Archives Scrapbooks

The image shows two pages from a vintage publication, possibly a magazine or a book, with a focus on art and literary exhibitions. The left page lists art exhibitions under the categories "Drawings and Water Colors" and "Prints," along with the artists' names and their contributions. The right page details "Three Exhibitions Now on Display in Widener," with descriptions of the exhibits, including items from the Elizabethan period, modern typography, and Spanish books. The text is typed in a serif font, and the pages appear aged, with some discoloration and wear. A handwritten note at the top right of the right page reads "Crimson Feb.20, 1929," likely indicating the publication date of the article. The bottom left corner of the image contains a printed article dated Tuesday, February 19, 1929, discussing an exhibition by the Harvard Society for Contemporary Art. The overall tone of the content suggests a historical look into cultural and artistic activities in the early 20th century.

This image shows an open scrapbook or archive containing multiple pages of printed and handwritten material, likely related to art exhibitions and cultural events. Here's a detailed description of the contents:

Left Page:

1. Drawings and Watercolors:

   • Lists various artworks with titles like "Moving Day," "Composition," "The Lighthouse," "Victory," "Landscapes (Chocorua)," and "Javanese Figure."
   • Each artwork is attributed to an artist, such as Charles Burchfield, George Demuth, Edward Hopper, Rockwell Kent, John Marin, and Maurice Sterne.
   • The artworks are lent by individuals or institutions, including Mrs. Henry T. Curtiss, Dr. Ananda Coomaraswamy, and the Fogg Art Museum.

2. Prints:

   • Lists different types of prints: Etchings, Lithographs, and Woodcuts.
   • Artists mentioned include George Bellows, Arthur B. Davies, Edward Hopper, Rockwell Kent, J. J. Lankes (after Burchfield), John Marin, John Sloan, and Maurice Sterne.
   • A photograph titled "O'Keeffe's Hands" by Alfred Stieglitz is also mentioned, lent by Mrs. Charles Leibman.

3. Decorative Art:

   • Lists items such as Ash and Cocktail Tray, Vases and Flowers, Plates, and Glass, Textiles and Pewter.
   • Designers mentioned include Donald Deskey, Robert Locher, Henry Varnum Poor, and E. Schoen.
   • Items are lent by the designers or Charles Hopkinson.

Right Page:

1. Handwritten Note:

   • At the top right, there is a handwritten note that says "Crimson Feb. 20, 1929."

2. Three Exhibitions Now on Display in Widener:

   • An article discussing three exhibitions in the Widener Treasure Room.
   • The exhibitions include:
     • Elizabethan literature.
     • Modern typography.
     • Spanish books.
   • Specific books mentioned include Sir Phillip Sidney’s "Defense of Poesie" (1595) and Spenser’s "Prothalamion" (1596).
   • The modern books are from the gift of Philip Hofer ’21, with examples like an edition of Pouchking’s "Boris Godounov" and Voltaire’s "Candide" illustrated by Rockwell Kent.

3. Salon Article:

   • A dated article from Tuesday, February 19, 1929, titled "Salon."
   • Discusses the informal opening of the first exhibit by the Harvard Society for Contemporary Art.
   • Mentions the restraint in the exhibit to ensure success and avoid sensationalism.
   • Notes the tolerance from conservative patrons and the hope for future development in the taste of patrons.

The overall layout suggests a collection of clippings and notes related to art exhibitions and cultural events, likely curated for historical or archival purposes.

This image displays an open, vintage scrapbook or clipping album, its pages yellowed with age, bound in a simple black cover. The album is filled with newspaper clippings from early 1929, primarily focused on art exhibitions at Harvard University, specifically for the Harvard Society for Contemporary Art.

The visible right-hand page features a large clipping headlined "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER", dated "Crimson Feb. 20, 1929". It describes displays in the Widener Treasure Room, including books from the Elizabethan period, modern typography, and Spanish books.

Attached over the top half of this page is a smaller, white clipping titled "DRAWINGS and WATER COLORS", listing artworks (like "Moving Day," "The Lighthouse," "Victory") by artists such as Charles Burchfield, George Demuth, Edward Hopper, Rockwell Kent, John Marin, and Maurice Sterne, along with their lenders. Below this is a section titled "PRINTS", listing etchings, lithographs, and woodcuts by artists including George Bellows, Arthur B. Davies, Edward Hopper, and J.J. Lankes, and "DECORATIVE ART", listing items like an "Ash and Cocktail Tray" by Donald Deskey and "Vases and Flowers" by Robert Locher.

Tucked into the bottom left corner is another clipping, dated "TUESDAY, FEBRUARY 19, 1929" from the Crimson, discussing the informal opening of the society's first exhibit and its reception, praising the "restraint" of the show.

The clippings are mounted using what appear to be white paper clips or fasteners, and the pages show signs of wear, including discoloration, tape residue, and small tears, indicating their historical nature. The overall impression is of a carefully curated personal record of early 20th-century art and cultural events in Cambridge, Massachusetts.

The image shows a book open to a page with text. The book appears to be a catalog or exhibition guide. The page contains several columns of text, including headings and descriptions of various artworks and objects. The headings include "Drawings and Water Colors," "Prints," and "Decorative Art." The text provides information about the artists, titles, and descriptions of the artworks, as well as details about the exhibition. The page also includes a date, "Tuesday, February 19, 1929," which suggests that the book is a historical document from the early 20th century.

The image shows an open book with a newspaper clipping pasted on the right-hand side. The newspaper clipping is dated February 20, 1929, and it features an article about three exhibitions on display in Widener. The article is written in black text on a white background. The book is open to a page that lists various works of art, including drawings, water colors, prints, and decorative art. The page also includes the names of the artists and the titles of their works. The book appears to be a catalog or a magazine.

The image shows an open book with two pages visible, dated February 20, 1929. The book appears to be a catalog or exhibition record, likely related to art and design, given the structured format and content.

Left Page:

• Title: "DRAWINGS and WATER COLORS"

  • This section lists various artworks categorized under drawings and watercolors, each with an artist name and lender information.
  • Examples include:
    • 17 MOVING DAY by Charles Burchfield, lent by Mrs. Henry T. Curtiss.
    • 18 COMPOSITION by George Demuth, lent by Dr. Ananda Coomaraswamy.
    • 19 THE LIGHTHOUSE by Edward Hopper, lent by Dr. Ananda Coomaraswamy.
    • 20 VICTORY by Rockwell Kent, lent by John T. Spaulding.
    • 21, 22 LANDSCAPES (CHOCOLATA) by John Marin, lent by Mrs. Henry T. Curtiss.
    • 23 JAPANESE FIGURE by Maurice Sterne, lent by Dr. Ananda Coomaraswamy.

• PRINTS

  • This section lists etchings, lithographs, and woodcuts, with artists and lenders noted:
    • ETCHINGS by George Bellows.
    • LITHOGRAPHS by Arthur B. Davies.
    • WOODCUTS by Edward Hopper, J. J. Lankes (after Burchfield), John Marin, John Sloan, and Maurice Sterne.
    • O’KEEFFE’S HANDS (PHOTOGRAPH) by Alfred Stieglitz, lent by Mrs. Charles Leiberman.

• DECORATIVE ART

  • This section includes items such as:
    • ASH AND COCKTAIL TRAY by Donald Deskey, lent by the Designer.
    • VASES AND FLOWERS by Robert Locher, lent by the Designer.
    • PLATES by Henry Varnum Poor, lent by Charles Hopkinson.
    • GLASS, TEXTILES AND PEWTER by E. Schoen, lent by the Designers.

Right Page:

• Title: "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER"

  • This section discusses three exhibitions currently on display in the Widener Library. It highlights:
    • Elizabethan Books: A diverse collection of Elizabethan literature, including modern typography and Spanish books. Notable items include:
      • A gift of 266 volumes from W. A. White ’63, made by members of his family and other friends of Harvard.
      • A copy of Sir Philip Sidney’s Defense of Poesie, published in 1595 and printed in 1596.
      • A modern edition of Spenser’s Prothalamion.
    • Philip Befer ’31: A collection of modern books from the gift of Philip Befer ’31, including:
      • French publications for the Contemporary Art Society.
      • French publications of the Voltaire edition of Pouchkine’s works, printed by J. Selig “Boris Godunov” in Paris, America.
      • The edition of Voltaire’s Candide, illustrated in color by Rockwell Kent and published by Random House in 1928.

• SALON

  • This section discusses an informal opening of an exhibition by the Harvard Society for Contemporary Art, which took place the previous day (Tuesday, February 19, 1929). It mentions:
    • The exhibition was shown at a restraint within the new building.
    • The purpose of the organization is to ensure the success of new art projects.
    • The exhibition is expected to be well-received, with hopes for future additions to the complex of advanced tastes at Harvard.

Overall Context:

The book appears to be an exhibition catalog or record, documenting artworks on display, lenders, and details about three exhibitions in the Widener Library. It provides insight into the art scene of the early 20th century, highlighting notable artists, lenders, and the types of works being showcased. The inclusion of both contemporary and historical works suggests a blend of modern and classical art appreciation. The dated entries and structured format indicate its use as an archival or reference document.

The image shows an open book or magazine with two visible pages. The left page lists various categories and works of art, including "DRAWINGS and WATER COLORS," "PRINTS," and "DECORATIVE ART," along with the names of the artists and titles of the works. The text on the left page suggests this is a catalogue or program for an art exhibition, as it features sections on prints, drawings, and decorative arts with listed names and titles of the pieces, possibly including where they are loaned from or by whom they were lent.

The right page features an article titled "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER," suggesting an event taking place at Widener library or some related venue, given the content about interesting books from Elizabethan period literature and three exhibitions being shown, which seem to include rare books and possibly Shakespearean artifacts.

At the top of the right-hand page, there's a hand-written note in pencil that reads "Crimson Feb. 20, 1929," indicating this clipping might be from the Harvard Crimson newspaper from February 20, 1929.

Under the hand-written note, the article headline reads, "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER," with a subtitle of "Interesting Books From Elizabethan Period Shown." The article describes details of the exhibitions and seems to include a variety of books and possibly other items from the Elizabethan era.

The condition of the paper suggests it is old, with yellowing of the pages and some minor damage or wear along the edges. The book or pamphlet is resting on a flat surface, and the pages are held open, possibly with a glass or clear plastic sheet over the right-hand page to keep it flat for display or photography.

The image shows an open scrapbook or album page with various newspaper clippings and a typed document related to art exhibitions and art pieces.

On the left page, there is a typed list titled "DRAWINGS and WATER COLORS," "PRINTS," and "DECORATIVE ART" with names of artists and the titles of works or items lent by specific individuals or museums. The list includes notable artists such as Charles Burchfield, Edward Hopper, Rockwell Kent, Alfred Stieglitz, and others.

On the right page, there are two newspaper clippings. The top clipping is titled "THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER" with a subtitle "Interesting Books From Elizabethan Period Shown," and it discusses three displays at the Widener Treasure Room, including Elizabethan literature, modern typography, and Spanish books. The clipping mentions notable works and publications related to Shakespearean literature and modern typography, with references to volumes gifted by W. A. White and Philip Hofer.

The bottom clipping on the left page is dated "TUESDAY, FEBRUARY 19, 1929," and is titled "SALON." It talks about the informal opening of an exhibit by the Harvard Society for Contemporary Art, discussing the reception of the new project and the evolving standards of taste among the patrons and critics.

The word "Crimson" and the dates "Feb. 19, 1929" and "Feb. 20, 1929" are handwritten at the top of the pages, indicating that these newspaper clippings and documents are from The Harvard Crimson, the university's student newspaper, dating back to February 1929.

Overall, the pages provide historical documentation of art exhibitions, lending arrangements of artworks, and critical reception of contemporary art at Harvard University in 1929.

The image shows an open book or folder with typed and clipped content. The left side has a list under headings like "Drawings and Water Colors," "Prints," and "Decorative Art," detailing artists, exhibits, and contributors. On the right, there are newspaper clippings. One is titled "Three Exhibitions Now on Display in Widener" and describes exhibitions and books in a detailed article. Another clipping, located in the bottom of the page, is titled "Crimson, Tuesday, February 19, 1929" and discusses an art exhibition's reception.

The overall image context appears to document art, exhibitions, and related activities, formatted like an archive or scrapbook. The clippings and lists indicate a historical focus, with attention to contributors and works displayed.

• The image shows an open scrapbook or portfolio with two visible pages.
• The left page is a printed catalog/list titled “DRAWINGS and WATER COLORS,” followed by sections: PRINTS and DECORATIVE ART. It lists specific works and artists (for example, Moving Day by Charles Burchfield, and other titles/authors) and notes of items lent by various people.
• The right page contains a newspaper clipping with the headline “THREE EXHIBITIONS NOW ON DISPLAY IN WIDENER” and a block of text about current exhibitions. At the top, there is a handwritten note “Crimson Feb. 20 1929.”
• There is additional smaller clipping attached at the bottom left of the left page with a date of February 19, 1929 (Crimson Salon), indicating the scrapbook’s era.
• The pages are old and yellowed, bordered by a dark cover, with a visible white thread/cord along the top, and the overall look suggests a Harvard Widener Library/Crimson-era project or exhibition catalog from 1929.