Archives Scrapbooks

This image shows a page from a book or magazine, specifically from the March 1928 issue of "The Arts." The page features an illustration of a painting titled "Christ Driving the Money-Changers from the Temple" by El Greco. The text below the illustration is an article titled "Spanish Painting: Greco to Goya" by A. Philip McMahon, discussing the exhibition of Spanish paintings at the Metropolitan Museum, which included works by El Greco, Ribera, Zurbarán, Velazquez, and Goya.

The article mentions that while some of the best Spanish paintings from the Museum of the Hispanic Society, the Chicago Art Institute, and the Boston Museum of Fine Arts were not available for the exhibition, a significant portion of the exhibition was still notable. The article also notes that the exhibition was an important event for American interest in Spanish art, rather than Spanish achievement in painting.

The page is part of a collection of historical documents, with labels and annotations indicating it has been part of a study or research project. The labels include dates and references to other sources, suggesting that the page is from a curated archive, possibly for educational or archival purposes.

This image shows an open book or magazine with a page that has a black-and-white illustration and text. The page is titled "The Arts" and is dated "March 1928." The illustration at the top is of a painting titled "Christ Driving the Money-Changers from the Temple" by El Greco, lent by the Minneapolis Institute of Arts. Below the illustration, there is an article titled "Spanish Painting: Greco to Goya" by A. Philip McMahon. The text discusses a loan exhibition of Spanish paintings at the Metropolitan Museum and provides details about the paintings and artists featured in the exhibition. The page number at the bottom is 172. The book appears to be old, with slightly yellowed pages and some visible wear. There is also a piece of clear plastic or tape partially covering the page.

This image shows an open vintage scrapbook or journal, displaying a single page from a historical publication.

Overall View:
The page appears to be from a magazine or art journal titled The Arts, dating to March 1928, as handwritten at the top of the page. The page is visibly aged, with yellowed paper and some tape repairs on the right edge. The scrapbook has a dark, textured hardcover binding visible on the left.

Page Content:

• Heading & Date: The top of the page features a handwritten note in black ink: "The Arts" and below it, "March 1928".
• Main Image: The central focus is a large, black-and-white photographic reproduction of a famous painting.
  • Caption: Below the image, a caption identifies it as: "CHRIST DRIVING THE MONEY-CHANGERS FROM THE TEMPLE" by "EL GRECO". It also notes that the original painting was "Lent by the Minneapolis Institute of Arts."
• Headline & Article: Below the painting, the main article headline reads: "SPANISH PAINTING: GRECO TO GOYA" by A. PHILIP McMAHON.
• Text: The article begins by discussing the significance of the then-current loan exhibition of Spanish paintings at the Metropolitan Museum, noting that despite the absence of some of the best works from U.S. collections (like those in the Hispanic Society, Chicago, and Boston), the exhibition is an important occasion to witness Spanish art. The text details the number of works by various masters included in the show, mentioning thirteen by El Greco, seven by Velázquez, seven by Murillo, and twenty-three by Goya, among others.
• Page Number: The bottom center of the page shows the number 172.
• Clippings & Annotations: Other small, clipped newspaper or magazine articles are pasted onto the left-hand side of the page and along the top edge. One small clipping at the top right, partially cut off, appears to be from April 1928 and mentions "The Prime Shop—Oil paintings, etchings, prints and water colors." Another small clipping at the very bottom of the page has text discussing small sculptures and awards.

Style: The photograph of the El Greco painting is a monochrome reproduction. The article is printed in a traditional serif font, typical of early 20th-century publications. The handwritten title and date add a personal, archival touch, indicating this page was intentionally preserved and cataloged by the scrapbook's owner.

In summary, this is a page from a 1928 issue of The Arts magazine, featuring an article on Spanish painting and a large reproduction of El Greco's "Christ Driving the Money-Changers from the Temple," preserved within a personal scrapbook.

A page from a magazine is open and displayed on a white surface. The page is part of a magazine with a black cover. The page has a title that reads "The Arts Match 1928." Below the title is an image of a painting with a black and white filter. The painting depicts a group of people gathered in a room, possibly a church. The text below the image reads "Christ Driving the Money-Changers from the Temple" by El Greco.

The image shows a page from a book, which is titled "The Arts March 1928." The page has a black-and-white photograph of a painting at the top, with the title "Christ Driving the Money-Changers from the Temple" by El Greco. The painting depicts a scene with several people gathered around a table, with a man in the center holding a whip. The text below the photograph provides information about the painting and the artist. The text is written in a small font and is divided into paragraphs. The page also has a table of contents on the left side, with the heading "VARIETY OF EXHIBITS."

The image shows an open book or catalog, likely from an art exhibition or academic collection. The page is titled "Spanish Painting: Greco to Goya" and is authored by A. Philip McMahon. The page number is 172, and the heading at the top reads "Variety of Exhibits".

Key Elements in the Image:

1. Title and Author:

   • The main title is "Spanish Painting: Greco to Goya", indicating a focus on Spanish art spanning from the works of El Greco to Francisco Goya.
   • The author is A. Philip McMahon.

2. Exhibit Description:

   • The text discusses an exhibition of Spanish paintings at the Metropolitan Museum of Art.
   • It highlights that while some of the best Spanish paintings are not on loan, the exhibition still features notable works by prominent Spanish masters, including:
     • El Greco (thirteen works)
     • Ribera (six works)
     • Zurbarán (four works)
     • Velázquez (seven works)
     • Murillo (seven works)
     • Mazo (two works)
     • Goya (twenty-three works)
   • The exhibition is noted for its considerable importance in the field of Spanish art, with American interest in Spanish achievements being more prominent than in Spanish art itself.

3. Illustration:

   • A detailed black-and-white illustration is featured prominently on the page. The artwork depicted is titled "Christ Driving the Money Changers from the Temple" and is attributed to El Greco.
   • The illustration shows a dramatic scene with numerous figures, including Christ, who is depicted in the center, surrounded by people engaged in various actions. The setting appears to be an architectural space, possibly a temple, with columns and an open structure in the background.

4. Additional Notes:

   • The text mentions that a convenient catalogue has been issued by the Metropolitan Museum, containing reproductions of all but two of the pictures shown.
   • It references two specific works:
     • A portrait of two girls by Zurbarán, found in A. L. Mayer's Geschichte der Spanischen Malerei, page 327.
     • A smaller version of Goya's La Tirana, the original of which is in Dr. A. L. Mayer's collection.
   • At the bottom of the page, there is a note indicating that small sculptures in bronze by William Hunt Diezfried were shown from March 25–April 14, and that paintings, watercolors, and small sculptures were to be held for the last two weeks of the exhibition.
   • There is also a mention of an award for George Laurence Nelson for his work "Bavarian Girl."

5. Handwritten Notes:

   • The page has handwritten notes in the margins, including the words "The Arts" and "March 1928", suggesting the context or date of the exhibition or catalog.
   • There is also a label or tag at the top right corner that reads "Transcript April 27, 1928", indicating that this page may have been part of a transcribed or archived document.

Overall Context:

The image depicts a page from an art exhibition catalog or academic publication focused on Spanish painting, highlighting the works of key Spanish artists from El Greco to Goya. The detailed illustration of El Greco's "Christ Driving the Money Changers from the Temple" serves as a visual centerpiece, emphasizing the significance of the exhibition and the artists featured. The handwritten notes and labels suggest that this page may have been part of a larger archival or research collection.

The image depicts an open vintage magazine or publication, specifically featuring an article about Spanish painting, titled "SPANISH PAINTING: GRECO TO GOYA" by A. Philip McMahon. It has a date mentioned at the top: "March 1928." A reproduction of a classical painting is shown, capturing a crowded scene with figures in dynamic poses, typical of historical or religious-themed artworks. The page below the image provides text that discusses Spanish paintings in various U.S. museums and collections, notably mentioning works by El Greco, Ribera, Murillo, and Velazquez. In the upper right-hand corner, there are some annotations in pencil, possibly referring to a catalog or inventory system. The publication appears to be part of a series since it's categorized under "VARIETY OF EXHIBITS" and has tabs along the edge, possibly for organization. There are also several bookmarks or tabs at the edge of the page, likely indicating important sections or articles.

This image depicts a page from a book or magazine titled "The Arts" with a date noted as March 1928. The primary focus of the page is an article titled "SPANISH PAINTING: GRECO TO GOYA" by A. Philip McMahon. At the top center, there is a black-and-white illustration of a famous painting called "Christ Driving the Money-Changers from the Temple" by El Greco, which is lent by the Minneapolis Institute of Arts.

The article discusses Spanish paintings and their exhibition in American museums. It mentions notable works by Spanish masters including El Greco, Ribera, Zurbarán, Velazquez, Murillo, Mazo, and Goya, emphasizing the significance of these paintings in the context of American interest in Spanish art.

The page number 172 appears at the bottom center of the page. The text is printed in a traditional serif font, and the page appears to be part of a bound volume, possibly an art journal or review from the early 20th century.

• A page from an old scrapbook or magazine opened to an article titled “SPANISH PAINTING: GRECO TO GOYA” by A. Philip McMahon.
• At the top, hand-written notes read “The Arts” and “Match 1928.”
• In the center is a black-and-white reproduction of El Greco’s Christ Driving the Money-Changers from the Temple, set in a vaulted, columned interior with several figures reacting to the scene.
• The caption under the image identifies the work and credits El Greco.
• The page number 172 is at the bottom, and the surrounding pages show other exhibit listings (e.g., “VARIETY OF EXHIBITS”).
• The page is bound in a dark album, with a protective white insert holding the clipping.

This image depicts a page from a publication titled The Arts, dated March 1928. The article appears to discuss Spanish painting, with the specific focus on famous Spanish artists such as El Greco and Goya, as indicated by the title "Spanish Painting: Greco to Goya" by A. Philip McMahon.

At the top of the page is a black-and-white reproduction of El Greco's artwork titled Christ Driving the Money-Changers from the Temple, accompanied by a caption. The painting showcases an expressive scene of Jesus expelling the money changers from the temple, a theme often depicted in classical art. Surrounding the main figure are several distressed individuals, with an architectural backdrop featuring tall columns.

The article below the image discusses notable paintings that were expected to be showcased in exhibitions and mentions contributions by prominent Spanish artists like El Greco, Velázquez, Ribera, Murillo, Zurbarán, and Goya. The text highlights the exhibition’s significance and relevance to American interest in Spanish art. Some visible markings and additional text, such as "Variety of Exhibits" and "Transcript April," indicate that the publication might be part of a larger archived collection. A handwritten note "The Arts, March 1928" appears at the top of the page.