Archives Scrapbooks

The image displays an open scrapbook with two visible pages. The left page features a newspaper clipping from the New York Times, dated April 21, 1929. The headline reads "ONE OF HARVARD'S GATES," and the article is accompanied by a photograph labeled "Entrance to the New Fogg Museum at Cambridge, Photograph by Eric Hudson."

The right page also has a newspaper clipping, this one from the Gazette, dated April 27, 1929. The headline reads "FOGG ART MUSEUM," and the article discusses exhibitions of paintings, drawings, and prints at the Fogg Art Museum. Below this, there is another clipping from the Transcript, dated April 13, 1929, titled "The Listener," which appears to be an art critique, possibly about an exhibition at the Fogg Museum.

The clippings are carefully arranged and focused on the Fogg Art Museum and its exhibitions, indicating the scrapbook might be dedicated to collecting news about this museum.

The image shows a page spread from a newspaper clipping dated April 1929. Here's a detailed summary:

1. Top Section (New York Times, April 21, 1929):

   • The headline reads "ONE OF HARVARD'S GATES."
   • There is a black-and-white photograph titled "Entrance to the New Fogg Museum at Cambridge" by Erich Stengel. This image depicts the entrance to what is likely the Fogg Art Museum.
   • The accompanying text describes the entrance and mentions the Fogg Art Museum's exhibitions.

2. Middle Section (Gazette, April 27, 1929):

   • The article is titled "FOGG ART MUSEUM."
   • It details exhibitions of paintings and drawings from the nineteenth and twentieth centuries, highlighting a loan exhibition that will be on display for several weeks.
   • It mentions an exhibition of prints illustrating decorative arts and an exhibition of recent acquisitions, including embroideries, prints, Oriental paintings, sculptures, pottery, and an antiphonary with illuminations by Lippo Vanni.

3. Bottom Section (Transcript, April 13, 1929):

   • The article is titled "The Listener."
   • It discusses the exhibition of Vincent Van Gogh's self-portrait titled "Portrait with a Pipe," which was painted in 1887.
   • The text describes the artist’s life and works, focusing on the self-portrait's significance and the listener's observations about Van Gogh's turbulent life and his struggle with mental health.
   • It mentions the exhibition's context and the importance of the artwork in understanding Van Gogh's artistic journey and his profound influence on art history.

Overall, this spread combines news articles and reviews from newspapers highlighting the Fogg Art Museum's exhibitions and a critical discussion of Vincent Van Gogh’s work.

The image shows a collection of newspaper clippings and articles from April 1929.

1. New York Times (April 21, 1929):

   • The main feature is an article titled "One of Harvard's Gates" accompanied by a photograph of the entrance to the New Fogg Museum at Cambridge, taken by Erich Saloman.
   • The article describes the entrance to the Fogg Art Museum, which was a newly opened or highlighted part of Harvard University.

2. Gazette (April 27, 1929):

   • Fogg Art Museum Exhibitions:
     • The museum has opened several exhibitions:
       • A small exhibition of nineteenth and twentieth-century paintings and drawings.
       • A loan exhibition of paintings and drawings.
       • An exhibition of prints illustrating decorative arts.
       • An exhibition of recent acquisitions, including embroideries, prints, Oriental paintings, sculpture, pottery, and an illuminated manuscript by Lippo Vanni.

3. Transcript (April 13, 1929):

   • The article titled "The Listener" discusses a Van Gogh exhibition at the Fogg Museum.
   • The author describes the self-portraits and other works by Vincent Van Gogh, highlighting their emotional depth and the artist's struggles with mental health.
   • The piece notes the impact of Van Gogh’s work on the viewer, emphasizing the intense and humanistic qualities of his art.
   • The article also mentions that the museum's exhibition of Van Gogh’s work is significant and unique, representing a rare opportunity to see his artworks in America.
   • The text mentions Van Gogh’s "self-mutilation" and his later years of intense and prolific painting, despite his mental health issues.
   • The author reflects on the profound impact of Van Gogh’s work, especially his self-portraits, and the emotional resonance they evoke in viewers.

The clippings collectively highlight the Fogg Art Museum's exhibitions in April 1929, with a significant focus on the Van Gogh exhibit and the museum's recent acquisitions and displays.

The image shows a collection of newspaper clippings from 1929. Here's a detailed summary of each section visible in the image:

1. New York Times - April 21, 1929:

   • Headline: "One of Harvard's Gates"
   • Content: The article includes a photograph by Erich Thilo of the entrance to the New Fogg Museum at Cambridge. The photograph shows the gate and the structure of the museum.

2. Gazette - April 27, 1929:

   • Headline: "FOGG ART MUSEUM"
   • Content:
     • Exhibitions of Paintings and Drawings: The Fogg Art Museum opened a small exhibition of nineteenth and twentieth-century paintings and drawings. There is also a loan exhibition of paintings and drawings.
     • Exhibition of Prints: The museum is showing an exhibition of prints illustrating decorative arts.
     • Exhibition of Recent Accessions: This exhibition includes embroideries, prints, Oriental paintings, sculpture, pottery, and an illuminated manuscript by Lippo Vanni. These items have been acquired by the museum either through purchase or gift.

3. Transcript - April 13, 1929:

   • Headline: "The Listener"
   • Content:
     • The article discusses the exhibition of Vincent van Gogh’s paintings at the Fogg Art Museum.
     • It talks about the emotional and spiritual aspects of van Gogh’s art, particularly focusing on his self-portrait.
     • The writer mentions that van Gogh’s self-portrait, "The Painter with a Pipe," reflects his intense inner life and the struggles he faced.
     • The article highlights the significance of the painting and the broader collection at the Fogg Museum, emphasizing the depth of emotion and humanity in van Gogh’s work.
     • The author also notes that the exhibition provides a rare opportunity to see these works in America, underscoring the importance of the collection for American viewers.

The clippings reflect a historical perspective on exhibitions at the Fogg Art Museum, particularly highlighting the significance of van Gogh's works and the museum's acquisition of diverse art pieces.

The image displays a page from a newspaper dated April 1929. The page features several articles and sections related to the Fogg Art Museum at Harvard University. Here's a detailed summary:

1. Main Photograph and Article (Top Left)

   • Photograph: The image shows one of the entrances to the New Fogg Museum at Cambridge, labeled "Entrance to the New Fogg Museum at Cambridge."
   • Article Headline: "One of Harvard's Gates"
   • Content: The article likely discusses the architecture or significance of the gates to the Fogg Museum.

2. Exhibitions at the Fogg Art Museum (Top Right)

   • Headline: "Fogg Art Museum"
   • Content: This section lists current and upcoming exhibitions at the Fogg Art Museum:
     • Paintings and Drawings: An exhibition of nineteenth and twentieth-century paintings and drawings, including a loan exhibition.
     • Prints: An exhibition showcasing prints illustrating the decorative arts.
     • Recent Accessions: An exhibition featuring recent acquisitions, including embroideries, prints, Oriental paintings, sculpture, pottery, and an anti-phonary with illuminations by Lippo Vanni.

3. Transcript Article (Bottom Center)

   • Headline: "The Listener"
   • Date: April 13, 1929
   • Content: This article narrates an interesting incident involving a painting by Vincent Van Gogh, titled "Portrait of the Artist." The story details how a listener at the Fogg Art Museum overheard an exchange between two individuals misidentifying the portrait. One of the men, initially unaware of Van Gogh's identity and work, was enlightened by the other. The conversation sparked a profound interest in the formerly uninformed man, who then sought to learn more about Van Gogh's life and works. The article emphasizes the impact of the museum's collection and the importance of art education.

The page overall highlights the cultural and educational activities at the Fogg Art Museum during April 1929.

The image is a page from a scrapbook or album that contains newspaper clippings and a photograph. The page is divided into two main sections:

1. Left Section:

   • The left section features a photograph titled "Entrance to the New Fogg Museum at Cambridge." The photograph is credited to Irving Underhill and shows an ornate gate with a staircase leading up to a building. The gate is decorated with intricate ironwork and surrounded by lush greenery.
   • The photograph is accompanied by a caption that reads: "ONE OF HARVARD'S GATES."

2. Right Section:

   • The right section contains several newspaper clippings related to the Fogg Art Museum.
   • The first clipping, dated April 27, 1924, from the "Gazette," mentions exhibitions of paintings and drawings at the Fogg Art Museum. It highlights a small exhibition of nineteenth and twentieth-century paintings and drawings, as well as a loan exhibition of paintings and drawings. The exhibitions are noted to be on display for several weeks.
   • The second clipping discusses an exhibition of prints illustrating the decorative arts at the Fogg Art Museum.
   • The third clipping, dated April 13, 1927, from "The Listener," provides a detailed review of an exhibition of French art at the Fogg Museum. The review praises the exhibition, particularly highlighting a self-portrait by Vincent Van Gogh. The reviewer expresses admiration for the museum's collection and the impact of the exhibition on the public.

The overall theme of the page is focused on the Fogg Art Museum, showcasing its exhibitions and the significance of its collections. The clippings provide historical context and critical reviews of the museum's exhibitions during the 1920s.

The image shows an open book or scrapbook with newspaper clippings pasted onto the pages. These clippings appear to be from different dates and publications, with one from the "New York Times" dated April 21, 1942, and another from the "Gazette" dated April 2, 1942, along with what appears as a partial date from another clipping showing "April 3, 1927."

The prominent article features the headline "ONE OF HARVARD'S GATES" with a black and white photograph by Heinz Grafolin showing the "Entrance to the NEW Fogg Museum at Cambridge." Surrounding this photograph are articles relating to the Fogg Art Museum, discussing exhibitions of paintings and drawings, prints, and recent accessions such as Oriental paintings, sculpture and pottery, and antiphonal with illuminations by Lippo Vanni.

The book's pages are yellowed with age, indicating it may be quite old, and there is some discoloration consistent with what you might expect from aging paper and adhesive. The scrapbook is lying on a solid, dark surface.

The image shows an open scrapbook or album page containing several newspaper clippings related to art exhibitions at the Fogg Art Museum at Harvard.

On the left page, there is a sepia-toned photograph titled "ONE OF HARVARD'S GATES," showing the entrance to the New Fogg Museum at Cambridge. The photograph is credited to Ewing Galloway. Handwritten at the top is "New York Times — April 21, 1929."

On the right page, there are three newspaper clippings pasted in. The first clipping is titled "FOGG ART MUSEUM" and discusses exhibitions of paintings and drawings, prints, and recent accessions, dated April 27, 1929, with a handwritten note above reading "Gazette - April 27, 1929" and "Transcript - April 13, 1929."

Below that, there is a longer article titled "The Listener" which discusses a French art exhibition at the Fogg Museum, specifically mentioning Vincent Van Gogh’s work and providing an analysis of his self-portrait and general themes regarding his art and legacy.

The page layout and aged paper suggest this is part of a historical archive or collector’s scrapbook related to art exhibitions and museum history in the late 1920s.

The image depicts an open book or scrapbook containing several newspaper clippings dated April 21, 1929, and April 29, 1929. The pages are neatly arranged and appear to be part of a historical or archival collection. Here is a detailed description:

Left Page:

• Headline: "ONE OF HARVARD'S GATES"
• Date: April 21, 1929
• Source: New York Times
• Content: The page features an illustration of an entrance gate to the New Fogg Museum at Cambridge. The gate is depicted with architectural details, including stonework and a sign indicating the museum's name. Below the illustration, there is a caption that reads:
  "Entrance to the New Fogg Museum at Cambridge."
  The photograph is credited to Erich Salomon.

Right Page:

• Date: April 29, 1929

• Source: Gazette (likely a museum or academic publication)

• Content: This page contains two distinct sections:

  1. Top Section: "Exhibitions of Paintings and Drawings"

     • This section announces the opening of an exhibition of paintings and drawings at the Fogg Art Museum. It mentions that the exhibition includes works from the nineteenth and twentieth centuries, with some pieces on loan. The exhibition is expected to run for several weeks.

  2. Middle Section: "Exhibition of Prints"

     • This section highlights an exhibition of prints at the Fogg Art Museum, showcasing decorative arts.

  3. Bottom Section: "Exhibition of Recent Accessions"

     • This section describes a recent acquisition exhibition at the Fogg Art Museum, featuring embroideries, prints, Oriental paintings, sculpture, and pottery. It also mentions an illuminated manuscript by Lippo Vanni, an artist from the fifteenth century.

  4. Transcript Section: "The Listener"

     • This is a detailed article discussing Vincent van Gogh's self-portrait, titled "The Listener." The article explores the significance of the painting, its historical context, and van Gogh's artistic style. It references van Gogh's letters, his mental health, and the impact of his work on contemporary art. The article also touches on van Gogh's relationship with his brother Theo and his struggles with insanity, as well as his influence on modern art movements.

Additional Details:

• The book appears to be a scrapbook or archive, as indicated by the neat arrangement of the clippings and the inclusion of a transcript dated April 13, 1929, which is visible at the bottom of the right page.
• The layout is clean and organized, suggesting that the book was compiled for historical or research purposes.
• The text is printed in a classic newspaper style, with clear headings, subheadings, and descriptive paragraphs.

Overall Impression:

The image showcases a curated collection of historical newspaper articles focused on art exhibitions and a detailed analysis of Vincent van Gogh's work. The inclusion of a photograph of the Fogg Museum's entrance gate adds a visual element, grounding the content in a specific location and time period. The book serves as a historical record of art events and critical discussions from early 1929.

A book with the title "The Fogg Art Museum" is open, and it has an article about the exhibition of paintings and drawings of the nineteenth and twentieth centuries. The article mentions that the exhibition includes prints, Oriental paintings, sculpture, and pottery, and an anti-phonary with illuminations by Lippo Vanni. The book also has an article about Vincent Van Gogh's self-portrait, which was painted by the artist when he was admitted to the asylum of Saint-Remy. The article mentions that Van Gogh's self-portrait was painted with the into the administration of insanity in which he wrote letters to his brother Theo.