Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.24, Rendition: 795759
This image shows a page from a newspaper or periodical. The page appears to be from the "Boston Evening Transcript" as indicated at the top. The text is an article titled "Sane Modernism in a," which seems to be the beginning of a larger title. The article discusses the work of Joseph A. Coletti, a sculptor who was a Harvard student in 1923. The text praises Coletti's approach to modern sculpture, emphasizing his ability to assimilate the past while maintaining originality and modernism. It highlights his work on a "St. George and the Dragon" sculpture, which is depicted in a black-and-white image on the page. The article mentions that Coletti's collection of sculptures will be on display at the Fogg Museum at Harvard throughout the summer. The style of the article and the image suggests it is from the early to mid-20th century.
The image shows an open book or magazine with a page that contains a newspaper clipping. The clipping is titled "Sane Modernism in a" and features an article by Chandler R. Post. The article discusses the sculpture collection of Joseph A. Coletti, a Harvard '23 graduate, on exhibit at the Fogg Museum. The text emphasizes the importance of young artists learning from historical art while incorporating modern elements.
On the right side of the clipping, there is a photograph of a sculpture titled "St. George and the Dragon." The sculpture depicts a knight in armor, likely representing St. George, standing over a dragon. The knight is holding a spear and is dressed in detailed armor, with the dragon lying at his feet. The sculpture appears to be a representation of a classic scene from medieval art.
The left side of the page is blank, suggesting that the clipping was pasted onto a larger sheet or page. The overall condition of the paper indicates that it is old, with a yellowed and slightly worn appearance. The text is in an old-fashioned font, typical of early 20th-century publications.
This image captures a page from an old newspaper or magazine, likely from the early 20th century, given the paper’s yellowed appearance and the typographic style. The article, titled “Sane Modernism in a...” (the full title is cut off), is written by Chandler R. Post and features a photograph of a sculpture by Joseph Coletti, a Harvard graduate from the class of 1923.
The featured sculpture, “St. George and the Dragon,” is a full-length, life-size depiction of St. George in armor, standing dynamically over a slain dragon at his feet. He holds a long spear or lance upright in his right hand, and his pose conveys action, strength, and victory. The detail in the armor—including the breastplate, greaves, and chainmail—is clearly visible, as are the coils of the dragon’s body beneath him. The photograph is a high-contrast black-and-white image, possibly taken in natural light or a studio setting, emphasizing the sculptural form and texture.
The text of the article lauds Coletti’s work for successfully blending tradition and modernity. It praises him for avoiding the pitfalls of excessive stylization or slavish imitation of past styles (like Greek, Romanesque, or Gothic). Instead, Coletti is commended for his “originality” and “assimilation of the past”—a “sane modernism” that respects historical forms while infusing them with contemporary vigor. The article notes that Coletti’s sculpture for St. George’s School in Newport is part of a broader exhibition of 20 pieces, including two life-size and one larger-than-life sculptures, on view throughout the summer.
The page also references other works by Coletti, including his architectural sculpture for St. George’s School, where he adapted medieval architectural modes with originality. The article is set in two columns and includes an “Advertisement” notice along the gutter, visible on the left edge.
Overall, the image presents a critical appreciation of early modern American sculpture, highlighting Coletti’s ability to marry classical subjects with a fresh, vital aesthetic—exemplified by the powerful and detailed depiction of St. George triumphing over the dragon.
Key elements summarized:
This page serves as both a historical record of early 20th-century American art criticism and a window into the artistic values of the period—celebrating craftsmanship, originality, and the intelligent use of historical precedent.
The image shows an open book with a black-and-white photograph of a statue of a knight holding a spear and standing on a dragon. The book appears to be a newspaper or magazine with a title at the top that reads "SANE MODERNISM IN A MODERN ADOLESCENT." The article discusses the work of Joseph A. Coletti, a Harvard art student who created sculptures inspired by medieval art. The article praises Coletti's ability to balance originality with inspiration from the past, and highlights his ability to avoid the pitfalls of modern sculpture. The photograph of the knight and dragon is likely a representation of one of Coletti's sculptures.
The image shows a page of an old newspaper with a black-and-white photograph of a statue. The statue depicts a man in armor holding a spear and standing on a dragon. The newspaper page has a headline that reads "Sane Modernism in a" and "St. George and the Dragon" in smaller text below the photograph. The text on the page is written in a cursive font and appears to be an article discussing the statue and its significance.
The image shows an open book with text and an illustration. The book appears to be a publication or catalog, likely related to art or sculpture, as suggested by the content and visual elements. Here is a detailed description:
"St. George and the Dragon"
Joseph Coletti, Harvard '23. Re-finished sculpture in the form both of a marble and bronze. To be shown in the exhibition figure and in the original to demonstrate most tangibly the very attempt at a new, bold originality and modern masterpiece tangible in the Barreglo figures carved in the vibrancy of Gothic style."
The image depicts a page from an art publication or exhibition catalog, featuring a detailed illustration of a sculptural work titled "St. George and the Dragon" by Joseph Coletti. The accompanying text provides context about the artist, the piece, and its significance within the broader discourse of modern art and sculpture. The layout and design suggest a formal, scholarly, or curatorial purpose.
The image features a close-up of an open vintage newspaper, most likely a special section or supplement, with yellowed pages indicative of age. On the right side of the spread, there is a prominent article with the headline "Sane Modernism in a...," followed by a photograph of a sculpture. The sculpture depicts a figure in medieval armor, standing in a poised position with a shield in one hand and a long object, which appears to be a sword, raised in the other.
The surrounding text is filled with numerous words, but without reading each line, it's clear that the articles are discussing topics related to art, possibly focusing on a specific exhibit or movement in art history. The article on the left side references a collection of sculptures, mentioning something being "a most salutary contribution to American art," although specifics are obscured due to the angle of the photograph.
At the bottom of the photograph, there is partial visibility of another article titled "St. George and the Dragon," which is presumably discussing the featured sculpture. The layout, the font types, and the general design of the newspaper give it a historical feel, suggesting that it is from the early to mid-20th century.
The image shows an open book or magazine page featuring an article titled "Sane Modernism." The text focuses on Joseph A. Coletti, a Harvard artist, with a subheading mentioning "St. George and the Dragon." On the right side of the page, there is a photographic image of a statue titled "St. George and the Dragon" depicting a knight in full armor holding a sword or spear and standing over a defeated dragon. The article discusses Coletti's work and contributions to modern sculpture, highlighting his balance between assimilation of the past and originality. The page has an organized text layout, and the article is written by Chandler R. Post. The publication appears to be an older printed periodical, evidenced by the yellowed pages and traditional typesetting.
This image features an open book or scrapbook containing a newspaper clipping. The clipping includes an article titled "Sane Modernism in a ..." (title continuation unclear due to the image cut-off). The top of the clipping indicates it is from the "Boston Evening ..." (rest cut-off).
To the right is a photograph of a sculpture, titled “St. George and the Dragon.” The statue depicts a figure, likely St. George, in armor holding a staff or spear, standing triumphantly over a dragon. The individual's face is blurred or obscured. The accompanying caption below describes Joseph Coletti, a Harvard alumnus, and his accomplishments as a sculptor known for blending historical styles with originality.
The article and accompanying image are displayed against aged, slightly yellowed pages, suggesting archival content or an old piece. A faint shadow of a clear page-holder or clip is visible in the image, keeping the pages flat.