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ARCH.2003.24, Rendition: 796283
This image appears to be a page from a vintage weekly guide or newspaper, specifically from the week of January 13, 1929. The page is divided into two columns. The left column lists various events and meetings, including those at Boston Garden (such as a hockey game between the Bruins and Rangers), hotel functions, and gatherings at various locations like the Hotel Vendome, Hotel Somerset, Copley Plaza, and the Harvard University Fogg Art Museum and the Museum of Fine Arts in Boston. There are also mentions of meetings and exhibitions, such as a display at the Museum of Fine Arts involving drawings by masters and a loan exhibition of 17th and 18th Century Paintings and Drawings.
The right column contains an article titled "Order Comes to the Fine Arts," which discusses the establishment of competitive examinations in Fine Arts by the College Art Association of America and their relevance to the current college curriculum. The article addresses the importance of Fine Arts in academic settings and the challenges and opportunities associated with its inclusion in curricula.
Towards the bottom of the page, there is an advertisement for lectures at the Lowell Institute by Paul J. Sachs, LL. D., titled "The History of Prints and Drawings as Illustrated in American Collections." The advertisement includes details about the lecture series, including the dates, times, and location. Additionally, there is a ticket stub marked "699" with "right" and "No." visible, suggesting it might be related to an event or the page's collection. The overall condition of the page shows signs of age, with some wear and discoloration.
This is a photograph of an open book, showing two pages from "Boston's Official Weekly Guide 'This Week in Boston'" for the week of January 13, 1929. The pages appear to be from a scrapbook or collection, as there are handwritten notes and a ticket pasted on the pages.
Tuesday Events:
Lowell Institute Advertisement:
Article: "Order Comes to the Fine Arts":
Ticket:
This image shows an open, aged scrapbook or binder, with a page from a historical publication carefully mounted onto its right-hand page using translucent tape. The page is from “This Week in Boston,” Boston’s Official Weekly Guide, for the week of January 13, 1929.
The page is divided into several sections:
The largest section on the left details events scheduled for Tuesday, January 15, 1929, in Boston.
A column on the right side features an opinion piece titled “ORDER COMES TO THE FINE ARTS,” dated January 9, 1929. It discusses the introduction of competitive examinations and awards in fine arts within college curricula, arguing against standardization and the use of the “dollar sign” as a motive. It advocates for preserving originality and warns against “cut-and-dried routine.” The article specifically mentions the “College Art Association of America” and the “new Fogg Art Museum.”
At the bottom left, there is an advertisement for the Lowell Institute.
Stuck to the right side of the newspaper clipping is a small, torn ticket stub. It is numbered “NO. 690 RIGHT” and mentions “This ticket entitles the bearer to reserved seat...” and a location “in Huntington Ave. (Boston Public...”, likely referencing the Museum of Fine Arts. It also states “RESERVED UNTIL 4.57 ONLY, HALF TIME,” suggesting it was for a lecture or event with a halftime break.
The paper is yellowed with age, and the entire clipping is mounted within a dark, hardcover binder with visible binding on the right and a black fabric cover on the left. The use of tape to affix the clipping indicates it was preserved as a historical record and likely part of a personal or institutional collection.
In summary, this image captures a meticulously preserved page from a 1929 Boston event guide, offering a detailed snapshot of the city’s social calendar, cultural offerings (particularly in fine arts), and educational opportunities for that specific week.
The image is of a page from a book or magazine. It appears to be a weekly guide to events in Boston, Massachusetts, dated January 18, 1929. The page is titled "Week of January 18, 1929," and it includes a list of events happening in the city that week. The events range from hockey games to art exhibitions, lectures, and social gatherings. The page also includes advertisements for various businesses and organizations in the city. The text is printed in black ink on white paper, and the page has a black border around it.
The image depicts a page from an old, possibly vintage, newspaper or magazine, specifically from the "Boston Official Weekly Guide" dated January 18, 1929. The page is open, revealing the left and right sides of the spread. The left side features a column titled "Tuesday" with a list of various events and activities scheduled for that day in Boston. These include hotel functions, museum openings, and lectures. The right side of the page contains an article titled "ORDER COMES TO THE FINE ARTS," which discusses the importance of order and structure in the field of fine arts. The text is written in a formal and academic tone, suggesting that it is an editorial or opinion piece. The page is bound within a black cover, indicating that it is part of a larger publication. The overall appearance of the page suggests that it is from a historical publication, possibly from the early 20th century.
The image shows an open book or booklet titled "Week of January 13, 1929", which appears to be a weekly guide for events and activities in Boston. The left page is dated Tuesday and lists various Hotel Functions and Cultural Events happening in Boston on that day. The right page is dated Wednesday, January 9, 1929, and contains a detailed article titled "ORDER COMES TO THE FINE ARTS", discussing the College Art Association of America, competition awards, and the establishment of a standardized curriculum in fine arts.
Hotel Functions:
Fogg Art Museum: Harvard University, Cambridge, Mass. The Museum is located at the corner of Quincy Street and Mt. Auburn Street. It is open free to the public weekdays from 10 a.m. to 5 p.m. (except Mondays). Sundays from 1 to 5 p.m. Free. Exhibitions: Maya Art, until 5; Closed on legal holidays. Old Master Drawings: Drawings by Masters of various schools and periods recently placed in the Museum. Loan Exhibition of 17th and 18th Century Paintings and Drawings. This last exhibition opens January 14.
Museum of Fine Arts, Huntington Ave., Boston: Reached by Huntington Avenue car, also the Gray Street and Charles Street cars. Open daily from 10 a.m. to 5 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 9:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5 p.m. Free. 11:00 a.m. to 4 p.m. (except Mondays); Sundays from 1 to 5
The image depicts a page from an old newspaper or magazine, specifically the "Boston's Official Weekly Guide 'This Week in Boston'". The page is dated Tuesday, January 10, 1929, and features a list of events and activities for the day. The top section is titled "Tuesday" and includes a list of hotel functions, such as dinner and initiation meetings, concerts, and dances. The bottom section is titled "MUSEUM OF FINE ARTS" and lists various exhibitions and events at the museum.
Key Features:
Visual Description:
Context:
This image is a page from a 1929 Boston guide, featuring a newspaper clipping and a ticket stub. The clipping, dated January 13, 1929, lists events for Tuesday, including hotel functions, museum exhibitions, and lectures at the Lowell Institute. The ticket stub, dated January 4, 1929, appears to be for a lecture by Paul J. Sachs, LL.D., titled "The History of Prints and Drawings as Illustrated in American Collections." The page also includes handwritten notes, such as "Week of January 13, 1929" and "Crimson Jan. 7, 1929." Overall, the image provides a glimpse into the cultural and educational activities available in Boston during the late 1920s.
The image is a scanned page from a scrapbook or photo album, featuring a newspaper clipping from January 13, 1929. The clipping is titled "Week of January 13, 1929" and includes a list of events for Tuesday, January 15, 1929.
The left side of the clipping lists various events, including:
The right side of the clipping features an article titled "Order Comes to the Fine Arts," which discusses the growing importance of fine arts in education and the establishment of a new competition by the College Art Association.
The clipping is yellowed and worn, with visible signs of aging, such as creases and tears. It is attached to the page with a paperclip and appears to be part of a larger collection of newspaper clippings or memorabilia.
In the bottom-left corner of the page, there is a partially visible advertisement for the Lowell Institute, which lists eight lectures on the history of prints and drawings as illustrated in American collections. The overall appearance of the page suggests that it is a historical document or artifact, possibly from a personal collection or archive.
The image presents a vintage, open book or newspaper with yellowed pages, featuring a mix of text and advertisements. The left page is dated "Week of January 13, 1930" and includes a section titled "Tuesday," which lists various events and activities for that day, such as hockey games, hotel functions, and museum exhibitions. The right page appears to be an article about the College Art Association of America, discussing its new competition and the importance of standardizing teaching methods in fine arts.
Key Features: