Archives Scrapbooks

The image displays a page from a book or catalog, featuring a reproduction of a painting titled "The Shooting of the Brigand" by Goya y Lucientes. The illustration is a black-and-white print depicting a dramatic scene where a figure in dark clothing is aiming a musket at another figure who appears to be falling or being hit, with a third figure seemingly in motion, possibly running away or attempting to intervene. The background is a simple stone wall, adding to the stark and intense atmosphere of the scene. Below the illustration, there is a written description discussing the work, its provenance, and comparisons to other artists and artworks.

This image is a page from a book or magazine discussing an artwork titled "The Shooting of the Brigand" by Goya y Lucientes. The page is open to show a reproduction of the artwork at the top, depicting a dramatic scene with a man in a cloak aiming a gun at another man who appears to be running or trying to escape. The background of the artwork shows a stone wall and a figure lying on the ground.

Below the artwork, there is a caption that reads: "The Shooting of the Brigand. Lent by Martin A. Ryerson, Esq."

The text on the page discusses the artwork and its context within Goya's body of work. It mentions comparisons of the painting with other works by Goya and his imitators, and references the centenary of Goya's death in 1928. The text also mentions an exhibition at the Toledo Museum of Art and the Metropolitan Museum.

The page is numbered 182 and is part of a section titled "Variety of Exhibits." There are also some additional notes and clippings attached to the page.

This image shows an open, vintage scrapbook or exhibition catalog, displaying page 182. The page is titled “VARIETY OF EXHIBITS” and features a prominent black-and-white reproduction of a painting.

Central Image:

• The reproduction is titled “THE SHOOTING OF THE BRIGAND” by GOYA Y LUCIENTES (Francisco Goya).
• It depicts a dramatic, tense scene: a man in dark, loose clerical-style robes aims a rifle at another man who is recoiling or falling backward. The victim appears bare-chested with light-colored trousers, arms flailing, as if struck or startled. The background is dark and indistinct, suggesting an interior or shadowed space. The style is expressive and painterly, typical of Goya’s later work.

Text and Context:

• Beneath the image, text identifies the painting and credits Martin J. Ryerson, Esq. as the lender.
• The main body of the page is an art critique or catalog entry discussing Goya’s work and technique, comparing this piece to his portrait of Philip IV and noting its “plastic quality.” It also references the 1928 centenary of Goya’s death and mentions the Toledo Museum of Art’s planned commemoration.
• The entry compares Goya’s “Bull Fight” representation to that of the Metropolitan Museum and discusses Eugenio Lucas as a frequent imitator of Goya.
• The page also references a portrait by Arthur and Alice Sachs, titled “Don Asensio Juliá,” noting its “dextrous handling” and connection to artists like Manet.
• A note at the bottom of the page mentions prizes awarded for sculpture and painting, including one to George Laurence Nelson for his “Bavarian Girl.”

Book Presentation:

• The scrapbook is bound in dark cloth or leather, with visible wear along the spine and hinges.
• A small, handwritten label on a thin strip of paper at the top reads “Transcript April 5, 21” — likely indicating the catalog or transcript date.
• The page is held open by thin, translucent paper clips or tethers, suggesting it's part of a preserved archival or museum collection.
• The edges of preceding pages are visible on the left, showing printed text and some faded or handwritten markings.

Overall, this is a historical exhibition catalog page — likely from the 1920s — documenting and analyzing Goya’s work during a major commemorative exhibition, contextualizing it among other Spanish and European artists of the time. The scrapbook format suggests it may be a personal or institutional record of an exhibition or art collection.

A book is open to a page that features an image of two men in a fight, and the text reads "The Shooting of the Brigand" by Martin A. Ryerson, Esq. The book is titled "Variety of Exhibits," and it appears to be a catalog of an art exhibition. The book is placed on a table, and the page is illuminated by a light, casting a shadow on the page.

A page from a book is open, displaying an image and text. The image is a black-and-white photograph of two men. One man is dressed in a cloak and hat, holding a sword, while the other man is wearing a hat and boots, holding a stick. The photograph is titled "The Shooting of the Brigand" and is attributed to Goya y Lucientes. The text below the photograph provides information about the artist and the artwork.

The image depicts an open book, specifically a page from a catalog or exhibition guide titled "Variety of Exhibits." The page features a detailed illustration and accompanying text describing an artwork.

Illustration:

• The illustration shows a dramatic scene titled "The Shooting of the Brigand" by Francisco Goya, painted by Martín A. Bye, Esq.
• The scene portrays a tense moment: a man in a dark cloak and hat is holding a weapon, seemingly in the act of shooting another individual who is in a defensive posture. The second figure is dressed in lighter clothing and appears to be reacting to the attack.
• The style of the illustration is realistic and dynamic, capturing the intensity of the moment.

Text Content:

• Title and Artist: The artwork is identified as "The Shooting of the Brigand" by Goya, with the illustration attributed to Martín A. Bye.
• Commentary: The text discusses the realism and technical skill of Goya's work, comparing it to other Spanish masters. It notes that the present illustration is likely not painted from life but is a continuation of Goya's style, focusing on the strength and plasticity of the figures.
• Contextual Information: The text mentions Goya's genius and references his other works, such as "Don Asenio Julia, The Artist" and "The Bull Fight," comparing them to the current piece. It also touches on Goya's reputation as a "profilic though uneven painter" and references other artists who imitated his style, such as Eugenio Lucas.
• Exhibition Details: The page is part of a catalog or transcript dated April 23, 1928, and includes a reference to a commemorative exhibition planned to honor Goya's death and the Toledo Museum of Art's collection of his work. The text also mentions that the artwork is part of the Metropolitan Museum's permanent collection.

Layout and Design:

• The page is formatted with a clear heading, "THE SHOOTING OF THE BRIGAND," followed by a subheading that identifies the artist and the illustrator.
• The illustration is centrally placed above the text, drawing immediate attention.
• The text is organized into paragraphs, providing a detailed analysis of the artwork and its place within Goya's broader body of work.
• The page number 182 is visible at the bottom, indicating its position within the larger publication.

Additional Details:

• The left margin of the page includes vertical text that appears to be a catalog or inventory list, possibly referencing other exhibits or artists. This text is partially visible and seems to be a cataloging system.
• The top of the page has a header that reads "Transcript" and a date (April 23, 1928), suggesting this is part of an archival or exhibition record.
• At the bottom of the page, there is a note mentioning that sculptures in bronze by William Hunt and paintings by Dieterich will be on display for the last two weeks, and the page was awarded to George Laurence Nelson for his "Bavarian Girl."

Overall Impression:

The image portrays a scholarly and detailed examination of Goya's work, presented in a formal catalog or exhibition guide. The combination of the dramatic illustration and the analytical text provides both visual and intellectual engagement, highlighting the historical and artistic significance of the piece. The layout and design suggest this is part of a curated collection or archive, likely from an art museum or exhibition.

This image shows an open book or catalogue displaying a page with an excerpt of a text and a black and white reproduction of a painting or print. The text on the left page is titled "THE SHOOTING OF THE BRIGAND" by Mártin A. Ryerson, Esq. Below the title, the text seems to describe the artwork and provides an analysis, indicating a comparison with other works, mentioning technical merits, and referencing Goya's genius, suggesting the piece might be related to Goya's body of work or a piece inspired by it.

The artwork on the right side depicts two figures in a dynamic scene, both wearing historical clothes. The figure on the right hand side, appears to be lunging or falling forward while the one on the left is standing straight and appears to be dressed in dark clothing, which includes a long cloak or cape. The setting looks sparse and could be an outdoor space with a wall and the ground visible.

The background includes a ruler laying on top of the pages, possibly used as a bookmark, which suggests the book is quite large. The setting of the book seems to be a workspace or a study area, as suggested by the presence of the ruler and the edge of a desk or table visible at the top of the image.

The image shows an open book featuring a black-and-white reproduction of a painting titled "THE SHOOTING OF THE BRIGAND" by Goya y Lucientes. In the artwork, a man dressed in dark clothing and a cape is aiming a rifle at the back of another man, who appears to be in the act of jumping or fleeing. The setting looks like an outdoor scene with stone architecture in the background.

Below the image, there is a caption crediting the painting as lent by Martin A. Ryerson, Esq. The text on the page discusses the qualities and artistic significance of the work, comparing it to other works by Goya and other Spanish old masters, examining the realism, technique, and influence of the painting. The page number is 182. The book itself seems to be a scholarly or art historical volume focusing on Spanish art.

A photo of an open, old book showing a black-and-white reproduction of Francisco Goya’s etching titled “The Shooting of the Brigand” (Goya y Lucientes). The scene depicts a cloaked figure firing a pistol at a bricked wall-side scene, with a second figure (appearing to run or recoil) and a horse in the background. The image is captioned with the title and artist “THE SHOOTING OF THE BRIGAND” and “GOYA Y LUCIENTES.” The page number at the bottom reads 182, and there is text in two columns surrounding the illustration. The surrounding pages have a yellowed, aged look.

The image appears to depict a page from a book or a catalog featuring a grayscale reproduction of a painting titled "The Shooting of the Brigand" by Francisco Goya. The painting portrays a dramatic scene, where two individuals engage in a tense struggle. One figure, possibly a soldier or executioner, holds a weapon aimed at the other individual, who is depicted mid-motion, reacting as if startled or in defense. The scene is evocative and dynamic, emphasizing tension and movement.

The page includes text below the image, which likely offers a description or analysis of the artwork and provides some contextual information, such as Goya's style or details about the painting's significance. The book page is from a reference or exhibition catalog, evident by the bordered style and surrounding pages visible in the open book.