Archives Scrapbooks

The image shows a page from a newspaper or magazine, featuring two articles. The page is dated February 17, 1929.

1. Top Article (Boston Post):

   • Headline: "Harvard Society Opens First Contemporary Art Exhibition"
   • Image: A marine painting titled "Annie McGinley" by Rockwell Kent, depicting a nude female figure reclining in the foreground with a landscape in the background.
   • Content: The article by Alice Lawton discusses the opening of an exhibition by the Harvard Society for Contemporary Art. The exhibition features works by modern artists, including paintings, watercolors, drawings, and sculptures. The article highlights the importance of the exhibition and mentions some of the artists whose works are on display, such as John Marin, Georgia O'Keeffe, and Rockwell Kent. The article also notes that the exhibition aims to provide a foundation for American art.

2. Bottom Article (New York Times):

   • Headline: "Harvard Gets Fund for 3 Fellowships"
   • Content: The article reports that the Corporation of Harvard University has received a fund of $15,000 from Arthur Sachs to establish three fellowships in the Fine Arts. Two fellowships provide an income of $2,000 each for a full year, and one provides $1,000 for six months. The fellowships are open to American or European men or women and aim to support advanced study in the history, principles, or techniques of the fine arts. The article mentions that the fellowships are part of a broader initiative to support the fine arts at Harvard.

The page is part of a larger bound volume, as indicated by the visible spine on the left side of the image.

The image shows a newspaper clipping from the Boston Post and the New York Times, dated February 19, 1929, highlighting two significant art-related events.

1. Harvard Society Opens First Contemporary Art Exhibition:

   • The headline reads, "Harvard Society Opens First Contemporary Art Exhibition."
   • The article by Alice Lawton describes the opening of an exhibition featuring a wide variety of contemporary artworks. It mentions that the exhibition includes pieces of sculpture, paintings, and drawings.
   • Notable artists and works mentioned include George Inness' painting "The Harbor at Winter's End," and Rockwell Kent's marine painting "Annie McGinley."
   • The exhibition is part of the Harvard Society for Contemporary Art, which aims to promote public works of living contemporary artists. The society is described as having a private view and tea following the opening.
   • The exhibition runs from February 19 to March 15.

2. Harvard Gets Fund for 3 Fellowships:

   • This piece from the New York Times, dated February 17, 1929, announces that Harvard University has received funds for three fellowships.
   • Each fellowship is valued at $2,000 for a year, with the option to extend for another six months at $1,000.
   • The funds are provided by Arthur Sachs, and the fellowships are intended for American or European men and women.
   • The awards are open to individuals who have demonstrated exceptional ability in the field of the fine arts and are assigned to scholars or instructors for the pursuit of research and studies in fine arts history, principles, or methods.

The clippings collectively illustrate the establishment and recognition of contemporary art and scholarship at Harvard University in the early 1920s.

The image shows an open book or scrapbook with two newspaper clippings related to Harvard University.

1. Clipping on the Left:

   • Title: "Harvard Society Opens First Contemporary Art Exhibition"
   • Source: Boston Post, dated February 19, 1929
   • Content: The article, written by Alice Lawton, reports on the opening of an art exhibition by the Harvard Society for Contemporary Art. The exhibition features works by living American artists and is held at the Fogg Art Museum. Notable pieces include paintings by George Luks, William H. Johnson, and John Covert. The exhibition aims to challenge traditional ideas and introduce modern concepts to the public.

2. Clipping on the Right:

   • Title: "HARVARD GETS FUND FOR 3 FELLOWSHIPS"
   • Source: New York Times, dated February 17, 1929
   • Content: The article announces the establishment of three fellowships at Harvard University, funded by a donation from Arthur Sachs. The fellowships are valued at $2,000 each for one year, and one is awarded for six months. The fellowships are open to both American and European men and women, with applications closing on March 1. The fellowships aim to support advanced study and research, particularly in fields where such support is not typically available.

The clippings are carefully pasted onto the pages of the book, indicating that they might be part of a collection or scrapbook of significant events or achievements.

The image shows a newspaper spread featuring several articles related to art and academia. Here’s a detailed summary:

1. Main Article (Top Left): "Harvard Society Opens First Contemporary Art Exhibition"

   • Author: Alice Lawton
   • Publication: Boston Post, February 19, 1929
   • Content: The Harvard Society for Contemporary Art has launched its first exhibition to promote modern art. The exhibition includes a variety of pieces, such as paintings, etchings, and sculptures from both European and American artists. The goal is to make contemporary art more accessible and less intimidating to the public. The exhibition features works by artists like Georges Braque, Vincent van Gogh, Paul Cézanne, Walt Kuhn, and others. The article praises the initiative for breaking away from traditional art forms and fostering an appreciation for modern creativity.

2. Image (Top Center):

   • A photograph of a marine painting by Rockwell Kent, depicting "Annie McGinley," which was contributed to the initial exhibition.

3. Article (Bottom Right): "Harvard Gets Fund for 3 Fellowships"

   • Publication: New York Times, February 17, 1929
   • Content: Arthur Sachs has donated funds to Harvard University to establish three fellowships. Two fellowships offer $2,000 each for a year, and another provides $1,000 for six months. These fellowships are open to American men or women in the fine arts and are designed to support advanced studies or research. Applications for these fellowships are due by March 1.

The overall theme of the spread is the intersection of contemporary art and academia, highlighting new initiatives and funding opportunities to support and promote modern art and artists.

The image shows a page from a vintage newspaper featuring two articles related to the Harvard Society for Contemporary Art.

1. Headline Article (Boston Post, Feb 19, 1929):

   • Title: "Harvard Society Opens First Contemporary Art Exhibition"
   • Content: This article, written by Alice Lawton, discusses the inaugural exhibition of contemporary art by the Harvard Society for Contemporary Art. The exhibition, which opened on February 19, 1929, features works by both American and European artists. The article mentions notable pieces such as a marine painting by Rockwell Kent titled "Annie McGinley" and works by artists like George Luks, Charles Hopkinson, and others.
   • The exhibition aims to showcase public works of living contemporary artists, focusing on various media including sculpture, textiles, and etchings.
   • The article highlights the variety of artistic styles and techniques, noting the influence of European art and the emerging national identity in American art.

2. Smaller Article (New York Times, Feb 17, 1929):

   • Title: "Harvard Gets Fund for 3 Fellowships"
   • Content: This article, dated February 17, 1929, announces the establishment of three fellowships by Arthur Sachs, a member of the Harvard class of 1901. Each fellowship is endowed with $2,000, with two for one year and one for six months.
   • The fellowships are open to American or European men or women and are intended to support scholars or instructors in the fine arts. The article mentions that the funds are to be used for studies in the history, principles, or methods of fine arts, with applications due by March 1, 1929.

The newspaper clippings provide a snapshot of the cultural and academic activities at Harvard University in the late 1920s, emphasizing both the promotion of contemporary art and the establishment of fellowships to support further studies in the arts.

The image depicts pages from a newspaper featuring two articles related to Harvard University's initiatives in the arts.

1. Top Article:

   • Headline: "Harvard Society Opens First Contemporary Art Exhibition"
   • Date: February 19, 1929
   • Source: Boston Post
   • Author: Alice Lawton
   • Content: The Harvard Society for Contemporary Art has opened its first exhibition, showcasing modern art pieces. The event is part of an effort to bring public attention to contemporary art and debunk the misconception that modern art lacks aesthetic qualities. The exhibition features a variety of works, including paintings and sculptures, by well-known artists such as Charles Sheeler, Rockwell Kent, and others. The article mentions that the society aims to present an array of contemporary art forms, including textiles, prints, and ceramics, and that the exhibition will run until March 16. The featured artwork in the image is a painting by Rockwell Kent titled "Annie McGinley."

2. Bottom Article:

   • Headline: "Harvard Gets Fund for 3 Fellowships"
   • Date: February 17, 1929
   • Source: New York Times
   • Content: Harvard University has secured funding for three fellowships in the amount of $2,000 each for a year, with an additional $1,000 for six months. The fellowships are provided by Arthur Sachs, a notable donor, and are open to both American and European men and women. The awards are meant to support individuals pursuing studies in the history, principles, or methods of fine arts. The application deadline is March 1.

The articles highlight Harvard University's efforts to support and promote contemporary art and artists during the late 1920s.

The image shows an open scrapbook or album featuring several newspaper clippings related to Harvard University.

1. The main clipping on the left, with the headline "Harvard Society Opens First Contemporary Art Exhibition," includes a reproduction of a painting titled "Annie McGinley" by Rockwell Kent. The painting depicts a blue-clad female figure reclining in the foreground against a landscape background. The article below the image is written by Alice Lawton and discusses the Harvard Society for Contemporary Art, its goals, recent exhibition, and some of the artists featured.

2. Adjacent to this clipping, near the center, are two smaller newspaper clippings dated February 17 and February 19, 1929. One is from the Boston Post and the other from the New York Times.

3. The New York Times clipping has a headline, "HARVARD GETS FUND FOR 3 FELLOWSHIPS," detailing the awarding of fellowships funded by Arthur Sachs, with stipends for American and European men or women to study fine arts. The fellowships pay $2,000 annually or $1,000 for six months, with applications closing on March 1.

4. The text from the Boston Post clipping is unclear but appears linked to the contemporary art exhibition or related Harvard art initiatives.

Overall, the pages reflect Harvard University's involvement in contemporary art exhibitions and support for arts education in 1929.

The image shows a page from a scrapbook or album with various newspaper clippings. The most prominent article is titled "Harvard Society Opens First Contemporary Art Exhibition," with a subheadline that reads "Rockwell Kent's Painting of 'Annie McGinley'." The article includes a black and white photo of a painting by Rockwell Kent, featuring a marine landscape with a blue-clad female figure in the foreground, which is said to have contributed to the interest in the exhibition.

Below this main article is another one titled "Harvard Gets Fund For 3 Fellowships," specifying amounts and conditions about the fellowships. The upper part of this clipping is from the "Boston Post" dated February 18, 1929, and the lower part from the "New York Times" dated February 17, 1929.

The articles are old and yellowed, suggesting they are archival or historical in nature. The edges of the pages show signs of wear, emphasizing their age. It looks like these articles were collected for their relevance to art and academia, possibly by an individual with an interest in contemporary art, the history of Harvard University, or educational fellowships.

The image depicts an open book or magazine page showcasing a historical article titled "Harvard Society Opens First Contemporary Art Exhibition". The article appears to be from a newspaper or publication, as indicated by the layout and inclusion of newspaper clippings on the page.

Key Elements in the Image:

1. Headline:

   • The main headline reads: "Harvard Society Opens First Contemporary Art Exhibition", emphasizing the significance of the event.

2. Illustrative Image:

   • Below the headline, there is a black-and-white photograph of a painting titled "Rockwell Kent's Painting of 'Annie McGinley'". The image shows a marine scene with a figure reclining in the foreground, described as part of the exhibition.

3. Article Content:

   • The article is attributed to Alice Lawton and discusses the Harvard Society for Contemporary Art, which was recently formed. It highlights the society's purpose of exhibiting contemporary art and describes the exhibition's features, such as works by living artists, sculptures, etchings, textiles, and other art forms.
   • Notable artists mentioned include George O’Keeffe, Charles Sheeler, John Steuart Curry, Ben Shahn, Arthur Dove, Charles Demuth, Arthur B. Carles, Arthur Dove, Arthur Dove, Arthur Dove, Arthur Dove, and others.

4. Newspaper Clippings:

   • Two smaller clippings from newspapers are included on the same page:
     • Boston Post (Feb. 19, 1929): Mentions the exhibition and the painting by Rockwell Kent.
     • New York Times (Feb. 17, 1929): Reports on Harvard University receiving funding for three fellowships, totaling $2,000 each for two and $1,000 for one, to support students or instructors in the fine arts. The donor is identified as Arthur Sachs.

5. Layout and Design:

   • The page is formatted in a classic newspaper or magazine style, with columns of text and a central illustration. The typography is consistent with early 20th-century printing, and the paper appears aged, suggesting historical significance.

Context:

The page captures a moment in art history, highlighting the establishment of the Harvard Society for Contemporary Art and its inaugural exhibition. It also references broader institutional support for the arts, as evidenced by the fellowships announced in the New York Times clipping. The inclusion of both the exhibition details and the funding news underscores the intersection of artistic innovation and academic patronage during that era.

Overall, the image provides a glimpse into the cultural and educational landscape of the late 1920s, emphasizing the growing recognition of contemporary art and the role of institutions like Harvard in fostering artistic development.

The image shows an open book or magazine with several pages displaying articles about the Harvard Society for Contemporary Art. The first page has a large headline reading "Harvard Society Opens First Contemporary Art Exhibition" with a photo of a painting in the background. The second page has an article titled "Harvard Gets Fund for 3 Fellowships" discussing fellowships awarded by the Harvard Society for Contemporary Art. The third page has an article titled "Arthur Sachs is Donor" discussing the donation of funds by Arthur Sachs to establish fellowships.