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The image appears to be a scanned page from a book or collection of historical documents. On the left side, there is a photograph labeled "Entrance to the New Fogg Museum at Cambridge" with a caption indicating it is a photograph by Ewing Galloway and dated April 21, 1929. The upper part of the page also contains a section titled "One of Harvard's Gates," which is likely referring to the same photograph.
On the right side, there are two newspaper clippings. The top clipping is from "Gazette" dated April 27, 1929, and discusses exhibitions of paintings and drawings at the Fogg Art Museum. The bottom clipping is from "The Listener" dated April 13, 1929, and provides an article about the exhibition of Vincent van Gogh's works at the Fogg Museum, including a detailed analysis of the painting "Self-Portrait with Bandaged Ear." The article praises van Gogh's art and his personal life, noting his struggles with mental health and his subsequent death. The text also mentions the presence of other artists' works, such as Degas, Gauguin, and Cézanne, but focuses primarily on van Gogh's contributions to the exhibition.
The image is a page from a scrapbook or collection of newspaper clippings. The page is divided into two main sections.
On the left side, there is a photograph titled "ONE OF HARVARD'S GATES" from the New York Times, dated April 21, 1929. The photograph, taken by Ewing Galloway, shows an entrance gate with ornate metalwork and a pathway leading up to a building. The caption below the photograph reads, "Entrance to the New Fogg Museum at Cambridge."
On the right side, there are three clippings from different sources:
The top clipping is from the Gazette, dated April 27, 1929, and is about the Fogg Art Museum. It describes various exhibitions of paintings, drawings, prints, and recent accessions, including works by Lippo Vanni.
The bottom two clippings are from the Transcript, dated April 13, 1929, and are titled "The Listener." These clippings discuss the most interesting incident of the exhibition of French art at the Fogg Museum, focusing on a self-portrait by Vincent Van Gogh. The text mentions Van Gogh's period of intense and fanatic religiosity, his time working among the miners, and his self-inflicted injuries, including cutting off his ear. The article also mentions the influence of Van Gogh's work on the exhibition, comparing it to other artists of the time.
The overall theme of the clippings is the art exhibitions and activities at the Fogg Art Museum in April 1929.
This image displays an open scrapbook or album, with its dark, textured cover visible on the left, bound with visible stitching along the spine. The pages are aged, creamy yellow paper, filled with newspaper clippings mounted with glue, creating a collage of historical articles from 1929.
The clippings primarily concern the Fogg Art Museum at Harvard University in Cambridge, Massachusetts. The most prominent clipping on the left page is from the New York Times, dated April 21, 1929, under the headline “ONE OF HARVARD’S GATES”. It features a sepia-toned photograph captioned “Entrance to the New Fogg Museum at Cambridge,” credited to “Photograph by Ewing Galloway.” This shows the museum’s grand, classical-style stone entrance with steps, columns, and ivy-covered walls.
The right page is densely packed with smaller clippings:
A clipping from the Gazette dated April 27, 1929, titled “FOGG ART MUSEUM”, announces exhibitions of “Paintings and Drawings,” “Prints,” and “Recent Accessions.” It notes acquisitions including embroideries, prints, Oriental paintings, sculpture, pottery, and an “anti-phonal with illuminations by Lippo Vanni,” obtained by purchase or gift. These exhibitions were to last “several weeks.”
Below that is a more extensive article from April 13, 1929, from The Listener. This article discusses the recent Van Gogh exhibition at the Fogg Museum. It notably recounts the controversial removal of Van Gogh’s “Portrait with the Wounded Ear” (also called “Portrait with a Pipe”) from public display on the last day of the exhibition, due to its perceived “insanity” and “morbid” nature. The article defends the painting as a masterpiece and a “human document of great force,” lamenting the censorship and criticizing the museum's decision. It also mentions the broader context of the exhibition, which included works by Degas, Monet, and Gauguin, and praises the Fogg Museum for showcasing significant European art.
Overall, this scrapbook page serves as a historical record of cultural events at Harvard in 1929, with a particular focus on the Fogg Art Museum’s exhibitions and the public controversy surrounding Van Gogh’s self-portrait. The collection captures contemporary critical and public reaction to modern art at the time.
A book with the title "The Fogg Art Museum" is open, and it has an article about the exhibition of paintings and drawings of the nineteenth and twentieth centuries. The article mentions that the exhibition includes prints, Oriental paintings, sculpture, and pottery, and an anti-phonary with illuminations by Lippo Vanni. The book also has an article about Vincent Van Gogh's self-portrait, which was painted by the artist when he was admitted to the asylum of Saint-Remy. The article mentions that Van Gogh's self-portrait was painted with the into the administration of insanity in which he wrote letters to his brother Theo.
The image shows a book that is open to a page that contains several newspaper clippings. The clippings are from the New York Times and the Boston Gazette, both dated April 27, 1899. The clippings are pasted onto the page, and some of them have handwritten notes or annotations.
The top clipping is from the New York Times and is titled "One of Harvard's Gates." It features a photograph of a building with a tree in front of it. The photograph is labeled "Entrance to the New Fogg Museum at Cambridge." Below the photograph, there is a brief description of the Fogg Art Museum and its exhibitions, including an exhibition of paintings and drawings, an exhibition of prints, and an exhibition of recent accessions.
The second clipping is from the Boston Gazette and is titled "Fogg Art Museum." It provides additional information about the museum's exhibitions, including a loan exhibition of paintings and drawings and an exhibition of prints illustrating decorative arts.
The third clipping is from the New York Times and is titled "Transcript - April 13, 1897." It features an article about an exhibition of Vincent van Gogh's paintings at the Fogg Museum. The article describes the exhibition as "the most wonderful exhibition of Van Gogh's pictures that we have had at Harvard—by far the most important exhibition of pictures that we have had at Harvard." It also includes a detailed description of one of Van Gogh's self-portraits, which is described as "one of the great things of all of Van Gogh's work—one of the most human documents of great force."
Overall, the image depicts a collection of newspaper clippings that provide information about the Fogg Art Museum and its exhibitions, with a particular focus on the museum's exhibition of Vincent van Gogh's paintings.
The image depicts an open book or scrapbook containing several newspaper clippings dated April 21, 1929, and April 29, 1929. The pages are neatly arranged and appear to be part of a historical or archival collection. Here is a detailed description:
Date: April 29, 1929
Source: Gazette (likely a museum or academic publication)
Content: This page contains two distinct sections:
Top Section: "Exhibitions of Paintings and Drawings"
Middle Section: "Exhibition of Prints"
Bottom Section: "Exhibition of Recent Accessions"
Transcript Section: "The Listener"
The image showcases a curated collection of historical newspaper articles focused on art exhibitions and a detailed analysis of Vincent van Gogh's work. The inclusion of a photograph of the Fogg Museum's entrance gate adds a visual element, grounding the content in a specific location and time period. The book serves as a historical record of art events and critical discussions from early 1929.
The image shows an open book or scrapbook with newspaper clippings pasted onto the pages. These clippings appear to be from different dates and publications, with one from the "New York Times" dated April 21, 1942, and another from the "Gazette" dated April 2, 1942, along with what appears as a partial date from another clipping showing "April 3, 1927."
The prominent article features the headline "ONE OF HARVARD'S GATES" with a black and white photograph by Heinz Grafolin showing the "Entrance to the NEW Fogg Museum at Cambridge." Surrounding this photograph are articles relating to the Fogg Art Museum, discussing exhibitions of paintings and drawings, prints, and recent accessions such as Oriental paintings, sculpture and pottery, and antiphonal with illuminations by Lippo Vanni.
The book's pages are yellowed with age, indicating it may be quite old, and there is some discoloration consistent with what you might expect from aging paper and adhesive. The scrapbook is lying on a solid, dark surface.
The image shows an open scrapbook or album page containing several newspaper clippings related to art exhibitions at the Fogg Art Museum at Harvard.
On the left page, there is a sepia-toned photograph titled "ONE OF HARVARD'S GATES," showing the entrance to the New Fogg Museum at Cambridge. The photograph is credited to Ewing Galloway. Handwritten at the top is "New York Times — April 21, 1929."
On the right page, there are three newspaper clippings pasted in. The first clipping is titled "FOGG ART MUSEUM" and discusses exhibitions of paintings and drawings, prints, and recent accessions, dated April 27, 1929, with a handwritten note above reading "Gazette - April 27, 1929" and "Transcript - April 13, 1929."
Below that, there is a longer article titled "The Listener" which discusses a French art exhibition at the Fogg Museum, specifically mentioning Vincent Van Gogh’s work and providing an analysis of his self-portrait and general themes regarding his art and legacy.
The page layout and aged paper suggest this is part of a historical archive or collector’s scrapbook related to art exhibitions and museum history in the late 1920s.
A historical newspaper clipping collage from a scrapbook. The left side features a large black‑and‑white photograph titled “ONE OF HARVARD’S GATES” with the caption “Entrance to the New Fogg Museum at Cambridge,” credited to photographer Ewing Galloway. The clipping appears to be from the New York Times, dated April 21, 1929. The surrounding area contains articles and subheads about the Fogg Art Museum at Harvard, including “Exhibitions of Paintings and Drawings” and updates on the museum’s openings and exhibitions, plus a column titled “The Listener” with dense text. The overall page is yellowed with aged newspaper skin and shows a collage layout of cutouts.
This image shows a scrapbook-style page containing newspaper clippings.
In the top left corner is an image labeled "ONE OF HARVARD'S GATES," showing the entrance to the Fogg Museum at Harvard University, framed by large gates and steps. The caption notes it as a photograph by Edwin Gallagher.
To the right of the photograph are several columns of text from various publications, discussing exhibitions at the Fogg Museum. The articles detail painting, drawing, and print exhibitions, including Oriental art, porcelain, and other historical acquisitions.
A prominent excerpt, “The Listener,” discusses Vincent Van Gogh’s work, the emotional impact of his pieces, and their representation of suffering and devotion.
This scrapbook page, marked with headers like "New York Times - April 21, 1929," organizes articles referencing academic and art-related events during the late 1920s.
The page preserves historical insights into the world of art exhibitions and their cultural importance at the time.