes. He emphasizes the quality and accessibility of the material, which he feels fosters a “feeling for beauty and a desire to visit the originals.” He contrasts Harvard’s approach with the more “materialist” or purely scholarly institutions of Europe, suggesting Harvard’s success stems from American benefactors who understood the importance of providing students with a study collection.

Right Column: “FOGG ART MUSEUM” (Exhibition Description)
This column details an active exhibition of Italian 17th and 18th-century paintings and drawings held at the Fogg Art Museum in early 1929. It notes this was likely the first such comprehensive exhibition of its kind in the U.S. and was scheduled to be on view until mid-February. The exhibition was organized with lectures by Mr. Arthur McComb, and the works were loaned from institutions and private individuals.

The exhibition is broken down by century:

• Early 17th Century: Highlights include works by Domenico Napoletano (a “Madonna and Saints”), an ex-Governor Fuller’s Piazzetta (“Caritas”), and five landscapes by Magnasco from the Ross Collection, including “Monks in Prayer” (owned by the museum).
• 18th Century (Venice): Features three views of Venice by Guardi (one from the Malden Public Library, two from Mrs. Morris Murray), oil sketches by Tiepolo (including one possibly from the artist’s own hand), and a portrait by Domenico Tiepolo (“Antony and Cleopatra”).
• Other Notable Works: Includes drawings lent by Mr. John Nicholas Brown (landscapes, pen-and-wash, and a study for a sculpture by Bernini), and further drawings by Paul J. Sachs illustrating 18th-century Italy, particularly notable for works by Tiepolo, Piazzetta, and Guardi.

The document has three punched holes along its left margin, indicating it was likely kept in a binder or folder. The overall tone is informative and celebratory, aimed at Harvard alumni and reflecting institutional pride in the museum’s collections and educational mission.

The image is a page from a Harvard Alumni Bulletin dated January 11, 1924. The page features an article titled "The Fogg Art Museum," which provides information about the establishment and the significance of the Fogg Art Museum at Harvard University. The article includes a quote from Dr. Hubert Philippart, who visited the museum in 1922 and expressed his admiration for its architecture and collections. The museum was opened in 1927 and is described as a model university museum, providing central heating, X-Ray, and other modern facilities. The article also mentions an exhibition of Italian 17th and 18th-century paintings and drawings, which was the first of its kind in the United States. The exhibition was arranged primarily for use in connection with a series of lectures given at the museum by Mr. Arthur McComb. The article further discusses the significance of the Fogg Art Museum in promoting the appreciation of art among students and the importance of preserving historical and archaeological material in American universities.

The image shows a page from the Harvard Alumni Bulletin, dated January 11, 1924. The page is divided into two columns, each containing text. The left column features an article titled "THE FOGG ART MUSEUM" by Dr. Hubert Philippart, who is described as an official of the Musées Royaux du Cinquantenaire and a lecturer at the University of Brussels. Dr. Philippart visited the United States in 1927 to study American collections of antiquities. He provides an account of his travels, focusing on the collections of ancient vases in America, particularly at Harvard and the Fogg Art Museum.

The right column continues the article, discussing the Fogg Art Museum's exhibition of Italian 17th and 18th-century paintings and drawings. The exhibition, which opened in mid-February and ran until the middle of June, was arranged in connection with a series of lectures by Mr. Arthur McComb. The article highlights the museum's collection of Italian art, including works by Tiepolo, Zuccarelli, and others, as well as architectural drawings and studies.

The page also includes a date stamp in the bottom right corner, indicating it was published on January 11, 1924. The text is printed in a serif font, and the page has a beige background with a slight texture, typical of printed materials from that era.

The image shows a page from the Harvard Alumni Bulletin, dated January 11, 1929, and January 24, 1929. The page is divided into two main sections, each discussing the Fogg Art Museum at Harvard University.

Left Section:

• Title: "The Fogg Art Museum"
• Author: Dr. Hubert Philippart, an official of the Musée Royal du Cinquantenaire and a lecturer at the Université de Bruxelles.
• Content:
  • Dr. Philippart recounts his 1927 visit to the United States, where he lectured on his travels and the collections of ancient vases in America.
  • He translates what he says about Harvard and the Fogg Art Museum into English.
  • He describes Harvard as a picturesque campus with grassy areas, libraries, laboratories, classrooms, and administrative buildings, all surrounded by nature.
  • He highlights the beauty of the campus, noting its lack of a "corner reserved for the fine arts" and expresses admiration for the university's collections, which he compares favorably to those in Belgium and France.
  • He emphasizes the importance of having such collections for students to study and appreciate art.

Right Section:

• Title: "Fogg Art Museum"
• Content:
  • Discusses an exhibition of Italian drawings and 18th-century paintings held at the Fogg Art Museum from January 15 to February 15, 1929.
  • The exhibition features works from the Middle Museum, arranged primarily for use in connection with a course in art history taught by Mr. Arthur McComb.
  • The exhibition includes:
    • Drawings and paintings from the Caravaggio school, including works by Sebastiano del Piombo, Giovanni Baglione, and Giovanni Lanfranco.
    • A large painting by Madonna and Saints, attributed to Pinturicchio, and an unknown Caravaggio painting titled "Donato Napoletano".
    • Drawings and paintings from the Rosso Fiorentino collection, including "Deposition" from the Borghese Gallery.
    • Views of Venice by Guardi, including three characteristic views loaned by the Maldon Public Library.
    • Works by Tiepolo, including sketches by Mrs. Mortimer and Mr. Holmes.
    • Drawings by Annisale Carracci, including a landscape by Annisale Carracci, three Guercino drawings, and a preparatory sketch by Bernini for his Capitoline Gallery statue of Urban VIII.
    • A preparatory sketch for Guardi's study in the Rio dei Mercanti picture in Bernini’s collection.
  • The text notes the difficulty in attributing several works due to the limited period under consideration and compares the exhibition with similar displays at the Paul Sachs Gallery.

Visual Elements:

• The page is printed in black text on a light background.
• The layout is clean and organized, with clear headings and paragraphs.
• The text is dense, with a focus on detailed descriptions of the Fogg Art Museum, its collections, and the exhibition.

Overall Impression:

The page provides a detailed account of the Fogg Art Museum's role in art education and its exhibition of Italian drawings and 18th-century paintings, highlighting the museum's significance in the academic and artistic community of Harvard University. It also reflects the era's appreciation for art collections and the integration of art into university life.

The image shows a scanned page of an old newspaper or bulletin, with the title "Harvard Alumni Bulletin" at the top. The page is yellowed and has two holes on the left side, indicating that it was once bound in a notebook or folder.

Here are the details of the image:

• Title
  • Text: "Harvard Alumni Bulletin"
  • Font: Black, handwritten
  • Location: Top center of the page
• Date
  • Text: "Jan. 24, 1929"
  • Font: Black, handwritten
  • Location: Bottom center of the page
• Content
  • Two articles about art museums
  • Text: Black, printed
  • Font: Serif, 12-point
  • Location: Left and right columns of the page
• Layout
  • Two columns of text
  • Left column: 3.5 inches wide
  • Right column: 2.5 inches wide
  • Margins: 1 inch on top, bottom, and sides
• Design Elements
  • Two holes on the left side of the page
  • A faint line running along the top and bottom edges of the page

In summary, the image shows a scanned page of an old newspaper or bulletin, featuring two articles about art museums and a handwritten title and date. The page has a yellowed appearance and is bound with two holes on the left side.

The image depicts a page from the Harvard Alumni Bulletin, dated January 24, 1929. The page is yellowed and features two articles about art museums: one on the Fogg Art Museum and another on the Fogg Art Museum's exhibition of Italian 17th and 18th-century paintings and drawings.

Article 1: The Fogg Art Museum

• The article discusses Dr. Hubert Philippart's visit to the United States in 1927, where he studied American collections of antiquities.
• It highlights the Fogg Art Museum's dedication to providing students with an opportunity to initiate themselves in the art of appreciation.
• The museum is described as a model university museum, with the most up-to-date equipment and a considerable progress over the old Fogg Museum of 1895.

Article 2: Fogg Art Museum Exhibition

• The article announces an exhibition of Italian 17th and 18th-century paintings and drawings at the Fogg Art Museum.
• The exhibition features works by renowned artists such as St. Sebastian of the School of Caravaggio, Governor Fuller's Piuzetta, and Mr. Pope's "Caritas."
• The article notes that the exhibition is arranged primarily for use in connection with a course of lectures recently given at the Museum by Mr. Arthur McComb covering the period in question.

Overall, the page provides information about the Fogg Art Museum's dedication to art education and its exhibitions, highlighting its commitment to providing students with opportunities to appreciate and learn about art.

The image is a scanned page from the Harvard Alumni Bulletin, dated January 24, 1929. The page is divided into two columns, with the left column featuring an article titled "THE FOGG ART MUSEUM" and the right column continuing the same article.

The article discusses the Fogg Art Museum at Harvard University, highlighting its recent developments and exhibitions. The text describes the museum's history, architecture, and collections, as well as its role in promoting art education and appreciation.

The article also mentions specific artworks on display, including paintings by Italian artists from the 17th and 18th centuries. The text is written in a formal and informative style, suggesting that the article is intended for an academic or art-historical audience.

Overall, the image provides a glimpse into the history and activities of the Fogg Art Museum during the early 20th century, and offers insight into the cultural and intellectual context of the time.

The image presents a vintage newspaper clipping from the Harvard Alumni Bulletin, dated January 24, 1929. The article discusses the Fogg Art Museum's new exhibition of Italian 17th and 18th-century paintings and drawings.

Key Features:

• Title: "Harvard Alumni Bulletin" is handwritten at the top and bottom of the page.
• Date: January 24, 1929, is printed at the bottom center of the page.
• Content: The article is divided into two columns, with the left column discussing Dr. Hubert Philippin's visit to American universities and his impressions of their art collections. The right column describes the Fogg Art Museum's exhibition of Italian 17th and 18th-century paintings and drawings.
• Text: The text is typed in black ink on a yellowed paper background, with some handwritten notes and underlining.
• Layout: The article is arranged in a clear and readable format, with headings and paragraphs separated by clear margins.
• Visuals: There are no images or illustrations in the article, but the text is accompanied by a few headings and subheadings to break up the content.

Overall Impression:

The image appears to be a scanned or photographed copy of a vintage newspaper clipping, with a warm and aged tone. The content suggests that the article is discussing the Fogg Art Museum's exhibition and its significance in the art world. The layout and design of the article are typical of newspaper clippings from the early 20th century.