Archives Scrapbooks

This image appears to be a page from a vintage book or a collection of historical documents. The page contains newspaper clippings from the "Boston Post" and "New York Times" dated February 19 and 17, 1929, respectively.

The main headline from the Boston Post article is "Harvard Society Opens First Contemporary Art Exhibition," which discusses the opening of the Harvard Society for Contemporary Art, Inc. The article mentions the exhibition's opening and highlights a painting by Rockwell Kent titled "Annie McGinley," which is depicted in the accompanying illustration. The illustration shows a female figure reclining on a rocky shoreline, with a dramatic sky in the background.

Below the Boston Post article, there is another article from the "New York Times" titled "HARVARD GETS FUND FOR 3 FELLOWSHIPS." This article announces the establishment of three fellowships at Harvard University, with two of them offering $2,000 each for a year, and one offering $1,000 for six months. The donor of these fellowships is Arthur Sachs, a member of Harvard's class of 1901. The fellowships are intended to support scholars in advanced studies of the fine arts, regardless of nationality, and are open to applications from both American and European individuals.

The page also includes a small note that mentions the trustees of the new society, which includes names such as John Nicholas Brown, Edward W. Forbes, Philip Hofner, Arthur Pope, Arthur Sachs, Paul J. Sachs, and Felix M. Warburg. The overall style of the text and the Illustration suggests that this was a significant event for the art community during the early 1930s.

This image shows a page from a scrapbook containing newspaper clippings. The main article is titled "Harvard Society Opens First Contemporary Art Exhibition," written by Alice Lawton. It discusses the opening of an art exhibition by the Harvard Society for Contemporary Art, Inc., which features various artworks including paintings, sculptures, and decorative arts. A specific mention is made of Rockwell Kent's painting "Annie McGinley."

Below the main article, there is another clipping from the New York Times dated February 17, 1929, titled "Harvard Gets Fund for 3 Fellowships." This article discusses the establishment of three fellowships funded by Arthur Sachs, with details about the funding amounts and the eligibility criteria for applicants.

The clippings are from the Boston Post dated February 19, 1929, and the New York Times dated February 17, 1929. The page appears to be aged, with some wear and tear visible on the edges.

This image displays two newspaper clippings from February 1929, mounted side-by-side on a page of an open scrapbook or album with a dark, fabric-bound cover visible on the left.

The larger clipping on the left, from the Boston Post dated Feb. 19, '29, is titled:

Harvard Society Opens First Contemporary Art Exhibition

Below the title is a black-and-white photograph of a painting: a marine scene depicting a nude female figure reclining on a rocky shore with the ocean and sky in the background. A caption below the image identifies it as:

ROCKWELL KENT'S PAINTING OF "ANNIE MCGINLEY"

The accompanying article, by Alice Lawton, details the inaugural exhibition of the Harvard Society for Contemporary Art, Inc. It mentions the exhibition’s location in the “Coop” building, its open and free admission, and highlights featured works by artists including George Bellows, Eleanor Stetson, Charles Hopkinson, Eugene Speicher, and Rockwell Kent. The article emphasizes the society’s mission to exhibit the "public works of living contemporary artists" and calls the exhibition “an assertion of the importance of American art.”

The smaller clipping on the right is from the New York Times, dated Feb. 17, 1929, and headlined:

HARVARD GETS FUND FOR 3 FELLOWSHIPS

This article announces that Arthur Sachs, a member of the Harvard Society for Contemporary Art, has donated funds to establish three fellowships at Harvard University. The fellowships—two for $2,000 annually and one for $1,000 for six months—are to be awarded to American or European men or women for advanced study in the history, principles, or methods of the fine arts. Applications are to be submitted to Professor George H. Chase, chairman of the Division of Fine Arts, and are due by March 1, 1929.

Overall, the image captures a historical moment in American art and academia in early 1929, documenting both the launch of a significant contemporary art society at Harvard and a major philanthropic gift to support art scholarship. The scrapbook page preserves these two interconnected announcements in an archival format.

The image shows an open book or magazine with several pages displaying articles about the Harvard Society for Contemporary Art. The first page has a large headline reading "Harvard Society Opens First Contemporary Art Exhibition" with a photo of a painting in the background. The second page has an article titled "Harvard Gets Fund for 3 Fellowships" discussing fellowships awarded by the Harvard Society for Contemporary Art. The third page has an article titled "Arthur Sachs is Donor" discussing the donation of funds by Arthur Sachs to establish fellowships.

The image is of a scrapbook page with a newspaper clipping and an article about the Harvard Society for Contemporary Art. The newspaper clipping is from the Boston Post and is titled "Harvard Society Opens First Contemporary Art Exhibition." The article is written by Alice Lawton and is about the Harvard Society for Contemporary Art's first exhibition, which features works by contemporary artists such as George Bellows, Charles Sheeler, and John Marin. The exhibition is sponsored by Arthur Sachs and includes paintings, watercolors, and woodcuts. The article also mentions that the Harvard Society for Contemporary Art is offering two fellowships for American or European men to pursue studies in the fine arts.

The image depicts an open book or magazine page showcasing a historical article titled "Harvard Society Opens First Contemporary Art Exhibition". The article appears to be from a newspaper or publication, as indicated by the layout and inclusion of newspaper clippings on the page.

Key Elements in the Image:

1. Headline:

   • The main headline reads: "Harvard Society Opens First Contemporary Art Exhibition", emphasizing the significance of the event.

2. Illustrative Image:

   • Below the headline, there is a black-and-white photograph of a painting titled "Rockwell Kent's Painting of 'Annie McGinley'". The image shows a marine scene with a figure reclining in the foreground, described as part of the exhibition.

3. Article Content:

   • The article is attributed to Alice Lawton and discusses the Harvard Society for Contemporary Art, which was recently formed. It highlights the society's purpose of exhibiting contemporary art and describes the exhibition's features, such as works by living artists, sculptures, etchings, textiles, and other art forms.
   • Notable artists mentioned include George O’Keeffe, Charles Sheeler, John Steuart Curry, Ben Shahn, Arthur Dove, Charles Demuth, Arthur B. Carles, Arthur Dove, Arthur Dove, Arthur Dove, Arthur Dove, and others.

4. Newspaper Clippings:

   • Two smaller clippings from newspapers are included on the same page:
     • Boston Post (Feb. 19, 1929): Mentions the exhibition and the painting by Rockwell Kent.
     • New York Times (Feb. 17, 1929): Reports on Harvard University receiving funding for three fellowships, totaling $2,000 each for two and $1,000 for one, to support students or instructors in the fine arts. The donor is identified as Arthur Sachs.

5. Layout and Design:

   • The page is formatted in a classic newspaper or magazine style, with columns of text and a central illustration. The typography is consistent with early 20th-century printing, and the paper appears aged, suggesting historical significance.

Context:

The page captures a moment in art history, highlighting the establishment of the Harvard Society for Contemporary Art and its inaugural exhibition. It also references broader institutional support for the arts, as evidenced by the fellowships announced in the New York Times clipping. The inclusion of both the exhibition details and the funding news underscores the intersection of artistic innovation and academic patronage during that era.

Overall, the image provides a glimpse into the cultural and educational landscape of the late 1920s, emphasizing the growing recognition of contemporary art and the role of institutions like Harvard in fostering artistic development.

The image depicts a page from an old book or scrapbook, featuring a newspaper clipping about the Harvard Society for Contemporary Art's first exhibition. The clipping is titled "Harvard Society Opens First Contemporary Art Exhibition" and includes a photo of Rockwell Kent's painting "Annie McGinley." The article discusses the exhibition, which was held at the "Coop" building and featured works by living contemporary artists. It also mentions that the Harvard Society for Contemporary Art was formed recently for the avowed purpose of exhibiting to the public works of living contemporary artists whose qualities are still frankly debatable.

The clipping is pasted onto a page with a gray background, and there are other newspaper clippings and articles visible on the same page. The overall appearance suggests that this is a collection of newspaper clippings or articles related to art and culture, possibly from the early 20th century.

The image depicts a page from an old scrapbook or photo album, featuring a newspaper clipping about the Harvard Society's first contemporary art exhibition. The clipping is titled "Harvard Society Opens First Contemporary Art Exhibition" and includes a black-and-white photograph of a painting by Rockwell Kent, titled "Annie McGinley." The article discusses the exhibition, which was held at the Harvard Society for Contemporary Art, Inc., and features works by various artists, including Kent, John Sloan, and Eugene Speicher.

The clipping also mentions that the exhibition was open to the public and that the society's goal was to promote contemporary art and provide a platform for emerging artists. Additionally, the article notes that the society had received funding from the Harvard Corporation to support its activities.

Overall, the image provides a glimpse into the early days of the Harvard Society for Contemporary Art and its efforts to promote contemporary art in the Boston area.

The image depicts a vintage scrapbook or photo album, with a page featuring two newspaper clippings.

The page is yellowed and worn, with visible signs of aging, such as creases and discoloration. The left side of the page contains a clipping from the Boston Post, dated February 13, 1929, titled "Harvard Society Opens First Contemporary Art Exhibition." The article is accompanied by a black-and-white image of a painting, "Annie McGinley," by Rockwell Kent, which is described as a marine painting with a reclining female figure in the foreground.

Below this clipping is another article from the New York Times, dated February 17, 1929, titled "Harvard Gets Fund for 3 Fellowships." This article discusses the establishment of three fellowships at Harvard University, with a total value of $5,000, to be awarded to American or European men. The fellowships are intended to support scholars in their research and studies in the fine arts.

The background of the image is a plain gray color, which helps to highlight the details of the scrapbook page. Overall, the image provides a glimpse into the past, showcasing the interests and activities of Harvard University and the art world in the early 20th century.

The image presents a vintage newspaper clipping from an open book, showcasing two articles related to art and education.

Newspaper Clipping:

• The top article features a black-and-white photograph of a painting titled "Rockwell Kent's Painting of 'Annie McKinley'".
• The headline reads, "Harvard Society Opens First Contemporary Art Exhibition".
• The article is dated February 18, 1929, and was published in the Boston Post.
• The bottom-left article discusses the Harvard Society for Contemporary Art, Inc., which was formed to exhibit living contemporary artists.
• The bottom-right article announces that Harvard University has established three fellowships with an income of $2,000 each for a full year and one with an income of $1,000 for six months.

Book Details:

• The book has a black cover and yellowed pages.
• The pages are filled with newspaper clippings, indicating that the book is a scrapbook or archive of historical events.

Background:

• The background of the image is a plain gray color, suggesting that it may be a product photo or a scan of the book.

Overall, the image provides a glimpse into the history of contemporary art and education at Harvard University in the early 20th century.