Archives Scrapbooks

This image appears to be a rotogravure section from the Boston Herald on March 17, 1929, featuring an exhibition of watercolors by five Boston artists. The layout includes multiple artworks, each labeled with the artist's name and title. The artworks are in sepia tones, typical of rotogravure printing, and the section is divided into several smaller panels, each showcasing a different piece of art.

Here's a breakdown of the artworks visible:

1. Top Left Panel: "The Rocky Island" by Charles Hopkinson.
2. Top Right Panel: "Hill Top" by Carl Gordon Cutler.
3. Middle Left Panel: "Village Street—Norway" by Harley Perkins.
4. Middle Right Panel: "Lake Attean" by Charles Hovey Pepper.
5. Bottom Left Panel: "The Fountain" by Marion Monks Chase.
6. Bottom Middle Panel: "Portrait Bust" by Ambrose McEvoy.
7. Bottom Right Panel: "The Creation of Adam" by Rockwell Kent.
8. Bottom Left Section Below: "Fishing Port, Brittany" by Jean J. Haffner.
9. Bottom Middle Section Below: "Portrait" by John Goss.
10. Bottom Right Section Below: "A Bay in Maine" by Carl G. Cutler.
11. Bottom Right Section Below: "Flowers" by Nellie Littlehale Murphy.

The exhibition section title is prominently displayed, and the text provides additional information about the exhibition, mentioning the Boston Art Museum's new galleries and the display of contemporary art. The piece of the Boston Herald dated March 17, 1929, includes a transcription note on the top right, and the publication is noted as having a Crimson color scheme for the March 20, 1929, edition.

This image shows an open page from "The Boston Herald," dated March 17, 1929. The page is part of the "Rotogravure Section" and features various watercolor paintings by five Boston artists. The headline reads, "AN EXHIBITION OF WATER COLORS BY FIVE BOSTON ARTISTS," and the page includes several black-and-white reproductions of watercolor paintings with captions indicating the artist and the title of each artwork.

The top section displays two large landscape paintings:

1. "The Rocky Island" by Charles Hopkinson.
2. "Hill Top" by Carl Gordon Cutler.

Below these, there are four smaller paintings:

1. "Village Street—Norway" by Harley Perkins.
2. "Lake Attean" by Charles Hovey Pepper.
3. "The Fountain" by Marion Monks Chase.

The bottom section is titled "WATER COLORS OF TWO CENTURIES" and includes:

1. "Portrait Bust" by Ambrose McEvoy.
2. "The Creation of Adam" by Rockwell Kent.
3. "Still Life" by Charles Demuth.
4. "Fishing Port, Brittany" by Jean J. Haffner.
5. "Portrait" by John Goss.
6. "A Bay in Maine" by Carl G. Cutler.
7. "Flowers" by Nellie Littlehale Murphy.

The page also contains text describing the exhibition and the artists involved. The right page of the open book contains a brief article about the Harvard Art Society's new French show, mentioning various artists and artworks on display.

This image displays a spread from a vintage newspaper, specifically The Boston Herald, dated March 17, 1929, opened in a black binder or scrapbook. The page is part of a “Rotogravure Section” — a high-quality photo-printing process used for newspaper supplements — and is printed in sepia tones.

The spread is dedicated to art, divided into two main features:

1. Top Feature: “An Exhibition of Water Colors by Five Boston Artists”
This section showcases five watercolor paintings with their titles and artists:

• “The Rocky Island” by Charles Hopkinson — depicts a rugged coastal landscape with large boulders and water.
• “Hill Top” by Carl Gordon Cutler — shows a windswept hillside with gnarled trees and distant hills under a cloudy sky.
• “Village Street—Norway” by Halley Fashins — portrays a quaint European village street with snow-covered rooftops.
• “Lake Attak” by Charles Henry Tupper — a serene lakeside scene with a small boat and distant mountains.
• “The Fountain” by Marion Moore Child — an interior scene featuring a decorative fountain surrounded by lush plants.

2. Bottom Feature: “Water Colors of Two Centuries”
This section presents a curated collection of watercolors spanning two centuries, with brief notes about the museum’s reorganization:

• “Portrait Busy” by Andrew McKeny — a portrait of a woman in profile, head covered, with a somewhat melancholic expression.
• “The Creation of Adam” by Rockwell Kent — depicts a nude male figure lying on the ground, reaching upward, echoing Michelangelo’s famous fresco.
• “Still Life” by Charles Demuth — a bold, modernist arrangement of fruit (pears and apples) and a bottle, rendered with strong contrasts and stylized forms.
• “Fishing Port, Brittany” by Jean L. Haffner — a busy harbor scene with boats and figures, rendered in a detailed, realistic style.
• “Portrait” by John Goss — a formal portrait of a young woman with short hair, looking directly at the viewer.
• “A Bay in Maine” by Gari G. Conklin — a coastal landscape with wooded hills and water.
• “Flowers” by Nadia Littitzka Murphy — a vibrant still life of flowers in bloom.

Each artwork is credited with its artist and often notes where the piece is on loan from (e.g., “Lent by Mrs. Montgomery Sears,” “Lent by the Fogg Art Museum”).

Additional Context:

• The newspaper clipping appears to have been preserved in a scrapbook — handwritten dates (“March 17, 1929” on top; “Crimson March 20, 1929” on the right page) and annotations suggest it was collected for personal or archival purposes.
• The right-hand page contains an article about the “Harvard Art Society” and a “New French Show,” though most of the text is cut off or obscured.

Overall Impression:
This is a historically rich, culturally significant newspaper page that captures early 20th-century American engagement with watercolor art. It highlights both local Boston artists and broader trends in American and European watercolors, reflecting curatorial practices and public interest in art during the late 1920s. The sepia tones and layout evoke a nostalgic, archival quality, preserving a snapshot of art appreciation nearly a century ago.

The image shows a collection of vintage newspaper clippings that have been bound into a book. The clippings are from the Boston Herald and Harvard Art Society's New French Show, which took place in 1929. The clippings feature various artworks, including paintings, sculptures, and photographs, with descriptions and commentary. The book is titled "Water Colors of Two Centuries" and features a collage of images of different artworks. The collage includes a portrait of a woman, a landscape painting, a still life painting, and a photograph of a city street.

The image shows a newspaper clipping featuring a section titled "ROTOGRAVURE SECTION" with a headline that reads "AN EXHIBITION OF WATER COLORS BY FIVE BOSTON ARTISTS." The clipping displays several black-and-white photographs of paintings, each labeled with the title and the artist's name. The paintings depict various scenes, including landscapes, portraits, and still life. The newspaper clipping is dated March 17, 1929, and is from "THE BOSTON HERALD."

The image shows a collection of vintage newspaper clippings or magazine pages, likely from The Boston Herald, dated March 17, 1922. The pages are part of a scrapbook or archive, as indicated by the visible spine and additional pages in the background. The layout features a grid of six illustrations, each accompanied by descriptive text and artist credits.

Top Section:

• Title: "AN EXHIBITION OF WATER COLORS BY FIVE BOSTON ARTISTS"
• Description: The top section highlights an exhibition of watercolors by five Boston artists, with the article discussing the display at the Vane Gallery. The article mentions that the exhibition featured works by artists such as Charles Hopkinson, Charles Demuth, and others.

Illustrations:

The six illustrations are arranged in a 2x3 grid and showcase a variety of watercolor artworks:

1. Top Left:

   • Title: "THE ROCKY ISLAND" by Charles Hopkinson
   • Description: A landscape depicting a rocky island with a small structure, possibly a cabin or hut, surrounded by natural terrain.

2. Top Middle:

   • Title: "VILLAGE STREET—NORWAY" by Harley Perkins
   • Description: A serene village scene in Norway, featuring traditional houses, trees, and a peaceful atmosphere.

3. Top Right:

   • Title: "LAKE ATTEN" by Charles Demuth
   • Description: A tranquil lakeside scene with reflections, trees, and a calm, reflective surface.

4. Middle Left:

   • Title: "THE FOUNTAIN" by Merle Moskey Chase
   • Description: A still-life composition featuring a decorative fountain with lush greenery and flowers.

5. Middle Center:

   • Title: "PORTRAIT OF RUTH" by Antonio Micco
   • Description: A portrait of a woman with long hair, wearing a dark garment, rendered in a soft, watercolor style.

6. Middle Right:

   • Title: "THE CREATION OF ADAM" by Rockwell Kent
   • Description: A dramatic and symbolic scene depicting the biblical moment of God giving life to Adam, rendered with expressive brushwork.

7. Bottom Left:

   • Title: "STILL LIFE" by Charles Demuth
   • Description: A still-life arrangement of fruits and flowers, showcasing Demuth’s characteristic style.

8. Bottom Middle:

   • Title: "A BAY IN MAINE" by Earl G. Cutler
   • Description: A coastal scene in Maine, featuring boats, a harbor, and a serene bay.

9. Bottom Right:

   • Title: "FLOWERS" by Natalie Lentowski Murphy
   • Description: A vibrant still-life of flowers, rendered with delicate watercolor techniques.

Additional Text:

• The right-hand column contains an article titled "ONS NEW FRENCH ART SHOW" discussing a new exhibition of French art at the Harvard Art Society, mentioning artists such as Henri Matisse and others.
• The layout includes dates (e.g., "Post-Gazette March 17, 1922") and page numbers, indicating these are clippings from a newspaper or magazine.

Overall Impression:

The image captures a curated collection of watercolor art, emphasizing the diversity of subjects—from landscapes and portraits to still lifes and symbolic scenes. The accompanying text provides context about the artists and the exhibitions, suggesting these pages were preserved for their artistic and historical significance. The vintage aesthetic and detailed illustrations reflect the artistic trends and cultural interests of the early 20th century.

The image depicts a vintage newspaper spread featuring an exhibition of watercolor paintings by five Boston artists. The newspaper, titled "THE BOSTON HERALD," showcases a collection of artworks in sepia-toned photographs, accompanied by brief descriptions and artist credits.

• Newspaper Title and Date
  • The newspaper's title, "THE BOSTON HERALD," is prominently displayed at the top of the page.
  • The date "MARCH 17, 1929" is printed in the upper-right corner.
• Exhibition Title
  • The exhibition title, "AN EXHIBITION OF WATER COLORS BY FIVE BOSTON ARTISTS," is centered on the page.
• Artwork Descriptions and Credits
  • Each artwork is accompanied by a brief description and the artist's credit.
  • The descriptions provide insight into the inspiration and themes behind each piece.
• Artwork Images
  • The artworks are presented in sepia-toned photographs, showcasing a range of styles and techniques.
  • The images are arranged in a grid-like pattern, with each artwork displayed prominently.
• Background
  • The newspaper pages are set against a light gray background, which helps to highlight the vintage aesthetic of the artwork.

Overall, the image presents a unique glimpse into the artistic scene in Boston during the 1920s, highlighting the work of five local artists who showcased their watercolor paintings at an exhibition.

The image depicts an open book with a newspaper clipping from "The Boston Herald" dated March 17, 1929. The clipping features a collection of watercolor paintings by five Boston artists, accompanied by captions and descriptions.

Newspaper Clipping:

• Title: "An Exhibition of Water Colors by Five Boston Artists"
• Date: March 17, 1929
• Publication: The Boston Herald

Watercolor Paintings:

• A total of 12 paintings are showcased, each with a caption and description
• The paintings feature various subjects, including landscapes, still-life compositions, and portraits
• The artists' names are listed below each painting, along with a brief description of their work

Book:

• The book is open to the page containing the newspaper clipping
• The book's cover is not visible, but it appears to be a bound volume
• The pages are yellowed with age, suggesting that the book is old

Background:

• The background of the image is a plain gray color
• There are no other objects or distractions in the background, allowing the viewer to focus on the newspaper clipping and the book.

Overall, the image provides a glimpse into the artistic scene in Boston in the late 1920s, showcasing the work of five local artists and their contributions to the world of watercolor painting.

The image depicts a vintage newspaper or magazine spread, likely from the early 20th century, featuring a collection of artworks.

The page is open to a section titled "THE BOSTON HERALD" and "ROT OGRAVURE SECTION", with various articles and images displayed in sepia tone. The left-hand page showcases a diverse range of artworks, including paintings and drawings, accompanied by descriptive text. The right-hand page appears to be a continuation of an article, with the title "HARVARD ART SOCIETY" visible at the top.

The overall aesthetic of the image suggests that it is a historical document or artifact, possibly from the 1920s, given the date "March 17, 1929" printed on the page. The use of sepia tone and the style of the artwork and typography further support this conclusion. The image provides a glimpse into the artistic and cultural landscape of the time, highlighting the types of art and exhibitions that were being showcased in the media during this period.

The image presents a vintage newspaper page, specifically the "Rotogravure Section" of "The Boston Herald," dated March 17, 1929. The page is open to reveal two pages, with the left page featuring a collection of photographs and the right page displaying an article about an exhibition of watercolors by five Boston artists.

Left Page:

• Title: "ROTogravure SECTION"
• Photographs: A series of 12 sepia-toned photographs showcasing various artworks, including:
  • Landscapes
  • Portraits
  • Still-life compositions
• Captions: Each photograph is accompanied by a caption providing information about the artwork, including the artist's name and the title of the piece.

Right Page:

• Title: "THE BOSTON HERALD"
• Article: An article titled "AN EXHIBITION OF WATER COLORS BY FIVE BOSTON ARTISTS"
• Date: March 17, 1929
• Content: The article discusses the exhibition of watercolors by five Boston artists, featuring works by:
  • Charles H. Higgins
  • Hayley Perkins
  • Charles H. Moore
  • Harriet Moulton Chase
  • Other artists

Additional Notes:

• The newspaper page appears to be yellowed with age and has handwritten notes on it.
• The background of the image is a light gray color.

Overall, the image provides a glimpse into the artistic scene in Boston in 1929, highlighting the work of local artists and the types of exhibitions that were taking place at the time.