Archives Scrapbooks

The image appears to be a page from a historical publication, likely a newspaper or gazette, dated October 19, 1929, and November 1, 1929. The page contains several articles and announcements, including:

1. Illustrated Lectures in French: Two lectures are announced, focusing on French cathedrals, with details about the speaker, Marcel Aubert, who is a professor at the École des Chartes in Paris.

2. University Tea: An announcement for a University Tea event on October 31, 1929, inviting all officers of the University, their wives, and all students. It specifies the time as 4:30 to 6 p.m. and mentions that this will be the first University Tea for the year 1929-1930.

3. Industrial Art Institute Organized for Boston: An article about the establishment of the Industrial Art Institute for Boston. It details the purpose of the institute, its members, and its objectives, including improving art and style qualities in industrial products.

4. Transcript of George L. Stout Lectures: A brief note about a lecture by George L. Stout at the School of Fine Arts, titled "Permanent and Fugitive Pigment for Tempera Painting."

5. University Photographs on Exhibition at Fogg: An announcement about the first public show of photographs of the University, which opened at the Fogg Museum.

6. Stradivarius Quartet to Give Fogg Concert: An article about the Stradivarius Quartet of New York City performing at the Fogg Art Museum, chaired by the Division of Music and the Fogg Art Museum.

7. First of University Teas: A note about the first of the annual University teas taking place at Fogg Art Museum, from 4:30 to 6 o'clock, with all officers of the University, their wives, and all students being cordially invited.

The articles and announcements are presented in a format typical of the early 20th century, with a mix of text and some highlighted sections, possibly for emphasis. The page appears to be part of a historical archive, possibly related to events and activities at a specific university, as indicated by the content related to the Fogg Art Museum and the University teas.

This image is a page from a scrapbook or collection of clippings from various publications dated around October and November 1929. The page contains several newspaper or magazine articles and notices related to cultural and academic events, primarily centered around the Fogg Art Museum and the Harvard University community. Here's a breakdown of the content:

1. Gazette, Oct. 19, 1929:

   • Announces an illustrated lecture series in French titled "Les Grandes Cathédrales de France" by Professor Marcel Aubert from the Ecole des Chartes, Paris, France. The lectures are scheduled in the Large Lecture Room of the Fogg Art Museum at 4:30 PM.

2. Gazette, Oct. 26, 1929:

   • Continues the announcement of the illustrated lecture series, specifically mentioning the fourth lecture on "Le Triomphe de l'Art Gothique: La Cathédrale de Chartres."
   • Also announces the first University Tea for the 1929-30 academic year, inviting all officers, their wives, and students to the Fogg Art Museum from 4:30 to 6 PM.

3. Transcript, Oct. 30, 1929:

   • Reports on the organization of the Industrial Art Institute for Boston, detailing its purpose and the individuals involved in its establishment.

4. Transcript, Oct. 19, 29:

   • Mentions George L. Stout's lectures at the School of Fine Arts on "Permanent and Fugitive Pigment for Tempera Painting."

5. Crimson, Oct. 26, 1929:

   • Announces the exhibition of university photographs at the Fogg Museum, open to the public for two weeks.

6. Crimson, Oct. 30, 1929:

   • Reports on the Stradivarius Quartet's concert at the Fogg Museum, scheduled for Monday evening at 8 PM.

7. Crimson, Nov. 1, 1929:

   • Announces the first of the annual University teas to be held at the Fogg Museum, with details about the event and the selection of ushers.

The clippings are arranged in a somewhat organized manner, with each article clearly separated and dated. The content reflects the cultural and academic activities of the time, focusing on art, music, and university events.

This image shows an open, aged scrapbook or bound volume, displaying a double-page spread filled with newspaper clippings and announcements from 1929. The clippings are primarily from two Harvard University publications: the Gazette and the Crimson, along with some from the Transcript.

The content centers on cultural, academic, and social events at Harvard, particularly those associated with the Fogg Art Museum and the newly formed Industrial Art Institute in Boston.

Key Events and Articles:

1. Illustrated Lectures in French:

• Oct. 19, 1929: "Les Grandes Cathédrales de France" III: "Rouen, Bourges, Le Mans, Coutances." Presented by Professor Marcel Aubert at the Fogg Art Museum.
• Oct. 26, 1929: "Les Grandes Cathédrales de France" IV: "Le Triomphe de l’Art Gothique: La Cathédrale de Chartres." Also by Professor Marcel Aubert at the Fogg Art Museum.

2. University Tea (Oct. 26, 1929):

• The first University Tea for 1929–30, held in the Fogg Art Museum from 4:30 to 6 p.m.
• Invitation extended to all faculty, staff, students, and especially members of the Divisions of History, Government, and Economics, and the Schools of Architecture and Landscape Architecture.

3. Industrial Art Institute (Boston):

• Announced as organized to bridge the gap between industry and art, aiming to improve the design and style quality of industrial products.
• A board of trustees is listed, including prominent figures from manufacturing, art, and education (e.g., Charles J. Connick, W. A. Designs, J. H. Fairclough, Jr.).
• Royal B. Farnum (educational director of the Rhode Island School of Design) was elected chairman.

4. George L. Stout Lectures (Oct. 19, 1929):

• Lectures on "Permanent and Fugitive Pigment for Tempera Painting" at the Fogg Museum, delivered by George L. Stout, then acting director of the Fogg Art Museum and advisor on art in industry for the Associated Industries of Massachusetts.

5. University Photographs Exhibit (Oct. 26, 1929):

• The first public exhibition of the University’s new photo file, on display for two weeks in the Fogg Museum’s University News Office, Room B.
• Curated by Paul J. Weber of Boston, the exhibit features historical records and is open only to members of the Union.

6. Stradivarius Quartet Concert (Oct. 30, 1929):

• The Stradivarius Quartet of New York City performed at the Fogg Art Museum at 8:00 PM, under the auspices of the Division of Music and the Fogg Art Museum.
• Program included works by Beethoven and Schubert, with performers noted as Alfred Pochon, Wolf Wolfsohn, Nicholas Moldavan, and Gerald Warburg.

7. First University Teas (Nov. 1, 1929):

• Announcement that the annual University teas will again be held at the Fogg Art Museum from 4:30 to 6:00 PM.
• A custom that had been “holding the University teas in the Living Room of the Union” will no longer be followed; this year they will be “given in other large meeting rooms of the University.”
• The first tea will be overseen by James Roosevelt ’30, in charge of ushers.

Physical Description:

• The pages are yellowed with age, and the clippings vary slightly in size and tone.
• The scrapbook is bound in dark, possibly black or dark brown, material.
• Some clippings have handwritten notes, such as “Crimson 10-30-29” and “Crimson 11-1-29,” indicating their source and date.
• The layout is a collage of cutouts, carefully adhered to the pages.

This scrapbook page serves as a historical record of Harvard’s cultural life in 1929, reflecting the university’s investment in art, design, music, and community engagement through lectures, exhibitions, and social events. The emphasis on the Fogg Art Museum highlights its central role in campus cultural activities during this period.

The image shows a double-page spread from a newspaper, specifically the Crimson, Harvard University's student newspaper. The left page features an article titled "Industrial Art Institute Organized for Boston," dated October 19, 1929. This article discusses the formation of the Industrial Art Institute, which aims to stimulate manufacturers and merchants by providing industrial design education and services. The article lists prominent figures involved in the institute, including architects, artists, and industrialists.

The right page of the spread contains several articles and announcements. The top section includes a transcript of a lecture by George L. Stout at the Fogg Art Museum, discussing the school of fine arts and the appointment of a director. Below this, there is a continuation of the Industrial Art Institute article, providing more details about the institute's activities and objectives.

The bottom section of the right page features announcements for the first University Teas, scheduled for October 30, 1929, at the Fogg Art Museum. These teas are open to all officers of the University, their wives, and all students and cordially invite members of the Divisions of Government, Economics, and the Fine Arts. Additionally, there is an announcement for the first of the annual University Teas, which will be held at the Fogg Art Museum from 4:30 to 6:00 PM.

Overall, the image provides a snapshot of the activities and announcements within Harvard University during the late 1920s, focusing on educational initiatives and social events.

The image shows a collection of newspaper clippings, each featuring announcements and news articles related to various events and activities at the Fogg Art Museum and other institutions. The clippings are organized on a page, likely from a scrapbook or archive.

The top section of the page contains two clippings from the Gazette, dated October 19 and October 26, 1929. These clippings announce illustrated lectures in French on "Les Grandes Cathédrales de France" by Professor Marcel Aubert at the Ecole des Chartes in Paris. The lectures are scheduled for 4:30 PM in the Large Lecture Room of the Fogg Art Museum.

Below these, there is a clipping from the Transcript, dated October 30, 1929, announcing the formation of the Industrial Art Institute for Boston. This institute aims to stimulate manufacturers and merchants to produce better industrial products and improve design and promotion. The institute's board includes notable figures such as Royal B. Farnum, William H. Kilham, and E. Grosvenor Plowman.

Further down, there is another clipping from the Transcript, dated October 19, 1929, featuring an announcement about George L. Stout's lectures at the School of Fine Arts and Crafts. These lectures focus on "Permanent and Fugitive Pigment for Tempera Painting."

The bottom section of the page contains clippings from the Crimson, dated October 26 and October 30, 1929. The first clipping announces the first public show of photographs at the Fogg Art Museum, which will run for two weeks and feature photographs by Paul J. Weber. The second clipping announces a Fogg Concert on Monday, featuring a string quartet and a performance by a piano student.

The final clipping, also from the Crimson, announces the first University Teas, which will be held at the Fogg Art Museum from 4:30 to 6 PM. These teas are open to officers of the University, their wives, and all students, with special invitations extended to members of the Divisions of History, Government, and Economics, and the Fine Arts, as well as the School of Architecture and the School of Landscape Architecture.

The image shows an open book or publication, likely a newsletter or gazette, dated from the year 1929. The visible pages contain various announcements and event listings, primarily related to academic, artistic, and cultural activities. Here is a detailed description of the content:

Page Layout and Content:

1. Top Left Section:

   • Gazette, Oct. 19, 1929:
     • Announcement of an illustrated lecture in French titled "Les Grandes Cathédrales de France" (The Great Cathedrals of France), part III.
     • Speaker: Professor Marcel Aubert, Professor at the École des Chartes, Paris, France.
     • Event: Large Lecture Room of the Fogg Art Museum.
     • Time: 4:30 P.M.

2. Top Right Section:

   • Gazette, Oct. 26, 1929:
     • Announcement of another illustrated lecture in French titled "Les Grandes Cathédrales de France" (The Great Cathedrals of France), part IV.
     • Speaker: Professor Marcel Aubert, Professor of Art Gothic at the École des Chartes, Paris, France.
     • Event: Large Lecture Room of the Fogg Art Museum.
     • Time: 4:30 P.M.
     • University Tea:
       • First University Tea for the academic year 1929–30.
       • All officers of the University, their wives, and all students are invited.
       • Special invitation extended to members of the Divisions of History, Government, Economics, Fine Arts, the School of Architecture, and the School of Landscape Architecture.

3. Middle Left Section:

   • Industrial Art Institute Held at Boston:
     • Report on a recent meeting of the Industrial Art Club of Boston.
     • The club was organized to promote the coordination of the activities of manufacturers, merchants, artists, and artisans.
     • The club aims to stimulate manufacturers and merchants to develop an effective staff to duplicate effort in art research, preserve the art and style qualities of industrial products, and seek to lessen the duplication of effort in art research.
     • The Industrial Art Institute will centralize art research and promotion.
     • Individual designers, craftsmen, stained-glass artists, and other professionals have accepted membership on the board of trustees.

4. Middle Right Section:

   • Transcript, Oct. 30, 1929:
     • Notes on a meeting held recently at the Boston Art Club.
     • Discussion about the organization of the Industrial Art Institute.
     • Mention of various individuals and their roles, including:
       • Royal B. Farnum, educational director of the Rhode Island School of Design.
       • Walter R. Kilham, Museum of Fine Arts, Boston.
       • B. Melville, sales promotion company.
       • William Eliene, Somo Company, Albany.
       • George E. Nerney, treasurer of the Bay State Optical Company of Athol, Massachusetts.
       • George O. Neman, treasurer of the Bay State Optical Company.
       • H. E. Nick, vice president and general superintendent of the Towle Silver Company, Newburyport.
       • Edward O. Otis Jr., secretary of the Boston Chamber of Commerce.
       • Paul Sachs, professor of fine arts at Harvard University and associate director of the Fogg Art Museum.
       • George L. Stout, lecturer at the Fogg Art Museum.

5. Bottom Left Section:

   • Crimson, Oct. 26, 1929:
     • Announcement of the first public show of pictures at the Fogg Art Museum.
     • The exhibition features new file photographs of the University, displayed on the third floor of the Fogg Museum.
     • The exhibition will be open to the public during the week just closed, with a special showing only for members of the University.
     • The photographs are part of the permanent file display for the historical record of the University by Paul J. Weber of Boston.
     • The complete file may be seen in the University Hall, News Office, Room B, University Hall, where orders will be taken and photographs delivered.

6. Bottom Middle Section:

   • Crimson, Oct. 30, 1929:
     • Announcement of a concert by the Stradivarius Quartet at the Fogg Art Museum.
     • The concert will take place on Monday evening at 8 o'clock.
     • The program includes works by:
       • Paul Hindemith: "Quartet in F major, Op. 22."
       • Joseph Haydn: "Quartet in B flat major, Op. 41, No. 2."
     • The organization consists of:
       • Alon Kalef, violin.
       • Wolf Wolfsohn, violin.
       • Nicholas Moldavan, viola.
       • Gerald Warburg, cello.

7. Bottom Right Section:

   • Crimson, Nov. 1, 1929:
     • Announcement of the first of University Teas, which will be held at Fogg today.
     • Departmental heads will receive teas from 4:30 to 6 o'clock.
     • All officers of the University, their wives, and all students are cordially invited.
     • Members of the Divisions of History, Government, Economics, Architecture, Fine Arts, and the School of Landscape Architecture are especially invited.
     • The teas will take place in the Living Room of the Union, with the old custom of holding the University teas in the Living Room of the Union being revived this year.

Visual Characteristics:

• The pages are typed, with clear headings and structured announcements.
• The layout is organized into distinct sections, each with a specific date and title (e.g., "Gazette," "Transcript," "Crimson").
• The text is dense and informative, typical of academic or institutional newsletters.
• The paper appears aged, with slight discoloration and wear, suggesting it is a historical document.

Overall Context:

The document reflects the cultural, academic, and artistic activities of the early 20th century, particularly at Harvard University and the Fogg Art Museum. It highlights lectures, concerts, exhibitions, and social events, emphasizing the integration of art, education, and community engagement. The inclusion of detailed schedules, speaker information, and event descriptions indicates a well-organized institutional environment focused on intellectual and artistic pursuits.

The image shows a page from an old scrapbook or photo album, featuring a newspaper clipping with a list of events and activities for the month of October 1929. The clipping is pasted onto the page, which appears to be made of paper or cardboard, and has a brownish-yellow color due to age.

• Newspaper Clipping:
  • The clipping is from a newspaper called "The Gazette" and features a list of events and activities for the month of October 1929.
  • The events include lectures, concerts, and exhibitions, all of which are related to art and culture.
  • The clipping also includes a list of upcoming events, such as the opening of an exhibition at the Fogg Art Museum and a concert by the Stradivarius Quartet.
• Page Layout:
  • The page is divided into two columns, with the left column containing the main text and the right column containing smaller text and advertisements.
  • The text is written in black ink and is quite small, making it difficult to read without magnification.
  • The page also features some illustrations, including a drawing of a building and a photograph of a person.
• Age and Condition:
  • The page appears to be quite old, with a brownish-yellow color and a worn, creased texture.
  • The edges of the page are rough and uneven, suggesting that it has been handled extensively over the years.
  • There are also some tears and holes in the page, particularly in the corners and along the edges.

Overall, the image provides a glimpse into the cultural and artistic scene of Boston in the late 1920s, and suggests that the city was a vibrant and exciting place to live during this time period.

The image depicts a page from a scrapbook or journal, featuring a collection of newspaper clippings and handwritten notes. The page is yellowed with age, indicating that it may be several decades old.

Newspaper Clippings:

• The clippings appear to be from various newspapers, including the Boston Gazette and the Crimson.
• They cover a range of topics, including art exhibitions, lectures, and university events.
• Some of the clippings are dated October 1929, while others are undated.

Handwritten Notes:

• The handwritten notes are written in black ink and appear to be annotations or summaries of the newspaper articles.
• They provide additional context and information about the events and exhibitions mentioned in the clippings.
• Some of the notes are illegible due to fading or damage to the page.

Overall:

• The page provides a glimpse into the cultural and academic life of Boston in the late 1920s.
• It suggests that the city was a hub for artistic and intellectual activity, with numerous exhibitions, lectures, and events taking place throughout the year.
• The page also highlights the importance of newspapers as a source of information and news during this time period.

The image depicts a yellowed page from a scrapbook or photo album, featuring a collection of newspaper clippings and articles related to the Fogg Art Museum at Harvard University.

The page is divided into two columns, with the left column containing three articles and the right column containing four. The articles are arranged in a collage style, with some overlapping or placed at an angle. The text is primarily in black ink, with some headings and titles in bold font.

The articles appear to be from various publications, including the "Gazette," "Transcript," and "Crimson." They cover a range of topics, including:

• Lectures and events at the Fogg Art Museum
• Exhibitions and displays at the museum
• University news and announcements
• Cultural and artistic events in the Boston area

Some of the specific articles mention notable figures, such as Professor Marcel Aubert, who delivered a series of lectures on French cathedrals, and George L. Stout, who gave a lecture on painting techniques.

The overall design of the page suggests that it was created by someone who was interested in documenting and preserving information about the Fogg Art Museum and its activities during the late 1920s. The use of a scrapbook or photo album format allows for a personal and informal approach to collecting and organizing the clippings.

The background of the image is a plain gray surface, which provides a neutral backdrop for the yellowed page. The overall effect is one of nostalgia and historical significance, as if the page has been preserved for many years and is now being shared with a wider audience.

The image presents a scanned page from an old book or newspaper, featuring a collection of articles and advertisements. The page is yellowed with age and has a worn appearance.

Articles and Advertisements:

• Illustrated Lectures in French: The page includes several articles about illustrated lectures in French, which were part of a series held at the Fogg Art Museum. The lectures covered topics such as "Les Grandes Cathédrales de France" and "Le Triomphe de l'Art Gothique: La Cathédrale de Chartres." The lectures were presented by Professor Marcel Aubert, who was a professor at the École des Chartes in Paris, France.
• University Tea: An article announces the first University Tea of the 1929-1930 academic year, which was held at the Fogg Art Museum. The event was open to all officers of the university, their wives, and students.
• Industrial Art Institute: An article discusses the formation of the Industrial Art Institute, which aimed to promote cooperation between manufacturers, merchants, artists, and art institutions. The institute's purpose was to improve the art and quality of industrial products.
• University Photographs on Exhibition at Fogg: An article announces the first public show of pictures from the University's new file of photographs, which was held at the Fogg Art Museum. The exhibition featured a selection of photographs that formed a permanent file made for the historical records of the University by Paul J. Weber of Boston.
• Stradivarius Quartet to Give Fogg Concert Monday: An article announces a concert by the Stradivarius Quartet of New York, which was held at the Fogg Art Museum. The quartet performed two concerts as part of their Harvard series.
• Crimson, Oct 26, 1929: An article reports on the formation of the Industrial Art Institute, which was organized to promote cooperation between manufacturers, merchants, artists, and art institutions.
• Transcript, Oct 19, 1929: An article discusses a lecture by George L. Stout of the Fogg Museum on "Permanent and Fugitive Pigment for Tempera Painting."
• Crimson, Nov 1, 1929: An article announces that the first of the annual University teas would be held at the Fogg Art Museum. The event was open to all officers of the university, their wives, and students.

Overall:

The page provides a glimpse into the cultural and artistic events of 1929, highlighting the activities of the Fogg Art Museum and the university community. The articles and advertisements showcase the diverse interests and pursuits of the time, including art, music, and education.