Archives Scrapbooks

This image appears to be a page from a vintage book or a collection of historical documents. The page contains newspaper clippings from the "Boston Post" and "New York Times" dated February 19 and 17, 1929, respectively.

The main headline from the Boston Post article is "Harvard Society Opens First Contemporary Art Exhibition," which discusses the opening of the Harvard Society for Contemporary Art, Inc. The article mentions the exhibition's opening and highlights a painting by Rockwell Kent titled "Annie McGinley," which is depicted in the accompanying illustration. The illustration shows a female figure reclining on a rocky shoreline, with a dramatic sky in the background.

Below the Boston Post article, there is another article from the "New York Times" titled "HARVARD GETS FUND FOR 3 FELLOWSHIPS." This article announces the establishment of three fellowships at Harvard University, with two of them offering $2,000 each for a year, and one offering $1,000 for six months. The donor of these fellowships is Arthur Sachs, a member of Harvard's class of 1901. The fellowships are intended to support scholars in advanced studies of the fine arts, regardless of nationality, and are open to applications from both American and European individuals.

The page also includes a small note that mentions the trustees of the new society, which includes names such as John Nicholas Brown, Edward W. Forbes, Philip Hofner, Arthur Pope, Arthur Sachs, Paul J. Sachs, and Felix M. Warburg. The overall style of the text and the Illustration suggests that this was a significant event for the art community during the early 1930s.

This image shows a page from a scrapbook containing newspaper clippings. The main article is titled "Harvard Society Opens First Contemporary Art Exhibition," written by Alice Lawton. It discusses the opening of an art exhibition by the Harvard Society for Contemporary Art, Inc., which features various artworks including paintings, sculptures, and decorative arts. A specific mention is made of Rockwell Kent's painting "Annie McGinley."

Below the main article, there is another clipping from the New York Times dated February 17, 1929, titled "Harvard Gets Fund for 3 Fellowships." This article discusses the establishment of three fellowships funded by Arthur Sachs, with details about the funding amounts and the eligibility criteria for applicants.

The clippings are from the Boston Post dated February 19, 1929, and the New York Times dated February 17, 1929. The page appears to be aged, with some wear and tear visible on the edges.

This image displays two newspaper clippings from February 1929, mounted side-by-side on a page of an open scrapbook or album with a dark, fabric-bound cover visible on the left.

The larger clipping on the left, from the Boston Post dated Feb. 19, '29, is titled:

Harvard Society Opens First Contemporary Art Exhibition

Below the title is a black-and-white photograph of a painting: a marine scene depicting a nude female figure reclining on a rocky shore with the ocean and sky in the background. A caption below the image identifies it as:

ROCKWELL KENT'S PAINTING OF "ANNIE MCGINLEY"

The accompanying article, by Alice Lawton, details the inaugural exhibition of the Harvard Society for Contemporary Art, Inc. It mentions the exhibition’s location in the “Coop” building, its open and free admission, and highlights featured works by artists including George Bellows, Eleanor Stetson, Charles Hopkinson, Eugene Speicher, and Rockwell Kent. The article emphasizes the society’s mission to exhibit the "public works of living contemporary artists" and calls the exhibition “an assertion of the importance of American art.”

The smaller clipping on the right is from the New York Times, dated Feb. 17, 1929, and headlined:

HARVARD GETS FUND FOR 3 FELLOWSHIPS

This article announces that Arthur Sachs, a member of the Harvard Society for Contemporary Art, has donated funds to establish three fellowships at Harvard University. The fellowships—two for $2,000 annually and one for $1,000 for six months—are to be awarded to American or European men or women for advanced study in the history, principles, or methods of the fine arts. Applications are to be submitted to Professor George H. Chase, chairman of the Division of Fine Arts, and are due by March 1, 1929.

Overall, the image captures a historical moment in American art and academia in early 1929, documenting both the launch of a significant contemporary art society at Harvard and a major philanthropic gift to support art scholarship. The scrapbook page preserves these two interconnected announcements in an archival format.

The image shows an open book or magazine with several pages displaying articles about the Harvard Society for Contemporary Art. The first page has a large headline reading "Harvard Society Opens First Contemporary Art Exhibition" with a photo of a painting in the background. The second page has an article titled "Harvard Gets Fund for 3 Fellowships" discussing fellowships awarded by the Harvard Society for Contemporary Art. The third page has an article titled "Arthur Sachs is Donor" discussing the donation of funds by Arthur Sachs to establish fellowships.

The image is of a scrapbook page with a newspaper clipping and an article about the Harvard Society for Contemporary Art. The newspaper clipping is from the Boston Post and is titled "Harvard Society Opens First Contemporary Art Exhibition." The article is written by Alice Lawton and is about the Harvard Society for Contemporary Art's first exhibition, which features works by contemporary artists such as George Bellows, Charles Sheeler, and John Marin. The exhibition is sponsored by Arthur Sachs and includes paintings, watercolors, and woodcuts. The article also mentions that the Harvard Society for Contemporary Art is offering two fellowships for American or European men to pursue studies in the fine arts.

The image depicts an open book or magazine page showcasing a historical article titled "Harvard Society Opens First Contemporary Art Exhibition". The article appears to be from a newspaper or publication, as indicated by the layout and inclusion of newspaper clippings on the page.

Key Elements in the Image:

1. Headline:

   • The main headline reads: "Harvard Society Opens First Contemporary Art Exhibition", emphasizing the significance of the event.

2. Illustrative Image:

   • Below the headline, there is a black-and-white photograph of a painting titled "Rockwell Kent's Painting of 'Annie McGinley'". The image shows a marine scene with a figure reclining in the foreground, described as part of the exhibition.

3. Article Content:

   • The article is attributed to Alice Lawton and discusses the Harvard Society for Contemporary Art, which was recently formed. It highlights the society's purpose of exhibiting contemporary art and describes the exhibition's features, such as works by living artists, sculptures, etchings, textiles, and other art forms.
   • Notable artists mentioned include George O’Keeffe, Charles Sheeler, John Steuart Curry, Ben Shahn, Arthur Dove, Charles Demuth, Arthur B. Carles, Arthur Dove, Arthur Dove, Arthur Dove, Arthur Dove, and others.

4. Newspaper Clippings:

   • Two smaller clippings from newspapers are included on the same page:
     • Boston Post (Feb. 19, 1929): Mentions the exhibition and the painting by Rockwell Kent.
     • New York Times (Feb. 17, 1929): Reports on Harvard University receiving funding for three fellowships, totaling $2,000 each for two and $1,000 for one, to support students or instructors in the fine arts. The donor is identified as Arthur Sachs.

5. Layout and Design:

   • The page is formatted in a classic newspaper or magazine style, with columns of text and a central illustration. The typography is consistent with early 20th-century printing, and the paper appears aged, suggesting historical significance.

Context:

The page captures a moment in art history, highlighting the establishment of the Harvard Society for Contemporary Art and its inaugural exhibition. It also references broader institutional support for the arts, as evidenced by the fellowships announced in the New York Times clipping. The inclusion of both the exhibition details and the funding news underscores the intersection of artistic innovation and academic patronage during that era.

Overall, the image provides a glimpse into the cultural and educational landscape of the late 1920s, emphasizing the growing recognition of contemporary art and the role of institutions like Harvard in fostering artistic development.

The image shows a page from a scrapbook or album with various newspaper clippings. The most prominent article is titled "Harvard Society Opens First Contemporary Art Exhibition," with a subheadline that reads "Rockwell Kent's Painting of 'Annie McGinley'." The article includes a black and white photo of a painting by Rockwell Kent, featuring a marine landscape with a blue-clad female figure in the foreground, which is said to have contributed to the interest in the exhibition.

Below this main article is another one titled "Harvard Gets Fund For 3 Fellowships," specifying amounts and conditions about the fellowships. The upper part of this clipping is from the "Boston Post" dated February 18, 1929, and the lower part from the "New York Times" dated February 17, 1929.

The articles are old and yellowed, suggesting they are archival or historical in nature. The edges of the pages show signs of wear, emphasizing their age. It looks like these articles were collected for their relevance to art and academia, possibly by an individual with an interest in contemporary art, the history of Harvard University, or educational fellowships.

This image features a page from a scrapbook or archival material containing clippings from newspapers. The prominent headline at the top of the page reads: "Harvard Society Opens First Contemporary Art Exhibition," alongside a faded black-and-white illustration or reproduction of a painting titled "Annie McGinley" by Rockwell Kent. The artwork depicts a coastal scene with a reclining figure in the foreground.

Below the top article is text by Alice Lawton discussing the launch of the Harvard Society for Contemporary Art's exhibition and its purpose to promote interest in modern works.

On the right side of the page is another newspaper clipping, with the headline "Harvard Gets Fund For 3 Fellowships," dated February 17, 1929. That article details monetary awards endowed by Arthur Sachs, open to men and women from America and Europe for advanced studies at Harvard University. Marginal handwritten annotations indicate the article's source, such as the New York Times and Boston Post.

The scrapbook appears to be a preservation of significant academic or cultural events of the late 1920s.

The image shows an open scrapbook or photo-album page filled with vintage newspaper clippings from the late 1920s. The top headline reads “Harvard Society Opens First Contemporary Art Exhibition,” with a large black-and-white reproduction of a painting (Rockwell Kent’s “Annie McGinley”) below it. There are several smaller clipped articles pasted on the page, including one by Alice Lawton about the Harvard Society for Contemporary Art, and a separate clipping about Harvard receiving a fund for three fellowships (donated by Arthur Sachs). Handwritten notes and date stamps (e.g., February 1929) are visible, giving the page a dated, archival feel. The overall look is sepia-toned, aged paper arranged in a collage on a single page of a bound album.

The image shows an open scrapbook or album featuring several newspaper clippings related to Harvard University.

1. The main clipping on the left, with the headline "Harvard Society Opens First Contemporary Art Exhibition," includes a reproduction of a painting titled "Annie McGinley" by Rockwell Kent. The painting depicts a blue-clad female figure reclining in the foreground against a landscape background. The article below the image is written by Alice Lawton and discusses the Harvard Society for Contemporary Art, its goals, recent exhibition, and some of the artists featured.

2. Adjacent to this clipping, near the center, are two smaller newspaper clippings dated February 17 and February 19, 1929. One is from the Boston Post and the other from the New York Times.

3. The New York Times clipping has a headline, "HARVARD GETS FUND FOR 3 FELLOWSHIPS," detailing the awarding of fellowships funded by Arthur Sachs, with stipends for American and European men or women to study fine arts. The fellowships pay $2,000 annually or $1,000 for six months, with applications closing on March 1.

4. The text from the Boston Post clipping is unclear but appears linked to the contemporary art exhibition or related Harvard art initiatives.

Overall, the pages reflect Harvard University's involvement in contemporary art exhibitions and support for arts education in 1929.