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Fogg Art Museum Scrapbook, January 1928-November 1929

ARCH.2003.24, Rendition: 796344

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The image shows a collection of newspaper clippings related to an art dispute involving Harvard University's Fogg Museum. The clippings are from different publications, including the Boston Post, New York Herald, and Transcript, and are dated February 28, 1929, and March 1, 1929. The articles discuss a lawsuit filed by Mrs. Andre Hahn against Sir Joseph Duveen regarding a painting, "La Belle Ferroniere," which she claims is a lost Leonardo da Vinci work. The Fogg Museum is involved as the painting was once in its collection. The articles detail how X-ray examinations of the painting have revealed discrepancies, including the presence of jewelry not visible in the current painting, suggesting possible alterations. The clippings also mention a private view of French paintings from the 19th and 20th centuries at the Fogg Museum, open to the university community.

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The image shows a newspaper clipping page from around 1929, detailing a significant art-related legal dispute and exhibition.

  1. Top Left Section:

    • Headline: "Harvard Exhibit in Art Suit"
    • The article discusses a legal battle over the ownership of a painting titled "La Belle Ferronnière." The Fogg Museum has filed a negative action against Sir Joseph Duveen for $300,000 regarding the ownership of this painting. It mentions that the painting was alleged to be by Leonardo da Vinci but was not.
  2. Top Right Section:

    • Headline: "X-Ray Reveals Differences in Two 'La Belles'"
    • This article reports on X-ray examinations conducted on two paintings of "La Belle Ferronnière," one from the Louvre and the other from the Fogg Museum. The X-ray reveals that the jewelry in the Louvre painting is not actually there, while the Fogg Museum painting appears to have been painted over.
  3. Bottom Left Section:

    • Headline: "ART JURY GETS HARVARD X-RAY"
    • This section explains how a jury was involved in the trial, with the testimony of X-ray experts. It notes that the jury has found that the painting in question was not painted by Leonardo da Vinci, as claimed by Sir Joseph Duveen. The trial is described as a battle of evidence, with the jury considering the differing opinions of art experts and the X-ray findings.
  4. Bottom Right Section:

    • Headlines:
      • "Fogg Art Museum: French Paintings" (with a mention of an exhibition).
      • "French Paintings in Fogg Museum: Important Work of 19th and 20th Centuries"
    • This part describes a private loan exhibition of French paintings at the Fogg Art Museum. It details the specific dates and times the exhibition is open to the public, from March 1 to March 6. The exhibition covers paintings from the 19th and 20th centuries and includes a description of the significant artists represented.

Overall, the newspaper article highlights a legal case involving the authenticity of a famous painting and a related exhibition of French art.

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The image shows several newspaper clippings from 1929 related to a legal dispute and an art exhibit involving "La Belle Ferronnière," a famous painting by Leonardo da Vinci.

  1. Top Left Clipping (Boston Post, Feb. 28, 1929):

    • Title: "Harvard Exhibit in Art Suit"
    • Summary: The Fogg Museum is facing a $300,000 lawsuit by Mrs. Andre Hahn against Sir Joseph Duveen for the negative appearance of the painting "La Belle Ferronnière." The case is due to be heard in New York.
  2. Top Center Clipping (Herald, Feb. 28, 1929):

    • Title: "Art Jury Gets Harvard X-Ray"
    • Summary: The "La Belle Ferronnière" lawsuit hinges on the authenticity of the painting. The court is considering X-ray evidence and testimony from art experts. The painting is claimed to be by Leonardo da Vinci.
  3. Top Right Clipping (Gazette, March 2, 1929):

    • Title: "X-Ray Reveals Differences in Two 'La Belles'"
    • Summary: The Transcript reports on an X-ray examination revealing differences between the two versions of "La Belle Ferronnière" in the Louvre and the Hahn painting. The Fogg Museum expert explains these differences, suggesting that the Hahn painting might not be a true Leonardo.
  4. Bottom Left Clipping (Herald, Feb. 28, 1929):

    • Title: "Picture Rushed to Court in N.Y."
    • Summary: The painting "La Belle Ferronnière" is rushed to New York for a court session. The case involves a dispute over the authenticity and ownership of the painting.
  5. Bottom Center Clipping (Transcript, March 1, 1929):

    • Title: "X-Ray Reveals Differences in Two 'La Belles'"
    • Summary: Further details on the X-ray examination showing that the Louvre and Hahn versions of "La Belle Ferronnière" differ significantly, including a necklace and jewelry that is present in the Louvre version but not in the Hahn version.
  6. Bottom Right Clipping (Globe, March 2, 1929):

    • Title: "French Paintings in Fogg Museum"
    • Summary: The Fogg Museum is hosting an exhibition of French paintings from the 19th and 20th centuries. This exhibition includes works by notable artists and is open to the public on specific days and times.

Overall, the clippings detail the legal and scientific scrutiny of the authenticity of "La Belle Ferronnière" and the concurrent exhibit of French paintings at the Fogg Museum. The articles highlight the use of X-ray technology to analyze the painting and the public's interest in the art exhibit.

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The image contains several newspaper clippings from 1929, detailing an art-related legal case involving Harvard University and a painting titled "La Belle Ferronnière."

  1. Headline: Harvard Exhibit in Art Suit

    • Date: February 28, 1929
    • Source: Boston Post
    • Content: This article mentions that the Fogg Museum at Harvard is set to appear in a $300,000 lawsuit against Mrs. Joseph Duveen. The suit involves a painting, "La Belle Ferronnière," which is claimed to be a genuine work by Leonardo da Vinci.
  2. Headline: Art Jury Gets Harvard X-Ray

    • Date: February 28, 1929
    • Source: Herald
    • Content: This article discusses the legal proceedings where William Harmon Black, the judge, is preparing for a trial involving the painting. The Fogg Museum has rushed the painting to court, and an X-ray analysis is being conducted to determine its authenticity.
  3. Headline: Picture Rushed to Court in N.Y.

    • Date: February 28, 1929
    • Source: Transcript
    • Content: The painting, "La Belle Ferronnière," is rushed to New York for an X-ray examination. The trial is expected to be held on March 4, and the court will hold a night session if necessary. The article also mentions the dispute over whether the painting was originally painted by Leonardo da Vinci.
  4. Headline: X-Ray Reveals Differences in Two "La Belles"

    • Date: March 1, 1929
    • Source: Transcript
    • Content: This article explains the findings from the X-ray examination. The painting in question shows jewelry that is not present in the Louvre's version of "La Belle Ferronnière." The X-ray reveals that the jewelry was added after the original painting was completed, which suggests the painting might not be a genuine Leonardo.
  5. Headline: Fogg Art Museum

    • Date: March 2, 1929
    • Source: Gazette
    • Content: This article announces an upcoming exhibition of Nineteenth and Twentieth Century French Paintings at the Fogg Art Museum from March 6 to March 31, open to all members of Harvard University and Radcliffe College.
  6. Headline: French Paintings in Fogg Museum

    • Date: March 2, 1929
    • Source: Globe
    • Content: The article describes an exhibition of French paintings from the 19th and 20th centuries, including works by Corot, Manet, Monet, Renoir, and others. The exhibition aims to provide an overview of French painting from the mid-18th century to the present, with the museum open from 9 a.m. to 5 p.m. on weekdays and Sundays.

These articles collectively provide a detailed account of both the legal dispute over the authenticity of "La Belle Ferronnière" and the exhibition of French paintings at the Fogg Museum.

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The image shows a collection of newspaper clippings from various issues of the Boston Post and the Boston Herald, dated around early March 1929. The articles focus on an art controversy involving Harvard University's Fogg Museum and an alleged Leonardo da Vinci painting titled "La Belle Ferronnière."

Here are the key points from the articles:

  1. Lawsuit and X-Ray Examination:

    • Mrs. Andre Hahn filed a $500,000 lawsuit against art dealer William Henry Black, claiming he sold her a celebrated replica of the painting "La Belle Ferronnière" without disclosing it was a copy.
    • The case revolves around the authenticity of the painting, with Mrs. Hahn asserting that the original was painted by Leonardo da Vinci and not by an unknown artist.
    • The Fogg Museum conducted an X-ray examination of the painting owned by Mrs. Hahn and compared it with the original at the Louvre.
  2. Art Jury and Trial:

    • The trial in New York involved testimony from X-ray experts and art connoisseurs, who provided differing opinions on the painting’s authenticity.
    • The jury was initially deadlocked but decided to reconvene to reach a verdict.
    • The painting in question was rushed to court for examination.
  3. X-Ray Findings:

    • The X-ray examination revealed differences between the two versions of "La Belle Ferronnière."
    • Experts identified that the painting in the Fogg Museum’s possession had undergone restoration, which showed up in the X-ray images.
  4. Harvard Exhibit:

    • The Fogg Museum was preparing to host a private exhibition of Nineteenth and Twentieth Century French paintings, opening on March 6.
    • The exhibition was expected to feature significant works from notable artists of the period and would be open to members of Harvard University and Radcliffe College.
  5. Public Interest:

    • The controversy generated considerable public interest and discussion about the methods of authenticating artworks.
    • The articles also mentioned the importance of the exhibition in showcasing valuable pieces of art.

Overall, the clippings detail a high-profile legal and art authentication dispute, along with an upcoming exhibition at Harvard's Fogg Museum.

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The image shows a page from a scrapbook or an archival collection containing several newspaper clippings from 1929. The clippings are related to art and legal disputes involving the Fogg Museum and Harvard University. Here's a detailed summary of each clipping:

  1. Harvard Exhibit in Art Suit (Boston Post, Feb. 25, 1929):

    • This article discusses a lawsuit involving the Fogg Museum and a painting called "La Belle Ferronniere" by Leonardo da Vinci. The museum is negotiating to appear in a $300,000 action.
  2. Art Jury Gets Harvard X-Ray (Herald, Feb. 24, 1929):

    • This article reports on a jury's decision in a case involving the painting "La Belle Ferronniere." The jury was informed that the painting was not an original by Leonardo da Vinci but a copy. X-ray experts were used to determine the authenticity of the painting.
  3. X-Ray Reveals Differences in Two "La Belles" (Transcript, March 1, 1929):

    • This article discusses the use of X-ray technology to reveal differences between two paintings of "La Belle Ferronniere," one from the Louvre and one from the Hahn collection. The X-ray showed jewelry in the Hahn painting that was not present in the Louvre painting.
  4. Gazette, March 2, 1929:

    • This is a small notice about a private viewing of a loan exhibition of French paintings from the 19th and 20th centuries at the Fogg Art Museum. The exhibition is open to members of the University and Radcliffe College.
  5. French Paintings in Fogg Museum (Globe, March 4, 1929):

    • This article announces an exhibition of French paintings from the 19th and 20th centuries at the Fogg Art Museum. The exhibition includes works by renowned artists such as Delacroix, Géricault, Courbet, Millet, and Monet. The museum is open daily from 9 until 5 o'clock, and on Sundays from 2 until 5 o'clock.

The clippings provide a snapshot of the art world and legal disputes surrounding art authentication in the late 1920s, highlighting the use of X-ray technology and the significance of exhibitions at the Fogg Museum.

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The image appears to be a photograph of two newspaper pages or clippings laid flat, with the left side more prominent than the right. Some of the headlines and articles visible are dated between February and March of 1929.

The left page features multiple newspaper clippings with various headlines:

  1. "HARVARD EXHIBIT IN ART SUIT" - Discusses a $300,000 action involving the Fogg Museum and a piece by Matisse called "La Belle Rousse".
  2. "ART JURY GETS HARVARD X-RAY" - Relates to the same legal matter as the previous clipping and hinges on a negative from Fogg Museum.
  3. "X-Ray Reveals Differences in Two 'La Belles'" - Another article concerning the lawsuit, presenting details about differences noted in X-rays of the two paintings in question.
  4. "PICTURE RUSHED TO COURT IN N.Y." - This brief article seems to continue the coverage of the legal proceedings involving the art piece "La Belle Rousse".

Clipping dates include February 28, 1929, and March 1, 1929, indicated in handwritten notes.

The right page includes parts of articles and headers that are harder to read due to being cut off. They mention "FOGG ART MUSEUM" with details of a preview event related to French Paintings and "FRENCH PAINTINGS IN FOGG MUSEUM" mentioning an exhibition of 19th and 20th-century French paintings.

However, the image cut-off on the right side means that the text there is incomplete and harder to interpret in full. There are no images or photos within these newspaper clippings; they consist entirely of textual information. The paper itself looks aged and yellowed, indicating the historical nature of the document.

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The image shows an open scrapbook or album page filled with newspaper clippings and transcripts related to art exhibits and court cases involving Harvard's Fogg Museum from 1929. The articles are mostly yellowed with age, featuring headlines and text about legal disputes, X-ray examinations of paintings, and French painting exhibitions.

Some notable elements:

  • Headlines like "HARVARD EXHIBIT IN ART SUIT" and "ART JURY GETS HARVARD X-RAY".
  • Articles discuss legal actions involving a painting called "La Belle Ferronniere," questioning its authenticity and origin.
  • Reports mention a $300,000 lawsuit and a $500,000 slander suit.
  • There is detailed discussion about X-ray analysis revealing differences between two versions of "La Belle Ferronniere," with commentary from experts and museum curators.
  • Notices announce exhibitions of 19th and 20th-century French paintings at the Fogg Art Museum, with dates and information about private views and public access.
  • Handwritten dates and notes like "Boston Post Feb. 28, 1929," "Gazette March 2, 1929," "Herald Feb 28, 1929," and "Transcript March 1, 1929."
  • The page has a neat but dense layout with clippings carefully cut and arranged, signifying a focused archival or research interest in art history and museum litigation around that time period.

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The image shows a collection of newspaper clippings and a printed announcement, all displayed in a bound format, likely part of an archive or exhibit. The materials are organized into a book-like structure, with visible page numbers and headings. Here's a detailed description:

Layout and Content:

  1. Top Left Section:

    • Headline: "HARVARD EXHIBIT IN ART SUIT"
      • This headline is prominently displayed at the top, indicating a legal case involving an art exhibit at Harvard.
      • The subheading reads: "Fogg Museum Negative to Appear in $300,000 Action."
      • The article is dated February 28, 1929, and is attributed to the Boston Post.
      • The content discusses a legal dispute over an artwork titled "La Belle Ferronnière," which was part of a $300,000 lawsuit. The Fogg Museum is mentioned as being involved in the case.
  2. Middle Left Section:

    • Headline: "ART JURY GETS HARVARD X-RAY"
      • This article, dated February 28, 1929, is from the Herald.
      • It discusses an X-ray analysis conducted on the artwork "La Belle Ferronnière" by Leonardo da Vinci. The jury is examining the results of the X-ray, which revealed differences between the painting and an alleged original by da Vinci.
      • The article mentions a legal battle between Mrs. Andree Hahn and Sir Joseph Duveen over the authenticity and value of the artwork.
  3. Middle Right Section:

    • Headline: "X-Ray Reveals Differences in Two 'La Belles'"
      • This article, dated March 1, 1929, is a Transcript.
      • It details the findings of X-ray analysis conducted on two versions of "La Belle Ferronnière." One version is attributed to Leonardo da Vinci, and the other is a copy. The X-ray revealed that the da Vinci version contains hidden jewelry (a necklace) that was not present in the copy.
      • The article includes quotes from an expert, Mr. Burroughs, who explains the technical aspects of the X-ray and the differences observed.
  4. Bottom Right Section:

    • Announcement: "FOGG ART MUSEUM French Paintings"
      • This is a printed announcement for an exhibition of French paintings at the Fogg Art Museum.
      • The exhibition features works from the 19th and 20th centuries and is scheduled to open on March 6, 1929, and run until Wednesday, March 6.
      • The announcement specifies that the exhibition is private and by invitation only, open to members of the University and Radcliffe College.
      • It also mentions that the exhibition will showcase important works by artists such as Monet, Manet, Degas, and others.

Visual Elements:

  • Binding: The materials are bound together, likely in a folder or book format, with visible page edges and headings.
  • Typography: The text is printed in a clear, formal typeface typical of newspapers and formal announcements from the early 20th century.
  • Dates: Each article or announcement is clearly dated, indicating the historical context of the events described.
  • Headlines: The headlines are bold and prominent, drawing attention to the key stories.

Context:

  • The collection highlights a significant art controversy involving the authenticity of a Leonardo da Vinci painting, "La Belle Ferronnière," and the legal and scientific efforts to resolve the dispute through X-ray analysis.
  • The Fogg Art Museum's announcement provides additional context, showcasing the institution's role in art exhibitions and its engagement with French art during the early 20th century.

Overall, the image captures a historical moment in art authentication and legal disputes, as well as the cultural activities of the Fogg Art Museum in 1929.

Amazon, amazon.nova-lite-v1:0

This image is a newspaper clipping from the Boston Post, dated February 28, 1929. The clipping contains several articles related to the Fogg Art Museum at Harvard University and an art exhibit featuring French paintings. The headline reads "Harvard Exhibit in Art Suit," and it includes a transcript of a court case involving a painting called "La Belle Fermiere" that was claimed to be a forgery. The articles discuss the use of X-ray technology to examine the painting and reveal differences between it and another version in the Louvre.