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ARCH.2003.24, Rendition: 796234
The image is a photograph of a newspaper clipping from "The Boston Herald" dated November 19, 1928, containing an article titled "Daniel C. French Statuary Will Escape the Scrap Heap." The article discusses the fate of Daniel Chester French's famous allegorical sculptures, which were originally part of the Boston Post Office Building. The text mentions that these sculptures were in danger of being scrapped due to their age and weathering, but there was a movement to save them by placing them in museums or other suitable locations.
The article highlights the opinions of various individuals, including the Harvard Museum Director, who emphasized the importance of preserving these sculptures as valuable examples of American art. The text also includes a photograph of one of French's sculptures, titled "Science controlling the forces of electricity and steam," which is shown decorating a corner of the old Federal building. The article concludes with a statement from Harvard University, expressing its willingness to accept the sculptures as part of its collection due to their historical and artistic significance.
This image is a page from the Boston Herald dated November 19, 1925, featuring an article titled "Daniel C. French Statuary Will Escape the Scrap Heap." The article discusses the efforts to save Daniel Chester French's sculptures from being scrapped. The Harvard Museum Director expresses that it will be an honor to shelter such valuable examples of American art.
The article mentions that French's famous allegorical sculptures, which are ornaments of the Boston postoffice building and landmarks of Post Office Square, were in danger of being consigned to the public dump. However, the trustees and directors of the Boston Museum of Fine Arts were still doubtful about whether they could accept these sculptures.
The article also includes a photograph of a group of statues by Daniel C. French, representing Science controlling the forces of electricity and steam. The caption under the photograph reads: "WILL BE SAVED FROM DUMP. Group by Daniel C. French, representing Science controlling the forces of electricity and steam, decorating a corner of the old Federal building."
The article continues on page two, as indicated by the text "(Continued on Page Two)" at the bottom of the page. There is also a small section at the bottom left corner of the page titled "Art Exhibit at New Fogg," which mentions an exhibition of drawings by various artists at the Fogg Art Museum.
This image shows an open, vintage newspaper, specifically the Boston Herald, dated November 19, 1928. The page is part of a bound volume, evident from the black hardcover binding visible on the right and the aged, yellowed paper.
The main article dominates the page, with a large, bold headline:
Daniel C. French Statuary Will Escape the Scrap Heap
Below this, a sub-headline reads:
Harvard Museum Director Says It Will Be an Honor to Shelter Such Valuable Examples Of American Art
The article discusses the potential demolition of the old Boston Post Office building, which housed large allegorical sculptures by renowned American sculptor Daniel Chester French. These sculptures, including the famous group “Science” (depicting a female figure controlling the forces of electricity and steam), were in danger of being destroyed or sold for scrap.
The article reports that officials from the Harvard Museum of Fine Arts (now the Harvard Art Museums) and the Fogg Art Museum expressed interest in rescuing and preserving the sculptures. Paul Joseph Sachs, acting director of the Fogg, declared the sculptures "unqualifiedly honored" to accept. Other figures mentioned include Edward Jackson Holmes, director of the Museum, and E. M. Pearson, supervising engineer of federal buildings in Massachusetts.
A large, black-and-white photograph occupies the center-right of the page. It shows the sculptural group, “Science,” in situ within the building’s interior. The caption below reads:
Group by Daniel C. French, representing Science controlling the forces of electricity and steam, decorating a corner of the old Federal building.
The article includes contrasting viewpoints — some, like sculptor Cyrus Dallin, considered the sculptures potentially “slightly immature” and suited for museum storage rather than public display — while the majority, including Harvard officials and the newspaper’s editor, strongly supported their preservation as valuable examples of American art.
A small, separate article titled “Art Exhibit at New Fogg,” dated November 22, 1927, is visible in the bottom left corner, indicating this newspaper page is from a bound collection spanning multiple dates.
In summary, this newspaper clipping documents a significant moment in art preservation history — the successful effort to rescue important works by Daniel Chester French from destruction, ensuring their place in American cultural heritage.
The image shows an open book with a newspaper clipping pasted inside. The clipping is from the Boston Herald, dated November 19, 1925. The headline reads "Daniel C. French Statuary Will Escape the Scrap Heap." The article discusses the efforts of Harvard Museum Director to save Daniel C. French's sculptures from being discarded and how they will be an honor to shelter such valuable examples of American art. The clipping also includes a photograph of a statue group by Daniel C. French, representing Science controlling the forces of electricity and steam.
The image shows a newspaper clipping with a headline that reads "Daniel C. French Statutory Will Escape the Scrap Heap." The clipping is from the Boston Herald, dated November 19, 1925. The article discusses the efforts to save the Daniel C. French statues from being discarded and highlights the importance of preserving such valuable examples of American art. The article mentions the support of the Harvard Museum Director and other art enthusiasts in preserving the statues. The clipping also includes a photograph of one of the statues, depicting a group of people representing science controlling the forces of electricity and steam, decorating a corner of the old Federal building.
The image shows an open newspaper page from the Boston Herald, dated November 19, 1925. The headline prominently displayed at the top reads: "Daniel C. French Statuary Will Escape the Scrap Heap". This headline is accompanied by a subheading that states: "Harvard Museum Director Says It Will Be an Honor to Shelter Such Valuable Examples Of American Art."
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The image depicts a newspaper article from the Boston Herald dated November 19, 1925, focusing on the efforts to preserve Daniel Chester French's statues, which were at risk of being discarded. The article highlights the historical and artistic importance of these works and features a photograph of one of the sculptures, emphasizing its significance. The content reflects a broader discussion about the value of preserving American art and heritage.
The image shows a close-up of a newspaper article titled "Daniel C. French Statuary Will Escape the Scrap Heap" from the "Boston Herald" dated November 19, 1925. The article discusses how Harvard Museum's director asserts it will be an honor to shelter valuable examples of American art by Daniel Chester French from being discarded.
The article addresses the preservation efforts for French's sculptures and the cultural importance of protecting such pieces. A photo accompanying the text features a sculptural group representing science controlling the forces of electricity and steam, demonstrating a corner of the old Federal building. The decision to save these works from demolition reflects the era's appreciation for art and history and the understanding of its significance for future generations.
The newspaper page appears aged, with browning paper indicating its historical provenance, likely being part of a collection or archive. The article reflects issues of cultural preservation and the appreciation of artistic and historical American heritage which were relevant topics at that time.
The image shows a scrapbook page with newspaper clippings related to the artist Daniel Chester French and the preservation of his statuary work.
The main headline reads: "Daniel C. French Statuary Will Escape the Scrap Heap." It notes that the Harvard Museum Director says it will be an honor to shelter such valuable examples of American art.
One article discusses the successful effort to rescue Daniel Chester French’s famous allegorical sculptures, originally part of the Boston Post Office building. Despite earlier doubts about their worth, it was decided that the sculptures should not be discarded or destroyed. These works are described as historically and aesthetically valuable, and a source of artistic inspiration, as well as an important example of American art.
There is a photograph showing a group sculpture by Daniel C. French, representing science controlling the forces of electricity and steam. The sculpture depicts multiple figures interacting with scientific instruments and symbols.
Additional smaller articles mention an art exhibit at the Fogg Museum and provide further context on the discussion around saving these sculptures from destruction. The date handwritten on the top left is "Nov. 19, 1925," and the publication indicated is the Boston Herald. Another clipping is dated Nov. 22, 1925, from the Crimson.
The image shows a scrapbook page with a vintage newspaper clipping about Daniel C. French’s statuary.
This is a newspaper clipping discussing the preservation of statuary by notable sculptor Daniel Chester French. The headline reads, “Daniel C. French Statuary Will Escape the Scrap Heap,” and it mentions how Harvard Museum plans to preserve these valuable works of American art. The article includes references to French's historical and allegorical sculptures, specifically those that adorned the Federal building which were at risk of being discarded. A black-and-white image of French's work, described as a group representing science controlling electricity and steam, is featured on the right. The text emphasizes the cultural and artistic significance of these works and the efforts to avoid their destruction. Additional handwritten notes indicate the source (Boston Herald) and date (November 19, 1928).