Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.24, Rendition: 795723
The image shows an open book, likely a magazine or journal, with text and a photograph on the pages. The pages are yellowed, suggesting that the book is quite old. The text appears to be discussing art and exhibitions, mentioning the Fogg Art Museum at Harvard University and other institutions like the Metropolitan Museum of Art.
The photograph on the right page is of an Egyptian portrait head from the XVIII Dynasty, which is associated with the Fogg Art Museum. The caption below the image identifies it as an "Egyptian Portrait Head, XVIII Dynasty" and credits the "Fogg Art Museum, Harvard University" as the source.
The text on the left page seems to be a news article or a report about the museum and its exhibitions, dated April 1928. It discusses the museum's activities, including courses and lectures, and mentions the Fogg Art Museum's involvement with the Whitney Studio Club of New York. The text also references the exhibition of Japanese art and the Fogg Museum's association with Harvard College.
The book appears to be part of a collection or archive, as indicated by the labels and tags on the pages.
The image shows an open book or magazine from April 1928, specifically "The American Magazine of Art." The left page contains a clipping with text about New York University's art department and its collaboration with the Metropolitan Museum of Art. The right page features an article discussing a unique exhibition at the Newark Museum, highlighting the concept that "beauty has no relation to age, rarity or price." The exhibition included various everyday objects purchased for no more than ten cents each, emphasizing that beauty can be found in simple and inexpensive items.
There is also a photograph of an Egyptian portrait head from the XVIII dynasty, located at the Fogg Art Museum, Harvard University. The article mentions an exhibition of Japanese art held at the Fogg Museum and discusses the work of Professor Eric R.D. Maclagan, who delivered lectures on Italian Sculpture at the Fogg Art Museum.
Additionally, there is a small note at the bottom right corner, dated May 1928, written by Charles J. Connick, praising the watercolor exhibitions at the Fogg Museum. The overall layout includes several text columns and a central photograph, typical of magazine articles from that era.
This image shows an open, aged copy of The American Magazine of Art, specifically the April 1928 issue, laid flat against a plain, light gray background.
The magazine appears to be bound in a dark, possibly black, hardcover with a slightly worn and textured spine visible on the left. The pages are visibly yellowed with age, and some show minor foxing and creasing, particularly at the edges. The right-hand page is the more prominent one, displaying a well-preserved layout with multiple columns of black serif text.
The main article on the right page is titled "BEAUTY FOR A DIME". It discusses an exhibition at The Newark Museum, curated by Director John Cotton Dana. The article emphasizes Dana's philosophy that "beauty has no relation to age, rarity or price," and describes an exhibition of inexpensive, everyday objects like cups, saucers, pitchers, and textiles, selected to illustrate this principle of accessible beauty.
Below this article, an inset photograph shows "EGYPTIAN PORTRAIT HEAD, XVIII DYNASTY" from the Fogg Art Museum, Harvard University. The image displays three dark stone busts of Egyptian figures, arranged side by side.
Adjacent to this photo, another column of text mentions Prof. Eric R. D. Maclagan, Director and Secretary of the Victoria and Albert Museum, London, who delivered a lecture series on Italian Sculpture at the Fogg Art Museum.
The left-hand page, partially visible, contains dated entries: "April 1928" and "May 1, 1928", followed by news items about the New York University Fine Arts program, the Art Department at New York University, and the Fogg Art Museum's exhibitions, including one honoring Professor Adolf Goldschmidt and another on contemporary American painting.
At the bottom of the right page, a smaller boxed article titled "New Fogg Museum" begins, dated May, 1928.
In summary, the image captures a historical snapshot of art criticism and museum culture in the late 1920s, focusing on themes of democratizing art appreciation and reporting on university programs and museum exhibitions, all presented in the classic format of an early 20th-century art periodical.
The image shows a page from a magazine. The magazine is titled "The American Magazine of Art." The page is from the April 1928 issue. The page contains several articles and advertisements. The main article on the page is titled "The American Magazine of Art" and discusses various aspects of art and culture. The article mentions the Newark Museum and its exhibition of works illustrative of the saying of the Museum's Director, John Cotsen Dana, that "beauty has no relation to rarity or price." The article also discusses the Fogg Art Museum at Harvard University and its exhibition of Japanese art. The page also contains advertisements for various art-related products and services, such as art supplies and art classes. The page has a vintage look and feel, with a mix of black and white text and images.
The image shows a page from a magazine titled "The American Magazine of Art." The page is divided into two columns of text, with a black-and-white photograph of an Egyptian head sculpture on the right side. The text on the left side discusses the cooperation between the Metropolitan Museum of Art and New York University, highlighting the benefits of this partnership for both institutions. The text on the right side provides information about the Egyptian head sculpture, including its historical significance and artistic value. The magazine page also includes a table of contents and a list of contributors at the bottom of the page.
The image depicts an open book, specifically a page from "The American Magazine of Art", dated April 1925. The page is numbered 422 and features a combination of text and an illustration.
The left column contains a detailed article discussing the Art Department of the New York University, established under the leadership of Charles H. Sherrill. It describes the department's offerings, including fifteen lectures, 122 courses, and a program developed through an initiative by the university. The text highlights the department's focus on fine arts, athletics, and the integration of art education into the broader university curriculum. It also mentions the department's financial support, its relationship with the Metropolitan Museum of Art, and the involvement of notable figures such as Charles H. Sherrill, Charles Dana, and others.
The right column continues the article, elaborating on the department's structure, its emphasis on practical and academic art education, and its collaboration with various institutions such as the Metropolitan Museum of Art, the Hispanic Society of America, and the Cooper Union. It also discusses the department's commitment to providing accessible and affordable art education.
The image captures a historical moment in art education and museum curation, showcasing the integration of academic art programs with museum resources and highlighting the cultural significance of ancient Egyptian art. The article reflects the early 20th-century interest in expanding access to art education and the role of institutions like New York University and the Fogg Museum in promoting artistic scholarship.
The image presents a page from an old magazine, featuring a photograph of an Egyptian portrait head and an article about the Fogg Art Museum's Egyptian collection. The page is yellowed with age, indicating its historical significance.
In summary, the image presents a page from an old magazine that features a photograph of an Egyptian portrait head and an article about the Fogg Art Museum's Egyptian collection. The page is yellowed with age, indicating its historical significance, and includes a list of contributors to the magazine. The photograph depicts a stone Egyptian portrait head, likely from the XVIII Dynasty, and is captioned with information about the artifact's provenance and acquisition by the Fogg Art Museum. The article discusses the museum's efforts to acquire and display Egyptian artifacts, highlighting the importance of these relics in understanding ancient Egyptian culture.
This image presents a page from the April 1928 issue of The American Magazine of Art, featuring an article titled "Beauty for a Dime." The article discusses the Newark Museum's exhibition of works illustrating the saying of the Museum's Director, John Cotton Dana, that "beauty has no relation to age, rarity or price." The exhibition showcased objects purchased in the stores of Newark and New York City, none of which cost more than ten cents each. They were selected by a member of the Museum staff for their shape, color, design, and for the general effect of the whole to illustrate that a thing which is of negligent cost may still be in good taste. The range of these objects included cups and saucers in a variety of wares, pitchers, glasses, glass vases, wall receptacles, trays, candlesticks, bowls and textiles.
The article also mentions that Mr. Dana, in announcing this exhibition, said: "It is part of a museum's business to call attention to simplicity, charm and beauty in the humblest and most inexpensive of useful things, and thus to make us realize that the pleasure the arts can give us is more dependent upon the seeing eye and the brain behind it, and the body's responsive thrill, than it is on the directions and instructions of the esthete or the art expert. Beauty and all enjoyment of it do not wait for time, cost or prestige. The decoration of a home is good, not because it cost money but because a sensitive eye and mind chose it. The objects in this exhibition suggest how much of beauty of art lies within the purchasing power of the humblest home."
The article concludes by stating that the exhibition was similar in purpose to an important loan exhibition of Japanese art shown in this country some years ago under the auspices of the Japan Society, since which time the appreciation of the Japanese art has grown enormously.
In the background, there are several pages of the magazine, with some text visible but not legible. The overall atmosphere of the image suggests a nostalgic and historical tone, highlighting the importance of art and beauty in everyday life.
The image shows an open book with a page featuring an article titled "THE AMERICAN MAGAZINE OF ART" and a black-and-white photograph of an Egyptian portrait head. The article is written in a formal, serif font and discusses various art-related topics, including exhibitions and museum collections.
Key Features:
Overall Impression:
The image appears to be a scan or photograph of an old book, possibly from a library or archive. The worn condition of the book and the presence of clips suggest that it may have been handled frequently or used for research purposes. The article and photograph on the page provide insight into the art world of the time, highlighting the importance of museums and exhibitions in promoting cultural understanding and appreciation.
The image presents a vintage, open book with yellowed pages, featuring an article from "THE AMERICAN MAGAZINE OF ART" on the right page. The article is accompanied by a black-and-white photograph of an ancient Egyptian stone bust of a man wearing a headdress.
Left Page:
Right Page:
Book Details:
Background: