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ARCH.2003.24, Rendition: 796320
The image shows a page from a book or a scrapbook containing various articles and a note about the Harvard Society for Contemporary Art. The page is aged and appears to be from an older publication, possibly a newspaper or magazine.
On the left side, there is a large headline about "Harvard Society Opens Contemporary" with a smaller subheading that mentions a painting by Rockwell Kent. The text below this headline describes the Harvard Society for Contemporary Art's exhibition, which opened with a private view and tea at the "Coop" building. The article mentions various artworks on display, including oils, watercolors, sculptures, and examples of modern decorative arts. It also highlights some notable paintings and their creators.
On the right side, there is a note that discusses the importance of American art and the exhibition's assertion of the significance of art work created by men no longer young who have helped create a national tradition. The note mentions various artists and their contributions to the field of art, including painters and sculptors. It also mentions fellowship awards for American or European scholars, with applications closing on March 1st.
The page is partially covered by a transparent plastic sleeve, which might be used to protect the original newspaper clipping. The overall appearance suggests that this page is part of a collection of historical documents or clippings related to art and Harvard University.
This image shows an open scrapbook with a page dedicated to the opening of an exhibition by the Harvard Society for Contemporary Art. The left side of the page contains several newspaper clippings, while the right side features a typed note.
The top clipping on the left is a headline from the Boston Post that reads "Harvard Society Opens Contemporary." Below this headline is a black-and-white photograph of a painting by Rockwell Kent, described as a marine painting with a blue-clad female figure reclining. The clipping includes a brief description of the painting and the exhibition.
Below the photograph, there is another clipping from the New York Times titled "Harvard Gets $4,000 for 3 Fellows," which details the establishment of fellowships by Arthur Sachs for American or European men or women interested in the fine arts.
The typed note on the right, titled "NOTE," discusses the importance of American art and the exhibition, mentioning various artists and their contributions. It emphasizes the development of a national tradition in art that is independent of European influences and highlights the work of both painters and sculptors. The note also mentions the trustees of the Harvard Society for Contemporary Art, including John Nicholas Brown, Edward W. Forbes, Philip Hofer, Arthur Pope, Arthur Sachs, Paul J. Sachs, and Felix M. Warburg.
This image displays an open, aged scrapbook or album, with its black fabric-covered binding visible on the left. The pages are yellowed with age and show signs of wear, particularly along the edges and at the bottom right corner, where the paper is damaged. Affixed to the right-hand page is a collage of newspaper clippings, meticulously taped or glued onto the page.
The clippings appear to be from the early 20th century and center on the activities of the Harvard Society for Contemporary Art, Inc., which was formed to promote living American artists.
Main Headline (Top Left): "Harvard Society Opens Contemporary" — This introduces an article by Alice Lawton, detailing the society's inaugural exhibition. The article describes the display of 13 oils, 6 watercolors, 3 pieces of sculpture, and a group of etchings. It specifically mentions a marine painting by Rockwell Kent titled “Docks in Winter,” accompanied by a small, grainy, black-and-white reproduction of the painting, which shows a seascape with a figure near rocky cliffs.
Main Body Text (Top Right): Titled "NOTE," this is a critical essay or review of the exhibition. It argues that the show is an "assertion of the importance of American art" and praises the artists for creating a "national tradition in emergence, stemming from Europe but nationally independent." It discusses the divide between "Lyricists and Realists," naming key figures: Albert Ryder, Benton, Davies, Kent, Miller, Sterne, Bellows, Hopkinson, Sloan, Speicher, Manet, Dauvier, Cezanne, and Renoir. It specifically singles out Thomas Eakins as a "precursor of the realists," and sculptors Archipenko, Lachaise, and Laurent for their contributions to American sculpture. The text emphasizes these artists as a "vanguard" providing a "solid foundation for an American school."
New York Times Clipping (Bottom Left): Headlined "HARVARD GETS FOR 3 FELLOWS," this article announces the establishment of three fellowships funded by Arthur Sachs, with a total income of $2,000 annually. Two fellowships are for $2,000 each per year, and one is for $1,000 for six months. The fellowships are open to American or European men or women, with applications closing March 1, 1928. It also notes that Arthur Sachs is the donor.
The overall impression is that of a historical record, carefully preserved, documenting a significant moment in American art history: the promotion of contemporary American artists by an institution associated with Harvard University. The scrapbook page is a testament to the efforts of its compiler to chronicle this cultural development.
The image shows an open book with a spread of pages featuring text and images. The left page displays a headline "Harvard Society Opens Contemporary Art" with a small image of a painting and a caption. The right page has a headline "NOTE" with a large image of a painting and a paragraph of text. The text discusses the importance of American art and mentions several artists and their works. The book appears to be a collection of articles or essays on contemporary art.
The image depicts a spread of an old newspaper, specifically the Harvard Society Contemporary section. The newspaper is open to a page that features multiple articles and advertisements. The top of the page has a header that reads "Harvard Society Opens Contemporary," suggesting that the content is related to an exhibition or event organized by the Harvard Society.
The left side of the page contains a large image of a painting, which appears to be a landscape with a prominent figure in the foreground. The painting is titled "ROCKWELL KENT'S PAINTING OF 'HARVARD GETS FOR 3 FELLOWS'" and is attributed to Rockwell Kent. The article accompanying the painting discusses the painting's significance and its inclusion in an exhibition.
Below the painting, there is a smaller article about the opening of an exhibition by the Contemporary Art, Inc., which is described as an organization formed to exhibit the works of living contemporary artists. The article mentions that the exhibition will be open free of charge and details the types of art on display, including oils, watercolors, and decorative arts.
On the right side of the page, there is a lengthy article titled "NOTE" that discusses the importance of American art and the need for men of talent to create a national tradition. The article highlights the contributions of various artists, including Albert Ryder, David Miller, and Thomas Eakins, among others. It emphasizes the value of American art and the need for continued support and recognition.
Below this article, there is another smaller piece about two fellowships awarded by Arthur Sachs for a half year, each with an income of $2,000. These fellowships are open to scholars or advanced students in the history, principles, or methods of the fine arts and are intended to encourage the pursuit of advanced studies in these fields.
The bottom of the page contains additional text and advertisements, but they are less prominent and not as clearly visible in the image. The overall layout of the newspaper page is typical of early 20th-century publications, with a mix of text, images, and advertisements.
The image depicts an open book or catalog featuring two pages with text and a headline. The left page prominently displays the bold, large headline: "Harvard Society Opens Contemporary", indicating that the content is related to an art exhibition or event organized by the Harvard Society for Contemporary Art. Below the headline, there is a smaller subheading or caption: "Rockwell Kent's Painting of 'The Marine Painting with the Blue Clad Female Figure Re-Clining in It' This exhibition opened this week by the Harvard Society." This suggests that the exhibition includes a notable painting by Rockwell Kent.
The right page contains a detailed NOTE section, which elaborates on the significance of the exhibition. The note emphasizes the importance of American art and highlights the works of contemporary artists, including painters such as Albert Ryder, Benton, Davies, Kent, Miller, Sterne, and others. It discusses the evolution of American art, noting its independence from European traditions and its embrace of modern movements like Lyrists and Realists. The note also mentions sculptors such as Archipenko, Lacasse, and Laurent, praising their contributions to American sculpture.
Additionally, the right page includes smaller text blocks that provide further context, such as details about fellowships offered by Harvard, with mentions of Arthur Sachs as a donor. The fellowships are described as offering financial support for students pursuing advanced studies in art history, principles, or methods. The text also references the Harvard Society for Contemporary Art and its mission to promote contemporary American art.
Overall, the image portrays a historical document or catalog from an art exhibition, focusing on contemporary American art and its significance, with specific mentions of notable artists and institutional support.
The image shows a page from an old book or newspaper, featuring a painting and an article about the Harvard Society of Contemporary Art.
Overall, the image provides a glimpse into the world of contemporary art in the early 20th century, highlighting the work of the Harvard Society of Contemporary Art and its efforts to promote modern art in the United States.
The image shows a page from an old book or scrapbook, featuring a newspaper clipping about the Harvard Society for Contemporary Art. The clipping is titled "Harvard Society Opens Contemporary Art Exhibition" and includes a photograph of a painting by Rockwell Kent. The article discusses the exhibition, which features works by American artists who have been influenced by European modernism.
The page also includes a note that appears to be handwritten, which provides additional information about the exhibition and the artists involved. The note mentions that the exhibition is an assertion of the importance of American art and that it represents the work of men who have helped to create a national tradition in emergence, stemming from Europe but nationally independent.
Overall, the image suggests that the Harvard Society for Contemporary Art was a significant organization in the early 20th century, dedicated to promoting American art and providing a platform for emerging artists to showcase their work. The exhibition featured in the clipping was likely an important event in the art world at the time, and the note provides valuable context and insight into the goals and motivations of the society.
The image shows a scrapbook or photo album with a newspaper clipping about an art exhibition at Harvard University. The clipping is yellowed and has a headline that reads "Harvard Society Opens Contemporary" in large letters.
The image provides a glimpse into the history of American art and the role of Harvard University in promoting contemporary art during this period.
The image presents a vintage newspaper clipping, likely from the early 20th century, featuring a prominent article about an art exhibition. The clipping is yellowed and worn, with visible signs of aging.
The clipping appears to be from a newspaper or magazine, possibly from the 1920s or 1930s, given the style of the font and the content of the articles. The articles discuss art exhibitions, fellowships, and donations, suggesting that the publication is focused on culture and education. Overall, the image provides a glimpse into the cultural and artistic landscape of the time period.