Archives Scrapbooks

The image shows a page from a book or a magazine, dated Saturday, June 16, 1928. The page contains articles, reviews, and a photograph. The main content seems to be about the Fogg Art Museum in Cambridge, Massachusetts, discussing its exhibitions, collections, and the ongoing construction of a garden behind the building.

Key Elements:

1. Headline and Text:

   • The headline reads: "The new Fogg Art Museum, though less than a year old, already plays a notable part in the life of the University."
   • The text discusses the museum's exhibits, collections, and the addition of a garden, which is already in the making.

2. Photograph:

   • The bottom left corner of the page features a black-and-white photograph of a statue titled "John the Baptist" by Joseph Coletti. The statue is described as part of the Fogg Art Museum's exhibition.

3. Additional Reviews and Articles:

   • On the right side, there is a review of a book titled "American Architecture of Today" by Professor G.H. Edgell.
   • The review mentions other architectural works and critiques the style and quality of the buildings.

4. Handwritten Notes:

   • There is a handwritten note in the bottom right corner of the page, which appears to be a review of another publication or article, dated July 1928.

The overall appearance of the page suggests it is from a historical publication focused on art, architecture, and cultural events, likely from the early 20th century.

This image shows an open scrapbook or collection of newspaper clippings and articles related to art and museums, dated around 1928. The left page contains a newspaper clipping from "Art News," dated Saturday, June 16, 1928. The article discusses the opening of the Copley Society's New England artist exhibition at a museum and mentions pastel portraits by Louise W. Jackson shown at the Fogg Art Museum in Cambridge. Below the text, there is a photograph of a statue of John the Baptist by Joseph Coletti, with a caption explaining its context and location at the Fogg Art Museum.

The right page contains a typed article about the Fogg Art Museum and its garden, discussing its role in the university and the community. It mentions the museum's architecture, collections, and exhibitions. There is also a handwritten note at the bottom of the page: "The Arts - July, 1928 (Reviewed by Virgil Barker)." The page appears to be part of a scrapbook or archive, as it includes various types of text and images related to art and museums.

This image displays an open, aged scrapbook or binder filled with yellowed newspaper clippings and magazine articles, all related to art and museums, primarily from the late 1920s. The pages are bound on the left, and the book is open to a double-page spread. The clippings are arranged and pasted onto the pages, some with handwritten notes and dates.

Here’s a breakdown of the visible content:

Left Page:

• Headline: “BOSTON” (from the Boston Transcript, dated Saturday, June 16, 1928).
• Content: The article discusses the opening of the Copley Society’s New England artist exhibition at the museum. It mentions that visitors have the privilege to vote for 15 artists, who will be invited to send in one work each. It highlights the excitement generated by this novel provision.
• Sub-article: A section focuses on pastel portraits by Louise W. Jackson, shown at the Fogg Art Museum in Cambridge. The text praises her “delicate feeling for style and striking gesture” and “very red hair,” noting her successful simulation of “flow of form” through the pastel strokes.
• Photograph: Below the text is a black-and-white photograph of a sculpture. The caption identifies it as “Crimson,” a statue by Joseph Coletti, shown at the Fogg Art Museum in an exhibition of his work. The statue depicts an elongated figure with wild hair, holding a stringed instrument.
• Handwritten Note: Below the photograph, in ink, is written: “June 21, ’27”.
• Another Note: Beneath that, a small clipping reads: “Above—JOHN THE BAPTIST. A statue by Joseph Coletti now being shown at the Fogg Art Museum in an Exhibition of his work. Coletti is considered a very promising student by the Fine Arts Department.” This seems to identify the sculpture in the photo, possibly an erroneous or alternative title for the “Crimson” piece.
• Vertical Text: Along the left margin of the page, the title “BOSTON: COPLEYS. FOGG ART MUSEUM” is printed vertically, likely indicating the section or category of the scrapbook.

Right Page:

• Main Article: “The Fogg Art Museum Gardens.” This article elaborates on the new garden project for the Fogg Art Museum. It details the museum’s role within Harvard University life, its permanent collections, loan exhibitions, and the educational role of its Department of Fine Arts. It announces a $5,000 anonymous gift “to develop the land behind the building into a charming garden.” The article describes the planned garden, including a brick wall, shrubs, a grill in the Quincy Street wall, a travertine court with a fountain, a gallery with stained glass, and a brick terrace at the rear, intended to provide “an interval of rest and relaxation.”
• “More Pictures” Section: A review of Professor G. H. Edgell’s book American Architecture of Today (Scribner: $6.00), reviewed by Virgil Barker (dated July, 1928). The review notes Edgell’s preference for scholarly rather than pictorial or picturesque illustrations, criticizing the inclusion of many pictures chosen by an “eye trained to perceive the picturesque” rather than “the scholarly resuscitation of continental styles.” It mentions Edgell’s praise for “old-world atmosphere at Alice Foote MacDougals” and his criticism of “artificially hollowed” stones in Yale’s Gothic buildings.
• Handwritten Note: Below the “More Pictures” section, the title “The Arts - July, 1928 (Reviewed by Virgil Barker)” is handwritten, confirming the review’s context.

Overall Impression:

The scrapbook page is a meticulously curated collection of art reviews and museum news from the late 1920s, centered around the Fogg Art Museum in Cambridge. It combines printed articles with a photograph and handwritten annotations, suggesting the owner was deeply interested in the Boston/Cambridge art scene, particularly the activities of the Fogg Museum and its associated artists like Louise W. Jackson and Joseph Coletti. The physical condition of the clippings and the style of the typeface and handwriting firmly place this artifact in the pre-digital, early 20th-century era of art journalism and appreciation.

The image appears to be a page from a magazine or newspaper. It contains a mix of text and images, with the text discussing art exhibitions and sculptures. Some key details:

• The page has a black border around the edges.
• The text is divided into several sections, with headings like "BOSTON", "The Fog Art Museum", "The Baptists", etc.
• There are images of sculptures and statues, with captions providing details about the artworks.
• The sculptures depicted include a nude male figure, a statue of John the Baptist, and a depiction of a Greek god.
• The text discusses the opening of the Copley Society's New England artist exhibition, as well as an exhibition at the Fogg Art Museum featuring works by the artist Coletti.

So in summary, the image appears to be a page from a publication that features articles and images related to art exhibitions and sculptures, with a focus on works by the artist Coletti. The page contains a mix of text and images to provide information about the artworks and exhibitions.

The image is a photograph of a newspaper clipping, which appears to be a collection of articles and reviews related to art and exhibitions. The clipping is bound in a scrapbook format, with multiple pages visible. The text is in black ink on white paper, and the articles are organized into sections with headings such as "BOSTON," "The Arts," and "More Pictures."

The first article, under the heading "BOSTON," discusses the opening of the Copley Society's New England artist exhibition at the museum. It mentions the innovative aspect of the exhibition, where artists submit pictures for jury selection without knowing who submitted them. The article highlights the work of artists like Louise W. Jackson and Miss Jackson, describing their pastel portraits and the unique style they bring to their art.

The second article, under the heading "The Arts," reviews the Fogg Art Museum's new glass and metal art collection. It praises the museum's efforts in acquiring and displaying these works, emphasizing the importance of the museum's role in enriching the community's cultural experience.

The third article, under the heading "More Pictures," is a review of Professor G. H. Edgell's book on American architecture. The reviewer commends the book for its comprehensive coverage of various architectural styles and its emphasis on the historical context of these styles.

The clipping also includes a photograph of a statue, which is described as a work by Joseph Coletti, a student at the Fine Arts Department. The statue is currently on exhibition at the Fogg Art Museum.

Overall, the image provides a glimpse into the art scene of the time, showcasing the efforts of museums and artists to promote and preserve artistic works and the appreciation of art among the public.

The image depicts two open pages from a vintage publication, likely an art magazine or journal, dated June 1928. The pages are part of a bound volume, as indicated by the visible spine and page numbering. Here is a detailed description:

Left Page:

• Title and Date: The page is titled "Saturday, June 16, 1928," and features a section labeled "BOSTON."
• Content: The text discusses an exhibition of the New England artist society at the Museum of Fine Arts in Boston. It highlights a limited exhibition of pastel portraits by Louise W. Jackson, who was recently shown at the Fogg Art Museum in Cambridge. The article describes Jackson's work as innovative, noting her unique style and the expressive qualities of her pastel portraits.
• Illustration: On the left side of the page, there is a black-and-white illustration of a male figure in a classical pose, likely a sculpture or artwork. The figure is depicted in a dynamic stance, with one arm raised and the other bent, suggesting a sense of motion or expression. The illustration is detailed, capturing the contours and musculature of the figure.
• Layout: The text is arranged in a traditional newspaper or magazine format, with columns of text and a clear separation between the illustration and the written content.

Right Page:

• Title and Date: The page is titled "More Pictures" and includes a subheading "The Arts - July 1928 (Reviewed by Virgil Burke)."
• Content: The text discusses architectural and artistic themes, referencing the work of Professor G. H. Edgell and his American Architecture of Today. It mentions the Fogg Art Museum and its role in the academic community, emphasizing the museum's contribution to art education and the study of architectural history. The article also touches on the design of the museum building and its integration with the surrounding landscape.
• Textual Details: The right page includes a review or commentary on Edgell's work, noting his scholarly approach and the emphasis on continuity in architectural styles. The text references various artists and architectural movements, such as Gothic basilicas and the old-world atmosphere of structures like the Coral Gables.
• Layout: Similar to the left page, the text is formatted in columns, with dense paragraphs and a scholarly tone. The page also includes a small illustration or graphic at the bottom, though it is less prominent than the one on the left page.

Overall Observations:

• Binding and Condition: The pages appear to be part of a bound volume, with visible page edges and a spine on the left. The paper has a slightly aged, yellowed tone, typical of vintage publications.
• Typography: The text is printed in a serif font, consistent with the design aesthetics of the early 20th century.
• Visual Elements: The inclusion of an illustration on the left page adds a visual component to the textual content, enhancing the reader's engagement with the subject matter.
• Context: The publication seems to focus on art, architecture, and cultural commentary, reflecting the intellectual and artistic interests of the time.

This image captures a snapshot of early 20th-century art criticism and cultural discourse, showcasing both textual and visual elements typical of the era.

The image presents a vintage newspaper clipping, featuring a photograph of a statue and an article about the Fogg Art Museum's new building. The clipping is attached to a page from an old book or scrapbook, with the newspaper's name "BOSTON" visible at the top.

• Newspaper Clipping:
  • Date: Saturday, June 16, 1928
  • Headline: "The opening of the Copley Society's New England artist exhibition at the museum is approaching and much talk is heard of this year's innovation, the choice of a limited exempt list by the contributors themselves."
  • Article: Discusses the Fogg Art Museum's new building, including its design, features, and purpose.
  • Photograph: A statue of a woman with her hands clasped together, likely depicting a religious figure.
• Book or Scrapbook:
  • Binding: Black leather or vinyl
  • Pages: Yellowed and worn, with visible signs of aging
  • Content: Appears to be a collection of newspaper clippings, photographs, and other ephemera related to art, history, and culture

The image provides a glimpse into the past, showcasing a unique piece of historical documentation that highlights the significance of the Fogg Art Museum's new building and the artistic community of Boston in the 1920s.

The image depicts a page from an old scrapbook or photo album, featuring a collection of newspaper clippings and handwritten notes. The clippings appear to be from the 1920s and are arranged in a collage style, with some overlapping each other.

Newspaper Clippings:

• The clippings are yellowed and worn, indicating their age.
• They are from various newspapers, including The New York Times and The Boston Globe.
• The articles cover a range of topics, including art exhibitions, museum openings, and cultural events.
• One clipping features a review of an exhibition at the Fogg Art Museum in Cambridge, Massachusetts.
• Another clipping announces the opening of a new museum in Boston.

Handwritten Notes:

• The notes are written in pencil and appear to be from the same time period as the clippings.
• They provide additional information about the events and exhibitions mentioned in the clippings.
• One note mentions a lecture by Professor G.H. Edgell on American architecture.
• Another note lists the names of several artists whose work is featured in an exhibition.

Overall:

• The image provides a glimpse into the cultural scene of the 1920s, highlighting the importance of art and architecture during this time period.
• The use of newspaper clippings and handwritten notes creates a sense of nostalgia and historical significance.
• The image is a valuable resource for researchers and historians interested in studying the cultural history of the 1920s.

The image depicts an open book with yellowed pages, featuring a collection of newspaper clippings and articles. The left page is dated Saturday, June 16, 1928, and includes a black-and-white photograph of a statue of John the Baptist, accompanied by a caption that reads "Crimson" and "June 21, '27." The article discusses the Fogg Art Museum, highlighting its recent developments and exhibitions.

The right page appears to be a continuation of the article, with a section titled "More Pictures" that features a review of Professor G.H. Edgell's book "American Architects of Today." The review is written in a formal tone and provides an analysis of the book's content and significance. A handwritten note on the page reads "The Arts - July, 1928 (Reviewed by Virgil Barker)."

The book is bound in black leather and has a worn, aged appearance, suggesting that it has been well-used over time. The background of the image is a plain gray surface, which helps to focus attention on the book and its contents. Overall, the image presents a fascinating glimpse into the world of art and architecture in the early 20th century, as seen through the lens of a vintage scrapbook or journal.

The image presents a vintage, open book or scrapbook featuring newspaper clippings from 1928. The left page displays an article titled "BOSTON" with a subheading that reads, "The opening of the Copley Society's New England artist exhibition at the museum is approaching and much talk is heard of this year's innovation, the choice of a limited exempt list by the contributors themselves." Adjacent to the article is a black-and-white photograph of a statue labeled "Cimason" and accompanied by text describing "John the Baptist," a statue by Joseph Coletti.

On the right page, another article discusses the Fogg Art Museum, while a handwritten note in the upper-right corner reads, "The Arts - July 1928 (Reviewed by Virgil Barker)." The pages are yellowed, indicating age, and appear to be secured within a binder or scrapbook. The overall atmosphere of the image suggests a historical or archival context, possibly related to art or cultural heritage.