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ARCH.2003.24, Rendition: 795709
This image appears to be a page from a magazine or book titled "The Arts," dated March 1928. The central focus of the page is a photograph of a pottery ox-cart, labeled as "Chinese: Early Tang" and attributed to the Hoyt Collection, Fogg Art Museum. The cart features a seated figure and a large, detailed wheel.
Below the image, there is an article titled "BOSTON LETTER," which discusses the intersection of modern trade and art in Boston. The text mentions the efforts of the Jordan Marsh Company to exhibit modern art and crafts in a retail setting, contrasting it with the Art Club's exhibitions of Picasso's work. The article also references the collection of a Tintoretto painting by Mrs. W. Scott Fitz and Robert Treat Paine, 2nd, and the acquisition of a Spanish fresco by the museum. The page is numbered 194 at the bottom.
This image shows a page from a publication or book, likely from the early 20th century, as indicated by the date "March, 1928" written at the top. The page is titled "The Arts" and discusses the relationship between modern trade and modern art in Boston. The text is organized into two columns, with the left column beginning with the heading "BOSTON LETTER" and the right column continuing the text.
At the top of the page, there is a photograph of a "POTTERY OX-CART" from the "Hoyt Collection, Fogg Art Museum." The caption under the photograph states that it is "CHINESE: EARLY TANG."
The text in the left column discusses how modern art and crafts are being sought out and given exhibition in specially designed settings in a great department store, Jordan Marsh Company. It mentions that this move is an indication of a belief that the ideas incorporated in such works have pertinency.
The text in the right column continues the discussion, mentioning names such as Paul Kiss, Vlaminck, Zorach, Ferguson, Biddle, Scaravaglione, and Poor, and how their works on display will stimulate rather than retard trade. It also mentions a portrait by Tintoretto that has been presented to the Museum of Fine Arts by Mrs. W. Scott Fitz and Robert Treat Paine, 2nd.
The page number "194" is visible at the bottom right corner. The book appears to be old, with yellowed pages and a dark binding.
This image displays an open book or bound magazine from March 1928, featuring an article titled “BOSTON LETTER” under the section heading “The Arts.”
The page contains:
A Central Photograph: A black-and-white image of a Chinese “Pottery Ox-Cart” from the Early Tang dynasty, part of the Hoyt Collection at the Fogg Art Museum. The artifact depicts a stylized ox pulling a covered cart with large, spoked wheels.
Headings: The top of the page is marked “The Arts” on the left and “March, 1928” on the right.
Article Text: The “BOSTON LETTER” is a cultural commentary discussing the intersection of modern trade and modern art in Boston. It highlights the progressive stance of the Jordan Marsh Company, a major department store, which mounted a significant exhibition of modern art—including works by Picasso, Paul Klee, and others—in its retail space to educate the public.
Additional Notes: The article also mentions the donation of a portrait by Tintoretto to the Museum of Fine Arts by Mrs. W. Scott Fitz, and references a “splendid Spanish fresco” acquired by the Museum.
Page Number: The bottom right corner shows the page number 194.
The page is printed on aged, yellowish paper and is bound in a dark, textured hardcover volume. Two small, white plastic clips are attached to the top and bottom of the page, likely for preservation or display. The visible edge of the book’s spine on the left shows some faded text, including “THE ARTS” and “Vol. 55.” The overall impression is of a historical periodical document related to art and culture in early 20th-century Boston.
The image is of a magazine titled "The Arts" from March 1928. The magazine has a picture of pottery and a Chinese ox cart, and the text discusses the relationship between modern art and commerce. The article mentions that modern art and commerce have been loath to bring to the city, and modern crafts have been sought out and given exhibition in specially designed settings in a great department store. The article also mentions that a portrait by Tintoretto has been presented to the Museum of Fine Arts by Mrs. W. Scott Fitz and Robert Treat Paine.
The image is a photograph of an open page from a magazine or journal titled "The Arts." The page is dated March 1928. The layout is a typical magazine format with a central article and an accompanying photograph.
On the left side of the page, there is a black-and-white photograph of a piece of pottery, labeled "POTTERY OX-CART." Below the photograph, there is a brief caption that reads "Heyl Collection, Fogg Art Museum."
On the right side of the page, there is another black-and-white photograph labeled "CHINESE: EARLY TANG." This photograph shows an intricate Chinese artifact, possibly a piece of pottery or a decorative object, with detailed craftsmanship.
The central text is an article titled "BOSTON LETTER." The article discusses the influence of modern art and commercial culture on the city of Boston. It mentions the efforts of Jordan Marsh, a prominent department store, to promote modern art and design through special exhibitions and displays. The article highlights the store's recent exhibition of sculptures, paintings, and decorative elements, emphasizing the importance of art in retail and its impact on public taste.
The article also touches on the display of a Tintoretto portrait, which is contrasted with the more traditional and classical works of art. The author comments on the contemporary relevance of such displays and the role they play in shaping public perception of art.
The magazine page is bound with a black cover, and the edges of the pages are slightly worn, indicating that the magazine is from an older publication. The text is printed in a serif font, which was common for publications of that era.
In summary, the image depicts a page from a 1928 issue of "The Arts" magazine, featuring an article about the influence of modern art in Boston, with accompanying photographs of pottery from the Heyl Collection and a Chinese artifact from the Early Tang period.
The image shows an open book with a page titled "Boston Letter" dated March, 1928, as indicated at the top of the page. The book appears to be part of a collection titled "The Arts", as seen in the header at the top left of the page. The page is numbered 194 at the bottom right.
Text Content:
Illustrations:
Layout and Design:
Condition:
Overall, the image depicts a page from a historical art publication, blending textual analysis with visual examples of artifacts, reflecting the intersection of art, commerce, and cultural trends of the time.
This image shows a page from a book or a journal. The page is titled "The Arts" at the top left corner, and has a date "March, 1928" at the top right corner. The main feature of the page is a black and white photograph labeled "POTTERY OX-CART CHINESE: EARLY TANG Hoyt Collection, Fogg Museum."
Below the photo, the page begins with a heading "BOSTON LETTER" followed by text. This appears to be an article that discusses the art-related affairs and exhibitions in Boston at the time, referring to commercial houses, current trends in art collecting, and specific art pieces and their donors.
The page shows some wear and aging, which is indicated by the yellowing of the paper and what appears to be slight creasing or folding marks on the left edge. There are some handwritten annotations on the top of the page, likely by a previous reader or owner of the document. The black string or ribbon at the top left corner possibly serves as a bookmark or is part of the binding of the book or journal.
This image shows an open book or magazine page titled "The Arts" dated March, 1928. The page features a black and white photograph of a pottery ox-cart labeled "POTTERY OX-CART, CHINESE: EARLY TANG, Hoyt Collection, Fogg Art Museum." Below the image, there is an article titled "BOSTON LETTER." The article discusses modern trade, art, and commerce in Boston, mentioning the Jordan Marsh Company, a Picasso's revamped classicism exhibition, and the Paris Salon d'Automne. It also references a portrait by Tintoretto and a Spanish fresco acquired by a museum. The page number at the bottom is 194.
This image shows a page from a book or magazine titled "The Arts" dated March 1928. The page number is 194. At the top, there is a black-and-white photograph of a pottery ox-cart labeled “Pottery Ox-Cart, Chinese: Early Tang, Hoyt Collection, Fogg Art Museum.” Below the image is an article titled "Boston Letter." The article discusses the relationship between modern art and commerce in Boston, mentioning exhibits, the Jordan Marsh Company's efforts, and ongoing art initiatives at the time. The page has a clean layout with text in columns and no color. The surrounding edges of the pages suggest this is part of a bound book or document.
The image shows an open, aged scrapbook or magazine bound in a dark cover. On the right-hand page, handwritten at the top read “The Arts” and “March, 1928.” A small black-and-white photograph in the middle depicts a pottery ox-cart, labeled “POTTERY OX-CART CHINESE: EARLY TANG” with a caption noting the Hoyt Collection, Fogg Art Museum. Below the image is a two-column article titled “BOSTON LETTER,” starting with a large initial drop cap. The page is numbered 194 at the bottom. The overall look is vintage, with yellowed pages and visible stitching.