Archives Scrapbooks

The image is a page from a book or a collection of articles, with several newspaper clippings pasted onto it. The clippings appear to be from a 1929 issue of the Boston Post, focusing on art exhibitions, museum events, and protests against a tariff proposal on contemporary foreign art. The articles discuss lectures at the Boston Museum, exhibitions at various museums in Boston, and the provision of museum pictures to Harvard students. The text is in black on a beige background, typical of the era's newspaper print, and the clippings are arranged in a scattered but somewhat organized manner. The visible portion of the page also includes some handwritten notes or markings, possibly indicating the date or purpose of the clippings.

This image shows a scrapbook page containing several newspaper clippings and a handwritten note. The clippings are from various dates in February 1929 and are related to the art world, particularly in Boston. Here is a detailed description of each clipping:

1. Top Left Clipping (Art News, Feb. 23, 1929):

   • Title: "Artists, Critics and Collectors Sign Protest Against Tariff Proposal"
   • This article discusses a protest against a proposed tariff on contemporary foreign art. The protest was made public by Lee Simonson, editor of the magazine "Creative Art," and is signed by fifty artists and the heads of fourteen art galleries dealing in American and foreign art works. The protest argues that the tariff is unnecessary, unsound economically, and perilous to the fullest development of the fine arts in America.

2. Bottom Left Clipping (Boston Post, Feb. 24, 1929):

   • Title: "LECTURES AT MUSEUM"
   • This clipping announces a series of lectures at the Boston Museum. The lectures include topics such as "English Painting—Light" by Mr. Henry Seaver and "The Antecedents of the Modern Decorative Arts" by Mr. Walter H. Siple. There is also a lecture and moving picture entitled "Period Furniture in Picture and Story" and a piano recital by Mr. Heinrich Gebhard on "Romanesque Architecture in Sweden and Denmark."

3. Center Clipping (Christian Science Monitor, Feb. 25, 1929):

   • Title: "Museum Pictures Lent to Students"
   • This article describes an experiment at Harvard where the Fogg Museum of Art is loaning selected prints to students for decorating their rooms. The prints, ranging from the Eighteenth Century to the present time, are being loaned for a period of three months without charge. The loan is made possible through the generosity of various individuals and artists.

4. Bottom Left Clipping (Crimson, Feb. 26, 1929):

   • Title: "Fogg Pictures Exhausted"
   • This brief note mentions that all of the 27 drawings and engravings open for selection were taken by students at the Fogg Museum.

5. Top Right Clipping (Boston Post, Feb. 24, 1929):

   • Title: "Art Exhibitions of the Coming Week in Boston"
   • This clipping provides a comprehensive list of art exhibitions happening in Boston, including details about the Boston Museum of Fine Arts, Isabella Stewart Gardner Museum, Fogg Art Museum, and various galleries. It includes information on the types of art on display, the artists involved, and the opening hours.

6. Bottom Right Clipping (Transcript, Feb. 25, 1929):

   • Title: "Prominent People Loan Paintings for Exhibition"
   • This article lists the names of prominent individuals who have loaned paintings for an exhibition. The list includes names such as William T. Aldrich, Frank W. Bayley, and many others.

The scrapbook page itself is well-organized, with the clippings neatly pasted and the handwritten note dated Feb. 25, 1929, providing additional context. The overall theme of the clippings is the art world in Boston during the late 1920s, focusing on exhibitions, lectures, and the promotion of fine arts.

This image displays two pages from the Boston Post newspaper, specifically from February 24–25, 1929. The pages are part of a bound volume, showing age with yellowed paper, foxing (brown spots), and some wear along the edges and spine fold.

The right-hand page is headed in large, bold type: “Art Exhibitions of the Coming Week in Boston.” Below this, dated Feb. 24, 1929, it lists upcoming exhibitions at major local institutions like the Boston Museum of Fine Arts, Isabella Stewart Gardner Museum, Fogg Art Museum (Harvard University), Copley Galleries, and others. Each entry provides dates, opening hours, and details about the exhibits, such as “water colors by American and European artists,” “Renaissance Court,” and specific artist shows.

The left-hand page features several news articles:

• Top Left: “Artists, Critics and Collectors Sign Protest Against Tariff Proposal” (Feb. 23, 1929). This article reports a significant protest by 69 signatures of American and foreign artists, critics, and collectors against a proposed tariff on contemporary foreign art. The protest, organized by the Home Ways and Means Committee, urges the U.S. Congress to abandon the tariff, arguing it would harm the development of American fine arts. It notes the protest letter's author was Lee Simonson, founder of the Phillips Memorial Gallery.

• Middle Left: “Museum Pictures Lent to Students” (Feb. 25, 1929). This article, subtitled “Experiment Is Started at Harvard—Can Be Hung in Borrowers’ Rooms,” details an innovative program at Harvard University’s Fogg Museum. The museum is loaning 27 carefully selected prints and engravings to students for display in their rooms for up to three months, free of charge. The pieces include reproductions of Holbein drawings, Tudor English figures, Windsor Castle scenes, and works by American artists like H. H. Bingham.

• Bottom Left: “Fogg Pictures Exhausted” (Feb. 26, 1929). This shorter article notes the overwhelming response to the student lending program: Harvard students requested more than all 27 works available, forcing the museum to close its lending books temporarily until May 15. The piece expresses hope that the program’s success will lead to similar initiatives in other universities and institutions.

• Right Column, Middle: “Prominent People Loan Paintings for Exhibition” (Transcript Feb. 25, 1929). This item lists the names of prominent Bostonians and collectors who have loaned 200 paintings from the 18th and 19th centuries for a public exhibition at the Fogg Museum’s Renaissance Court, including William T. Aldrich, Frank W. Bayley, Henry Forbes Bigelow, and many others.

The overall themes of both pages center on the vibrant Boston art scene in 1929, highlighting institutional exhibitions, innovative museum outreach, and the active role of artists and collectors in defending the cultural and economic interests of the arts against government policy. The layout is dense with text in traditional newspaper columns, typical of the era.

The image is of an open book with two pages displayed. The left page has a heading "Artists, Critics and Collectors Sign Protest Against Tariff Proposal." The text below includes a list of names of signatories, with the date "Feb. 21, 1929" at the top. The right page has a heading "Art Exhibitions of the Coming Week in Boston." Below this heading is a list of art exhibitions with dates and descriptions. The text on both pages is in black ink on cream-colored paper. The book appears to be an old publication, possibly a newspaper or magazine.

The image shows a book with its pages open, revealing a newspaper clipping. The clipping is from a newspaper, probably from the early 20th century, and is titled "Art Exhibitions of the Coming Week in Boston." The clipping has a black-and-white color scheme and is printed on a yellowed, aged paper. The clipping features a list of art exhibitions that are scheduled to take place in Boston in the coming week. The exhibitions are held in various locations, including museums, galleries, and private collections. The clipping also includes information about the artists, artworks, and themes of the exhibitions. The clipping is placed on the left side of the book, and the right side of the book is blank.

The image depicts an open newspaper spread from February 25, 1929, featuring multiple articles and headlines. The layout includes several sections, each discussing different topics related to art, culture, and museum activities. Here is a detailed description:

Top Left Section:

• Headline: "Artists, Critics and Collectors Sign Protest Against Tariff Proposal"
  • This article discusses a protest by artists, critics, and collectors against a proposed tariff on foreign art. It highlights a meeting held at the House of Representatives, where a committee was urged to meet with Congress. The protest is led by fifty artists and is signed by prominent figures in the art world. The article emphasizes the importance of foreign art to American culture and the concerns raised by the proposed tariff.

Top Right Section:

• Headline: "Art Exhibitions of the Coming Week in Boston"
  • This section provides a detailed listing of upcoming art exhibitions in Boston for the week of February 24, 1929. It includes information about various galleries, museums, and exhibitions, such as:
    • The Boston Museum: Open daily from 10 a.m. to 5 p.m., with free admission on Sundays.
    • The Fogg Museum: Features exhibitions of watercolors, prints, and other art forms.
    • Other Galleries: Listings include the Copley Society, the Boston Art Club, and various private galleries, with details on exhibition hours, admission fees, and featured artists.

Middle Left Section:

• Headline: "Lectures at Museum"
  • This article announces a series of lectures at the Boston Museum, scheduled for Thursday, February 28, 1929. The lectures will be given by Mr. Henry S. Pritchett and will cover topics such as "English Painting" and "The Four Schools of Painting." The lectures are part of a program that includes discussions on modern furniture, literature, and storytelling.

Middle Right Section:

• Headline: "Museum Pictures Lent to Students"
  • This article reports on an innovative initiative by the Fogg Museum at Harvard University, where selected works of art are lent to students for temporary use in their rooms. The loan period is three months, and the initiative aims to enhance students' appreciation of art by allowing them to live with the pieces. The article mentions that 27 drawings have been loaned, including works by famous artists such as John Singer Sargent, John Singer Sargent, and others. The program is supported by the museum and is seen as a way to enrich students' living quarters.

Bottom Left Section:

• Headline: "Egg Pictures Exhausted"
  • This brief article notes the exhaustion of an egg picture exhibition at the Fogg Museum. It mentions that the exhibition had attracted significant interest and that all 27 hangings were taken by borrowers, indicating high demand.

Bottom Right Section:

• Headline: "Prominent People Loan Paintings for Exhibition"
  • This section highlights a notable exhibition at the Museum of Fine Arts, featuring paintings loaned by prominent individuals. The article lists subscribers and their friends who have contributed works to the exhibition, including artists, collectors, and patrons. It emphasizes the collaborative nature of the exhibition, with contributions from notable figures in the art world.

General Observations:

• The newspaper is dated February 25, 1929, and appears to be from a Boston-based publication, likely The Boston Post, as indicated by the header.
• The layout is typical of early 20th-century newspapers, with dense columns of text and clear typographic formatting.
• The content focuses heavily on art, culture, and museum activities, reflecting the era's interest in the arts and education.
• The articles are well-organized, with clear headlines and subheadings, making it easy to navigate the various topics.

This spread provides a snapshot of the art and cultural scene in Boston during the late 1920s, highlighting protests, exhibitions, educational initiatives, and community engagement with art.

This image shows an open book with newspaper clippings pasted onto the pages. The visible page on the right side of the book details "Art Exhibitions of the Coming Week in Boston," with several columns outlining different exhibitions, locations, and some featured artists. The entries are dated with days of the week and specific dates such as "Feb. 24-29" and "Feb. 25-29," though the year isn't visible. This suggests that the content relates to art-related events within a specific week in Boston, including museum and gallery exhibitions.

On the left page, there are three distinct clippings, each discussing various topics. The top-left corner clipping is a headline that reads "Artists, Critics and Collectors Sign Protest Against Tariff Proposal Oct. 23, 1929." Below that, there's a smaller subheading, followed by a list of names that appears to be signatories to the protest. Another clipping below the protest article seems to be an announcement for "LECTURES AT MUSEUM," talking about a specific lecture scheduled at a museum. The bottom left clipping on the left page is titled "Museum Pictures Lent to Students" and discusses an experiment being started at Harvard's Carpenter's Room, as well as a couple of other topics such as a "Prominent People Loan Paintings for Exhibition."

The clippings are old, with some discoloration, and the printed text is quite small, showing the detailed nature of newspaper layout in the past. The columns are densely packed with text, and traditional typesetting is evident, indicative of the period's print journalism practices.

The image also includes a part of this newspaper's masthead with the title "The Boston Post" visible on the bottom of the left page, providing a clue as to the source of these clippings. The overall condition of the paper, including the yellowing of the pages, suggests that the clipping is quite old, potentially from the late 1920s or early 1930s, based on the date in one of the headlines.

This image shows a scrapbook or album page filled with multiple newspaper clippings related to art events and exhibitions dated from February 1929. The clippings cover topics such as:

1. A protest by artists, critics, and collectors against a proposed tariff on contemporary foreign art, dated February 23, 1929. It mentions a list of names of signers and galleries/societies involved.
2. Art exhibitions happening in Boston, with details about various museums and galleries, their locations, and exhibition times, including the Boston Museum of Fine Arts, Fogg Museum at Harvard University, Isabella Stewart Gardner Museum, and others.
3. An announcement on museum lectures, such as an illustrated lecture by Henry Seaver at the Boston Museum.
4. A feature about an experiment started at Harvard where selected museum pictures are lent to students to decorate their rooms on a trial basis.
5. A notice about the exhaustion of pictures at the Fogg Museum due to the lending experiment.
6. A list of prominent people who loaned paintings for exhibition at the Museum of Fine Arts.

The clippings provide historical insights into art culture and activities, museums, exhibitions, and artist/protest movements in Boston around 1929. The page overall acts as a curated archive of contemporary art news and events from that time.

This image shows an old scrapbook or archival book with several newspaper clippings pasted on its pages. The primary topics covered in the clippings press include art exhibitions, museum activities, and cultural news. The headlines on these clippings include:

1. "Artists, Critics and Collectors Sign Protest Against Tariff Proposal."
2. "Art Exhibitions of the Coming Week in Boston."
3. "Museum Pictures Lent to Students."
4. "Prominent People Loan Paintings for Exhibition."
5. "Fogg Pictures Exhausted."

The articles appear to discuss art-related issues, such as proposed tariffs affecting the art world, upcoming exhibitions, lending programs from museums to students, and prominent individuals loaning personal art collections for displays. There are handwritten notes and dates on the margins, such as "Feb. 23, 1929," suggesting archiving for historical reference. The clippings are carefully arranged and adhered to the page, showcasing documentation of art and cultural topics from the period.

This is a scrapbook page filled with old newspaper clippings about Boston art events. The page has yellowed, torn clippings arranged in a collage. The most prominent headline on the right reads “Art Exhibitions of the Coming Week in Boston,” with columns of small paragraphs describing museum exhibitions, openings, and related events. On the left, another clipping is titled “Artists, Critics and Collectors Sign Protest Against Tariff Proposal,” along with smaller notes like “Lectures at Museum,” “Museum Pictures Lent to Students,” and other notices. The clippings have a vintage, early-20th-century newspaper look, with a dark binding visible on the edge of the page.