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ARCH.2003.24, Rendition: 796392
The image shows a page from a newspaper or publication, specifically from the Boston Sunday Post dated April 7, 1929. The page discusses a French art exhibition at the Fogg Art Museum in Boston. The headline on the left side of the page reads, "Last Chance to Visit French Art Collection." It includes a photograph of a woman in a dress, leaning forward, seemingly engaged in an activity. The text discusses various aspects of the exhibition, including notable artists and pieces on display.
The right side of the page contains articles from other publications about the same exhibition, including the New York Times and the Crimson (likely a student newspaper). These articles provide more detailed descriptions of the exhibition, mentioning artists like Monet, Renoir, Cézanne, and Manet, and discussing the historical context and significance of the art.
At the bottom of the page, there is a section titled "Events at the Museum," which mentions a series of talks and a free concert scheduled for the museum, further engaging the public with the exhibition. The page has a vintage appearance, with aged paper and slightly yellowed text, reflecting its historical context.
This image shows a collection of newspaper clippings and articles about a French art exhibition, dated April 1929. The clippings are from different newspapers, including the Boston Sunday Post, the New York Times, and the Crimson.
The main article, from the Boston Sunday Post, is titled "Last Chance to Visit French Art Collection" and features a black-and-white photograph of a painting titled "Interrupted Reading" by Corot. The article discusses the exhibition of French art from the 19th and 20th centuries at the Fogg Art Museum, which was closing on that evening. It mentions that the exhibition had been extended for one day due to its popularity and the generous loans from private collectors.
The New York Times clipping is titled "MODERNS IN THE LOUVRE" and discusses the transition of 19th-century French modernist paintings from the Luxembourg Museum to the Louvre. It mentions artists like Monet, Renoir, Sisley, and Pissarro, and discusses the acceptance of modern art into the Louvre.
The Crimson clipping is about the continuation of a French art exhibition at the Fogg Art Museum due to public interest. It also mentions the comprehensive nature of the exhibition and the inclusion of works by various artists.
The bottom part of the image includes a section titled "Events at the Museum," which lists upcoming events at the Boston Museum of Fine Arts, including talks and a concert.
The clippings are arranged in a scrapbook-like manner, with handwritten annotations and dates indicating the sources and dates of the articles.
This image displays two open pages from a bound book of newspaper clippings, specifically from April 1929, documenting media coverage of a major art exhibition. The pages are aged, with yellowed paper and visible wear along the edges and spine.
Left Page: Boston Sunday Post, April 7, 1929
The main headline is:
“Last Chance to Visit French Art Collection”
This article highlights the Fogg Art Museum’s exhibition of "French Art of the 19th and 20th Centuries", which was the final week before it closed. It features a large photograph of a painting — Corot’s “Interruptyed Reading” (also described as “The Reader” or “Lectrice interrompue”) — showing a woman in a contemplative pose with a book in her lap, seated outdoors.
The article’s text emphasizes the uniqueness and value of the exhibition, featuring works by major artists such as Corot, Daumier, Delacroix, Delaunay, Renoir, Degas, Toulouse-Lautrec, Picasso, Cézanne, Van Gogh, Matisse, Monet, Pissarro, Sisley, and Rousseau. It praises the collection as “one of the most extraordinary” and “one of the most complete and valuable in existence,” noting that many of the works are rarely seen outside France or have not been shown in Boston before.
The article also mentions the “delicate and sensitive” modern French painting style, contrasting it with older, more realistic approaches. It highlights specific works like Gauguin’s “The Yellow Christ” and Van Gogh’s “The Café at Night”.
At the bottom, there’s a section titled “Events at the Museum”, listing lectures and concerts scheduled during the exhibition’s closing week — including a talk by Mr. W. J. Watson and a concert by the Boston Symphony Orchestra.
Right Page: Clippings from The N.Y. Times (April 7, 1929) and The Transcript (April 17, 1929)
This page features two articles. The top article from The N.Y. Times is titled:
“MODERNS” IN THE LOUVRE
It recounts a museum director’s reflection on 19th-century French “moderns” who were once controversial but are now “considerably more than the prescribed period of probation.” It notes how Monet, Cézanne, and others are now in “the Louvre’s permanent collection” — a sign their art is no longer radical but institutionalized. The article discusses how modern art has evolved and been accepted, with the Louvre itself becoming “a temple of modern art.”
Below it, an article from The Transcript, dated April 17, 1929, is titled:
A Great Collection of Modern French Art
This piece discusses the extension of the Fogg Museum exhibition due to public interest — it opened again on Saturday, April 13, and would continue until April 27. It praises the exhibition as “comprehensive and representative,” featuring over 100 paintings and drawings, many of which had not been seen in Boston for many years. It specifically mentions Degas’s “After the Bath” and Anédo Modigliani’s “Odysseus and Baby” (likely meant as “Odalisque with Raised Arms”). The article also notes that the collection is from the “Dale” catalog (the Mrs. Harry Payne Whitney collection), described as “one of the most important and comprehensive in the country.” It concludes by comparing the exhibition’s quality to “the Metropolitan Museum,” calling it “the greatest collection ever brought to Boston.”
Overall Impression:
This clipping collection serves as a historical record of a landmark 1929 exhibition of French modern art at Harvard’s Fogg Museum. It captures public and critical enthusiasm for modernist art in America during a time when such works were still challenging to many viewers. The coverage reflects a growing institutional acceptance of modernism — as seen with the Louvre’s acquisitions and the public’s eagerness to see the exhibition extended.
The careful preservation of these pages — likely by an enthusiast or museum archivist — suggests the exhibition’s lasting cultural significance. The pages together tell a story of artistic transition: from scandalous innovation to established canon.
Note: The photo of Corot’s painting is described in the article as “The Reader” — a common title for Corot’s 1870 painting, “Reading Girl” — though the actual painting shown might have been misidentified or mis-captioned in the newspaper itself.
The image is a scanned page from an old newspaper, the New York Times, dated April 9, 1929. The article is titled "Last Chance to Visit French Art Collection." The article discusses the exhibition of French art at the Fogg Art Museum in Boston, which is set to close soon. It highlights the significance of the collection, which includes works from the 19th and early 20th centuries, and emphasizes the importance of visiting the exhibition before it closes. The article also mentions the efforts of the museum's director to extend the exhibition, which will continue until another week. The image shows a black-and-white photograph of a woman in a dress, possibly a model or an artist, which is likely related to the art collection being discussed in the article.
The image shows an open book with two pages facing each other. The left page has a headline that reads "Last Chance to Visit French Art Collection," with a subheading that says "Moderns in the Louvre." There is a black-and-white photograph of a woman in a dress with a hat, possibly a portrait from the French art collection. The right page has a headline that reads "Transcript April 19, 1929," with a subheading that says "A Great Collection of Modern French Art." There is a list of names of artists and their works, possibly from the French art collection. The book is open to page 20, and the pages are slightly curled.
The image depicts an open newspaper or magazine page featuring a historical article titled "Last Chance to Visit French Art Collection" from the Boston Sunday Post, dated April 7, 1929. The article discusses an exhibition of French art, likely held at the Pogg Art Museum in Boston, and provides details about the collection and its significance.
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The image captures a moment in art history, showcasing the public interest in French art during the late 1920s. The combination of the detailed illustration and the informative text reflects the era's appreciation for art exhibitions and the cultural significance of accessing works from renowned institutions like the Louvre. The urgency in the headline suggests that the exhibition was a notable event, drawing attention from art enthusiasts and the general public alike.
The image presents a vintage newspaper clipping from the Boston Sunday Post, dated April 7, 1929, featuring an article about the Fogg Art Museum's exhibition of French art. The clipping is placed on top of a book, with the left side of the clipping folded back to reveal the book's pages.
The image provides a glimpse into the past, showcasing a vintage newspaper clipping and a book that may hold historical significance. The clipping's article and image offer insight into the cultural and artistic landscape of the time, while the book's pages remain a mystery, waiting to be explored.
This image depicts a page from an old scrapbook or photo album, featuring two newspaper clippings about art exhibitions. The left clipping, titled "Last Chance to Visit French Art Collection," is from the Boston Sunday Post and dated April 7, 1929. It includes a sketch of a woman in a dress and features a column of text discussing the exhibition at the Fogg Art Museum.
The right clipping, titled "A Great Collection of Modern French Art," is from the Crimson and dated April 2, 1929. It also discusses the exhibition at the Fogg Art Museum, highlighting its significance and the opportunity to see modern French art in Boston. Both clippings are yellowed with age and have handwritten notes in the margins, indicating that they were carefully preserved and appreciated by the owner of the scrapbook.
The image depicts an open book containing newspaper clippings related to French art. The left page features a prominent headline that reads "Last Chance to Visit French Art Collection" accompanied by a black-and-white photograph of a woman. The right page includes two articles discussing French art exhibitions.
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Overall Impression:
The image appears to be a historical archive or scrapbook containing newspaper clippings related to French art. The yellowed pages and old-fashioned headlines suggest that the clippings are from the early 20th century. The content of the articles and the photograph provide insight into the cultural and artistic interests of the time.
The image presents a vintage newspaper clipping, likely from the Boston Sunday Post, dated April 7, 1929. The clipping is titled "Last Chance to Visit French Art Collection" and features a prominent black-and-white photograph of a woman in a dress, accompanied by an article discussing the French Art Collection at the Fogg Art Museum.
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Additional Newspaper Clippings:
Two additional newspaper clippings are visible, one from the NY Times and another from the Transcript, both dated April 7, 1929. These clippings appear to be discussing the same French Art Collection exhibition.
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The newspaper clippings are set against a light gray background, which provides a clean and neutral contrast to the aged newspaper pages.
Overall:
The image showcases a collection of vintage newspaper clippings, highlighting the French Art Collection exhibition at the Fogg Art Museum in 1929. The clippings provide a glimpse into the art world of the time, featuring articles and photographs that discuss the exhibition and its significance.