Archives Scrapbooks

This image shows a page from a vintage publication, likely a newspaper or a magazine, dated December 1, 1928. The page is divided into several sections.

In the top left corner, there is a section titled "ART" which lists various exhibitions and events. Some of these include:

• Guild of Boston Artists
• Grace Horne Gallery
• Fogg Art Museum
• Doll and Richards
• Robert Vose Galleries
• Copley Gallery

Each of these listings mentions the artist or the type of art being exhibited and the dates of the exhibitions.

In the top right corner, there is a black-and-white drawing of a child, labeled as being by Jean-Baptiste Camille Corot, a French artist who lived from 1796 to 1875. The text next to the drawing explains that the drawing was sketched by Corot himself and is now on exhibition at the Fogg Art Museum.

Below the art section, there are two columns of text:

• The left column is titled "Tribune" and lists events related to the Harvard University Calendar for December 1928, including lectures and events.
• The right column is titled "Cambridge Tribune" and discusses the Fogg Museum's interest in acquiring a French sculpture group.

The page also includes some annotations and stamps, such as "Patents League Forecast" and "Crimson," which may indicate it was part of a scrapbook or a collection of clippings. The overall layout and design suggest it is from the early 20th century.

This image shows an open book or scrapbook page with several clippings and notes from December 1928. Here's a detailed breakdown:

1. Top Left Section:

   • A clipping titled "Parents League Forecast Dec. 1928" with a list of art exhibitions.
   • The exhibitions mentioned include:
     • Guild of Boston Artists: Paintings by Philip L. Hale.
     • Grace Horne Gallery: Paintings by John Whorf.
     • Water Colors by Polly Nordell.
     • Pastels by the late William B. Closson.
     • Etchings and Block Prints, Small Sculptures, Celtic Jewelry.
     • Fogg Art Museum: Water Colors by Winslow Homer, Sargent, Hopper, Dodge McKnight, and Hopkinson.
     • Paintings of Ships and Sea by Frank Vining Smith.
     • Etchings by Sears Gallagher.
     • Paintings and Bronzes of Artists of the West.
     • Exhibition of Portraits by Jerome Brush.
     • Pastels of Flowers by Laura Coombs Hills.

2. Top Right Section:

   • A sketch of a young girl, identified as "BY COROT," a member of the family of Jean Baptiste Camille Corot (1796-1875), sketched by the artist himself. The drawing is noted to be on exhibition at the Fogg Art Museum.

3. Bottom Left Section:

   • A clipping from the "Tribune" dated December 1, 1928, titled "Harvard University Calendar Open to the Public." It lists various events and lectures, including:
     • Preaching by the Rev. Professor Willard Lea Royd Sperry.
     • Illustrated lecture on "Harvard Excavations at Nuzi, Iraq, 1927-28."
     • Lectures on "Sound and its Relation to Music."
     • Lectures on "Modern Painting in Germany from 1800 to 1928."
     • Lectures on "Industrial Relations."
     • Illustrated Lecture in French on "Faux et Trucs dans l'Art."
     • William Belden Noble Lectures on "Why Preach Christ?"

4. Bottom Right Section:

   • A clipping from the "Cambridge Tribune" dated December 1, 1928, titled "FOGG MUSEUM WOULD LIKE FRENCH GROUP." It discusses the Fogg Art Museum's willingness to accept one of the two sculptured groups, the work of Daniel Chester French, which will be taken from the top of the Federal building in Boston. The article mentions the challenges of finding a suitable location for the large sculptures and the honor it would bring to the museum.

The page appears to be a collection of art-related news and event listings from December 1928, with a focus on exhibitions, lectures, and museum activities.

This image shows an open page from a bound scrapbook or clipping file, dated December 1928. The page is titled “Parents League Forecast Dec. 1928” at the top left and “Crimson Dec. 1, 1928” at the top right, likely indicating the sources of the clippings.

The page is a collage of newspaper and magazine articles and announcements, primarily focused on Boston-area art events taking place around December 1928.

Main Sections:

1. Top Left - “ART” Listings:
   A list of exhibitions at various galleries and museums through December, including:

   • Guild of Boston Artists: Paintings by Philip L. Hale (through Dec. 8) and John Whorf (through Dec. 8).
   • Grace Horne Gallery: Water colors by Polly Nordell, pastels by William R. Chosson, etchings, block prints, small sculptures, and Celtic jewelry.
   • Fogg Art Museum: Water colors by Winslow Homer, Sargent, Hooker, Dodge, McKnight, and Hopkinson; recently acquired drawings.
   • Doll and Richards: Paintings of Ships and Sea by Frank Vining Smith; engravings by Serge Galkin; old English sporting prints.
   • Robert Vose Galleries: Paintings and bronzes of Artists of the West.
   • Copley Gallery: Portraits by Jerome Brush; pastels of flowers by Laura Coombs Hills.

2. Center - Artwork Reproduction:
   A black-and-white reproduction of a drawing of a young child, likely a girl, wearing a ruffled blouse and seated, looking directly at the viewer. The caption to the right identifies it:

   • “Left—BY COROT”
   • “Member of the family of Jean Baptist Camille Corot (1796-1875) sketched by the artist himself. The drawing is now on exhibition at the Fogg Art Museum.”

3. Bottom Left - “Harvard University Calendar”:
   A detailed schedule of public lectures and events at Harvard University for December 1-7, 1928. Topics include theology (Rev. Sperry), archaeology (Prof. Chiera on Nuzi, Iraq), music, German art and industry, and French literature. Locations include Appleton Chapel and the Fogg Art Museum lecture halls.

4. Bottom Right - “Cambridge Tribune” Article:
   An article dated Dec. 1, 1928, titled:

   • “FOGG MUSEUM WOULD LIKE FRENCH GROUP”
     The article reports that the Fogg Art Museum has expressed willingness to accept two large sculpted pieces, “Science” and “Labor, Art and Domestic Life,” by Daniel Chester French. These sculptures were originally placed atop the Federal Building (Custom House) in Boston and were being razed. Due to their large size, finding a new location is difficult. The Treasury Department has offered them to the Boston Museum of Fine Arts, but the Fogg Museum is hopeful to acquire them, as Professor Paul J. Sachs (director) considers them among French’s best works.

Overall Impression:
This page is a historical artifact, carefully compiled to document the cultural life of Boston and Cambridge in December 1928. It highlights the vibrant art scene, particularly around Harvard and the Fogg Art Museum, and provides a snapshot of public lectures and museum acquisitions of the time. The inclusion of the famous Corot drawing and the news about the French sculptures shows the page’s focus on significant artistic events.

The image shows an open book with a newspaper clipping inserted between the pages. The newspaper clipping is from the Cambridge Tribune and is dated December 13, 1928. The clipping contains an article about the Fogg Museum's willingness to accept one of the two sculptured groups, the work of the Italian artist, which will be taken from the Smithsonian Institution and placed on the building. The article also mentions the difficulty in finding a fitting location for the sculptures. The book appears to be a collection of newspaper clippings, and the clipping is inserted between pages that contain other clippings from the same newspaper.

The image depicts a page from a book, likely a newspaper or magazine, with a focus on art and culture. The page is divided into several sections, each featuring different content. On the left side, there is a section titled "ART," which lists various art exhibitions and events happening in the city. The section includes the names of artists, galleries, and exhibition dates. In the center of the page, there is a photograph of a young girl, possibly an artwork or a portrait. The photograph is accompanied by a brief description and the name of the artist. On the right side of the page, there is a section titled "Cambridge Tribune," which features an article about the Fogg Museum and its collection of French art. The article discusses the museum's acquisition of a new sculpture and its significance in the context of French art history. The page also includes other sections, such as "OPEN TO THE PUBLIC" and "HARVARD UNIVERSITY," which provide information about upcoming events and lectures at Harvard University. Overall, the image showcases the diverse cultural offerings of the city, highlighting the importance of art and education in the community.

The image depicts an open book, likely a newspaper or a publication from December 1928, showcasing a page layout that includes a mix of text and an illustration. Here is a detailed description:

Layout and Content:

1. Left Page:

   • Title and Date: The page is titled "Parents League Forecast" and is dated December 1928.
   • Content: The left page contains a list of art exhibitions, events, and gallery openings, organized chronologically. Examples include:
     • Art Exhibitions: Listings for the Guild of Boston Artists, Grace Heme Gallery, Watercolors by John Nordell, Pastels by Polly Worf, and more.
     • Fogg Art Museum: A section mentions recent acquisitions, including drawings by masters of various nationalities and time periods.
     • Doll and Richards Gallery: Features paintings of ships and sea, etchings by Louis Bouché, and other works.
     • Robert Vose Gallery: Lists paintings and bronzes of artists from the West.
     • Copley Gallery: Notes an exhibition of portraits by Jerome Brum and pastels by Laura Coombs Hills.
   • Typography: The text is printed in a clean, serif font, typical of newspapers or formal publications of the era.

2. Right Page:

   • Title and Date: The right page is titled "Crimson" and is also dated December 1, 1928.
   • Main Illustration: A detailed black-and-white sketch or drawing of a young girl is prominently displayed in the center-right portion of the page. The girl is depicted in a seated pose, wearing a long, flowing dress with a high collar. Her hair is styled in loose curls, and she appears to be looking slightly to the side. The drawing is labeled with text on the right side:
     • "LEFT—BY COROT"
     • "Member of the family of Jean Baptist Camille Corot (1796-1875)"
     • "sketched by the artist himself. The drawing is now on exhibition at the Fogg Art Museum."
   • Textual Content: Below the illustration, there is an article titled "FOGG MUSEUM WOULD LIKE FRENCH GROUP." The article discusses the Fogg Art Museum's interest in acquiring a group of sculptures by the French artist Daniel Chester French. Key points include:
     • The museum has expressed its willingness to accept one of the two sculptured groups, "The Work of Daniel Chester French," which will be taken from the top of the Federal building in Boston.
     • The groups, titled "Science" and "Labor: Art and Domestic Life," were created 50 years ago and placed on the building.
     • The treasury department at Washington has offered the groups to the Boston Museum of Fine Arts, but the acceptance is more of a placement than a gift.
     • Paul J. Sachs, director of the Fogg Museum, states that the museum would be "infinitely honored" to receive the works, considering them among French's best productions.

3. Additional Text:

   • Below the article, there is a section titled "HARVARD UNIVERSITY CALENDAR OPEN TO THE PUBLIC," listing various lectures and events happening at Harvard University in December 1928. Examples include:
     • Lectures on "Industrial Relations," "Maladjustment of the Industrial Worker," and "Why Preach Christ?"
     • Events are scheduled at different times and locations, such as the Appleton Chapel and the Fogg Art Museum.

Visual Elements:

• Sketch: The central illustration is a detailed, monochromatic sketch of a young girl, likely a historical or artistic subject. The style and labeling suggest it is a reproduction or commentary on a work by Jean-Baptiste-Camille Corot.
• Typography: The text is neatly formatted, with clear headings, subheadings, and body text. The use of bold and italicized text helps differentiate titles, dates, and important points.
• Layout: The page is well-organized, with a balance between the illustration and the textual content. The left page focuses on art exhibitions, while the right page combines an artistic sketch with a news article about the Fogg Museum and a calendar of university events.

Overall Impression:

The image portrays a historical publication from December 1928, blending art news, museum updates, and academic events. The combination of an artistic sketch and textual content reflects the era's interest in both fine arts and intellectual discourse. The layout and design are characteristic of early 20th-century newspapers or university bulletins.

The image is of a page from what appears to be a journal or book related to art, displaying both text and a sketch. On the top right corner of the page, there's a date stamp that reads "Crimson Dec. 11,1925." The sketch shows a person sitting and dressed in what appears to be loose-fitting clothing, potentially historic in style, reminiscent of the works of the French landscape painter Camille Corot. The text surrounding the sketch pertains to various art-related news items, announcements, and descriptions of exhibits, including an exhibition of portraits by Jerome Brush as well as entries about Fogg Art Museum, Dalziel Brothers engravings, and a reference to the esteemed French Impressionist group led by Degas. There are details about university lectures and public events in a column to the left of the page. The information reflects the art scene and educational offerings associated with it, as it stood in late 1925.

This is a scrapbook page featuring articles and an illustration. In the top right corner, there is a sketch of a child viewed from behind. The caption next to the sketch identifies it as "Left—BY COROT Member of the family of Jean Baptist Camille Corot (1796–1875) sketched by the artist himself." It mentions that the drawing is on exhibition at the Fogg Art Museum.

On the left side of the page, there are listings under "ART," detailing events and exhibitions, such as those at various galleries and museums. The text includes details about topics such as painting, sculpture, and lectures.

Below, clippings of articles discuss museum exhibitions, including one about the Fogg Museum being willing to accept work from a French group. Additional handwritten notes indicate dates, sources (such as "Crimson" and "Cambridge Tribune"), and articles about cultural events.

The image shows a scrapbook or album page dated December 1, 1928, containing various clippings related to art exhibitions and events, as well as an artwork reproduction.

• In the top right portion of the page, there is a sketch of a young child with curly hair, wearing a loose dress. The child's face is obscured. The sketch is captioned "Left—BY COROT" and described as a member of the family of Jean Baptiste Camille Corot (1796-1875). It is noted that the artist himself sketched the drawing, which is exhibited at the Fogg Art Museum.

• On the left side of the page, an "ART" section lists several art galleries and their current exhibitions as of December 8, 1928:

  • Guild of Boston Artists: Paintings by Philip L. Hale.
  • Grace Horne Gallery: Paintings by John Whorf.
  • Watercolors by Polly Nordell and others at the Fogg Art Museum.
  • Doll and Richards: Paintings of Ships and Sea by Frank Vining Smith.
  • Robert Vose Galleries: Paintings and Bronzes of Artists of the West.
  • Copley Gallery: Exhibition of portraits by Jerome Brush, pastels of flowers by Laura Coombs Hills.

• Below this, there are two newspaper snippets:

  1. Harvard University Calendar with lectures and events scheduled from December 2 to December 7, 1928, including topics such as the Theological school, German lectures, industrial relations, and art lectures at the Fogg Art Museum.
  2. Cambridge Tribune article dated December 1, 1928, discussing the Fogg Museum's acceptance of an offer from the "Like French Group," consisting of two sculptured groups named "Science" and "Labor, Art and Domestic Life," which will be placed on the building 50 years ago. The article mentions the importance of the gift and the museum director Paul J. Sachs' appreciation for it.

The page appears to be a curated collection of art-related news and images from late 1928.

This is a page from a vintage scrapbook or newspaper clippings album. The page contains:

• A central pencil portrait (a seated woman) in a small rectangular frame, with a caption to the right stating it is by a member of the Corot family (Jean-Baptiste-Camille Corot) and that the drawing is on exhibit at the Fogg Art Museum.
• A left-hand column headed “ART” listing various Boston-area art exhibitions and galleries (e.g., Guild of Boston Artists, Grace Hoare Gallery, Robert Vose Galleries, etc.).
• Additional small clippings at the bottom about university and museum events (Harvard calendar, Fogg Museum notes, etc.).
• Handwritten date notations at the top of the page, suggesting it’s from 1925.

Overall, it’s a collage-style page of art notices and a small illustrated portrait.