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ARCH.2003.24, Rendition: 795740
The image shows an open page from a vintage publication, likely a newspaper or a magazine, with articles and a drawing. Here's a breakdown of the content:
Left Page:
Right Page:
The overall appearance of the page suggests it is from a periodical from the early 20th century, with aged paper and typewritten text. The articles and illustrations suggest a focus on art history, specifically the evaluation of ancient Greek and Roman art and the attribution of artworks.
This image shows a page from a scrapbook or journal that contains clippings from newspapers or magazines. The clippings are from the "Art News" and are dated May 19, 1928, and May 26, 1928. The left side of the page has a clipping titled "Praxiteles' 'Hermes Said To Be Roman'" by Flora Turkel, discussing Dr. Blumel's declaration that the Hermes statue ascribed to an individual Greek sculptor is actually a copy. The right side of the page has a clipping titled "Detroit Re-Baptizes Scripps Madonna," discussing the re-attribution of a painting from Flemish to German. Below these clippings, there is a black and white illustration of a Japanese print featuring a woman in traditional Japanese attire holding a fan. The text accompanying the illustration identifies it as a work by Utamaro, now being exhibited in the Ross Study Room in the Fogg Art Museum. The scrapbook appears to be well-preserved, with the pages slightly aged but still legible.
This image displays an open, vintage art newspaper or magazine, specifically “The Art News”, dated May 26, 1928. The publication is laid flat, revealing two pages of text and one small illustration, bound in what appears to be a thick, dark hardcover.
The pages are aged, with a distinct yellow or tan hue to the paper, and show some signs of wear along the edges, suggesting historical value. The content is typewritten in a classic serif font, arranged in narrow columns typical of early 20th-century newspapers.
Here’s a description of each article visible:
Left Page: “Praxiteles’ ‘Hermes Said To Be Roman’”
This article, written by Flora Turrell, reports on findings by Dr. Blümel of Berlin, who declares that the famous “Hermes with the Infant Dionysus” by Praxiteles — long considered an original Greek sculpture — is actually a Roman copy. The article details Dr. Blümel’s scholarly investigation, including his analysis of technical characteristics, surface modeling, and anatomical details. It also references earlier scholars like Professor George H. Chase and notes that this conclusion is supported by high authorities at the German Archaeological Institute. The article concludes with Dr. Blümel’s hypothesis that Roman copies allowed for detailed execution not possible in Greek originals due to tool and material limitations.
Right Page: “DETROIT RE-BAPTIZES SCRIPPS MADONNA”
This article discusses the reattribution of a painting known as the “Scripps Madonna,” housed at the Detroit Museum of Art. The piece was previously thought to be Flemish, but after study by Prof. Otto Goldschmidt (Berlin), Prof. Herman Voss (Berlin), and Prof. V. Bernhard (Cologne), it has been reattributed to a German artist active around the late 15th century — possibly a pupil of Dirk Bouts, referred to as the “Master of the Life of Mary.” The article explains the stylistic evidence: rounded eyebrows, hands, ears, and folds in the drapery — all features aligning with German works of the period. The painting is noted to be part of a larger collection from the “Flemish XV Century,” and though its original name and master remain unknown, the article expresses hope that further research will uncover its true origins.
Center: “Crimson” Section — “JAPANESE PRINT”
Between the two main articles, centered at the bottom of the spread, is a small black-and-white sketch titled “Crimson,” also dated May 26, 1928. The sketch depicts an impressionistic scene — possibly a street or garden — with trees and a figure sitting or kneeling under their shade. Below the image, a caption reads:
JAPANESE PRINT
By Utamaro, now being exhibited in the Fogg Art Museum.
Rosa Study Room in the Fogg Art Museum.
This indicates the sketch may be a reproduction of a Japanese print by the ukiyo-e artist Utamaro, currently on display at Harvard’s Fogg Museum.
Overall Tone:
The publication reflects the art historical scholarship and museum discourse of the late 1920s — filled with attribution debates, technical analyses, and cross-cultural comparisons. It conveys a sense of scholarly authority and excitement over newly revealed origins of artworks. The tone is formal, informative, and accessible to an educated public.
The open book itself adds a tactile, archival quality — as if the reader is leafing through a historical artifact, immersing themselves in the art world of almost a century ago.
The image shows an open book with two pages, one on the left and one on the right. The left page has a headline that reads "Praxiteles' 'Hermes' Said To Be Roman" and the right page has a headline that reads "Detroit Re-Baptizes Madonna Scripps". The content on both pages appears to be related to art history and the history of art pieces. The image is likely from a magazine or journal focused on art and culture.
The image shows an open book with two pages visible. The left page is titled "Praxitèles' 'Hermes' Said To Be Roman" and features an article discussing the authenticity of the Hermes statue attributed to the Greek sculptor Praxiteles. The article mentions Dr. Otto Blümel's investigation into the statue, suggesting it may be a Roman copy rather than an original Greek work. The text is accompanied by a photograph of a woman in traditional Japanese attire, labeled "JAPANESE PRINT."
The right page is titled "DETROIT RE-BAPTIZES SCRIPTS MADONNA" and discusses the Detroit Museum of Art's acquisition and re-attribution of a painting previously thought to be a copy of Raphael's Madonna of the Virgin and Child. The article explains that the painting is now recognized as an original work by Otto Goldschmidt from the Berlin University of Arts, dating back to the 15th century. The text is accompanied by a photograph of a painting, labeled "CRIMSON."
Both pages have a header at the top that reads "The ART News" and "May 1935," indicating the publication date and the magazine's name. The book appears to be a historical art magazine, with articles discussing the authentication and re-attribution of artworks.
The image shows two open pages from a publication titled "Art News," dated May 19, 1925, and May 26, 1925, respectively. The left page is titled "Praxiteles' 'Hermes Said To Be Roman" and discusses the discovery and attribution of a statue believed to be the work of the ancient Greek sculptor Praxiteles. The article, authored by Flora Tuskey, details the investigation led by Dr. Blumel of the Berlin Museum of Antiquities, who concluded that the statue, previously thought to be a Roman copy, is actually an original Greek work. The text explores the historical and artistic context of the discovery, including the statue's significance and the methods used to authenticate it.
The right page is titled "The Detroit Re-Baptizes Scripps Madonna" and reports on the reattribution of a painting at the Detroit Museum of Art. The article discusses the reclassification of a painting previously known as the "Scripps Madonna" to the "Detroit Re-Baptizes Scripps Madonna." It details the historical and artistic background of the work, including its origins, attribution, and the museum's efforts to re-evaluate its significance. The text also mentions the painting's connection to the Master of the Life of Mary and its rediscovery in the museum's collection.
Between the two pages, there is a small Japanese print inserted as a visual element. The print depicts a woman in traditional attire, standing against a dark background, with a dramatic and stylized composition. The caption beneath the print reads: "JAPANESE PRINT now being exhibited in the Ross Study Room in the Fogg Art Museum."
The overall layout includes typed text in a serif font, with headings, subheadings, and footnotes providing detailed commentary. The design is typical of early 20th-century art magazines, with a mix of textual analysis and visual elements to accompany the articles.
The image displays an open book or newspaper, possibly an antique or historic document, given the yellowing of the pages and classical typeset. The left page seems to be an article from the "Art News," dated May 26, 1923, titled "Praxiteles' 'Hermes' Said to Be Roman Work, Not Greek". There is a detailed article discussing the origins of a Hermes sculpture ascribed to Praxiteles, with references to Dr. Blumel of Berlin and his research on the piece.
Beneath the article, there is a black-and-white image labeled "Japanese Print" showing a person wearing traditional Japanese attire with a broad-brimmed hat, seemingly enjoying a leisurely moment outdoors.
The right page continues with the same section, "The Art News," focusing on different topics. One of the articles is headlined "DETROIT RE-BAPTIZES SCRIPPS MADONNA," referring to an artwork and its reassessment. The text discusses aspects of art authentication, historical identification, and canvassing various opinions and studies related to the artwork in question.
Both pages are heavily text-oriented, with narrow columns tightly packed with text. The pages are also visibly worn, particularly along the edges, contributing to the historical ambiance of the displayed material.
The image shows an open book or a scrapbook containing two clippings from old issues of "The Art News" magazine dated May 1925. The left page contains an article titled "Praxiteles' 'Hermes' Said To Be Roman," written by Flora Turkel. The article discusses the hypothesis by Dr. Blümel that a figure believed to be Greek is actually a Roman copy, including scholarly opinions and research about the statue previously ascribed to the Greek sculptor Praxiteles.
Below this article on the left page, there is also a small section titled "Crimson" dated May 26, 1925, accompanied by an illustration of a Japanese print. The print depicts a woman in traditional Japanese clothing, holding a branch with leaves and standing near a flowering plant. The caption notes that the print is by Utamaro and is exhibited in the Ross Study Room of the Fogg Art Museum.
The right page features an article titled "DETROIT RE-BAPTIZES SCRIPPS MADONNA," dated May 26, 1925. This piece discusses the re-evaluation and new designation of a painting called the Scripps Madonna, highlighting scholarly debates and the historical context of the artwork, as well as connections to major art collections in London and Cologne. The article also mentions the challenges of attributing artworks from the period and the significance of the identification for art historians.
This image shows a page from what appears to be a historical document or scrapbook. The page contains articles from "Art News" and other sources, with the date "May 19, 1925" written at the top. The articles are presented in column format.
This text-heavy archival page provides insight into both scholarly discussions and the display of art during the early 20th century.