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The image shows a page from a newspaper, specifically from the "Harvard Crimson" dated December 13, 1928. The page contains several articles related to art, contemporary art, and museums. Here's a breakdown of the content:

1. Top Left Article:

   • Headline: "Students Found New Art Society"
   • Content: The article announces the formation of the "Harvard Society for Contemporary Art, Incorporated," an undergraduate society aimed at showcasing and selling contemporary works of art. It details the society's goals, activities, and the planned exhibitions, including monthly shows of graphic arts and sculpture. The organization was founded by three students and is expected to have exhibitions in Harvard Square. The article also mentions the society's budget for the first year and the types of subscriptions available to members.

2. Middle Article:

   • Headline: "Contemporary Art"
   • Content: This piece discusses the steady growth of interest in Fine Arts among undergraduate students. It mentions the Harvard Society for Contemporary Art, the advantages it offers, and the need for such an organization in Cambridge and Boston. The article highlights the importance of providing opportunities for students to see and acquire contemporary works of art. It also mentions the efforts of the Fogg Art Museum to promote contemporary art and the need for such a society to complement the existing museums.

3. Top Right Article:

   • Headline: "Harvard X-Ray Throws Doubt on Paintings"
   • Content: This article reports on an X-ray study of paintings by Alan Burroughs, a staff member of the Fogg Art Museum, which revealed interesting revelations about the authenticity of old master paintings. The article discusses the extent of repainting on original works and how the X-ray study has brought these issues to light. It mentions the availability of X-ray plates for study purposes, with those challenging the authenticity of paintings being withheld for the time being.

4. Bottom Right Article:

   • Headline: "Collection of Prints at Lawrence Hall"
   • Content: This article is about the acquisition of copies of famous prints and paintings by the School of Education at Lawrence Hall. It mentions a portrait of Reverend Charles Brooks, which was discovered in an old store in Boston, and has been presented to the Committee on Iconography. The article details the restoration of the portrait by experts at the Fogg Art Museum and its display in Room 3 of Lawrence Hall. It also discusses the collection of photographs and prints for Lawrence Hall, including reproductions of old prints of Harvard and other historical images.

The page is from a historical newspaper, and the articles reflect the cultural and educational interests of the time, particularly in the field of art and museum studies.

This image is a scanned page from a scrapbook or collection of printed articles, likely from December 1928. The page includes several newspaper clippings discussing art-related topics, primarily from the "Crimson," a publication associated with Harvard University.

Key Articles:

1. "Students Found New Art Society" (Crimson, Dec. 13, 1928):

   • This article discusses the formation of a new undergraduate society at Harvard University called the "Harvard Society for Contemporary Art, Incorporated." The society aims to cover contemporary art through exhibits of borrowed and purchased works. It mentions the budget of $6,000 for the first year and the need for such an organization to provide students with the opportunity to see and acquire current works of art. The society was founded by three undergraduates: Lincoln Kirstein '30, John Walker '30, and E.M.M. Warburg '30. The article also lists the board of trustees.

2. "Contemporary Art" (Crimson, Dec. 13, 1928):

   • This piece elaborates on the growth of undergraduate interest in fine arts and the importance of the newly formed Harvard Society for Contemporary Art. It discusses the society's role in providing opportunities to see a large number of original artworks and the challenges faced by students in accessing contemporary art. The article highlights the society's planned series of exhibits and its potential impact on the art world.

3. "Harvard X-Ray Throws Doubt on Paintings" (Herald, Dec. 13, '28):

   • This article reports on interesting revelations concerning the authenticity of paintings by old masters, brought to light through X-raying. It mentions the work of Alan Burroughs '20 from the Fogg Art Museum staff, who X-rayed 181 paintings, including works by famous artists like Jan Van Eyck, Rubens, Rembrandt, Van Dyck, Giorgione, and Titian. The article notes that while the plates of these paintings are available for study, those that question the authenticity of the pictures will be withheld for the present.

4. "Collection of Prints at Lawrence Hall" (Crimson, Dec. 18, '28):

   • This article discusses the acquisition of copies of famous prints and paintings by the School of Education at Lawrence Hall. It mentions a portrait of Reverend Mr. Charles Brooks, which was discovered in an old store in Boston and donated to the committee on iconography of the School of Education. The article also describes the committee's collection of photographs and prints, including reproductions of old prints of Harvard and photostats of engravings by James Loggan from the late seventeenth century.

The page is well-organized, with each article clearly separated and dated, providing a snapshot of art-related news and activities at Harvard University in December 1928.

This image displays an open, aged scrapbook, likely from the late 1920s, containing three newspaper clippings dated December 13 and 15, 1928. The yellowed paper and the binding suggest historical significance, and the clippings are mounted on stiff pages, typical of a preserved collection.

The articles relate to the Harvard University art scene and student initiatives:

1. "Students Found New Art Society" (Crimson, Dec. 13, 1928)

   • This article announces the formation of the “Harvard Society for Contemporary Art, Incorporated,” an undergraduate student group.
   • Its mission is to exhibit and sell contemporary art—both modern works and those by established artists—through exhibits in borrowed or purchased venues, primarily in Harvard Square and New York City.
   • The founding students are listed as Lincoln Kirstein ’30, John Walker ’30, and E. M. M. Warburg ’30.
   • The society aims to address the lack of contemporary art exposure for students in Boston and Cambridge.
   • It details a modest $6,000 annual budget and a tiered membership system (Sustaining, Contributing, and regular membership), with special privileges for Harvard or Radcliffe students ($2).

2. "Contemporary Art" (Crimson, Dec. 13, 1928)

   • This is a continuation of the first article, elaborating on the rationale for the new society.
   • It argues that even at a time when students in Fine Arts might complete a full course, they rarely get to see original works, especially outside of museums in New York.
   • Citing the Fogg Art Museum’s limitations in showing the full range of contemporary production, the article asserts the society’s formation is “completely justified.”

3. "Harvard X-Ray Throws Doubt on Paintings" (Herald, Dec. 15, 1928)

   • This clipping reports on a new development at the Fogg Art Museum.
   • Using X-rays, the museum staff discovered that many paintings attributed to Old Masters, including Jan Van Eyck, Rubens, Rembrandt, Van Dyck, Giorgione, and Titian, were likely copies or repaints.
   • The article notes this revelation was made public and that the original, untouched plates would be withheld for further study, casting doubt on the authenticity of the displayed works.

4. "Collection of Prints at Lawrence Hall" (Crimson, Dec. 15, 1928)

   • This article describes new additions to the School of Education’s collection.
   • A portrait of Reverend Mr. Charles Brooks, found in a Boston store and donated by John Albree, now hangs in Room 3 of Lawrence Hall.
   • It also lists several historical prints acquired by the Committee on Iconography, including two reproductions of old Harvard prints and two 17th-century photographs by James Logan. One of these depicts “Prospect of Oxford from the East near London Road,” and another “Prospect of Oxford from the South near Abbington Road.”
   • The piece concludes by noting that a familiar painting, “The Three Philosophers,” hangs in the Faculty Room of Harvard College, and a hand-colored photograph of the John Harvard and Lawrence windows in the Chapel of Emmanuel College is also part of the collection.

Overall, the scrapbook page captures a vibrant moment in 1928, documenting a student-led initiative to promote modern art, a scientific challenge to art authentication, and the careful curation of historical prints at Harvard. The articles reflect a dynamic intersection of student activism, academic scholarship, and art historical inquiry.

The image is of a newspaper clipping. The newspaper clipping has two columns of text. The first column is titled "STUDENTS FOUND NEW ART SOCIETY" and the second column is titled "HARVARD X-RAY THROWS DOUBT ON PAINTINGS". The newspaper clipping is from the Crimson, which is the Harvard University newspaper. The clipping is from Thursday, December 13, 1928. The first column of text discusses the formation of a new art society by Harvard students. The second column of text discusses the use of X-rays to question the authenticity of paintings.

The image depicts an open book with several pages visible. The book appears to be a collection of newspaper clippings, specifically from The Crimson, a student newspaper of Harvard University. The clippings are arranged in a grid-like fashion, with columns and rows, and each clipping is bordered by black lines, possibly for emphasis or to separate individual articles.

The clippings cover a range of topics, including art exhibitions, the formation of an art society, and the acquisition of prints and photographs by the Harvard Art Museums. The text is printed in a serif typeface, typical of newspaper print from the early 20th century.

The first clipping on the left page is titled "Students Found New Art Society" and discusses the formation of the Harvard Society for Contemporary Art. It mentions the society's purpose to exhibit contemporary art and borrowed works to fill a perceived need for such art in the university's collections. The article also notes the difficulty students face in acquiring current works and the society's plan to address this by organizing monthly exhibitions.

The second clipping on the left page is titled "Collection of Prints at Lawrence Hall" and reports on the acquisition of prints by the School of Education. It mentions the presentation of a portrait of Reverend Mr. Charles Brooks by C. Thomas and the donation of photographs by James Logan, among other contributions.

The right page contains several clippings as well, including one about the Harvard X-Ray Throwing Doubt on Paintings, which discusses the use of X-rays to authenticate paintings and the revelation of overpaintings. Another clipping is about the Fogg Art Museum's acquisition of prints for Lawrence Hall, highlighting the importance of these acquisitions for educational purposes.

The clippings are dated, with some from December 1928 and others from December 1927, indicating that the book is a compilation of articles from different issues of The Crimson. The book's pages are bound together, suggesting that it is a scrapbook or a bound volume of clippings.

The image shows an open newspaper or magazine spread from December 13, 1928, featuring multiple articles from different sections. Here is a detailed description:

Layout and Structure:

• The page is divided into several sections, each with its own headline and content.
• The top left section is labeled "Crimson" and dated Thursday, December 13, 1928.
• The top right section is labeled "Herald" and dated December 15, 1928.
• The bottom section is also labeled "Crimson" and dated December 15, 1928.

Content Overview:

Top Left Section ("Crimson"):

• Headline: "STUDENTS FOUND NEW ART SOCIETY"
  • This article discusses the formation of a new organization called the "Harvard Society for Contemporary Art."
  • Key points:
    • The society was founded by students to address the lack of opportunities for studying and exhibiting contemporary art at Harvard.
    • It aims to provide a platform for students to showcase their work, hold exhibitions, and engage with contemporary art.
    • The society plans to hold monthly exhibitions of graphic arts and will attempt to touch contemporary types of work.
    • Membership fees are outlined: $2.50 for Harvard and Radcliffe students, $5 for special privileges.
    • The society is supported by a board of trustees, including notable faculty members.

Top Right Section ("Herald"):

• Headline: "Harvard X-Ray Thinks Doubt on Paintings"
  • This article discusses a controversy surrounding the authenticity of paintings at Harvard.
  • Key points:
    • X-ray analysis has raised doubts about the authenticity of certain paintings attributed to old masters.
    • The paintings were brought to light through X-raying by museum authorities.
    • The article mentions specific artists whose works are under scrutiny, including Jan Van Eck, Rubens, Rembrandt, Van Dyck, Giorgione, and Titian.
    • The X-rayed plates are available to scholars and poseurs for study, but questions remain about their authenticity.

Bottom Section ("Crimson"):

• Headline: "COLLECTION OF PRINTS AT LAWRENCE HALL"
  • This article discusses a new collection of prints acquired by the School of Education at Harvard.
  • Key points:
    • The School of Education has acquired copies of famous prints and paintings.
    • A portrait of Reverend Mr. Charles Brooks, discovered in an old store in Boston, was presented to the Committee on Iconography of the School of Education.
    • The painting, by C.S. Thomas '97, is in almost ruined condition but has been repaired and now hangs in Room 3 of Lawrence Hall.
    • Mr. Abree, a Boston professional man, has taken an interest in the life of Charles Brooks and is the author of a historical treatise titled "Charles Brooks and His Work for Normal Schools."
    • The Committee on Iconography has collected a large number of photographs and prints for Lawrence Hall.
    • Among the collection are two reproductions of old prints of Harvard buildings, one showing a group of the older ones and the other portraying a quiet cricket game in front of Summer's monument near Harvard Square.
    • There are also two photographs of engravings done by James Logan in the late seventeenth century. The original may be found in the Treasure Room of the Widener Library.

Visual Details:

• The text is printed in a classic newspaper or magazine font.
• The layout includes columned text with clear headings and subheadings.
• The dates and section labels ("Crimson" and "Herald") are prominently displayed at the top of each section.
• The content is dense and informative, typical of a newspaper or academic publication from the early 20th century.

Overall Impression:

The image depicts a historical newspaper or magazine spread from December 1928, covering diverse topics such as the formation of a new art society at Harvard, doubts about the authenticity of paintings through X-ray analysis, and the acquisition of a print collection at Lawrence Hall. The content reflects the cultural, academic, and artistic interests of the time.

The image shows an open book or binder displaying two pages from what appears to be a historical archive or a collection of documents. On the left page, we see a newspaper clipping with the heading "Crimson" and the date Dec. 19, followed by a second newspaper clipping headlined "Crimson Dec. 13/25." The left page features two main articles: one titled "STUDENTS FOUND NEW ART SOCIETY" and another discussing "CONTEMPORARY ART."

The right page continues with the "Crimson Dec. 13/25" clipping at the top, which is an article detailing the Harvard X-ray process casting doubt on the authenticity of paintings. Below it, there's another article dated "Dec. 18/25" with the title "COLLECTION OF PRINTS AT LAWRENCE HALL."

The pages exhibit aging, evident by the yellowing paper and slight wear at the edges. The right page has one edge that curls slightly towards the reader, creating a shadow along its edge. The open book is resting on a flat surface with no discernible features outside the pages themselves.

The image shows a scrapbook page with four newspaper clippings related to art, all dated around December 1928. The clippings focus on topics related to Harvard University and art exhibitions or collections.

1. The largest clipping on the left is titled "STUDENTS FOUND NEW ART SOCIETY." It discusses the founding of the "Harvard Society for Contemporary Art, Incorporated," aimed at showcasing contemporary works of art by students and others. The society plans exhibitions, sales at affordable prices, and membership options. It emphasizes supporting contemporary art and mentions its organizational structure, board, and goals.

2. To the right, there is a clipping from the "Herald" titled "Harvard X-Ray Throws Doubt on Paintings." It reports on the use of X-ray technology by the Fogg Art Museum at Harvard to examine paintings by old masters, revealing questions about their authenticity and repainting. The plates from this X-ray study will be available for scholarly use, but full details are withheld for now.

3. Below the X-ray article is a clipping from the "Crimson" titled "COLLECTION OF PRINTS AT LAWRENCE HALL." It describes the acquisition of prints and paintings by the School of Education, featuring a portrait of Reverend Charles Brooks and other historical prints related to Harvard. The article highlights the committee responsible for collecting these works and mentions specific pieces and their historical significance.

Overall, the page documents efforts in the late 1920s to promote and study contemporary and historical art within Harvard and its affiliated institutions, including new student initiatives, scientific examination of artworks, and expansion of print collections.

This is a scanned image of a vintage newspaper spread, likely from The Harvard Crimson, dating to the 1920s (visible date entries around December 1923). It shows two facing pages filled with small-type articles and several bold headlines:

• Left page: A main headline “STUDENTS FOUND NEW ART SOCIETY” with a subheading about a group formed to cover contemporary art and organize exhibits of borrowed and purchased works. The column contains several paragraphs describing the purpose and plans of the new society.
• Center page: A section titled “CONTEMPORARY ART” discussing the steady growth of undergraduate interest in art and the organization of a Harvard student art society devoted to contemporary works. The writing is formal, typical for the era, with multiple short articles on related topics.
• Right page: A feature titled “Harvard X-RAY THROWS DOUBT ON PAINTINGS,” reporting on authenticating art through x-ray techniques, followed by another piece “COLLECTION OF PRINTS AT LAWRENCE HALL” describing a display of prints and paintings in the School of Education and related notes.

Overall, it’s a period-piece layout with dense text, multiple columns, and vintage typography, printed on slightly yellowed paper and bound in a book or scrapbook. The content centers on campus art initiatives, exhibitions, and scholarly discussions about art authentication.

This image shows a page from a scrapbook or album containing three newspaper clippings dated December 13, 1928. Here's a description of the content:

1. Top Left Article (Crimson, December 13):

   • Headline: "STUDENTS FOUND NEW ART SOCIETY"
   • This article discusses the founding of a society focused on contemporary art at Harvard, named the "Harvard Society for Contemporary Art." The society aims to exhibit and acquire works of contemporary art, providing educational opportunities and engaging students.

2. Top Right Article (Herald, December 13):

   • Headline: "Harvard X-Ray Throws Doubt on Paintings"
   • This clipping talks about the use of X-ray technology to study the authenticity of paintings attributed to famous artists situated in the Fogg Art Museum at Harvard. There is mention of possible doubts regarding several paintings.

3. Bottom Article (Crimson, December 13):

   • Headline: "COLLECTION OF PRINTS AT LAWRENCE HALL"
   • This piece highlights a collection of prints and photographs acquired by Harvard's School of Education. Some works depict notable figures, historic Harvard locations, and promotional art.

Overall, the content emphasizes Harvard's engagement in arts and education during this era, including the analysis of artwork authenticity and the establishment of organizations for contemporary art. The format suggests that the page is part of a larger archival or reference book.