Archives Scrapbooks

The image shows a page from a book or a notebook, which contains text. The content appears to be articles or reviews about art exhibitions and collections, specifically from 1928. The page is divided into several blocks of text, each with a title or heading. The titles include references to "The Art News," "The Art Digest," "American Magazine of Art," and "The Art Digest Mid-April 1928." The text discusses various exhibitions and collections, such as those at the Wildenstein Galleries, the Fogg Art Museum at Harvard University, and the Tryon Gallery at Smith College. The articles seem to be written by different authors and cover topics related to art, including watercolor paintings, architectural studies, and prints by artists like William Blake and Albrecht Dürer. The text is written in a formal, descriptive style typical of contemporary art criticism.

The image shows a scrapbook page with several clippings from various art publications dated around 1928. The clippings are arranged in a collage format, with handwritten notes and titles above each clipping. Here is a detailed description of the image:

Left Side:

1. The Art News, April 1928:

   • This clipping discusses an exhibition of watercolors and drawings by Arthur Pope at the Wildenstein Galleries. It mentions Pope's work in architectural studies, figure drawings, and landscapes in watercolor, painted in various locations including America, England, Switzerland, and Scotland. The text highlights the artist's skill in depicting mountains and his ability to capture the spirit of the hills and the essence of the scenery.

2. American Magazine of Art, February 1928:

   • This clipping discusses the Fogg Art Museum at Harvard University and its recent acquisitions for its print collections. It mentions a gift of a German woodblock print from the early fifteenth century representing "Christ Healing the Blind" by Mr. Elmer Adler. It also talks about a gift of 184 prints from Mr. Charles Bain Hoyt, including works by various artists such as Buhot, Cameron, Corot, and more. The text also mentions a notable exhibition of original watercolor drawings by William Blake.

Right Side:

1. The Art Digest, Mid-April 1928:

   • This clipping provides a review of Arthur Pope's exhibition at Wildenstein's galleries, focusing on his watercolors. It describes the exhibition as a masterly display of hanging, with the walls equally divided between sketches of peaks and remote passes, massed in cold harmonies. The text highlights the artist's ability to give both truth and charm in his work.

2. American Magazine of Art, February 1928:

   • This clipping discusses an exhibition of works of art owned by the students of Smith College, held at the Tryon Gallery. It mentions the variety of art forms included in the exhibition, such as watercolors, etchings, lithographs, dry-points, original drawings, old maps, textiles, pottery, and bronzes. The text also talks about the committee of ten students who selected the works and the standards of artistic taste in colleges.

The overall theme of the page is focused on art exhibitions and the works of Arthur Pope, as well as the art collections and exhibitions at Harvard University and Smith College in 1928. The handwritten notes above each clipping provide context and dates for the clippings. The page is from a scrapbook with a dark, possibly black, binding visible at the edges.

This image displays an open book or scrapbook, featuring several newspaper or magazine clippings mounted on its pages. The clippings are from art publications dating to early 1928, offering reviews and announcements of exhibitions by prominent artists of the time.

The top-left clipping, from The Art News (April 1928), announces an exhibition of watercolors and drawings by Arthur Pope at the Wildenstein Galleries. It notes Pope's position as a professor at Harvard’s Fine Arts Department and describes his work as featuring architectural subjects in pen and ink, watercolor, and landscapes painted in America, England, Switzerland, and Scotland. The review praises his strong influence and technical control, though it suggests he sometimes overly restrains his use of color.

Below this, a clipping from the American Magazine of Art (February 1928) reports on The Fogg Art Museum at Harvard acquiring important examples for its print collection, including a rare 16th-century German woodblock print of “Christ Healing the Blind,” a gift from Mr. Elmer Adler. It also highlights the museum’s display of original watercolor drawings by William Blake, made to illustrate Young’s “Night Thoughts,” which were previously part of the library collection of Augustus White and eventually joined the British Museum’s holdings.

The top-right article, from The Art Digest (Mid-April 1928), reviews Arthur Pope’s exhibition again, noting Prof. Pope displayed 50 watercolors at Wildenstein’s. The review praises his “remarkably fine taste” and the “hanging” of the show, calling the walls “about equally divided between the sketches of peaks and remote passes, massed in cold harmonies, and the blazing color of foliage in the lower valleys.” It cites The Herald Tribune approvingly: “these water colors ‘insist upon the force of Whistler’s dictum, that the true artist is known by what he omits.’”

Another article in the bottom-right, also from American Magazine of Art (February 1928), discusses an exhibition at Smith College (Art at Smith College) showcasing student work supplemented by “real works of art,” including etchings, lithographs, dry-points, original drawings, and pottery. The article notes the show was organized by a committee of students, and included works by Albrecht Dürer and Mary Cassatt.

The open book itself has cream-colored pages and an aged, slightly yellowed appearance; its black binding is visible along the spine and bottom. The clippings are arranged in a collage style, some overlapping slightly, and taped down. Overall, the image conveys a sense of historical art criticism and documentation from the late 1920s, centered on Harvard, Boston, and key institutions and artists of the American art scene.

The image is a scanned page from a magazine, likely from the 1920s. It contains articles about art exhibitions and collections, as well as reviews of art-related books and events. The articles are written in a formal and informative style, providing details about the exhibitions, the artists involved, and the significance of the artworks. The page has a black border and a white background, and the text is printed in a serif font. The magazine appears to be a specialized publication focused on art and culture.

The image shows a magazine with multiple articles. The magazine is open to pages 15 and 16, with text on both sides. The text is organized into columns, with each column containing a different article. The magazine appears to be from the early 20th century, as indicated by the style of the text and the layout of the pages. The articles cover a range of topics, including art exhibitions, water colors, and mountain scenery. The text is written in a formal and informative tone, with a focus on providing detailed information about the subjects discussed. Overall, the image provides a glimpse into the world of art and culture in the early 20th century, showcasing the diversity of topics and interests that were of interest to readers at the time.

The image shows an open book or magazine featuring several pages of text from the early 20th century, specifically dated April 1928. The layout and typography suggest it is a publication from an art or cultural journal. Here is a detailed description:

Top Section:

• Title and Date:
  The top of the page is titled "The Art News" with the date "April 1928".
  Below this, there is a subheading: "Arthur Pope", indicating that the article or section is focused on Arthur Pope, likely an artist or art collector.

• Content:
  The text discusses Arthur Pope's Wildenstein Galleries, describing his acquisition of watercolors and drawings by British artists. It highlights Pope's role as a professor at the Fine Arts Department at Harvard and mentions his exhibition of works by artists such as William Blake, John Constable, and John Singer Sargent. The article emphasizes the significance of Pope's collection and its impact on the art world.

Middle Section:

• Title and Date:
  The middle section is titled "The Art Digest" with the date "Mid April 1928".
  This section appears to be a review or commentary on an exhibition or event related to Arthur Pope. It mentions his galleries at Wildenstein, describing the space as being filled with two colors (impression being devoted to watercolors) and the walls adorned with sketches and sketches of peaks and remote passes. The text also references a quote from The Herald Tribune, praising the "true artist" and the "delightful" choice of paintings.

Bottom Section:

• Title and Date:
  The bottom section is titled "American Magazine of Art" with the date "February, 1928".
  This section discusses an exhibition at the Fogg Art Museum at Harvard University, focusing on German woodblock prints. It highlights the acquisition of a significant collection by Mr. Elmer Adler and mentions notable artists such as Claus B. Holm, Cameron, Corot, Legos, Lepère, H. S. Behain, Thomas Bewick, Brangwyn, Daumier, Forster, Martin Jongkind, Raffaelli, and Arthur W. Heintzelman. The article also references the Meissen prints collection and mentions works by Cranach, Christ, Durer, Last Judgment, Man-Eater, Woman of Samaria, and Bank-Mater.

Visual Elements:

• Typography:
  The text is printed in a serif font, typical of early 20th-century publications. The layout includes headings, subheadings, and body text, with clear separation between different sections.

• Layout:
  The pages are arranged in a three-column format, with each column containing a distinct article or section. The columns are separated by vertical lines, and the text is evenly spaced.

• Condition:
  The pages appear aged, with slight discoloration and wear, indicating the historical nature of the publication. The edges of the pages show signs of handling over time.

Overall Context:

The image captures a snapshot of early 20th-century art criticism and commentary, focusing on notable figures and exhibitions in the art world. The articles discuss Arthur Pope's contributions to art collecting, an exhibition at the Fogg Art Museum, and the significance of German woodblock prints, reflecting the cultural and artistic interests of the time. The publication style and content suggest it is a professional art journal aimed at art enthusiasts, critics, and scholars.

The image shows a page from an old book or magazine, with a beige background and black text. The page is open to a section titled "The Art News" and features several articles about art exhibitions and museums.

• The page is divided into two columns, with the left column containing the title "The Art News" and the right column featuring several articles.
  • The first article is titled "April 1928" and discusses an exhibition of watercolors and drawings by Arthur Pope at the Wildenstein Galleries.
    • The article mentions that the exhibition includes architectural studies in pen and ink and wash, figure drawings, and landscapes in water color, painted in America, England, Switzerland, and Scotland.
    • It also notes that the exhibition has more than usual interest because of the work itself and also because of the revelation of how strong an influence Boston may exert.
  • The second article is titled "The Art Digest - April 1928" and discusses an exhibition of watercolors by Prof. Arthur Pope at Wildenstein's with his water colors, one room being devoted to his "Alps" impressions.
    • The article mentions that the exhibition is called "a mastery bit of hanging, the walls being about equally divided between the sketches of peaks and remote passes, massed in cold harmonies, and the blurring color of foliage in the lower valleys."
    • It also notes that the Herald Tribune said these water colors "must upon the force of Whistler's dictum, that the true artist is known in what he omits."
  • The third article is titled "American Magazine of Art February, 1928" and discusses an exhibition of water colors, etchings, lithographs, dry-points, original drawings, old maps and textiles, pottery and bronzes, all of which are ordinarily to be seen only in the hands of a committee of ten students.
    • The article mentions that the work of collecting the exhibition was in the hands of a committee of ten students.
    • It also notes that this committee was the first to pass upon the material and determine what was not worth showing.
  • The fourth article is titled "The Fogg Art Museum of Harvard University has announced the acquisition of a number of important examples for its print collections, among which is a very fine German woodblock print of the early fifteenth century, representing 'Christ Healing the Blind.'"
    • The article mentions that this is the gift of Mr. Elmer Adler, and is a welcome addition to the Museum's small but representative group of original woodblocks.
    • It also notes that the Frank Collections have been further enriched by a gift of 184 prints from Mr. Charles Bain Hoyt.
  • The fifth article is titled "A notable exhibition of original water-color drawings by William Halse was shown at the Museum early in January."
    • The article mentions that these drawings, which were made to illustrate Young's "Night Thoughts," were among the treasures of the library of the well-known collector and dealer student, the late William Augustus White.
    • It also notes that they are eventually to form a part of the collection of the British Museum and were exhibited at the Fogg Museum for the last time in this country.

Overall, the page provides information about various art exhibitions and museums, including the Wildenstein Galleries, the Fogg Art Museum, and the British Museum. The articles highlight the importance of these institutions in promoting and preserving art, and provide insight into the artistic styles and techniques of the time.

This image depicts a page from an old book or scrapbook, featuring a collection of newspaper clippings about art exhibitions. The clippings are arranged in a collage style, with some overlapping each other.

The clippings appear to be from various newspapers and magazines, including "The Art News," "American Magazine of Art," and "American Magazine of Art." They are dated between April 1928 and February 1928, suggesting that the page was compiled during this time period.

The clippings describe exhibitions at the Wildenstein Galleries, the Fogg Art Museum, and the Art at Smith College, among others. They provide information about the artists and their works, as well as the dates and locations of the exhibitions.

Overall, this image provides a glimpse into the art world of the late 1920s, highlighting the importance of exhibitions and the role of newspapers and magazines in promoting and documenting artistic events.

The image depicts an open book with yellowed pages, featuring a collection of articles about art. The book is bound in black and has a textured cover.

Page Layout:

• The left page contains three articles:
  • "The Art News April 1928" at the top
  • "American Magazine of Art February 1928" in the middle
  • A continuation of the article from the right page is not visible on this side
• The right page contains two articles:
  • "The Art Digest March-April 1928" at the top
  • "American Magazine of Art February 1928" below it

Article Content:

• The articles appear to be reviews or critiques of various art exhibitions and collections.
• They discuss the work of different artists, including Arthur Pope, and provide analysis of their techniques and styles.
• The articles also mention specific art pieces, such as watercolors and prints, and offer insights into the art world of the time.

Overall Impression:

• The image suggests that the book is an archive or collection of art-related articles from the early 20th century.
• The yellowed pages and black binding give the book a vintage appearance, evoking a sense of nostalgia and historical significance.

The image presents a scanned page from an old magazine or newspaper, featuring four articles about art and exhibitions. The page is divided into four sections, each with its own title and content.

• The Art News April 1928
  • The article discusses an exhibition of watercolors and ink and wash paintings by Arthur Pope at the Wildenstein Galleries.
  • The exhibition includes architectural studies in pen and ink and wash, figure drawings, and landscapes in water color, painted in America, England, Switzerland, and Scotland.
  • The exhibition has more than usual interest, both because of the work itself and because of the revelation of how strong an influence Boston may exert.
  • In New England one paints mountains with great respect, almost as if one had not been taught to intrude into its privacy.
  • Even England recalled Becom Hill though the painter is permitted to unbend a little, to venture shyly out of theoretical and academic bounds toward the free realm of creative effort, the escape is never quite complete.
  • English pictures and more of the Scotch suggest an underlying strength which could hardly be extracted from those made in New Quincy.
  • And then quite suddenly, almost without warning, Mr. Pope goes to Switzerland and becomes a new personality.
  • His signs grow logically from the mountaintops, but in any case it is all most impossible to believe that the hand which faltered here because so sure in the Alps.
  • Not all of the paintings in the Swiss series are equally successful, but all of them are strong, sturdy pictures, solidly building mass on mass.
  • The details contain themselves, never forced into obvious patterns but expressing by means of line and color the weight of a mountain's base, the swift upward spring of a peak.
  • A cool, refreshing spring air blows through the passes.
  • Mountains have been an insurmountable obstacle to most painters.
  • Almost always the mountains have been posed, have looked conscious of having their pictures painted.
  • Mr. Pope is one of the very few who have been able to recreate the spirit of the hills and to paint pictures of mountains and glaciers may be of the lightest.
  • For these, delicacy is incidental to fine color and design.
• The Art Digest March-April 1928
  • Prof. Arthur Pope of Harvard filled two galleries at Wildenstein's with his water colors, one room being devoted to his Alpine impressions.
  • This room, the Times called "a mastery bit of hanging," the walls being about equally divided between sketches of peaks and remote passes, massed in cold harmonies, and the blazing color of foliage in the lower valleys.
  • The Herald Tribune said these water colors "insist upon the force of Whistler's dictum, that the true artist is known by what he omits."
  • Prof. Pope is delightful in his choice of the paintable episode and his adjustment of that to the exigencies of the rectangle.
  • He gives us both truth and charm.
• American Magazine of Art February 1928
  • The Fogg Art Museum of Harvard University has announced the acquisition of a number of important examples for its print collections, among which is a very fine German woodcut print of the early sixteenth century, representing "Christ Healing the Blind."
  • This is the gift of Mr. Elmer Adler, and is a welcome addition to the Museum's small but representative collection.
  • The Print Collections have been further enriched by a gift of 184 prints from Mr. Charles Bain Hoyt.
  • This group includes works by Dürer, Campagnola, Legros, Lepère, H.S. Beham, Thomas Bewick, Braquemont, Daubigny, Fortuny, Jacquemart, Jongkind, Raffaelli, and Arthur W. Heintzheimer, all of which artists were previously only inadequately represented in the Museum's collection.
  • There are also important prints by some of the great sixteenth century print makers, such as "Cranach's Christ and Woman of Samaria," "Math. Echer's 'The Large Meal,'" and Burgkmair's "St. Luke Painting Madonna and Child."
  • Mr. Hoyt is also the donor of two mezzotints by Frank Short: "Evening Landscape" and "Dawn."
  • A notable exhibition of original watercolor drawings by William Blake was shown at the Museum early in January.
  • These drawings, which were made to illustrate Young's "Night Thoughts," are among the treasures of the library of the well-known collector and Blake student, the late William Augustus White.
  • They are eventually to form a part of the collection of the British Museum and were exhibited at the Fogg Museum for the last time in this country.
• American magazine of Art February, 1928
  • In the Tryon Gallery at Smith College lately been shown an exhibition of works of art owned by the students of the college.
  • Smith is the first women's college in the country to try this experiment, but a similar exhibition had been held last year at Vassar.
  • The work of collecting the exhibition was held in the hands of a committee of ten students.
  • This committee was the first to pass upon the material and eliminate what was not worth showing.
  • The works so selected were then taken to the Gallery, where a final decision was made by a committee composed of three members of the college Department of Art.
  • This kind of exhibition serves, it is believed, as a definite means of raising the standards of artistic taste in the colleges and the direction in which appreciation lies.
  • It is also an excellent way of determining the true index of the student's taste and what her reaction is when she finds herself in a bare college room which she must furnish herself.
  • This was one of a series of loan exhibitions which are being held this season in the special exhibition gallery under the auspices of the Department of Art of the college.
  • Among the other exhibitions included in this program and still to be shown are those by Albrecht Dürer and Mary Cassatt.