Archives Scrapbooks

The image shows a page from an old book or magazine, featuring a list of art exhibitions or events, along with articles discussing art collections and critiques. The page is from the "Crimson," a publication from April 1928, and includes the following sections:

1. "Collections and Critiques":

   • Discusses an exhibition at the Fogg Museum, reporting on its first year.
   • Mentions the director, Forbes, who traces the development of the museum in a report to the president.
   • Highlights unusual activity in many lines during the first year of the museum's existence.
   • The move from the old museum to the new building is described as an important event, but was conducted in such a way as to minimize disruption to regular operations.
   • Lists several artists and their works, including sculptures, paintings, and craftwork by the alumni of the Massachusetts School of Art.

2. "Jordan Marsh Exhibit":

   • Describes an exhibition of watercolors at Jordan Marsh Company, Ninth Floor Annex, from April 5 to 14, 1928.
   • Mentions the efforts of local artists and their contributions to the exhibition.
   • Lists the artists and their works, including Frank Carson, James Floyd Clymer, Roland F. Cosimini, Carl G. Cutler, John Goss, J. J. Haffner, Charles Hopkinson, Peter Kilham, Ross Moffett, Harley Perkins, Charles H. Pepper, Arthur Pope, and Harry Sutton, Jr.

3. "Convention News 1928":

   • Announces the Nineteenth Annual Convention of the American Federation of Arts, to be held in Washington, D.C., from May 16 to 18, 1928.
   • Mentions that the President of the United States will give a brief opening address on the morning of May 16.
   • Describes the planned sessions, including those on "Museum Ideals," "Adult Education," "Art in the Schools," and "Art in Higher Education."
   • Lists the speakers for each session, including Fiske Kimball and Clyde Burroughs.

The bottom of the page includes a list of art exhibitions, with titles and artists' names, along with the lenders of the works. The lenders include Mrs. John Saltonstall, Boston; Alanson Hartpence, Esq., New York; Daniel, New York; New Art Circle, New York; and Jere Abbott, Esq., Cambridge. The artists include Léger, Juan Gris, Metzinger, Pascin, Marie Laurencin, Man Ray, Feininger, Beckmann, Gontcharova, and Chagall.

This image shows an open scrapbook with two pages visible. The left page contains several clippings and handwritten notes, while the right page is mostly blank with some discoloration. Here is a detailed description of each element:

Left Page:

1. Top Left Clipping:

   • Title: "Collections and Critiques"
   • Subtitle: "REPORTS ACTIVE FIRST YEAR FOR FOGG MUSEUM"
   • The clipping discusses the first year of the Fogg Art Museum and includes a report by E.W. Forbes, the director of the Museum. It mentions various activities and exhibitions held during the year.

2. Top Right Clipping:

   • Title: "CONVENTION NEWS 1928"
   • The clipping discusses the Nineteenth Annual Convention of the American Federation of Arts, held in Washington, D.C., from May 16-18, 1928. It mentions the participation of the President of the United States and various speakers and sessions.

3. Bottom Left Section:

   • This section lists various artworks and their descriptions, along with the names of the artists and lenders. The artists mentioned include Léger, Juan Gris, Metzinger, Pascin, Marie Laurencin, Man Ray, Feininger, and Beckmann. The descriptions include titles of artworks, types of works (e.g., watercolors, abstractions, landscapes), and the names of the lenders.

Right Page:

• The page is mostly blank with some discoloration, possibly from age or water damage. There are no significant texts or images on this page.

Overall:

• The scrapbook appears to be a collection of articles and notes related to art exhibitions, conventions, and museum activities from the early 1920s. The clippings are neatly arranged, and the handwriting suggests personal annotations or notes. The right page seems to be left blank, possibly for additional notes or clippings.

This is an image of an open, vintage scrapbook or clipping album, displaying two aged, yellowed pages with newspaper clippings neatly glued or taped into place.

• Left Page:

  • The dominant clipping is a large, bold headline: “Collections and Critiques” with a sub-headline “REPORTS ACTIVE FIRST YEAR FOR FOGG MUSEUM”. The date on this clipping is April 30, ’25.
  • Below the main headline, smaller text attributes the report to Director Forbes and mentions President Lowell.
  • The main body of the article describes the progress of the new Fogg Art Museum, including the process of moving from the old building, noting that "regular work was not interrupted" and that moving was done "on a small scale."
  • To the left of this main article, there is a smaller, partially visible column with the heading “JORDAN MARSH EXHIBIT”.
  • Along the bottom left of the page, there is a list of artists and their works, including LÉGER (“The Death of a Steamboat”), JUAN GRIS, METZINGER, PASCIN, MARIE LAURENCIN, MAN RAY, FEININGER, BECKMANN, GONCHAROVA, and CHAGALL. Each entry includes the artist’s name, nationality (if applicable), a work title or number, and loaner information (e.g., “Lent by Mrs. John Saltonstall, Boston”).

• Right Page:

  • A single, large clipping dominates the page with the headline: “April CONVENTION NEWS 1925”. Below the headline, a sub-headline reads, “American Magazine of the American Federation of Arts.”
  • This article announces the Nineteenth Annual Convention of the American Federation of Arts, to be held in Washington, D.C., on May 16, 17, and 18.
  • It details that the U.S. President will give a brief opening address on the morning of May 16.
  • It describes the schedule, including joint sessions with the American Federation of Arts and the two organizations, and three principal speakers for each session on “Museum Ideals,” “Adult Education,” “Art in the Schools,” and “Art in Higher Education.”
  • It lists the three speakers for the session on Art in the Schools: Mr. Henry Turner (Cleveland School of Art), Mr. Paul J. Sachs (Fogg Art Museum), and Professor Grummman (University of...).
  • The article continues to mention arrangements for a dinner on the evening of the 17th at the Phillips Memorial Gallery and a special Tri-Unit Exhibition at the Carnegie Institution of Washington.

• Overall Format and Condition:

  • The pages are from an old book with a black, textured hardcover binding.
  • The paper is visibly browned and brittle with age.
  • The clippings are affixed to the pages, and some show signs of yellowing and slight tearing, particularly at the edges.
  • The photograph is taken from a top-down, slightly angled perspective, showing the book lying open on a neutral, light-colored surface.

The content of the clippings suggests this scrapbook belonged to someone with a keen interest in art, museums, and arts administration in the mid-1920s, specifically related to institutions like the Fogg Art Museum and the American Federation of Arts.

The image is a spread from a book that appears to be a report or magazine. The left page contains a list of names and artworks with brief descriptions, while the right page has text related to a convention and museum activities. The text on the right page includes details about the convention, speakers, and museum events. The left page lists artworks with their titles, mediums, and locations, indicating that it might be a catalog or exhibition guide.

The image shows a book that is open to two pages. The book is titled "Collections and Critiques: Reports and Active First Year for Fogg Museum." The pages are filled with text, and the text is in black. The book is placed on a white surface. The book is open to pages 20 and 21. The pages are slightly curled. The book has a black cover. The book is placed on a white surface.

The image shows a page from a publication titled "Collections and Critiques", dated April 1925. The page appears to be from a magazine or journal focused on art and museum affairs. It contains a mix of textual content and a list of artworks displayed on the left side.

Left Side: List of Artworks

• The left column lists various artworks along with their titles, artists, and locations. Each entry includes:
  • Title of the artwork
  • Artist's name
  • Location or institution where the artwork is displayed
  • Medium or format (e.g., "Three water colours," "Landscape," "Still life," etc.)

Examples of listed artworks include:

1. LÉGER – The Death of a Steamboat (Three water colours) – Lent by Mrs. John Saltonstall, Boston
2. JUAN GRIS – 15 Abstraction – Lent by Alanson Hartpence, Esq., New York
3. METZINGER – 16 Landscape – Lent by Daniel Newburg
4. PASCIN – 17 Born in Bulgaria (Fig.) – Lent by New Art Circle, New York
5. MARIE LAURENCIN – 18 Girl – Lent by Jere Abbott, Esq., Cambridge
6. MAN RAY – 19 Still life – Lent by Daniel, New York
7. FEININGER – 20 Abstraction – Lent by New Art Circle, New York
8. BECKMANN – 21 Still life – Lent by New Art Circle, New York
9. GONTCHAROVA – 22 Flowers – Lent by Mrs. John Saltonstall, Boston
10. CHAGALL – 23 Scene – Lent by New Art Circle, New York

The artworks are attributed to notable artists such as Léger, Juan Gris, Metzinger, Pascin, Marie Laurencin, Man Ray, Feininger, Beckmann, Goncharova, and Chagall, indicating a focus on modern and avant-garde art.

Right Side: Textual Content

• The right column contains an article or report titled "Reports Active First Year for Fogg Museum", discussing the activities and achievements of the Fogg Art Museum during its first year of operation.
• Key points from the text include:
  • Director Forbes Traces Development in Report to President: The article mentions a report by Director Forbes detailing the museum's progress.
  • Unusual Activity in Many Lines Characterized the First Year: The text highlights significant developments and activities at the museum.
  • Moving of the Museum: The museum was in the process of moving from an old building to a new one, which was an important event.
  • American Federation of Arts Convention: The article references the American Federation of Arts convention, scheduled for May 16–18, 1925, which the Fogg Museum will participate in.
  • Sessions on Art Education: The museum will host sessions on art education, with speakers from various institutions.
  • Dinner for Museum Workers: A dinner for museum workers is planned for the evening of April 16, 1925.
  • Exhibition Arrangements: The article mentions special facilities arranged for a tri-unit exhibition of the Carnegie Institute of Pittsburgh.

Overall Context

The page combines a curated list of modern artworks on the left with a detailed report on the activities and developments of the Fogg Art Museum on the right. The content reflects the cultural and artistic landscape of the early 20th century, emphasizing modern art and museum operations. The inclusion of notable artists and the focus on museum activities suggest that this publication is aimed at art enthusiasts, museum professionals, and scholars.

This image shows two open pages from a vintage publication or book. The left page, which is less visible, seems to be a continuation of a section from another page labeled "Collections and Critiques," with dates written in pen above (April 9th, 25). There is a list of names, likely artists, each followed by their nationality in parentheses and the titles of artworks or description of their artistic style below, such as "LÉGER (French)" followed by "La Morte d'un Paquebot (The Death of a Steamboat) 12–14 (Three water colors)".

The right page has a clearer header, "Collections and Critiques," written in a serif font with subsequent dates penned above (April 9th, 25). It features an article with a title "REPORTS ACTIVE FIRST YEAR FOR FOGG MUSEUM," and underneath is the subheading that references Director Forbes Takes Development in Year to President. The article discusses various matters related to the Fogg Museum, including its growth and activities.

On the far right side of the image, we can see the book's or the publication's edge with several layers of pages, suggesting it's a printed and bound document. The pages have a tinge of age-related yellowing, which reaffirms the vintage aspect of the document. The text is written in English and is composed in a two-column layout, typical of newspapers and journals from an earlier era. The page has suffered some discoloration or possibly water damage, noticeable in the top right and bottom right corners, which might also indicate the item's age and the conditions it has been stored in.

The image shows an open scrapbook or album with two visible pages. The right page has cut-out newspaper articles pasted on it. These articles are mainly about art and museum news, including a headline titled "REPORTS ACTIVE FIRST YEAR FOR FOGG MUSEUM" and a note about the "Nineteenth Annual Convention of the American Federation of Arts" scheduled for May 1928. The articles include details about museum activities, exhibitions, and speakers at the convention.

The left page features a typed list of artworks and artists, including notable names such as Léger, Juan Gris, Metzinger, Pascin, Marie Laurencin, Man Ray, Feininger, Beckmann, Gontcharova, and Chagall. Each entry lists the title or type of artwork (e.g., "Abstraction," "Landscape," "Still life") and the lender or owner of the work, with locations like Boston, New York, and Cambridge mentioned.

The pages appear aged, with some yellowing or browning along the edges, indicating the scrapbook's vintage nature. The top of the right page has handwritten notes in pencil and ink, with dates like April 15 and April 30, 1928, and some crossed-out words. The overall image gives the impression of a carefully curated collection of art-related clippings and exhibition records from the late 1920s.

• An open scrapbook or bound magazine page with yellowed, aged paper and pasted newspaper clippings.
• The left page features a large header: “Collections and Critiques,” with a subheading about reports and the Fog Museum. There are columns of text and a list of artists (e.g., Léger, Juan Gris, Metlinger/Metzinger, Pasin, Marie Laurencin, Man Ray, Beckmann, Gontcharova, Chagall) with brief notes or captions, including a section that looks like artwork titles (e.g., “The Death of a Steamboat” by Léger).
• The right page contains a dense block titled “April Convention News 1925,” describing events of the Nineteenth Annual Convention of the American Federation of Arts, with mentions of the President, museums, and other convention details.
• The pages are worn, with a dark binding visible at the edges, giving the overall appearance of an old archival document.

This image displays a page from a scrapbook or collection, containing clippings of text, likely from newspapers or magazines, related to events and art reviews. Here's a breakdown of the primary content:

1. Headline:

   • The largest header at the top says "Collections and Critiques" alongside "Reports Active First Year for Fogg Museum" with further text referring to achievements by the Director, Forbes, and the museum's development.

2. Clippings and Reports:

   • The clippings seem to summarize various discussions around museums, their developments, and art history. An emphasis is placed on Fogg Museum's first year of activity and Director Forbes' report to the President of the institution.

3. Convention News (1925):

   • A clipping at the right side details information about the 19th Annual Convention of the American Federation of Arts to be held in May 1925 in Washington. It notes the possibility of the President of the United States attending and mentions planned discussions and speakers during the event.

4. Artists and Works:

   • The bottom of the image includes a list of artists’ names paired with their works:
     • For example: Juan Gris ("15 Abstraction"), Marie Laurencin ("18 Girl"), Chagall ("23 Scene"), and others.

5. Layout:

   • The text clippings are mounted or pasted onto a page, which appears old, with signs of fading/patina on the paper. At the bottom, another section is partially visible, with additional details about art loans and exhibitions.

This image captures content documenting art exhibitions, museum developments, and related cultural events from the early 20th century.