Archives Scrapbooks

The image shows a page from a newspaper, specifically the "New York Times," dated March 25, 1924. The page contains two main articles:

1. Guggenheim Fund Gives Awards to 82

   • This article discusses the Guggenheim Memorial Foundation's awarding of fellowships to scholars and artists.
   • The total grants amount to $180,000, with each grant being about $2,500 for study abroad.
   • The fellowships are awarded to individuals from 40 states and 37 institutions.
   • The foundation has a capital fund of $3,000,000.
   • The article lists the names of the scholars who received the fellowships, along with their fields of study and institutions.

2. "Moderns" in the Louvre

   • This article discusses the presence of modern art in the Louvre, highlighting that many nineteenth-century painters, who were once controversial, have now been accepted and celebrated.
   • It mentions artists like Manet, Toulouse-Lautrec, and Cezanne, whose works are now displayed in the Louvre.
   • The article reflects on the evolution of artistic taste and the eventual acceptance of modern art by traditional institutions.
   • It also touches on the debate about the academic versus modern art and the role of museums in shaping public taste.

The layout of the page is typical of early 20th-century newspapers, with dense text and minimal graphics. The articles are printed in a serif font, with headlines and subheadings in a larger, bolder typeface. The page also includes some advertisements or other small sections of text, though they are not the main focus of the image.

The image displays two newspaper clippings from The New York Times dated March 27, 1929.

The first clipping (left side) is titled "GUGGENHEIM FUND GIVES AWARDS TO 82." It details the Memorial Foundation's announcement of grants totaling $180,000, distributed among 82 fellows for study abroad and domestic research. Each fellowship provides $2,500. The awards are distributed to scholars, painters, sculptors, and composers from 20 states and 37 institutions. The clipping lists numerous fellows by name and their fields of study or artistic discipline, including scholars like Dr. Marion E. Blake, Dr. Blanche Boyer, and artists such as John Henry Twachtman and Robert W. Edson.

The second clipping (right side) is titled "MODERNS IN THE LOUVRE." It discusses the exhibition of "moderns" in the Louvre, emphasizing the longevity of these works and the influence of Impressionism. The article argues that the modern art movement, despite initial criticism, has endured and even thrived, becoming a significant part of art history. It also mentions the importance of the Fogg Art Museum in Cambridge, which houses a collection of early modern art, and the broader impact of modern art on the public perception of art museums and galleries.

Together, these clippings highlight significant developments in the arts and scholarship during the late 1920s, focusing on funding for education and the appreciation of modern art.

The image is a newspaper clipping from the New York Times dated March 27, 1929. The article is titled "Guggenheim Fund Gives Awards to 82."

The main section of the article announces the Guggenheim Memorial Foundation's distribution of 82 public fellowships, totaling $180,000, for study abroad in 20 states and 37 institutions. Each award is valued at approximately $2,500.

The article lists the recipients of these fellowships, categorized by their fields of study and profession:

1. Scholars
2. Painters, Sculptors, and Artists
3. Composers and Musicians
4. Writers

Key points include:

• The awards are given to individuals for study abroad.
• The fellowships include grants to 220 individuals.
• The awards were announced to commemorate the establishment of the Guggenheim Fund in 1925.

The specific awards to scholars, painters, sculptors, and artists are detailed in the list provided in the article.

Additionally, there is an accompanying article titled "Moderns" in the Louvre, discussing the impressionist and post-impressionist works in the Louvre and their enduring influence.

The second part of the article highlights that many modern French artists, often referred to as "moderns," have survived and are still celebrated in the Louvre. It mentions the longevity of works like Monet, Renoir, Sisley, and Pissarro, which have been appreciated for decades. The article also touches on the ongoing impact of Impressionism and how it continues to inspire contemporary art, though it notes the challenges and debates surrounding the preservation and interpretation of modern art in museums.

The image shows a newspaper page, specifically from the New York Times, dated March 27, 1929. The main article on the page is titled "Guggenheim Fund Gives Awards to 82." The article reports on the Memorial Foundation making public fellowships for scholars and artists, with total grants of $180,000. Each fellowship is valued at about $2,500 for study abroad, with 20 states and 37 institutions represented.

The article details that 82 fellowships were awarded to individuals in various fields including scholars, painters, sculptors, and composers. It also mentions renewals of fellowships for an additional 19 individuals. The awards were given for a wide range of studies and artistic pursuits, from history and science to music and creative writing.

The article also includes a list of recipients and their respective fields of study or specialties, along with their affiliations. The list is extensive and includes names such as Dr. Frank E. Melvin for philosophy, Blanche B. Boyer for English, and William H. Wright for English literature, among many others.

Additionally, there is a smaller article on the right side of the page titled "'MODERNS' IN THE LOUVRE," which discusses the display of modern French paintings at the Louvre in Paris, including works by Manet, Monet, Renoir, and others. The article comments on the significance and impact of these works being showcased in a museum setting.

The image displays a page from The New York Times dated May 29, featuring two primary articles:

1. Guggenheim Fund Gives Awards to 82

   This article announces that the John Simon Guggenheim Memorial Foundation has awarded 82 public fellowships to scholars and artists. The total amount of grants is $180,000, with each fellowship valued at approximately $2,500. The fellowships span 20 states and 37 institutions.

   • Fellowships for Scholars:
     These are awarded to individuals in various academic fields, including professors, assistant professors, and researchers. Some of the awardees mentioned are:

     • Dr. Louis Finkelstein, Rabbi, Jewish Theological Seminary
     • Dr. Arthur W. Thomas, associate professor of chemistry at Columbia University
     • Dr. Walter Rautenstrauch, professor of industrial engineering at Columbia University

   • Fellowships for Artists and Sculptors:
     These fellowships are given to painters, sculptors, and individuals in creative writing. Some awardees include:

     • John Sloan, painter
     • Eugene Speicher, painter
     • Paul Horgan, writer

2. "Modernists" in the Louvre

   This article discusses the evolving attitudes of the Louvre in Paris toward modern art. It notes that the Louvre, traditionally conservative, has recently started to incorporate more modern pieces into its collection. The article highlights the acquisition of works by notable modern artists such as Renoir, Sisley, and Pissarro, which had previously been overlooked.

   • The article speculates on the impact of this change, suggesting that it may pave the way for even more contemporary works to enter the Louvre’s collection.
   • It mentions a debate about whether the inclusion of modern art might detract from the historical and academic significance of the museum.
   • The article also touches on the potential future acquisition of Impressionist and Post-Impressionist works, noting that this could be a significant shift in the museum's approach.

Overall, the page highlights significant developments in both the arts and academic communities, showcasing support for scholars and artists through the Guggenheim fellowships and the Louvre's evolving stance on modern art.

The image is a page from the New York Times, dated March 27, 1929. The page contains two main articles:

1. "Guggenheim Fund Gives Awards to 82":

   • This article announces the distribution of 82 fellowships from the Memorial Foundation, with a total grant of $180,000.
   • Each fellowship amounts to approximately $2,500 for study abroad, with 20 states and 37 institutions represented.
   • The fellowships are awarded to scholars and artists, with recipients including professors, researchers, and painters.
   • The awards were established in 1925 by the late Solomon R. Guggenheim, with the foundation providing funds for study abroad.
   • The list of awardees includes individuals from various fields such as history, chemistry, mathematics, literature, painting, and sculpture.
   • Notable recipients include Dr. Dorothy Blanchar, Dr. William R. Boyer, Dr. Blanche H. Beatrix, and many others from institutions like the University of Minnesota, Columbia University, and the University of Pennsylvania.

2. "'Moderns' in the Louvre":

   • This article discusses the presence of modern art in the Louvre Museum in Paris.
   • It highlights the survival of many 19th-century French "moderns" and their work, which has been preserved despite the initial resistance and criticism they faced.
   • The article mentions specific artists such as Monet, Renoir, Sisley, and Pissarro, whose works have been well-received in recent times.
   • The Louvre Museum's acquisition of these works is noted as a testament to the eventual recognition of the modern art movement.
   • The article also discusses the contrast between the current appreciation of these artists and the historical reception of their works, noting that the Louvre now houses a significant collection of modern art.
   • It concludes by mentioning the Fogg Museum at Harvard University, which is noted for its collection of French Impressionist works.

The layout of the page includes the date and newspaper name at the top, followed by the headlines and articles, with the "Guggenheim Fund" article on the left and the "'Moderns' in the Louvre" article on the right.

The image shows two pages from a publication, apparently from "The New York Times," as indicated by the masthead on the right-hand page. The left page has a headline "GUGGENHEIM FUND GIVES AWARDS TO 82," reporting on the Guggenheim Foundation making public fellowships available for scholars and artists, with total grants of $180,000. The article lists individuals by field such as science, writing, and art, among others, detailing the names and focus areas of the recipients.

The right page, dated "May 3,24" (likely May 3, 1924), features an article with the headline "MODERNS IN THE LOUVRE." This article seems to be an editorial or opinion piece discussing the integration of contemporary art, referred to as "moderns," into the renowned Louvre museum in Paris. The text suggests a debate on the merits and impacts of placing modern art in historical museums traditionally known for older, classical works.

The pages appear yellowed with age, and the typography and style are consistent with newspaper publications from the early 20th century. There are various names mentioned in both articles, many of which could be associated with historical figures, scholars, or artists of that time. There is also an empty space at the bottom right of the left page and some handwritten text at the top of the right page, which shows "N.Y.Times May 3,24" presumably indicating the publication date and source.

This image shows two newspaper clippings pasted on an open scrapbook page. The clipping on the left is from the "New York Times" dated March 25, 1929, with the headline "GUGGENHEIM FUND GIVES AWARDS TO 82." It details the awarding of fellowships by the John Simon Guggenheim Memorial Foundation, totaling $180,000 for study abroad, naming various scholars and artists who received the fellowships, as well as renewal announcements for some fellowships.

The clipping on the right is also from the "N.Y. Times," dated March 3, 1929, titled "'MODERNS' IN THE LOUVRE." It discusses the presence of 19th-century French modern painters at the Louvre, highlighting artists like Monet, Renoir, Sisley, Pissarro, Degas, Manet, Toulouse-Lautrec, and Cézanne. The article reflects on the museum's evolving acceptance of modern art and mentions a contemporary exhibition at the Fogg Art Museum showcasing French painting from the late 19th and early 20th centuries. It argues for appreciating the work of new painters beyond the traditional academic standards.

The scrapbook page containing these clippings appears well-preserved, with handwritten notes above the clippings indicating their source and date.

The image shows an open book or document featuring a page from The New York Times dated March 25, 1923. The headline prominently displayed at the top reads: "GUGGENHEIM FUND GIVES AWARDS TO 82." Below the headline, the article details the announcement of awards granted by the Guggenheim Memorial Foundation. Key points from the article include:

1. Total Grants: The foundation awarded a total of $180,000 in grants.
2. Fellowships: Eighty-two fellowships were awarded, each valued at $2,500.
3. Recipients: The fellowships were distributed across 20 states and 37 institutions, supporting scholars and artists.
4. Types of Awards: The article lists awards for scholars, artists, and sculptors, with specific names and affiliations provided for each recipient.
5. Renewals: The article also mentions renewals of fellowships for scholars, artists, and composers, as well as renewals of musical fellowships.
6. Additional Context: On the right side of the page, there is a continuation of the article or another article titled "MODERNS" IN THE LOUVRE, discussing modern art and its representation in the Louvre Museum.

The layout includes columns of text, typical of newspaper formatting, with clear headings and subheadings. The page also features a small header at the top indicating the publication as The New York Times and the date, March 25, 1923. The content reflects the historical context of early 20th-century philanthropy and the support of the arts and academia.

The image is of an open book, displaying two pages of a newspaper. The book is titled "The New York Times." The pages are dated March 25, 1929, and March 26, 1929. The content of the pages includes articles about the Guggenheim Foundation awarding grants to scholars and artists, and an article titled "Moderns" in the Louvre, which discusses the exhibition of modern art at the Louvre Museum in Paris. The pages are filled with text in columns, typical of newspaper layouts. The paper has a slightly yellowed appearance, indicating age.