Archives Scrapbooks

The image shows a page from what appears to be a newspaper or a journal, dated February 19, 1929. The page is divided into several sections, each containing different articles and information. Here is a detailed summary of the content:

1. Drawings and Water Colors:

   • A list of artworks with their titles, artists, and lenders.
   • Artworks include "Moving Day" by Charles Burchfield, "Composition" by Edward Hopper, "The Lighthouse" by John Marin, "Victory" by John Sloan, "Landscapes (Chocorua)" by John Marin, and "Javanese Figure" by Maurice Sterne.
   • Lenders include Mrs. Henry T. Curtis, Dr. Ananda Coomaraswamy, and the Fogg Art Museum.

2. Prints:

   • A list of prints categorized by type (Etchings, Lithographs, Woodcuts) and their respective artists and lenders.
   • Artists include George Bellows, Arthur B. Davies, Edward Hopper, Rockwell Kent, J.J. Lankes, John Marin, John Sloan, and Maurice Sterne.
   • Lenders include E. W. Root, Mrs. Charles Liebman, and the Fogg Art Museum.

3. Decorative Art:

   • A list of decorative art items with their descriptions, artists, and lenders.
   • Items include an Ash and Cocktail Tray by Donald Deskey, Vases and Flowers by Robert Locher, Platters by Henry Varnum Poor, and Glass, Textiles, and Pottery by E. Stetson.
   • Lenders include the Designers and Charles Robinson.

4. Article on "Three Exhibitions Now on Display in Widener":

   • Discusses three displays in the Widener Treasure Room, including a collection of books from the Elizabethan period, Shakespeareana, and modern typography.
   • Mentions specific books and their significance, such as Sidney's "Defence of Poesie" and Spenser's "Prothalamion."
   • Highlights the gift of Philip Hofer and the majority of the books being French publications.

5. Article on "Salon":

   • Critiques the recent exhibit by the Harvard Society for Contemporary Art.
   • Discusses the need for new standards of taste and the importance of ensuring the success of the project.
   • Emphasizes the role of the organization in sponsoring contemporary art and the potential for future exhibits.

The page is part of a larger publication, as indicated by the visible edges of other pages and the binding. The text is printed in a traditional newspaper format with clear headings and columns.

The image shows a page from a publication titled "Crimson," dated February 19, 1929. This page contains information about various art exhibitions and events.

Exhibitions and Artworks on Display:

Drawings and Water Colors:

• Moving Day by Charles Burchfield, lent by Mrs. Henry T. Curtis.
• Composition by George Demuth.
• The Lighthouse lent by Dr. Ananda Coomaraswamy.
• Edward Hopper lent by John T. Spaulding.
• Rockwell Kent.
• Victory lent by Mrs. Henry T. Curtiss.
• Landscapes (Chocorua) by John Marin, lent by the Fogg Art Museum.
• George Scribner.
• Javanese Figure lent by Dr. Ananda Coomaraswamy.

Prints:

• Etchings, Lithographs, Woodcuts by various artists including:
  • George Bellows
  • Arthur B. Davies
  • Edward Hopper
  • Rockwell Kent
  • J.J. Lankes (after Burchfield)
  • John Marin
  • John Sloan
  • Maurice Sterne
• O'Keeffe's Hands (photograph) by Alfred Stieglitz, lent by Mrs. Charles Liebman.

Decorative Art:

• Ash and Cocktail Tray by Donald Deskey.
• Vases and Flowers lent by the Designer Robert Locher.
• Plates lent by Henry Vanum Poor and Charles Hopkinson.
• Glass, Textiles, and Pewter lent by the Designers.

Three Exhibitions Now on Display in Widener:

The article highlights three displays in the Widener Treasure Room:

1. An extremely diversified collection of Elizabethan literature.
2. Modern typography, featuring a notable gift of 260 volumes from the library of W.A. White, including works by members of his family and friends.
   • Among the books are:
     • A copy of Sir Philip Sidney's "Defence of Poesie."
     • A first edition of Spenser's "Prothalamion" printed in 1596.
     • A copy of Philip Hofer's "Bibliography."
   • A significant part of the display is the collection of French publications, including works by Matisse, Derain, and Picasso.

Salon Section:

The article discusses the opening of an exhibition by the Harvard Society for Contemporary Art. It mentions that the informal opening showed a restraint in the variety of art, which is seen as a positive step to ensure the success of the new project. The Salon aims to avoid sensationalism and focus on presenting more conservative and important works. The article praises the initiative for its potential to educate the audience about contemporary art movements and mentions the hope that such endeavors will continue in the future. The exhibition is scheduled to be open for a few weeks at the Fogg Museum.

The image shows an open book with two distinct pages from a newspaper or magazine dated February 19, 1929, and February 20, 1929.

Left Page (February 19, 1929)

The left page appears to be a catalog or program for an art exhibition.

Sections:

• Drawings and Water Colors:

  • 17. Moving Day (Artist: Charles Burchfield, Lent by Mrs. Henry T. Curts)
  • 18. Composition (Artist: George Demuth, Lent by Dr. Ananda Coomaraswamy)
  • 19. The Lighthouse (Artist: Edward Hopper, Lent by John T. Spaulding)
  • 20. Victory (Artist: Rockwell Kent, Lent by Mrs. Henry T. Curts)
  • 21, 22. Landscapes (Chocorua) (Artist: John Marin, Lent by the Foggs Art Museum)
  • 23. Javanese Figure (Artist: Maurice Sterne, Lent by Dr. Ananda Coomaraswamy)

• Prints:

  • Etchings, Lithographs, Woodcuts (Artists: George Bellows, Arthur B. Davies, Edward Hopper, Rockwell Kent, J. J. Lankes, John Marin, John Sloan, Maurice Sterne)
  • O'Keeffe's Hands (Photograph) (Artist: Alfred Stieglitz, Lent by Mrs. Charles Leibman)

• Decorative Art:

  • Ash and Cocktail Tray (Designer: Donald Deskey, Lent by the Designer)
  • Vases and Flowers (Designer: Robert Locher, Lent by the Designer)
  • Plates (Artist: Henry Varnum Poor, Lent by Charles Hopkinson)
  • Glass, Textiles and Peuter (Lent by the Designers)

Article:

• A short article titled "Salon" discusses the opening of an exhibition by the Harvard Society for Contemporary Art, highlighting the balance between traditional and modern art, and the significance of the exhibit's location at the Fogg Museum.

Right Page (February 20, 1929)

The right page contains an article titled "Three Exhibitions Now on Display in Widener."

Sections:

• The article discusses three displays in the Widener Treasure Room:
  1. Interesting Books from Elizabethan Period:
     • The collection includes Shakespeariana, a book by William White, and other works from the 16th and 17th centuries.
     • Notable items include a copy of Sir Philip Sidney's "Defense of Poesie" published in 1595 and a copy of Spenser's "Prothalamion" published in 1596.
  2. Modern Books:
     • The display includes books from the 18th and 19th centuries, such as an edition of Pouchkine's "Boris Godunov" illustrated by J. Schiffer.
  3. Spanish Books:
     • The collection includes a copy of Voltaire's "Candide" illustrated in color by Rockwell Kent, published by Random House in 1928.

The page also mentions that these exhibits are a result of the Harvard Society for Contemporary Art's initiative and the generosity of the donors.

The image displays two pages from an old newspaper or magazine dated February 1929. Here's a detailed summary of each page:

Left Page:
The left page is titled "Drawings and Water Colors" and lists various artworks along with their artists and lenders.

1. Drawings and Water Colors:

   • Moving Day by Charles Burchfield, lent by Mrs. Henry T. Curtis.
   • Composition by George Demuth, lent by Dr. Ananda Coomaraswamy.
   • The Lighthouse by Edward Hopper, lent by John T. Spaulding.
   • Victory by Rockwell Kent, lent by Mrs. Henry T. Curtis.
   • Landscapes (Chocorua) by John Marin, lent by the Fogg Art Museum.
   • Javanese Figure by Maurice Sterne, lent by Dr. Ananda Coomaraswamy.

2. Prints:

   • Etchings and Lithographs by George Bellows, Arthur B. Davies, Edward Hopper, Rockwell Kent, J. J. Lankes, John Marin, John Sloan, and Maurice Sterne, lent by E. Weyhe.
   • O'Keeffe's Hands (photograph) by Alfred Stieglitz, lent by Mrs. Charles Leibman.

3. Decorative Art:

   • Ash and Cocktail Tray by Donald Deskey, lent by the Designer.
   • Vases and Flowers by Robert Locher, lent by the Designer.
   • Plates by Henry Varnum Poor, lent by Charles Hopkinson.
   • Glass, Textiles, and Pevter by E. Schoen, lent by the Designers.

Right Page:
The right page is titled "Three Exhibitions Now on Display in Widener" and discusses the displays at the Widener Treasure Room.

1. Three Exhibitions:

   • The page describes three displays:
     • Elizabethan literature.
     • Modern typography.
     • Spanish books.
   • The first group is a collection of Shakespeareana and comprises volumes from the library of W. A. White '63, including a copy of Sir Phillip Sidney’s "Defence of Poesy" from 1586 and a copy of Spenser's "Prothalamion" from 1596.
   • The modern books display includes books from the gift of Philip Hofer '21, showcasing a relationship with the exhibit of paintings, sculptures, and prints of the Harvard Society for Contemporary Art.
   • The Spanish books include an edition of Pouchain’s "Bordeaux" and other works.

2. Additional Notes:

   • The page also mentions a review from a February 20, 1929, issue discussing the "Salon" exhibit, noting the opening of the first exhibit by the Harvard Society for Contemporary Art and the cautious optimism about the reception of the exhibit.

The bottom of the left page includes a review of the "Salon" exhibit from February 19, 1929, discussing the balance between sensationalism and a restrained approach to contemporary art, and the importance of maintaining a tolerant attitude among patrons.

The image shows a page from a book or magazine dated February 20, 1929, containing various sections related to an art exhibition.

Left Page:

1. Drawings and Water Colors:

   • The section lists several artworks by various artists, including:
     • "Moving Day" by Charles Burchfield
     • "Composition" by George Demuth
     • "The Lighthouse" by Edward Hopper
     • "Victory" by Rockwell Kent
     • "Landscapes (Chocorua)" by John Marin
     • "Javanese Figure" by Maurice Sterne
   • Each entry is followed by the lender's name.

2. Prints:

   • Lists of prints such as etchings, lithographs, and woodcuts by artists like George Bellows, Arthur Davies, Edward Hopper, Rockwell Kent, John Marin, and others.
   • Specific prints include "O'Keeffe's Hands" (photograph) by Alfred Stieglitz.

3. Decorative Art:

   • Includes items like "Ash and Cocktail Tray," "Vases and Flowers," "Plates," "Glass, Textiles, and Pottery," with the respective artists and lenders noted.

4. Additional Text:

   • A short article titled "TUESDAY, FEBRUARY 19, 1929" discusses the informal opening of an exhibit by the Harvard Society for Contemporary Art, emphasizing the need to avoid sensationalism and ensure a balanced approach to new projects.

Right Page:

1. Exhibition Details:

   • Headline "Three Exhibitions Now on Display in Widener."
   • Describes the displays of:
     • Books from Elizabethan literature, including modern typography and Spanish books.
     • The first group includes a collection of books by W. A. White and a set of Shakespearean works.

2. Additional Text:

   • The article notes that the displays are part of the Widener Treasure Room and includes references to significant literary works, such as Sidney’s "Defence of Poesy" and Spenser's "Prothalamion," among others.

The combination of artworks and literary references suggests an integrated cultural and academic approach to showcasing art and literature in this exhibition.

The image displays an open book with two visible pages. The left page lists various art exhibits, including categories like "Drawings and Water Colors," "Prints," and "Decorative Art," along with the titles of specific works, artists, and lenders. The right page features an article titled "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER," detailing different exhibitions, including one with books from Elizabethan, modern, and Spanish periods. The article is dated February 20, 1929. Additionally, there is a section titled "SALON" on the bottom of the left page, discussing the opening of an exhibit at the Harvard Society for Contemporary Art on February 19, 1929. The text suggests a focus on art, literature, and cultural exhibits from the late 1920s.

The image shows an open book or magazine with two visible pages. The left page lists various categories and works of art, including "DRAWINGS and WATER COLORS," "PRINTS," and "DECORATIVE ART," along with the names of the artists and titles of the works. The text on the left page suggests this is a catalogue or program for an art exhibition, as it features sections on prints, drawings, and decorative arts with listed names and titles of the pieces, possibly including where they are loaned from or by whom they were lent.

The right page features an article titled "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER," suggesting an event taking place at Widener library or some related venue, given the content about interesting books from Elizabethan period literature and three exhibitions being shown, which seem to include rare books and possibly Shakespearean artifacts.

At the top of the right-hand page, there's a hand-written note in pencil that reads "Crimson Feb. 20, 1929," indicating this clipping might be from the Harvard Crimson newspaper from February 20, 1929.

Under the hand-written note, the article headline reads, "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER," with a subtitle of "Interesting Books From Elizabethan Period Shown." The article describes details of the exhibitions and seems to include a variety of books and possibly other items from the Elizabethan era.

The condition of the paper suggests it is old, with yellowing of the pages and some minor damage or wear along the edges. The book or pamphlet is resting on a flat surface, and the pages are held open, possibly with a glass or clear plastic sheet over the right-hand page to keep it flat for display or photography.

The image shows an open scrapbook or album page with various newspaper clippings and a typed document related to art exhibitions and art pieces.

On the left page, there is a typed list titled "DRAWINGS and WATER COLORS," "PRINTS," and "DECORATIVE ART" with names of artists and the titles of works or items lent by specific individuals or museums. The list includes notable artists such as Charles Burchfield, Edward Hopper, Rockwell Kent, Alfred Stieglitz, and others.

On the right page, there are two newspaper clippings. The top clipping is titled "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER" with a subtitle "Interesting Books From Elizabethan Period Shown," and it discusses three displays at the Widener Treasure Room, including Elizabethan literature, modern typography, and Spanish books. The clipping mentions notable works and publications related to Shakespearean literature and modern typography, with references to volumes gifted by W. A. White and Philip Hofer.

The bottom clipping on the left page is dated "TUESDAY, FEBRUARY 19, 1929," and is titled "SALON." It talks about the informal opening of an exhibit by the Harvard Society for Contemporary Art, discussing the reception of the new project and the evolving standards of taste among the patrons and critics.

The word "Crimson" and the dates "Feb. 19, 1929" and "Feb. 20, 1929" are handwritten at the top of the pages, indicating that these newspaper clippings and documents are from The Harvard Crimson, the university's student newspaper, dating back to February 1929.

Overall, the pages provide historical documentation of art exhibitions, lending arrangements of artworks, and critical reception of contemporary art at Harvard University in 1929.

The image shows an open book with two pages visible, dated February 20, 1929. The book appears to be a catalog or exhibition record, likely related to art and design, given the structured format and content.

Left Page:

• Title: "DRAWINGS and WATER COLORS"

  • This section lists various artworks categorized under drawings and watercolors, each with an artist name and lender information.
  • Examples include:
    • 17 MOVING DAY by Charles Burchfield, lent by Mrs. Henry T. Curtiss.
    • 18 COMPOSITION by George Demuth, lent by Dr. Ananda Coomaraswamy.
    • 19 THE LIGHTHOUSE by Edward Hopper, lent by Dr. Ananda Coomaraswamy.
    • 20 VICTORY by Rockwell Kent, lent by John T. Spaulding.
    • 21, 22 LANDSCAPES (CHOCOLATA) by John Marin, lent by Mrs. Henry T. Curtiss.
    • 23 JAPANESE FIGURE by Maurice Sterne, lent by Dr. Ananda Coomaraswamy.

• PRINTS

  • This section lists etchings, lithographs, and woodcuts, with artists and lenders noted:
    • ETCHINGS by George Bellows.
    • LITHOGRAPHS by Arthur B. Davies.
    • WOODCUTS by Edward Hopper, J. J. Lankes (after Burchfield), John Marin, John Sloan, and Maurice Sterne.
    • O’KEEFFE’S HANDS (PHOTOGRAPH) by Alfred Stieglitz, lent by Mrs. Charles Leiberman.

• DECORATIVE ART

  • This section includes items such as:
    • ASH AND COCKTAIL TRAY by Donald Deskey, lent by the Designer.
    • VASES AND FLOWERS by Robert Locher, lent by the Designer.
    • PLATES by Henry Varnum Poor, lent by Charles Hopkinson.
    • GLASS, TEXTILES AND PEWTER by E. Schoen, lent by the Designers.

Right Page:

• Title: "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER"

  • This section discusses three exhibitions currently on display in the Widener Library. It highlights:
    • Elizabethan Books: A diverse collection of Elizabethan literature, including modern typography and Spanish books. Notable items include:
      • A gift of 266 volumes from W. A. White ’63, made by members of his family and other friends of Harvard.
      • A copy of Sir Philip Sidney’s Defense of Poesie, published in 1595 and printed in 1596.
      • A modern edition of Spenser’s Prothalamion.
    • Philip Befer ’31: A collection of modern books from the gift of Philip Befer ’31, including:
      • French publications for the Contemporary Art Society.
      • French publications of the Voltaire edition of Pouchkine’s works, printed by J. Selig “Boris Godunov” in Paris, America.
      • The edition of Voltaire’s Candide, illustrated in color by Rockwell Kent and published by Random House in 1928.

• SALON

  • This section discusses an informal opening of an exhibition by the Harvard Society for Contemporary Art, which took place the previous day (Tuesday, February 19, 1929). It mentions:
    • The exhibition was shown at a restraint within the new building.
    • The purpose of the organization is to ensure the success of new art projects.
    • The exhibition is expected to be well-received, with hopes for future additions to the complex of advanced tastes at Harvard.

Overall Context:

The book appears to be an exhibition catalog or record, documenting artworks on display, lenders, and details about three exhibitions in the Widener Library. It provides insight into the art scene of the early 20th century, highlighting notable artists, lenders, and the types of works being showcased. The inclusion of both contemporary and historical works suggests a blend of modern and classical art appreciation. The dated entries and structured format indicate its use as an archival or reference document.

The image shows a book open to a page with text. The book appears to be a catalog or exhibition guide. The page contains several columns of text, including headings and descriptions of various artworks and objects. The headings include "Drawings and Water Colors," "Prints," and "Decorative Art." The text provides information about the artists, titles, and descriptions of the artworks, as well as details about the exhibition. The page also includes a date, "Tuesday, February 19, 1929," which suggests that the book is a historical document from the early 20th century.