Archives Scrapbooks

This image shows a page from a publication or magazine, specifically from "The American," dated April and May 1928. The page contains a mix of text and images, with the text discussing various exhibitions and art-related events.

On the left side of the page is a column of text that appears to be an excerpt from an article, possibly about the establishment of a new art department at New York University in September 1928. It mentions lectures and courses, and the involvement of Charles H. Sherrill, the Chairman of the Committee on Fine Arts.

The central part of the page contains a larger body of text, also discussing art exhibitions and events. It mentions the opening of an exhibition of contemporary British art at the National Gallery of Art, the donation of Egyptian art to the Minneapolis Institute of Arts, and an exhibition of important paintings, prints, and drawings at the Fogg Art Museum, which is in honor of Professor Adolph Goldschmidt.

On the right side of the page is a list of artists and their works, including Marion Monks Chase's "First Snow," Carl Gordon Cutler's "Old Clearing," and Charles Hopkinson's "Sun, Rocks, Sea." There is also an illustration of an Egyptian carved relief from the XIX Dynasty, labeled as a gift of Edward S. Harkness, Esq., to the Minneapolis Institute of Arts.

At the bottom of the page, there is another column of text, which seems to be a review or commentary on an exhibition, signed by Charles J. Connick.

The page appears to be part of a scrapbook or collection of art-related clippings, as evidenced by the staples and tape at the top and bottom of the page.

This image shows an open book or scrapbook containing a collection of clippings and printed materials, likely related to art and cultural events from the early 1920s and 1928. Here is a detailed description:

Left Page:

• Clippings and Articles:
  • A clipping from "The Art News," dated May 3, 1928, discussing exhibitions and events at the Fogg Art Museum and the Whitney Studio Club in New York. It mentions various exhibitions, including works by contemporary artists, Dutch paintings of the XVIIth century, and French silver wine tasters' cups.
  • Another clipping from "The N. Y. U. September, 1928," discussing the live art program at New York University and the support from the Art Department of the university. It mentions the cooperation with the Metropolitan Museum of Art and the financial support from Col. Michael Friedsam and Presiden Altman and Company.

Right Page:

• Printed Material:
  • The page is numbered "224" and is titled "The American Art News." It contains an article about an exhibition of contemporary British art at the National Gallery of Art in March 1928. The article lists some of the artists and honorary committee members involved in the exhibition.
  • A section titled "EGYPTIAN ART IN MINNEAPOLIS" discusses a gift of Egyptian art objects to the Minneapolis Institute of Arts from Edward S. Harkness. It describes the historical significance and details of the objects, including a limestone relief of the XIX Dynasty.
  • There is a photograph of an Egyptian carved relief, XIX Dynasty, which is part of the gift from Edward S. Harkness to the Minneapolis Institute of Arts. The caption describes the relief as depicting the god Horus wearing the double crown.
  • A list of names and titles, possibly related to the artists or contributors mentioned in the article.

Additional Elements:

• Handwritten Notes:
  • There are handwritten notes at the bottom of the right page, dated "May, 1928," possibly adding personal commentary or additional information related to the clippings and articles.
• Clear Plastic Clips:
  • Two clear plastic clips are visible on the right page, likely used to hold the pages or clippings in place within the scrapbook.

The overall content suggests a focus on art exhibitions, historical artifacts, and cultural events, with a mix of printed articles and personal notes. The date "April 1928" at the top of the left page indicates the time period of the materials.

This image displays an open archival scrapbook or clipping album, presenting a collection of newspaper and magazine articles from the early 1920s, primarily concerning art news in New York City.

The album is bound with a dark, possibly fabric-covered, binding and has aged, yellowed pages. The text is arranged in a collage format, with clippings pasted onto sheets of paper. The most prominent date visible is April 1928, handwritten at the top left of the left-hand page.

Content Analysis:

• Left Page:

  • The main article discusses the New York University (N.Y.U.) Department of Fine Arts, which had been established a year prior. It highlights the department’s growth, noting 132 full courses and 15 lectures were being offered. It credits Charles H. Sherrill as Chairman and mentions the department’s collaboration with major New York institutions like the Metropolitan Museum, the Morgan Library, and the Frick Art Library.
  • It also notes that Col. Michael Friedsam of Altman and Company donated $30,000 annually to support the department.
  • The article mentions the department is housed at 9 E Street, near Washington Square.

• Right Page:

  • The page is headed “THE AMERICAN” and contains several distinct articles and lists.
  • One article, beginning on page 224, details an exhibition of contemporary British art (91 paintings) held at the National Gallery of Art in London from March 6, 1928. It lists the patronage of Sir George Clausen, Julius Olsson, and others.
  • Another clipping announces that the Minneapolis Institute of Arts received a gift of Egyptian art objects from Edward S. Harkness of New York. This collection included a limestone statuette of Rameses II from Abydos, described in detail.
  • A small, black-and-white photograph is pasted below this text, showing the Egyptian carved relief mentioned in the article. A caption below the photo reads: “EGYPTIAN CARVED RELIEF, XIX DYNASTY GIFT OF EDWARD S. HARKNESS, ESQ., TO THE MINNEAPOLIS INSTITUTE OF ARTS.” The inscription on the relief translates to “The Beautiful Horus, the Great God, Lord of the Sky in Balet.”
  • Two lists of art exhibition titles are visible on the far right:
    • MARION MONKS CHASE: First Snow, The Fish House, Afternoon, The Storm, Morning, Summer, Glimpse of a Pond, Cliffs, Manchester.
    • CARL GORDON CUTLER: Old Clearing, Distant Islands, Caterpillar Hill, Gray Day, Glimpse of a Pond, Bald Hill.
    • CHARLES HOPKINSON: Sun, Rocks, Sea, Yacht Racing, Wind and Dazzle, Afternoon Light, Wood Interior, Noon Glitter, Cool Afternoon.
  • At the bottom of the right page, there is a fragment of another article, dated “May, 1928,” discussing a Fogg Museum exhibition. It mentions the Whitney Studio Club and the generosity of Mrs. H. N. Slater for an exhibition of French silver wine-tasters’ cups.

Overall, the image captures a snapshot of the early 20th-century American art world, focusing on institutional developments, major exhibitions, and the patronage that supported them. The scrapbook is a historical document that preserves ephemeral art news from its time.

The image shows a double-page spread from a magazine or journal. The left page features a section titled "April 1928" with text discussing the New York University's Live Arts program, including fine arts. The right page has a section titled "The American Live Arts Program" with text about an exhibition of contemporary British paintings at the National Gallery of Art. The exhibition includes 91 paintings and was opened on March 6, 1928, by Sir Howard, the British Ambassador. The text also mentions the Minneapolis Institute of Arts receiving Egyptian art objects as a gift from Edward S. Harkness of New York. The page has a mix of black and white text, with some sections highlighted in bold or italicized fonts.

The image depicts an open book, specifically a magazine or journal, with pages facing each other. The left page is titled "April 1928" and contains several paragraphs of text. The text appears to be an article or report discussing various topics, including exhibitions, art collections, and cultural events. The right page is titled "THE AMERIC" and also contains text, but it is partially obscured by a photograph. The photograph shows an ancient artifact, possibly a relief or carving, with intricate details and a textured surface. The text on the right page seems to be a description or analysis of the artifact, providing context and historical information. The magazine or journal appears to be a publication focused on art, culture, and history, with articles and features on various topics related to these subjects.

The image shows an open book with text and accompanying illustrations. Here is a detailed description:

Text Content:

• The book appears to be a catalog or program, dated April 1923, from The American Art Department at New York University.
• The page is numbered 244.
• The text discusses an exhibition of contemporary British art, comprising 91 paintings, which was opened at the National Gallery of Art on March 6, 1923. The exhibition was assembled by Sir Charles Holmes, the director of the Tate Gallery in London, with the approval of Sir D. Y. Cameron, the President of the Royal Academy, and others.
• The exhibition includes works by notable artists such as Sir Frederic G. Earl of Balfour, Sir John Lavery, and Sir John Lavery.
• The text also mentions the Minneapolis Institute of Arts, which received a gift of Egyptian art objects dating from as early as 1000 B.C. These objects include items from the Old Kingdom and the Middle Kingdom, such as pottery, vases, and simple household utensils.

Illustrations:

• On the right side of the page, there is an illustration labeled "EGYPTIAN CARVED RELIEF, XIX DYNASTY."
  • The relief depicts a god seated in a chair, identified as Bachet. The god is shown kneeling in an attitude of adoration, with Nefertem (a deity) before him.
  • The relief is described as being approximately 11 inches in height and is part of the collection at the Minneapolis Institute of Arts.
  • The illustration is accompanied by a caption that provides details about the relief's origin and significance.

Additional Text:

• Below the main text, there is a smaller section discussing the Fogg Art Museum at Harvard University, mentioning an exhibition of contemporary American painting. The exhibition includes works by artists such as Hunt Diederich and Arthur T. Cabat.
• The page also includes a list of names under the heading "THE AMERICAN ARTISTS," which appears to be a roster of artists associated with the institution or exhibition.

Layout and Design:

• The page is formatted with a mix of text and visual elements, typical of an art catalog or exhibition program.
• The text is typed in a formal, serif font, and the layout is organized into paragraphs and sections.
• The illustration is placed to the right, with a caption below it, providing context and details about the depicted artifact.

Overall Context:

The image depicts a page from an art catalog or program from 1923, focusing on an exhibition of contemporary British art and Egyptian artifacts. The content highlights the collaboration between institutions, the significance of the artworks, and the educational and cultural value of the exhibition. The inclusion of both textual descriptions and visual illustrations suggests that this is a resource for art historians, curators, or enthusiasts interested in the period and the featured artworks.

This image seems to be a photograph of an open book or journal. On the left page is the header "April 1928" followed by a text containing various paragraphs describing presumably academic or museum news, touching on topics such as lectures, the Metropolitan Museum of Art, the Hispanic Society, a cooperation with the New York Public Library, and the arrival and exhibition of certain collections. The text is interrupted with a marking or fold on the paper near the spine of the book.

The right page has a header "THE AMERICAN MAGYAR" on top with an article starting just beneath it. Various names and titles are mentioned including "Marion Monks Chase," "Carl Gordon Cutler," and "Charles Hopkinson." Additionally, there is an image of what appears to be a historical artifact or artwork, labeled as "EGYPTIAN CARVED RELIEF, XIX DYNASTY" with a description below which is partly obscured by the spine of the open book. The image depicts an age-worn surface with what seems to be hieroglyphics and an ancient Egyptian figure.

There's also a noticeable handwritten note saying "May 1, 1928." and a hand-written 'X' at the top of one of the pages, which seems to be either something marked by a reader or part of the journal's content setup.

This type of book is likely to be found in an academic or museum setting, part of a collection for research or reference on historical, artistic, or cultural subjects. The text is in English, and the overall condition of the book suggests it is well-maintained albeit showing signs of age.

The image shows an open scrapbook or album containing various clippings from newspapers or magazines. The clippings include text articles and a small black-and-white photograph of an Egyptian carved relief from the XIX Dynasty, depicting a statuette known as "The Beautiful Horus, the Great God, Lord of the Sky in Bathet," which is approximately 14 inches in height. The text covers topics related to art exhibitions, fine arts programs, and Egyptian artifacts. There is also a smaller paper clipped on the right page listing works by Marion Monks Chase, Carl Gordon Cutler, and Charles Hopkinson with titles like "First Snow," "Old Clearing," and "Sun, Rocks, Sea." The clippings date back to around 1927-1928, with handwritten dates and typed or printed text. Some portions of the articles discuss contemporary British paintings, the Fine Arts program, and exhibitions at museums, including the Metropolitan Museum of Art.

The image displays an open book or scrapbook with pages filled with printed text and a small black-and-white image of an Egyptian carved relief on the right-hand page. There are multiple layers of texts, some appearing as clippings or inserts, likely from magazines or articles. The text discusses topics such as art exhibits, Egyptian art, and individual artists including Marion Monks Chase, Carl Gordon Cutler, and Charles Hopkinson, listing their works.

The left side contains a clipping dated April 1928, titled "The American," discussing a department of fine arts and various events. The right page mentions exhibitions and highlights an Egyptian artifact, a limestone statuette of Nefre-hotep, as part of a 19th Dynasty artifact display. There are titles and descriptions of artworks and exhibitions, showcasing a focus on art history, culture, and related academic pursuits.

A vintage scrapbook opened to a double-page spread of old newspaper clippings. The pages are yellowed with age and bound in a dark cover with metal rings visible along the right edge. In the center there’s a white insert sheet laid over the clippings, containing a block of text on the left and a column of artist names and works on the right (including Marion Monks Chase, Carl Gordon Cutler, Charles Hopkinson, among others). At the bottom right, a small black-and-white photograph of an Egyptian carved relief is visible, with a caption mentioning the XIX Dynasty. Overall, it looks like a scrapbook page from the late 1920s about art exhibitions and artifacts.