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The image shows a page from the Harvard Crimson newspaper, dated December 13, 1928. The page contains several articles related to art and education at Harvard University.

1. Students Found New Art Society:

   • A group of students has established the "Harvard Society for Contemporary Art" to cover contemporary art in exhibits of borrowed and purchased works.
   • The society aims to fill a current need for exhibiting contemporary art, which is not adequately covered by existing institutions.
   • The society plans to organize exhibitions in Cambridge and collaborate with the Fogg Art Museum.
   • Membership is open to undergraduates and faculty, with a budget of $6,000 for the first year.
   • The advisory board includes notable figures such as Professor Paul J. Sachs, Arthur Pope, E.W. Forbes, and others.

2. Harvard X-Ray Throws Doubt on Paintings:

   • X-ray examinations have revealed that some paintings attributed to old masters are not original.
   • The article discusses the use of X-rays to detect overpainting and alterations in paintings.
   • Recent examinations at the Fogg Art Museum have questioned the authenticity of several works.

3. Collection of Prints at Lawrence Hall:

   • The School of Education has acquired copies of famous prints and paintings for educational purposes.
   • The collection includes a portrait of Harvard President Charles W. Eliot and other notable works.
   • The prints are intended to be used for teaching iconography and will be displayed in Lawrence Hall.

Overall, the page highlights the establishment of a new art society, the use of technology to authenticate paintings, and the acquisition of educational prints by the School of Education.

The image displays three newspaper articles from the Harvard Crimson, dated in December 1938. Here's a detailed summary of each:

1. Left Article (December 15, 1938):

   • Title: Students Found New Art Society
   • Content: A new student organization called the "Harvard Society for Contemporary Art" is being formed to address the lack of opportunities for students to engage with modern art. The society aims to exhibit contemporary works and borrowed pieces.
   • Budget: The group has a budget of $6,000 for their first year.
   • Activities: The society plans to hold monthly exhibitions in Harvard Square, showcasing contemporary works and graphic arts. The exhibitions will be diverse, including American, French, and German art.
   • Organization Details: The society will have a board of trustees, including Harvard professors and collectors. Notable members involved include Lincoln Kirstein '30, John Walker '30, and E. M. M. Warburg.
   • Funding: An annual budget has been set with a patron offering to cover deficits up to $6,000.

2. Middle Article (December 13, 1938):

   • Title: Contemporary Art
   • Content: This article discusses the increasing undergraduate interest in contemporary art, leading to the formation of the Harvard Society for Contemporary Art. The society will exhibit modern works in various media, with monthly exhibitions planned at the Harvard Square space.
   • Exhibition Plans: The Fogg Art Museum has agreed to lend works, and the society aims to cover a wide range of contemporary styles and artists.

3. Right Articles (December 15 and 16, 1938):

   Top Article (December 15, 1938):

   • Title: Harvard X-Ray Throws Doubt on Paintings
   • Content: Interesting revelations have emerged from the X-ray analysis of paintings in Harvard's collection. The analysis has uncovered underlying sketches and changes in the paintings, suggesting that some works may have been altered or repainted over time.

   Bottom Article (December 16, 1938):

   • Title: Collection of Prints at Lawrence Hall
   • Content: The School of Education has acquired a collection of famous prints and paintings. The collection includes works from renowned artists and is considered an important addition for educational purposes.
   • Historical Context: The collection was presented by John Albrecht of Boston, including pieces from notable artists. The acquisition adds a significant resource for studying iconography and art history.

Overall, these articles highlight the vibrant activities and initiatives related to contemporary art and education at Harvard during this period.

The image displays several newspaper clippings from the Harvard Crimson, dated December 1928, detailing various activities and acquisitions related to art at Harvard University.

1. Students Found New Art Society (Dec. 13, 1928)

   • The Crimson reports on the establishment of the Harvard Society for Contemporary Art, Incorporated. This society aims to meet the need for students to see and acquire current works of art. The society will organize exhibitions of borrowed and purchased works, starting with three exhibitions in Harvard Square. The first exhibition will be in January and will include works by contemporary artists such as Henri Matisse, Pablo Picasso, and Paul Gauguin. The annual budget is $6,000, with memberships costing $5 or $10. The society's trustees include notable figures like Arthur Sachs and Arthur Pope.

2. Contemporary Art (Dec. 13, 1928)

   • This article elaborates on the Harvard Society for Contemporary Art's mission to exhibit modern artworks and promote artistic education. The society plans to cover the costs of living artists, with an annual budget of $6,000. The goal is to establish a permanent collection of contemporary artworks. The society will focus on various artistic mediums, including painting, sculpture, and graphic arts, aiming to provide students with opportunities to study and appreciate contemporary art.

3. Harvard X-Ray Throws Doubt on Paintings (Dec. 15, 1928)

   • This article discusses the use of X-ray technology to examine famous paintings, revealing that some may not be original works. The X-rays were conducted on works by artists such as Jan Van Eyck, Rubens, and Rembrandt, indicating that many of these pieces may be copies or restorations. The findings raise questions about the authenticity of the paintings and the extent of their originality.

4. Collection of Prints at Lawrence Hall (Dec. 16, 1928)

   • The article describes the acquisition of a significant collection of prints and photographs by the Committee on Iconography at the School of Education. The collection includes works by famous artists and photographers, such as Charles Brooks and James Logan. The collection is housed in Room 3 of Lawrence Hall and includes a variety of prints from the 17th century to the early 20th century, with notable pieces such as the painting "The Three Philosophers" by William James and a photograph of John Harvard's window at Emmanuel College.

Overall, these articles highlight Harvard's efforts to enrich its artistic resources through the establishment of the Harvard Society for Contemporary Art, the use of modern technology to authenticate artworks, and the acquisition of valuable prints and photographs for educational purposes.

The image contains several newspaper clippings from the Harvard Crimson and the Harvard Herald, dated December 1928. Here's a detailed summary of each article:

1. Harvard Crimson, December 13, 1928:

   • Headline: "Students Found New Art Society"
   • Subheading: "Group to Cover Contemporary Art in Exhibits of Borrowed and Purchased Works to Fill Present Need"
   • Content:
     • The article discusses the formation of the Harvard Society for Contemporary Art, aimed at addressing the lack of opportunities for students to see or acquire contemporary artworks.
     • The society was founded to organize exhibitions of contemporary art, both borrowed and purchased, with a budget of $6,000 for the first year.
     • An initial dinner meeting at the home of Professor P. J. Sachs attracted interest from various individuals, including John Walker, E. M. Warburg, and others.
     • The society plans to show various types of contemporary art, including sculpture, paintings, and graphic works.
     • The organization will be supported by subscriptions and donations, with different levels of membership offering various privileges.
     • A board of trustees, including prominent professors and art collectors, has been formed to oversee the organization.

2. Harvard Crimson, December 13, 1928:

   • Headline: "Contemporary Art"
   • Content:
     • This article elaborates on the significance of contemporary art exhibitions and the growth of student interest in fine arts.
     • It mentions the need for a dedicated space for contemporary works and the importance of showcasing such artworks to students.
     • The article highlights the formation of the society as a response to the lack of opportunities to see contemporary artworks, noting the growth of the Fogg Art Museum and the need to represent current art.

3. Harvard Herald, December 15, 1928:

   • Headline: "Harvard X-Ray Throws Doubt on Paintings"
   • Content:
     • The article discusses the use of X-rays to examine the authenticity of famous paintings.
     • It mentions that the X-raying of works by artists such as Jan Van Eyck, Rubens, Rembrandt, and Van Dyck revealed layers of repainting, casting doubt on the authenticity of some of these works.
     • The findings have significant implications for art history and the evaluation of these paintings.

4. Harvard Crimson, December 15, 1928:

   • Headline: "Collection of Prints at Lawrence Hall"
   • Content:
     • This article describes the acquisition of a collection of famous prints and paintings by the School of Education at Harvard.
     • A portrait of the Reverend Mr. Charles Brooks, discovered in an old store in Boston, was presented to the school.
     • The collection includes various historical and artistic prints, such as those by James Logan and William James, among others.
     • The collection is housed in Room 3 of Lawrence Hall, with some prints displayed in the hallway.

The articles collectively highlight the initiatives and interests in contemporary art and historical preservation at Harvard University during December 1928.

The image is a collage of newspaper clippings from December 1928, featuring articles from the Crimson, Herald, and other publications.

1. Crimson (December 13, 1928)

   • Students Found New Art Society: An article titled "Students Found New Art Society" describes the formation of the Harvard Society for Contemporary Art. The society aims to cover contemporary art in exhibitions of borrowed and purchased works to meet the current needs of students. The society plans to hold monthly exhibitions in Harvard Square, with a budget of $60 for the first year. It will also offer a course for undergraduates interested in contemporary art.

2. Crimson (December 15, 1928)

   • Collection of Prints at Lawrence Hall: This article discusses the acquisition of a collection of famous prints and paintings by the School of Education at Harvard University. A notable print discovered and presented by John Albree of Boston, titled "Charles Brooks and His Work for Normal Schools," is highlighted.

3. Herald (December 15, 1928)

   • Harvard X-Ray Throws Doubt on Paintings: The article discusses revelations from X-rays revealing the extent of repainting on original works of art at Harvard. These findings question the authenticity of many paintings, including those by Jan Van Eyck, Rubens, Rembrandt, and Van Dyck, among others.

The articles together highlight student initiatives, educational developments, and investigative findings related to art and cultural heritage.

The image shows two pages of a newspaper, The Harvard Crimson, dated December 13, 1928. The main articles on the page are:

1. "Students Found New Art Society: Group to Cover Contemporary Art in Exhibits of Borrowed and Purchased Works to Fill Present Need"

   • This article discusses the formation of the Harvard Society for Contemporary Art. The society aims to address the lack of opportunities for students to see and acquire contemporary art. It plans to hold exhibitions, purchase works, and contribute to the Fogg Art Museum. The society has a budget of $6,000 and will hold its first exhibition in the spring. Notable figures include President P. J. Sachs, Lincoln Kirstein, and A. Arthur Pope.

2. "Harvard X-Ray Throws Doubt on Paintings"

   • This article mentions that Harvard researchers, led by Professor George L. Baker, have used X-ray technology to reveal issues with several famous paintings, including works by Rembrandt and Van Dyck. This technology is questioning the authenticity of some attributed works.

3. "Collection of Prints at Lawrence Hall"

   • This article describes the acquisition of a collection of prints and paintings by the School of Education at Lawrence Hall. The collection includes works by Charles Brooks, a Boston professional, and other pieces from the Widener Library and private collections.

The text is presented in traditional newspaper column format with headlines, subheadings, and blocks of text. The articles focus on art, cultural developments, and academic activities at Harvard University during the late 1920s.

The image shows an open book or binder displaying two pages from what appears to be a historical archive or a collection of documents. On the left page, we see a newspaper clipping with the heading "Crimson" and the date Dec. 19, followed by a second newspaper clipping headlined "Crimson Dec. 13/25." The left page features two main articles: one titled "STUDENTS FOUND NEW ART SOCIETY" and another discussing "CONTEMPORARY ART."

The right page continues with the "Crimson Dec. 13/25" clipping at the top, which is an article detailing the Harvard X-ray process casting doubt on the authenticity of paintings. Below it, there's another article dated "Dec. 18/25" with the title "COLLECTION OF PRINTS AT LAWRENCE HALL."

The pages exhibit aging, evident by the yellowing paper and slight wear at the edges. The right page has one edge that curls slightly towards the reader, creating a shadow along its edge. The open book is resting on a flat surface with no discernible features outside the pages themselves.

The image shows a scrapbook page with four newspaper clippings related to art, all dated around December 1928. The clippings focus on topics related to Harvard University and art exhibitions or collections.

1. The largest clipping on the left is titled "STUDENTS FOUND NEW ART SOCIETY." It discusses the founding of the "Harvard Society for Contemporary Art, Incorporated," aimed at showcasing contemporary works of art by students and others. The society plans exhibitions, sales at affordable prices, and membership options. It emphasizes supporting contemporary art and mentions its organizational structure, board, and goals.

2. To the right, there is a clipping from the "Herald" titled "Harvard X-Ray Throws Doubt on Paintings." It reports on the use of X-ray technology by the Fogg Art Museum at Harvard to examine paintings by old masters, revealing questions about their authenticity and repainting. The plates from this X-ray study will be available for scholarly use, but full details are withheld for now.

3. Below the X-ray article is a clipping from the "Crimson" titled "COLLECTION OF PRINTS AT LAWRENCE HALL." It describes the acquisition of prints and paintings by the School of Education, featuring a portrait of Reverend Charles Brooks and other historical prints related to Harvard. The article highlights the committee responsible for collecting these works and mentions specific pieces and their historical significance.

Overall, the page documents efforts in the late 1920s to promote and study contemporary and historical art within Harvard and its affiliated institutions, including new student initiatives, scientific examination of artworks, and expansion of print collections.

The image shows an open newspaper or magazine spread from December 13, 1928, featuring multiple articles from different sections. Here is a detailed description:

Layout and Structure:

• The page is divided into several sections, each with its own headline and content.
• The top left section is labeled "Crimson" and dated Thursday, December 13, 1928.
• The top right section is labeled "Herald" and dated December 15, 1928.
• The bottom section is also labeled "Crimson" and dated December 15, 1928.

Content Overview:

Top Left Section ("Crimson"):

• Headline: "STUDENTS FOUND NEW ART SOCIETY"
  • This article discusses the formation of a new organization called the "Harvard Society for Contemporary Art."
  • Key points:
    • The society was founded by students to address the lack of opportunities for studying and exhibiting contemporary art at Harvard.
    • It aims to provide a platform for students to showcase their work, hold exhibitions, and engage with contemporary art.
    • The society plans to hold monthly exhibitions of graphic arts and will attempt to touch contemporary types of work.
    • Membership fees are outlined: $2.50 for Harvard and Radcliffe students, $5 for special privileges.
    • The society is supported by a board of trustees, including notable faculty members.

Top Right Section ("Herald"):

• Headline: "Harvard X-Ray Thinks Doubt on Paintings"
  • This article discusses a controversy surrounding the authenticity of paintings at Harvard.
  • Key points:
    • X-ray analysis has raised doubts about the authenticity of certain paintings attributed to old masters.
    • The paintings were brought to light through X-raying by museum authorities.
    • The article mentions specific artists whose works are under scrutiny, including Jan Van Eck, Rubens, Rembrandt, Van Dyck, Giorgione, and Titian.
    • The X-rayed plates are available to scholars and poseurs for study, but questions remain about their authenticity.

Bottom Section ("Crimson"):

• Headline: "COLLECTION OF PRINTS AT LAWRENCE HALL"
  • This article discusses a new collection of prints acquired by the School of Education at Harvard.
  • Key points:
    • The School of Education has acquired copies of famous prints and paintings.
    • A portrait of Reverend Mr. Charles Brooks, discovered in an old store in Boston, was presented to the Committee on Iconography of the School of Education.
    • The painting, by C.S. Thomas '97, is in almost ruined condition but has been repaired and now hangs in Room 3 of Lawrence Hall.
    • Mr. Abree, a Boston professional man, has taken an interest in the life of Charles Brooks and is the author of a historical treatise titled "Charles Brooks and His Work for Normal Schools."
    • The Committee on Iconography has collected a large number of photographs and prints for Lawrence Hall.
    • Among the collection are two reproductions of old prints of Harvard buildings, one showing a group of the older ones and the other portraying a quiet cricket game in front of Summer's monument near Harvard Square.
    • There are also two photographs of engravings done by James Logan in the late seventeenth century. The original may be found in the Treasure Room of the Widener Library.

Visual Details:

• The text is printed in a classic newspaper or magazine font.
• The layout includes columned text with clear headings and subheadings.
• The dates and section labels ("Crimson" and "Herald") are prominently displayed at the top of each section.
• The content is dense and informative, typical of a newspaper or academic publication from the early 20th century.

Overall Impression:

The image depicts a historical newspaper or magazine spread from December 1928, covering diverse topics such as the formation of a new art society at Harvard, doubts about the authenticity of paintings through X-ray analysis, and the acquisition of a print collection at Lawrence Hall. The content reflects the cultural, academic, and artistic interests of the time.

The image is of a newspaper clipping. The newspaper clipping has two columns of text. The first column is titled "STUDENTS FOUND NEW ART SOCIETY" and the second column is titled "HARVARD X-RAY THROWS DOUBT ON PAINTINGS". The newspaper clipping is from the Crimson, which is the Harvard University newspaper. The clipping is from Thursday, December 13, 1928. The first column of text discusses the formation of a new art society by Harvard students. The second column of text discusses the use of X-rays to question the authenticity of paintings.