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ARCH.2003.24, Rendition: 796294
The image is a scan of a printed newspaper spread from January 27, 1929. The top half of the page contains an article from The Harvard University Cambridg Tribune, discussing the sale of the Boston Elevated Company's power house to Harvard University, with plans to transfer it to the university on May 1, 1930. It also mentions a new heating plant for the university.
The bottom half of the page is from The New York Times, featuring an article titled "Barnard Tells How to Bare Art Fakes." This article discusses George Grey Barnard's methods for detecting art fakes, emphasizing the importance of the infinite division of light and shadow in creating a "living touch" in art. The article also mentions a trial involving a $500,000 lawsuit by Mme. Hahn against Sir Joseph Duveen over a claimed da Vinci painting. The article delves into the complexities of art authentication and the challenges faced by experts in the field.
The image shows an open book or scrapbook with a clipping from "The New York Times" dated January 27, 1929, pasted onto the page. The clipping is titled "Barnard Tells How to Bare Art Fakes" and discusses methods of detecting art forgeries, particularly focusing on the use of light and shadow by George Grey Barnard. The text explains the principle of infinite division of light and shadow and how it can be used to identify fakes.
The book page also contains other text unrelated to the clipping, including articles about Harvard University, an art exhibition, and other topics. The overall appearance of the page suggests it is from an older publication, given the yellowed paper and the style of the text. The clipping is highlighted with red lines along the edges, possibly for emphasis.
This image displays an open, aged newspaper, specifically The New York Times dated January 27, 1929. The paper is visibly yellowed and brittle, with torn edges and handwritten markings, including the year “1929” in the upper right corner and “Cambridge 5.16.24” in the upper left.
The newspaper is open to a two-page spread featuring several headlines and articles focused on art, culture, and university news from that era.
“EL POWER PLANT SOLD TO HARVARD” — Reports that the Boston Elevated Company sold its power house to Harvard University for new heating facilities, with plans to begin construction in May 1930.
“18TH AND 19TH CENTURY ITALIAN ART AT FOGG” — Describes an exhibition at Harvard’s Fogg Museum featuring 160 works from the Renaissance through the 19th century, including pieces by Caravaggio, Domenico Napoletano, and the "Monks in Prayer" by the Fogg Museum.
Also mentions the exhibition is connected with a course of lectures by Professor Archibald MacComb.
Main Headline: “BARNARD TELLS HOW TO BARE ART FAKES” — Features American sculptor George Grey Barnard, who claims that the art of the Middle Ages cannot be successfully reproduced because modern artists lack an understanding of the “infinite division of light and shade.” He argues that “living touch” is revealed through the use of planes, and that fake sculptures fail this test visually.
Sub-headline: “'LIVING TOUCH’ IS REVEALED” — Barnard calls to build a “standard worthy to succeed that of Middle Ages,” and claims no “new dishonesty” in fakes has emerged since museum inspections began.
“DUVEEN TRIAL STARTS SOON” — Reports on a $500,000 suit brought by Mme. André Hahn against art dealer Joseph Duveen, related to a disputed painting of “La Belle Ferronnière” by da Vinci. The trial is scheduled to begin at the Marquis de Chambure of Brittany.
Smaller pieces include:
This issue captures the intellectual and cultural climate of early 20th-century America — with interest in art authentication (Barnard’s theory), major museum exhibitions (Fogg’s Italian art), legal battles over art provenance (Duveen trial), and elite university developments (Harvard’s power plant acquisition). The physical condition of the newspaper suggests it was preserved from the time of publication, offering a tangible link to early modern art history and journalism.
In summary: This is a well-preserved 1929 New York Times issue covering art criticism, fakes, legal trials over Old Master paintings, and university news — reflecting the cultural preoccupations of the Gilded Age in America.
The image shows an open book, likely a newspaper, with a black border on the sides. The pages are yellowed and have some creases. The left page features a headline titled "Harvard University," with the date "January 27, 1929" written in bold letters. The article below the headline discusses the sale of power plants by Harvard University and mentions the construction of a new heating plant. The right page has a headline titled "Barnard Tells How to Bare Art Fakes," with the date "January 27, 1929" also written in bold letters. The article discusses the principles of detecting art forgeries and the importance of light and shade in art.
The image depicts a spread of an old newspaper, specifically from the New York Times, dated January 27, 1929. The spread features multiple articles and headlines, with the most prominent headline reading "Barnard Tells How to Bare Art Fakes." This article is about an individual named Barnard who explains methods for identifying art forgeries, focusing on the division of light and shade.
Another significant headline reads "Duveen Trials Soon," indicating upcoming trials involving Duveen, possibly related to art authenticity or business practices. There is also a headline "Living Touch is Revealed," which could be related to artistic techniques or discoveries in the art world.
The layout of the newspaper is typical of the era, with dense text and multiple columns. The paper is aged, suggesting it has been preserved for a long time. The edges of the pages are slightly curled, and there are visible creases, indicating it has been handled frequently. The ink is somewhat faded, but the text remains legible.
The content of the articles suggests a focus on the art world, with discussions about authenticity, techniques, and possibly legal matters involving prominent figures in the art trade. The presence of multiple headlines indicates a variety of topics covered within the same issue, reflecting the broad interest areas of the newspaper's readership.
The image shows an open page from a Harvard University Alumni Bulletin, dated January 27, 1929. The page is filled with text, formatted in a classic newspaper or magazine style, featuring multiple articles and headlines. Here is a detailed breakdown:
The page features several bold headlines, each introducing a distinct article:
"BARNARD TELLS HOW TO BARE ART FAKES"
"LIVING TOUCH' IS REVEALED"
"DUVEEN TRIAL STARTS SOON"
The text beneath each headline provides detailed excerpts from the articles:
Barnard Article:
The article discusses the principle of infinite division of light and shadow, attributed to the use of planes. It references the work of an American sculptor named Barnard, who claims to have discovered a method to detect forgeries by analyzing the interplay of light and shadow in art. The article also mentions a trial involving a painting attributed to da Vinci, with Barnard providing expert testimony.
Duveen Trial Article:
This section details the upcoming legal battle involving a da Vinci painting. It mentions Mme. Hahn, the plaintiff, and Andre Hahn, the owner of the painting, who is suing for £500,000. The article notes that the trial is expected to begin on Monday, and it will likely last several days. It also references Captain Harry J. Bryant, who is involved in the case.
Other Articles:
The page includes additional smaller headlines and text snippets, such as:
The image depicts a page from the Harvard University Alumni Bulletin dated January 27, 1929. The page features multiple articles, with prominent headlines discussing art forgery detection, a high-profile legal case involving a da Vinci painting, and other art-related topics. The layout is text-heavy, typical of early 20th-century print media, with no accompanying visuals. The content reflects the interests of an academic and culturally engaged audience.
This image shows a page from a newspaper named "The New York Times" dated January 27, 1929. The page is slightly yellowed with age and has some wear and tear along the edges, indicating its historical nature. The visible articles include headlines such as "BARNARD TELLS HOW TO BARE ART FAKES," "Says Principle Lies in Infinite Division of Light and Shade by Use of Planes," and "500,000 TRIAL STARTS SOON." The page also contains several columns of text and an announcement for an art exhibit "Italian Art at the Fogg," featuring Italian Renaissance painter Filippo Lippi, hosted by Harvard University.
The newspaper is open and likely being reviewed or digitized for archival or research purposes, given that there is a label from Harvard University at the top left corner of the page opposite the headline. The overall background around the newspaper is neutral-toned to emphasize the page's details.
The image shows an old newspaper or magazine page, browned with age, containing several articles. The headline on the left side reads "BARNARD TELLS HOW TO BARE ART FAKES" with a subheading "Says Principle Lies in Infinite Division of Light and Shade by Use of Planes." Below the subheading is a smaller title "'LIVING TOUCH’ IS REVEALED." It talks about a sculptor’s desire to build a standard worthy to succeed that of the middle ages, discussing light, shadow, and artistic techniques. There is a focus on the detection of art fakes, especially related to sculpture.
The central article is about a "DUVEEN TRIAL STARTS SOON" involving a $500,000 suit by Mrs. Hahn over a da Vinci painting. Details about the suit in the Supreme Court and the involvement of notable individuals are mentioned.
The text on the right side of the page refers to "Russian" and other art-related discussions, as well as mentions of Mr. Fragonard and the Louvre museum, touching on art exhibitions and critiques.
Above the main text, there is a date line: "The New York Times January 27 1929," and a partial heading referencing "HARVARD UNI."
Overall, the page primarily deals with art, art history, forgery detection, and legal issues related to art, reflecting scholarly and news content from the late 1920s.
An old scrapbook page with yellowed newspaper clippings taped or pasted into it. The central clipping is a dated piece from The New York Times (January 27, 1929) with a bold headline that reads something like “BARNARD TELLS HOW TO BARE ART OF FAKES.” It’s set in several narrow columns of dense text and includes subheads such as “Says Principle Lies in Infinite Division of Light and Shade” and “LIVING TOUCH IS REVEALED.” The clipping is torn and aged, with rough edges, and there are other related clippings around it (mentions of Duveen trial, Harvard, etc.). The overall look is archival and historical.
This image depicts an open scrapbook or archival book featuring newspaper clippings pasted onto its pages. The headline "BARNARD TELLS HOW TO BARE ART FAKES" is prominently visible and seems to have been sourced from a New York Times article dated January 27, 1929. Other articles adjacent to this focus on topics such as art, museums, and trials related to artwork authenticity. The text is arranged in columns, typical of newspaper formatting from the period. The scrapbook contains yellowed pages, indicating age and preservation efforts.