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The image shows a page from a vintage newspaper or magazine, with the headline "Lure of French Masters" prominently displayed at the top. The page is aged, with a sepia tone, indicating its historical context. The text is arranged in a columnar format and discusses an art exhibition featuring works by French masters. The article mentions various artists and their artworks, including titles like "The Jester," "Mount Monadnock," and "Carter Notch."

There is a black and white photograph of a person wearing a hat and a white dress on the left side of the page. The photograph appears to be a portrait, and the name "Rosamond Coolidge" is written below it. The text also mentions other art associations and exhibitions, such as those in Rockport and Lowell, highlighting the activities and art scenes in these locations. The overall layout and style of the page suggest it is from an older publication.

This image shows an open scrapbook or album displaying a newspaper clipping. The clipping is titled "Clors on View Lure of French Masters" and appears to be an article about art exhibitions and activities in the Gloucester area, including Rockport and Lowell. The article mentions various artists, exhibitions, and art societies, such as the Gloucester Society of Artists, the North Shore Arts Association, and the Rockport Art Association. It discusses the friendly relations between these art societies and highlights several artists and their works.

On the left side of the clipping, there is a black-and-white photograph of a woman wearing a hat and a dark outfit, with a caption that reads "By Rosamond Coolidge." The text in the article is dense and contains detailed information about the exhibitions and the artists involved. The scrapbook page itself is beige, and the edges of the pages are visible, showing the binding of the book. The overall condition of the page suggests that it is old, with some signs of wear and tear.

This image displays an open, aged newspaper or magazine article, preserved within a black protective binder or album. The paper itself is yellowed with age, indicating it is a historical document.

Headline:

The main headline at the top of the page reads:

“Colors on View ~ Lure of French Masters”

This suggests the article covers art exhibitions, likely with a focus on French art or artists.

Content and Structure:

The article is divided into several columns and sections, each discussing art exhibitions in various towns in the Greater Boston area, including:

• Gloucester: Mentions the “North Shore exhibit” at East Gloucester Square, featuring works by artists such as Hugh Breckenridge, Mary Gray, Alice Worthington Ball, Harry A. Vincent, Frederick L. Stoddard, A.T. Hilbard, Martan P. Slonec, and Rosamond Coolidge.
• Rockport: Describes activities of the Rockport Art Association, including exhibitions of watercolors, oil paintings, and sculptures scheduled to open in July and August at Murray Hall.
• Lowell: Notes the opening of the Lowell Art Association show at the Whistler House, 243 Worthen Street.
• Newburyport: Discusses an exhibition at the Copley Gallery on Newbury Street, highlighting an important group of watercolors by Thomas S. LaFarge, and mentions other artists like Marie Danforth Page, Ivan Gammell, Frank W. Benson, Charles Curtis Allen, Frederick A. Bosley, William James, Walter Ufer, Scott White, Harry Burton, Jr., George T. Mangrson, Sam Sargent, and the artist whose portrait is featured — Desmond Coolidge.

The article also contains brief biographical or contextual notes, such as:

• LaFarge’s watercolors are compared to those of his grandfather, Thomas Sully.
• The Merrimack River’s proximity to Newburyport is referenced poetically.

Photograph:

On the left side of the page, there is a black-and-white photograph (possibly a halftone print) of a smiling man wearing what appears to be aviator goggles or a large pair of spectacles. He is dressed in a light-colored collared shirt and has a somewhat playful or artistic demeanor.

Below the photo is a caption:

“—By Desmond Coolidge.”

This implies the photograph may be a self-portrait or was taken by Desmond Coolidge, who is also mentioned in the text as an artist whose work (“The Jester”) was shown in Gloucester.

Physical Presentation:

• The article is preserved in a black, hard-backed binder or archival folder.
• Clear plastic or Mylar protective sleeves are visible at the top and bottom edges, keeping the page flat and secure.
• The paper has visible creases and slightly frayed edges, suggesting it is a fragile historical artifact.
• The typographic style — with serif fonts, justified columns, and traditional newspaper layout — is consistent with early to mid-20th century publications.

Historical Context:

The mention of the “Whistler House,” “North Shore colonies,” and the names of artists associated with the Cape Ann and Rockport art scenes suggest this article dates from the 1920s–1940s, a period when these coastal Massachusetts towns were hubs for American Impressionists and modernists.

The tone is celebratory and informative, aimed at an audience interested in local art culture and exhibitions.

Summary:

This is a well-preserved historical newspaper clipping reviewing summer art exhibitions in the Greater Boston area — particularly in Gloucester, Rockport, Lowell, and Newburyport — with emphasis on local artists and their works. It features a photograph of artist Desmond Coolidge, who also contributed to the exhibition by displaying “The Jester.” The article serves as a cultural snapshot of New England’s thriving art communities during the early 20th century.

The image is of a newspaper clipping featuring an article titled "Clors on View and Lure of French Masters" from The Boston Globe. The clipping is placed in an open book, with the pages folded to reveal the article. The article discusses various art exhibitions in Boston, including those at the Gloucester Arts Association, the North Shore Arts Association, and the Copley Society. It mentions notable artists, their works, and the locations of the exhibitions. The clipping also includes a photograph of a woman wearing a hat and goggles.

The image shows a page of a newspaper, probably from the early 20th century, with a photograph of a woman on the left side and a few articles on the right side. The newspaper has a black border around it, and the top of the page has a title that reads "Clors on View" and "Lure of French Masters". The photograph is in black and white and shows a woman wearing glasses and a hat. The articles on the right side are about art exhibitions and artists.

The image shows an open book or magazine page featuring an article titled "Clors on View & Lure of French Masters." The page is filled with text that appears to be a review or commentary on an art exhibition. The article discusses various aspects of the exhibition, including details about the artists, their works, and the setting of the event.

Key Observations:

1. Title and Layout:

   • The title, "Clors on View & Lure of French Masters," is prominently displayed at the top of the page.
   • The text is formatted in a classic newspaper or magazine style, with justified alignment and a structured layout.

2. Content:

   • The article mentions an art exhibition, likely held in the North Shore area, involving artists from the Glover Society and the North Shore Art Association.
   • It references specific artworks and artists, such as Edmund C. Danforth, Philip L. Hale, Charles Bindner, Lee Lufkin Kaufa, Earl Page, Jacob V. Taylor Ward, Mary Margaret Rogers, John Lavalle, and others.
   • The exhibition is described as taking place at the Whistler House and includes works by Thomas S. LaFarge and other notable artists.
   • The article highlights various pieces, including:
     • "Still Life in Mexico" by Mary Gray.
     • "Dutch Bottles and Fruit" by Alice Washington Ball.
     • "Street, Cape Mentelle" by Harry A. Vincent.
     • "The White Cottage" by Ann Landscape.
     • "Passing Light" by Marian F. Sloane.
     • "Rosamond Cottage" by Mrs. T. Ray Pierott.
     • "French Jest" by A. F. Clary.
     • Works by Ives Gammell, Charles Curtis Benson, Frederick A. Bosley, William Monson, Paul King, John Lavalle, and Marguerite Greacen.

3. Visual Element:

   • On the left side of the page, there is a small, black-and-white illustration or photograph of a person. The individual appears to be wearing glasses and is depicted in profile. The image is labeled at the bottom left with the name "Iveson Coolidge." This suggests that the illustration may be related to the article, possibly depicting one of the artists or a notable figure associated with the exhibition.

4. Contextual Details:

   • The article mentions the Rockport Art Association and its activities, including general exhibitions and the opening of an art season.
   • It also references the Whistler House as the venue for the exhibition, noting its location at 244 Worthen Street.
   • The text discusses the Copley Gallery and mentions LaFarge as a significant artist whose works are featured.

Summary:

The image depicts a page from a publication discussing an art exhibition focused on French Masters. The article provides details about the artists, their works, and the exhibition venue. A small illustration of a person, labeled "Iveson Coolidge," is included on the left side, likely representing an artist or figure connected to the exhibition. The overall tone and structure suggest a review or commentary piece typical of an art magazine or newspaper.

The image is of an open book or a newspaper spread, showing a page of text with an article and an accompanying black and white image. The article's heading reads "Glors on View Lure of French Masters." It appears to be about an exhibition related to the Gloucester Society of Artists and the North Shore Artists' Association, mentioning various artists and works on display. The black and white photograph depicts what seems to be a portrait of a person. The page shows some signs of wear and age, with slight discoloration and frayed edges. Additionally, there's a ribbon bookmark placed in the book. The photograph of the person is captioned "-by Raymond Coolidge."

The image shows a two-column vintage newspaper clipping titled "Colors on View & Lure of French Masters." There is a grainy black-and-white photograph of a woman on the left column, identified as Rosamond Coolidge. The text discusses various art exhibitions and artists, particularly focusing on the North Shore exhibit, the Rockport Art Association, the Lowell Art Association, and a summer exhibition of works by Boston painters. It mentions several artists and their works, including Edmund C. Tarbell, Philip L. Hale, Charles Hopkinson, Marie Danforth Page, and others. The article also references the Whistler House and various art pieces featured in the exhibitions, along with some details about the locations and events. The newspaper clipping is taped to a page in an open scrapbook or album.

An open scrapbook page with a yellowed newspaper clipping mounted inside. The clipping has a large headline that reads something like “Colors on View Lure of French Masters.” On the left is a small black-and-white image of a painting with a caption noting the artist (Rosamond Coolidge). The rest of the clipping is filled with dense columnar text about art exhibitions and artists. The page is bound in a dark cloth cover, with clear corner mounts holding the clipping in place, and the bottom half of the page is blank white paper. The overall look is vintage.

This is a vintage newspaper or magazine clipping mounted on a page, likely part of a scrapbook or archival collection. The headline reads "Colors on View ~ Lure of French Masters," suggesting the article discusses an art exhibition featuring works, possibly influenced by French artists or styles.

The article appears to cover various exhibitions and artists, mentioning specific names, events, and locations. A small black-and-white photo or illustration is on the left side of the page, showing a figure (possibly wearing a mime or clown costume), with the caption stating "Rosamond Coolidge," likely the creator of the artwork or a relevant figure tied to the piece.

The medium is yellowed with age, and signs of wear, such as browning edges and a crease, indicate its old and possibly fragile nature. The clipping is fastened into a black or dark-colored album using thin paper tape or bands.