Archives Scrapbooks

This image shows a page from a publication or magazine, specifically from "The American," dated April and May 1928. The page contains a mix of text and images, with the text discussing various exhibitions and art-related events.

On the left side of the page is a column of text that appears to be an excerpt from an article, possibly about the establishment of a new art department at New York University in September 1928. It mentions lectures and courses, and the involvement of Charles H. Sherrill, the Chairman of the Committee on Fine Arts.

The central part of the page contains a larger body of text, also discussing art exhibitions and events. It mentions the opening of an exhibition of contemporary British art at the National Gallery of Art, the donation of Egyptian art to the Minneapolis Institute of Arts, and an exhibition of important paintings, prints, and drawings at the Fogg Art Museum, which is in honor of Professor Adolph Goldschmidt.

On the right side of the page is a list of artists and their works, including Marion Monks Chase's "First Snow," Carl Gordon Cutler's "Old Clearing," and Charles Hopkinson's "Sun, Rocks, Sea." There is also an illustration of an Egyptian carved relief from the XIX Dynasty, labeled as a gift of Edward S. Harkness, Esq., to the Minneapolis Institute of Arts.

At the bottom of the page, there is another column of text, which seems to be a review or commentary on an exhibition, signed by Charles J. Connick.

The page appears to be part of a scrapbook or collection of art-related clippings, as evidenced by the staples and tape at the top and bottom of the page.

This image shows an open book or scrapbook containing a collection of clippings and printed materials, likely related to art and cultural events from the early 1920s and 1928. Here is a detailed description:

Left Page:

• Clippings and Articles:
  • A clipping from "The Art News," dated May 3, 1928, discussing exhibitions and events at the Fogg Art Museum and the Whitney Studio Club in New York. It mentions various exhibitions, including works by contemporary artists, Dutch paintings of the XVIIth century, and French silver wine tasters' cups.
  • Another clipping from "The N. Y. U. September, 1928," discussing the live art program at New York University and the support from the Art Department of the university. It mentions the cooperation with the Metropolitan Museum of Art and the financial support from Col. Michael Friedsam and Presiden Altman and Company.

Right Page:

• Printed Material:
  • The page is numbered "224" and is titled "The American Art News." It contains an article about an exhibition of contemporary British art at the National Gallery of Art in March 1928. The article lists some of the artists and honorary committee members involved in the exhibition.
  • A section titled "EGYPTIAN ART IN MINNEAPOLIS" discusses a gift of Egyptian art objects to the Minneapolis Institute of Arts from Edward S. Harkness. It describes the historical significance and details of the objects, including a limestone relief of the XIX Dynasty.
  • There is a photograph of an Egyptian carved relief, XIX Dynasty, which is part of the gift from Edward S. Harkness to the Minneapolis Institute of Arts. The caption describes the relief as depicting the god Horus wearing the double crown.
  • A list of names and titles, possibly related to the artists or contributors mentioned in the article.

Additional Elements:

• Handwritten Notes:
  • There are handwritten notes at the bottom of the right page, dated "May, 1928," possibly adding personal commentary or additional information related to the clippings and articles.
• Clear Plastic Clips:
  • Two clear plastic clips are visible on the right page, likely used to hold the pages or clippings in place within the scrapbook.

The overall content suggests a focus on art exhibitions, historical artifacts, and cultural events, with a mix of printed articles and personal notes. The date "April 1928" at the top of the left page indicates the time period of the materials.

This image displays an open archival scrapbook or clipping album, presenting a collection of newspaper and magazine articles from the early 1920s, primarily concerning art news in New York City.

The album is bound with a dark, possibly fabric-covered, binding and has aged, yellowed pages. The text is arranged in a collage format, with clippings pasted onto sheets of paper. The most prominent date visible is April 1928, handwritten at the top left of the left-hand page.

Content Analysis:

• Left Page:

  • The main article discusses the New York University (N.Y.U.) Department of Fine Arts, which had been established a year prior. It highlights the department’s growth, noting 132 full courses and 15 lectures were being offered. It credits Charles H. Sherrill as Chairman and mentions the department’s collaboration with major New York institutions like the Metropolitan Museum, the Morgan Library, and the Frick Art Library.
  • It also notes that Col. Michael Friedsam of Altman and Company donated $30,000 annually to support the department.
  • The article mentions the department is housed at 9 E Street, near Washington Square.

• Right Page:

  • The page is headed “THE AMERICAN” and contains several distinct articles and lists.
  • One article, beginning on page 224, details an exhibition of contemporary British art (91 paintings) held at the National Gallery of Art in London from March 6, 1928. It lists the patronage of Sir George Clausen, Julius Olsson, and others.
  • Another clipping announces that the Minneapolis Institute of Arts received a gift of Egyptian art objects from Edward S. Harkness of New York. This collection included a limestone statuette of Rameses II from Abydos, described in detail.
  • A small, black-and-white photograph is pasted below this text, showing the Egyptian carved relief mentioned in the article. A caption below the photo reads: “EGYPTIAN CARVED RELIEF, XIX DYNASTY GIFT OF EDWARD S. HARKNESS, ESQ., TO THE MINNEAPOLIS INSTITUTE OF ARTS.” The inscription on the relief translates to “The Beautiful Horus, the Great God, Lord of the Sky in Balet.”
  • Two lists of art exhibition titles are visible on the far right:
    • MARION MONKS CHASE: First Snow, The Fish House, Afternoon, The Storm, Morning, Summer, Glimpse of a Pond, Cliffs, Manchester.
    • CARL GORDON CUTLER: Old Clearing, Distant Islands, Caterpillar Hill, Gray Day, Glimpse of a Pond, Bald Hill.
    • CHARLES HOPKINSON: Sun, Rocks, Sea, Yacht Racing, Wind and Dazzle, Afternoon Light, Wood Interior, Noon Glitter, Cool Afternoon.
  • At the bottom of the right page, there is a fragment of another article, dated “May, 1928,” discussing a Fogg Museum exhibition. It mentions the Whitney Studio Club and the generosity of Mrs. H. N. Slater for an exhibition of French silver wine-tasters’ cups.

Overall, the image captures a snapshot of the early 20th-century American art world, focusing on institutional developments, major exhibitions, and the patronage that supported them. The scrapbook is a historical document that preserves ephemeral art news from its time.

The image shows a double-page spread from a magazine or journal. The left page features a section titled "April 1928" with text discussing the New York University's Live Arts program, including fine arts. The right page has a section titled "The American Live Arts Program" with text about an exhibition of contemporary British paintings at the National Gallery of Art. The exhibition includes 91 paintings and was opened on March 6, 1928, by Sir Howard, the British Ambassador. The text also mentions the Minneapolis Institute of Arts receiving Egyptian art objects as a gift from Edward S. Harkness of New York. The page has a mix of black and white text, with some sections highlighted in bold or italicized fonts.

The image depicts an open book, specifically a magazine or journal, with pages facing each other. The left page is titled "April 1928" and contains several paragraphs of text. The text appears to be an article or report discussing various topics, including exhibitions, art collections, and cultural events. The right page is titled "THE AMERIC" and also contains text, but it is partially obscured by a photograph. The photograph shows an ancient artifact, possibly a relief or carving, with intricate details and a textured surface. The text on the right page seems to be a description or analysis of the artifact, providing context and historical information. The magazine or journal appears to be a publication focused on art, culture, and history, with articles and features on various topics related to these subjects.

The image shows an open book with text and accompanying illustrations. Here is a detailed description:

Text Content:

• The book appears to be a catalog or program, dated April 1923, from The American Art Department at New York University.
• The page is numbered 244.
• The text discusses an exhibition of contemporary British art, comprising 91 paintings, which was opened at the National Gallery of Art on March 6, 1923. The exhibition was assembled by Sir Charles Holmes, the director of the Tate Gallery in London, with the approval of Sir D. Y. Cameron, the President of the Royal Academy, and others.
• The exhibition includes works by notable artists such as Sir Frederic G. Earl of Balfour, Sir John Lavery, and Sir John Lavery.
• The text also mentions the Minneapolis Institute of Arts, which received a gift of Egyptian art objects dating from as early as 1000 B.C. These objects include items from the Old Kingdom and the Middle Kingdom, such as pottery, vases, and simple household utensils.

Illustrations:

• On the right side of the page, there is an illustration labeled "EGYPTIAN CARVED RELIEF, XIX DYNASTY."
  • The relief depicts a god seated in a chair, identified as Bachet. The god is shown kneeling in an attitude of adoration, with Nefertem (a deity) before him.
  • The relief is described as being approximately 11 inches in height and is part of the collection at the Minneapolis Institute of Arts.
  • The illustration is accompanied by a caption that provides details about the relief's origin and significance.

Additional Text:

• Below the main text, there is a smaller section discussing the Fogg Art Museum at Harvard University, mentioning an exhibition of contemporary American painting. The exhibition includes works by artists such as Hunt Diederich and Arthur T. Cabat.
• The page also includes a list of names under the heading "THE AMERICAN ARTISTS," which appears to be a roster of artists associated with the institution or exhibition.

Layout and Design:

• The page is formatted with a mix of text and visual elements, typical of an art catalog or exhibition program.
• The text is typed in a formal, serif font, and the layout is organized into paragraphs and sections.
• The illustration is placed to the right, with a caption below it, providing context and details about the depicted artifact.

Overall Context:

The image depicts a page from an art catalog or program from 1923, focusing on an exhibition of contemporary British art and Egyptian artifacts. The content highlights the collaboration between institutions, the significance of the artworks, and the educational and cultural value of the exhibition. The inclusion of both textual descriptions and visual illustrations suggests that this is a resource for art historians, curators, or enthusiasts interested in the period and the featured artworks.

The image shows a page from an old book or magazine, with the title "THE AMERICAN" at the top. The page is yellowed and worn, indicating its age.

• The text on the page is in black ink and appears to be a review of an art exhibition.
  • The review mentions the names of several artists, including Marion Monks Chase, Carl Gordon Cutler, and Charles Hopkinson.
  • It also describes the artwork displayed at the exhibition, including paintings and sculptures.
  • The review is written in a formal tone and includes quotes from the artists themselves.
• The page also includes a photograph of one of the artworks on display, which is a painting by Marion Monks Chase.
  • The painting depicts a landscape scene with rolling hills and trees.
  • The photograph is small and appears to be a reproduction of the original artwork.
• Overall, the page provides a glimpse into the art world of the time, highlighting the work of several notable artists and their contributions to the field.

The image provides a unique glimpse into the art world of the past, showcasing the work of several notable artists and their contributions to the field.

The image depicts a page from an old book or magazine, featuring a collection of articles and advertisements. The page is yellowed with age, indicating that it has been preserved for a significant period.

Article 1: "THE AMI"

• The first article on the page is titled "THE AMI" and appears to be about art.
• It discusses various art-related topics, including exhibitions, lectures, and courses.
• The article also mentions the Metropolitan Museum of Art and the Hispanic Society.

Article 2: "THE AMERICAN"

• The second article on the page is titled "THE AMERICAN" and focuses on Egyptian art.
• It discusses the discovery of a new tomb in Egypt and the excavation of ancient artifacts.
• The article also mentions the Metropolitan Museum of Art and its collection of Egyptian art.

Advertisement: "MARION MONKS CHASE"

• The advertisement on the page is for Marion Monks Chase, a photographer who specializes in capturing images of the American West.
• The ad features a photograph of a mountain range and promotes Chase's work as "the most beautiful and inspiring photographs of the American West."

Overall

• The page provides a glimpse into the world of art and culture in the early 20th century.
• It highlights the importance of museums and galleries in preserving and promoting art, as well as the role of photographers in capturing and sharing images of the natural world.

The image depicts a vintage book or magazine, likely from the early 20th century, displayed on a clear stand. The publication is bound in black and features yellowed pages with black text.

Key Features:

• The left page is titled "April 1928, THE AM" and contains an article about art programs and exhibitions.
• The right page includes a list of artists and their works, accompanied by a black-and-white image of an Egyptian carved relief from the XIX dynasty.
• The overall appearance suggests that the book is an art or literary magazine from the 1920s.

Display and Context:

• The book is showcased on a clear stand, allowing for easy viewing of both pages.
• The background is a plain gray surface, which helps to focus attention on the publication.

Overall Impression:

• The image presents a nostalgic and culturally significant artifact from the past, offering insights into the art world of the 1920s.

The image presents a vintage, open book with yellowed pages, secured by two clear plastic clips. The left page features an article titled "April 1928. THE AMI" and discusses the New York University's Department of Fine Arts, while the right page displays a continuation of the article, "THE AMERICAN," accompanied by a list of artists and their works, including Marion Monks Chase, Carl Gordon Cutler, and Charles Hopkinson.

Key Features:

• Book: The book is old and has yellowed pages.
• Clips: Two clear plastic clips hold the book open.
• Left Page:
  • Title: "April 1928. THE AMI"
  • Content: Article about the New York University's Department of Fine Arts
• Right Page:
  • Title: "THE AMERICAN"
  • Content: Continuation of the article, list of artists and their works
  • Artists:
    • Marion Monks Chase
    • Carl Gordon Cutler
    • Charles Hopkinson
  • Image: A black-and-white photograph of an ancient Egyptian artifact

Background:

• The background of the image is a plain gray color.

Overall:

The image appears to be a scanned or photographed page from an old book, possibly a magazine or journal, showcasing articles and artwork from the 1920s.