Archives Scrapbooks

The image shows an open page from a vintage publication, likely a newspaper or a magazine, with articles and a drawing. Here's a breakdown of the content:

• Left Page:

  • The top section features an article titled "Praxiteles' 'Hermes Said To Be Roman'" by Flora Turkel. It discusses the work of Dr. Otto Blümel, a curator at the Museum of Antiquities in Berlin, who is re-evaluating the authenticity of Greek sculptures and specifically the Hermes statue by Praxiteles. The article mentions that the statue was initially considered a genuine Greek original from the 4th century BC but is now believed to be a Roman copy due to its unfinished state and other characteristics.
  • There is a sidebar with a quote from Professor George H. Chase, discussing the technical execution and style of Greek sculpture in the 4th century BC.
  • At the bottom of the left page, there is an illustration of a Japanese print, labeled "JAPANESE PRINT" and attributed to Utamaro, now being exhibited in the Ross Study Room in the Fogg Art Museum.

• Right Page:

  • The top section features an article titled "DETROIT RE-BAPTIZES SCRIPPS MADONNA" about the Detroit Museum of Art re-evaluating the attribution of a painting to a known artist. The article discusses the process of attributing artworks and the significance of this re-evaluation in the context of art history.
  • The lower part of the right page contains additional text, but it is partially cut off and not fully legible.

The overall appearance of the page suggests it is from a periodical from the early 20th century, with aged paper and typewritten text. The articles and illustrations suggest a focus on art history, specifically the evaluation of ancient Greek and Roman art and the attribution of artworks.

This image shows a page from a scrapbook or journal that contains clippings from newspapers or magazines. The clippings are from the "Art News" and are dated May 19, 1928, and May 26, 1928. The left side of the page has a clipping titled "Praxiteles' 'Hermes Said To Be Roman'" by Flora Turkel, discussing Dr. Blumel's declaration that the Hermes statue ascribed to an individual Greek sculptor is actually a copy. The right side of the page has a clipping titled "Detroit Re-Baptizes Scripps Madonna," discussing the re-attribution of a painting from Flemish to German. Below these clippings, there is a black and white illustration of a Japanese print featuring a woman in traditional Japanese attire holding a fan. The text accompanying the illustration identifies it as a work by Utamaro, now being exhibited in the Ross Study Room in the Fogg Art Museum. The scrapbook appears to be well-preserved, with the pages slightly aged but still legible.

This image displays an open, vintage art newspaper or magazine, specifically “The Art News”, dated May 26, 1928. The publication is laid flat, revealing two pages of text and one small illustration, bound in what appears to be a thick, dark hardcover.

The pages are aged, with a distinct yellow or tan hue to the paper, and show some signs of wear along the edges, suggesting historical value. The content is typewritten in a classic serif font, arranged in narrow columns typical of early 20th-century newspapers.

Here’s a description of each article visible:

Left Page: “Praxiteles’ ‘Hermes Said To Be Roman’”

This article, written by Flora Turrell, reports on findings by Dr. Blümel of Berlin, who declares that the famous “Hermes with the Infant Dionysus” by Praxiteles — long considered an original Greek sculpture — is actually a Roman copy. The article details Dr. Blümel’s scholarly investigation, including his analysis of technical characteristics, surface modeling, and anatomical details. It also references earlier scholars like Professor George H. Chase and notes that this conclusion is supported by high authorities at the German Archaeological Institute. The article concludes with Dr. Blümel’s hypothesis that Roman copies allowed for detailed execution not possible in Greek originals due to tool and material limitations.

Right Page: “DETROIT RE-BAPTIZES SCRIPPS MADONNA”

This article discusses the reattribution of a painting known as the “Scripps Madonna,” housed at the Detroit Museum of Art. The piece was previously thought to be Flemish, but after study by Prof. Otto Goldschmidt (Berlin), Prof. Herman Voss (Berlin), and Prof. V. Bernhard (Cologne), it has been reattributed to a German artist active around the late 15th century — possibly a pupil of Dirk Bouts, referred to as the “Master of the Life of Mary.” The article explains the stylistic evidence: rounded eyebrows, hands, ears, and folds in the drapery — all features aligning with German works of the period. The painting is noted to be part of a larger collection from the “Flemish XV Century,” and though its original name and master remain unknown, the article expresses hope that further research will uncover its true origins.

Center: “Crimson” Section — “JAPANESE PRINT”

Between the two main articles, centered at the bottom of the spread, is a small black-and-white sketch titled “Crimson,” also dated May 26, 1928. The sketch depicts an impressionistic scene — possibly a street or garden — with trees and a figure sitting or kneeling under their shade. Below the image, a caption reads:

JAPANESE PRINT
By Utamaro, now being exhibited in the Fogg Art Museum.
Rosa Study Room in the Fogg Art Museum.

This indicates the sketch may be a reproduction of a Japanese print by the ukiyo-e artist Utamaro, currently on display at Harvard’s Fogg Museum.

Overall Tone:

The publication reflects the art historical scholarship and museum discourse of the late 1920s — filled with attribution debates, technical analyses, and cross-cultural comparisons. It conveys a sense of scholarly authority and excitement over newly revealed origins of artworks. The tone is formal, informative, and accessible to an educated public.

The open book itself adds a tactile, archival quality — as if the reader is leafing through a historical artifact, immersing themselves in the art world of almost a century ago.

The image shows an open book with two pages, one on the left and one on the right. The left page has a headline that reads "Praxiteles' 'Hermes' Said To Be Roman" and the right page has a headline that reads "Detroit Re-Baptizes Madonna Scripps". The content on both pages appears to be related to art history and the history of art pieces. The image is likely from a magazine or journal focused on art and culture.

The image shows an open book with two pages visible. The left page is titled "Praxitèles' 'Hermes' Said To Be Roman" and features an article discussing the authenticity of the Hermes statue attributed to the Greek sculptor Praxiteles. The article mentions Dr. Otto Blümel's investigation into the statue, suggesting it may be a Roman copy rather than an original Greek work. The text is accompanied by a photograph of a woman in traditional Japanese attire, labeled "JAPANESE PRINT."

The right page is titled "DETROIT RE-BAPTIZES SCRIPTS MADONNA" and discusses the Detroit Museum of Art's acquisition and re-attribution of a painting previously thought to be a copy of Raphael's Madonna of the Virgin and Child. The article explains that the painting is now recognized as an original work by Otto Goldschmidt from the Berlin University of Arts, dating back to the 15th century. The text is accompanied by a photograph of a painting, labeled "CRIMSON."

Both pages have a header at the top that reads "The ART News" and "May 1935," indicating the publication date and the magazine's name. The book appears to be a historical art magazine, with articles discussing the authentication and re-attribution of artworks.

The image shows two open pages from a publication titled "Art News," dated May 19, 1925, and May 26, 1925, respectively. The left page is titled "Praxiteles' 'Hermes Said To Be Roman" and discusses the discovery and attribution of a statue believed to be the work of the ancient Greek sculptor Praxiteles. The article, authored by Flora Tuskey, details the investigation led by Dr. Blumel of the Berlin Museum of Antiquities, who concluded that the statue, previously thought to be a Roman copy, is actually an original Greek work. The text explores the historical and artistic context of the discovery, including the statue's significance and the methods used to authenticate it.

The right page is titled "The Detroit Re-Baptizes Scripps Madonna" and reports on the reattribution of a painting at the Detroit Museum of Art. The article discusses the reclassification of a painting previously known as the "Scripps Madonna" to the "Detroit Re-Baptizes Scripps Madonna." It details the historical and artistic background of the work, including its origins, attribution, and the museum's efforts to re-evaluate its significance. The text also mentions the painting's connection to the Master of the Life of Mary and its rediscovery in the museum's collection.

Between the two pages, there is a small Japanese print inserted as a visual element. The print depicts a woman in traditional attire, standing against a dark background, with a dramatic and stylized composition. The caption beneath the print reads: "JAPANESE PRINT now being exhibited in the Ross Study Room in the Fogg Art Museum."

The overall layout includes typed text in a serif font, with headings, subheadings, and footnotes providing detailed commentary. The design is typical of early 20th-century art magazines, with a mix of textual analysis and visual elements to accompany the articles.

The image shows a page from an old newspaper, with the headline "Praxiteles' 'Hermes Said To Be Roman'" and an article about the discovery of a Roman statue of Hermes. The article is accompanied by a photograph of the statue, which appears to be a Japanese print.

• Headline and Article
  • The headline reads "Praxiteles' 'Hermes Said To Be Roman'".
  • The article discusses the discovery of a Roman statue of Hermes, which was previously attributed to the Greek sculptor Praxiteles.
  • The article mentions that the statue was found in a temple in Olympia and is believed to have been created in the 5th century BC.
• Photograph of the Statue
  • The photograph shows a Japanese print of a statue of Hermes.
  • The statue is depicted in a classical pose, with Hermes standing on a rock and holding a caduceus in his right hand.
  • The statue is surrounded by a decorative border, which features intricate designs and patterns.
• Other Newspaper Pages
  • The page is from an old newspaper, with other articles and advertisements visible on the surrounding pages.
  • The newspaper appears to be from the early 20th century, based on the style of the typography and the content of the articles.

Overall, the image suggests that the discovery of the Roman statue of Hermes was a significant event in the art world at the time, and that it was widely reported in newspapers and other publications. The inclusion of a photograph of the statue in the article adds a visual element to the story, allowing readers to see the statue for themselves.

The image presents a page from an old book or magazine, featuring two articles and an illustration. The left side of the page is occupied by an article titled "Praxiteles' 'Hermes Said To Be Roman," which discusses the authenticity of a statue attributed to the ancient Greek sculptor Praxiteles. The article is written in a formal tone and includes references to other works by Praxiteles.

On the right side of the page, there is another article titled "Detroit Re-Baptizes Scripps Madonna," which appears to be a review or critique of a painting. The article is also written in a formal tone and includes references to art historical context.

At the bottom of the page, there is an illustration of a woman in a kimono, accompanied by the caption "Crimson." The illustration is rendered in a traditional Japanese style and features intricate details and patterns.

Overall, the image suggests that the book or magazine is focused on art history and criticism, and that it may have been published in the early 20th century based on the style of the articles and the illustration.

The image depicts a worn, open book with yellowed pages, showcasing a page from "The Art News" dated May 19, 1923. The left page features an article titled "Praxiteies' 'Hermes' Said To Be Roman" in bold black font, accompanied by a subheading that reads, "Dr. Bluemel of Berlin Declares That Figure, Only Work Ascribed to an Individual Greek Sculptor, Is Copy." The article is written in a formal, serif font and includes a continuation notice indicating that it is continued from page one.

On the right page, another article is titled "Detroit Re-Baptizes Scripps Madonna" in the same bold font. This article also employs a formal, serif font and appears to be a standalone piece.

A black-and-white illustration of a statue is positioned at the bottom center of the left page, captioned "Crimson Virgin May 26, 1923." The illustration is rendered in a detailed, realistic style, depicting a figure draped in flowing robes. The statue stands on a circular base, adding to the overall sense of depth and dimensionality.

The book's cover is not visible, but the pages are bound together with a black spine, suggesting a hardcover or leather-bound volume. The background of the image is a plain gray color, which helps to focus attention on the book and its contents. Overall, the image presents a nostalgic and informative glimpse into the world of art history, with the articles and illustration providing insight into the cultural and artistic values of the time.

The image presents a vintage newspaper or magazine page, featuring two distinct articles. The left-hand article, titled "Praxitelea' 'Hermes Said To Be Roman,'" is accompanied by a subheading that reads, "Dr. Blumental of Berlin Declares That Figure, Only Work Ascribed to an Individual Greek Sculptor, Is Copy." This article appears to be discussing the authenticity of a Greek sculpture.

In contrast, the right-hand article, titled "The Art News," boasts a subheading that states, "DETROIT RE-BAPTIZES SCRIPPS MADONNA." This piece seems to focus on art-related news.

Notably, the bottom half of the left-hand page features an illustration of a woman in traditional Japanese attire, accompanied by the caption "Japanese Print By Utamaro, now being exhibited in the Ross, Study Room, Detroit Museum of Art." The overall aesthetic of the image suggests that it is a scanned or photographed page from an old book or archive, with a plain gray background visible behind the page.