Archives Scrapbooks

The image displays an open page from a newspaper or publication, likely from the early 20th century given the style of the text and the quality of the photographs. The page includes a mix of articles, announcements, and images related to art exhibitions and museums.

On the left side, there is a list of upcoming art exhibitions and galleries, detailing various shows, their locations, and dates. The exhibitions are spread across different venues, including the Museum of Fine Arts, the Isabella Stewart Gardner Museum, the Fogg Art Museum, and others. The dates mentioned range from April 27 to May 6, indicating the time period covered by the publication.

In the middle section, there is a photograph labeled "QUADRANGLE OF THE FOGG ART MUSEUM," showcasing the interior of what appears to be a historic building with arched passageways. The image is accompanied by a caption that describes the quadrangle as a space typical of medieval monasteries, emphasizing the simplicity and design of the arches.

On the right side, there is an article titled "Collections and Critiques: FOGG MUSEUM EXHIBITS FACSIMILE ENGRAVINGS," which discusses an exhibit of facsimile engravings at the Fogg Art Museum. The article mentions that the exhibit features reproductions of works by Dutch and Flemish masters, such as Rembrandt, Rubens, and Van Dyke. It notes that the reproductions are displayed to showcase the classical art of the 17th century and that they are considered suitable for museum collections.

Below the article, there is another photograph of a portrait labeled "LEFT—PORTRAIT OF A LADY," which is a work of Dutch XVIIth century painting by Gerard Terburg (1617-1681). The portrait was loaned by Samuel Sachs and is being displayed at the Fogg Art Museum.

The overall layout of the page suggests it is part of a larger publication focused on cultural and art-related news, with a focus on the Fogg Art Museum and its exhibitions.

The image is a page from a scrapbook or newspaper clipping, dated April 27, 1928, titled "Collections and Critiques." It features several sections of text and two photographs.

1. Text Sections:

   • Hotel and Travel News: This section provides information about various art galleries and museums, including their opening hours, admission fees, and current exhibitions. Notable mentions include the Museum of Fine Arts, Isabella Stewart Gardner Museum, Fogg Art Museum, and several galleries like R. C. Vose Galleries, Casson Galleries, and Doll & Richards Gallery. The exhibits range from New England gardens and doorways by Abbott Graves to paintings and sculptures by various artists.
   • Collections and Critiques: This section discusses an exhibition at the Fogg Art Museum featuring facsimile engravings of works by Dutch and Flemish masters. The exhibition includes reproductions of drawings and engravings by well-known artists like Rembrandt, Rubens, and Van Dyck. The text explains the historical significance of these artists and the quality of the facsimiles.

2. Photographs:

   • Quadrangle of the Fogg Art Museum: The photograph shows the interior of the Fogg Art Museum, specifically the quadrangle. The caption describes the austere simplicity of the arches and how they seem to typify the lives of medieval monks, the preservers of ancient art.
   • Portrait of a Lady: This is a photograph of a painting by Gerard Terburg (1617-1681), a Dutch 17th-century artist. The painting is currently being shown at the Fogg Art Museum and was loaned by Samuel Sachs. The lady in the portrait is dressed in dark clothing with a white collar and a white head covering, standing against a dark background.

The page is part of a scrapbook, as indicated by the visible binding and the way the clippings are arranged. The overall theme of the page is art and cultural exhibitions, with a focus on the Fogg Art Museum and its collections.

This image displays an open scrapbook or album page from April 28, 1928, featuring several newspaper clippings centered around art exhibitions, primarily at the Fogg Art Museum in Cambridge, Massachusetts.

Layout and Content:

The page is arranged with three main components:

1. Left Column (Hotel and Travel News - Art-Theatre-Music):

   • This is a vertical column listing various art exhibitions and events in the Boston area.
   • Listings include the Museum of Fine Arts (open daily), Isabella Stewart Gardner Museum (open Tuesdays, Thursdays, Saturdays), Peabody Museum (Maya Art), R. C. Vose Galleries, Cason Galleries, Doll & Richards Gallery (Portraits by Joiniaux, Sculptures by Katharine R. Lane, Etchings by Wm. Myerowitz), Goodspeed's Print Shop, Children's Art Center, Boston City Club, Society of Arts and Crafts, Boston Public Library, and Twentieth Century Club.
   • Specific dates for exhibitions (through May 5, May 4, etc.) and details like admission fees or free entry are included.

2. Right Side (Main Article and Images):

   • Top Right Image: A black-and-white photograph of the "QUADRANGLE OF THE FOGG ART MUSEUM," captioned as an "interior view of the new Fogg Art Museum, finished last summer." It shows a large, open courtyard with classical-style arches on two levels.
   • Bottom Right Image: A black-and-white reproduction of a painting, captioned "Left—PORTRAIT OF A LADY." The caption identifies it as "A work of Dutch XVIIth century painting, done by Gerard Terburg (1617-1681), now being shown at the Fogg Art Museum. The painting was loaned by Samuel Sachs."
   • Headline: "Collections and Critiques"
   • Main Headline: "FOGG MUSEUM EXHIBITS FACSIMILE ENGRAVINGS"
   • Sub-headline: "Reproductions of Works of Dutch and Flemish Masters on Display"
   • Article Text: This article announces an exhibit of facsimile reproductions of drawings and engravings by Dutch and Flemish masters (including Rembrandt, Rubens, and Van Dyck) at the Fogg Art Museum. It notes this is the second in a series, with Italian masters featured the previous week. The facsimiles, faithful to the original works from the 17th century, are noted to be "considered fit material for a museum collection." It mentions a final exhibit in the series beginning May 5, which will include French and German masters.

Overall Context:

The page serves as a historical record of art world activities in Boston in late April 1928. It highlights the newly completed Fogg Art Museum building and its ongoing exhibitions, particularly the series of facsimile reproductions. The prominent mention of a painting by Gerard Terburg loaned by Samuel Sachs (a significant figure in American art collecting) underscores the museum's connections to major collectors. The left column provides a broader context of the city's vibrant art scene at the time.

The newspaper clippings are mounted on the page with tape or glue, and the scrapbook itself shows some signs of age with yellowed pages.

A page from a book that is open to a section titled "Collections and Critiques." The page has an image of a woman in a black dress standing in front of a checkered floor. The text on the page is about an exhibition of facsimile reproductions of drawings and engravings by Dutch and Flemish Masters at the Fogg Art Museum. The exhibition is the second of a series of exhibitions representing the works of classical artists.

The image shows an open page of a newspaper or magazine. On the left side of the page, there is a column with a heading that reads "Collections and Critiques." Below this heading, there is a subheading that reads "FOGG MUSEUM EXHIBITS FASCISMILE ENGRAVINGS." This suggests that the article is about an exhibition of facsimile engravings at the Fogg Museum.

The article is accompanied by two photographs. The first photograph shows the interior of the Fogg Art Museum, with its arched windows and columns. The second photograph shows a portrait of a lady, which is described as a work of Dutch 17th-century painting done by Gerard Terburg in 1617-1681. The painting was loaned by Samuel Sachs.

The article provides information about the exhibition, including the dates of the exhibition and the artists represented in the exhibition. It also includes a quote from the museum's director, who describes the exhibition as "a unique opportunity to see some of the finest examples of Dutch and Flemish art from the 17th century."

The image depicts a page from a publication titled "Collections and Critiques," specifically focusing on the Fogg Museum Exhibits. The page is dated April 28, 1912, and is part of a series of facsimile engravings and reproductions of works by Dutch and Flemish Masters of the 17th century.

Key Elements in the Image:

Left Side (Text Content):

• The left side of the page contains a list of various art exhibitions, gallery openings, and cultural events happening in Boston during the early 20th century. The listings include:
  • Hotel and Travel News
  • Art—Theatre—Music
  • Fleming Masters Exhibition at the Fogg Art Museum, open daily except Mondays, with free admission on certain days.
  • ** Sargent and Goya prints** at the Isabella Stewart Gardner Museum.
  • Dutch Art by the Peabody Museum at the Art Museum, Cambridge.
  • R. C. Vose Galleries featuring paintings by Abbott Graves.
  • Casson Galleries with associated dealers.
  • Doll & Richards Gallery showcasing works by Donald W. Lane, John Singer Sargent, and others.
  • Goodspeed’s Print Shop with etchings by contemporary artists.
  • Boston City Club hosting paintings and drawings by Mary Brewster Hassam.
  • Society of Arts and Crafts with an annual exhibition.
  • Boston Public Library featuring a cover design for "Through May."
  • Twentieth Century Club with paintings by Anthony Thieme.

Right Side (Visual Content):

• The right side of the page features two prominent illustrations:

  1. Top Illustration: "Right—Quadrangle of the Fogg Art Museum"

     • This is a detailed architectural drawing of the Fogg Art Museum, showcasing its exterior design. The caption explains that the museum was finished the previous summer and highlights its austere simplicity, reminiscent of medieval monastic architecture.
     • The text notes that the museum serves as a repository for ancient art, emphasizing its role in preserving historical pieces.

  2. Bottom Illustration: "Left—Portrait of a Lady"

     • This is a reproduction of a Dutch 17th-century painting attributed to Gerard Terburg. The painting depicts a woman in period clothing, likely from the 17th century.
     • The caption states that the original painting was loaned to the Fogg Art Museum by Samuel Sachs.

Caption and Description:

• Below the illustrations, there is a descriptive caption that provides context for the Fogg Museum's exhibit:
  • The exhibit features facsimile engravings and reproductions of works by Dutch and Flemish Masters of the 17th century, including artists such as Rembrandt, Rubens, and Van Dyck.
  • The exhibit is part of a series, with this being the second installment. It includes works by lesser-known artists of the period, such as Gerard Terburg.
  • The facsimiles are available for sale to members of the University and the public, with the original works considered faithful representations of the artists' styles.

Overall Context:

The page serves as a historical record of art exhibitions and cultural events in Boston in 1912, while also highlighting the Fogg Art Museum's role in showcasing and preserving art. The inclusion of both textual listings and visual reproductions underscores the museum's commitment to making art accessible through exhibitions and reproductions. The detailed architectural drawing and portrait reproduction emphasize the museum's focus on historical and classical art.

The image shows an open scrapbook or newspaper clipping album. On the left side, there are multiple articles and announcements, some titled with subjects such as "Hotel ads," "Music," "Art," "Museum of Fine Arts," and "Society of Arts and Crafts." The text appears to be event listings or advertisements related to cultural venues and exhibits, predominantly for art and music.

On the right side, there's a black-and-white photograph of an architectural feature titled "QUADRANGLE OF THE FOGG ART MUSEUM." Below the photograph, there is an article with the heading "Collections and Critiques," which talks about "FOGG MUSEUM EXHIBITS FACSIMILE ENGRAVINGS." This text describes an exhibition of facsimile reproductions of works by Dutch and Flemish masters on display at the Fogg Art Museum. Additionally, there is a grayscale image of artwork titled "PORTRAIT OF A LADY" with a brief description below stating it was a work of Dutch painting from the XVII century, done by Gerard Terburg and that it was loaned by Samuel Sachs for an exhibit at the Fogg Art Museum.

The pages are aged, with a slight yellowing effect characteristic of old paper, and they are encased or presented in a protective sleeve or within an album. The pages' edges appear slightly worn, indicating handling and use over time.

The image shows an old scrapbook or album page with various newspaper or magazine clippings attached to it. The content is primarily focused on art exhibits and museum events.

• The top left segment contains a list titled "Art – Theatre – Music," which mentions various exhibitions and museum news, including the Museum of Fine Arts, the Isabella Stewart Gardner Museum, Fogg Art Museum, and several galleries and societies.

• The upper middle section features a photograph captioned "Right—QUADRANGLE OF THE FOGG ART MUSEUM," depicting an interior view of the Fogg Art Museum courtyard with arches and a simple, austere architectural style, reminiscent of medieval monasteries.

• The bottom middle section shows an image titled "Left—PORTRAIT OF A LADY," a work of Dutch XVIIIth century painting by Gerard Terburg dated 1617-1681. It is a portrait of a woman in period attire with a full skirt and a bonnet, seated, and her face is blurred or obscured.

• The right side of the page is headed with "Collections and Critiques" and contains an article titled "FOGG MUSEUM EXHIBITS FACSIMILE ENGRAVINGS," which discusses an exhibition of facsimile reproductions of Dutch and Flemish master works on display at the Fogg Art Museum. It elaborates on the significance of these facsimile reproductions, mentions famous artists such as Rembrandt, Rubens, and Van Dyke, and notes plans for future exhibits.

The page is dated April 28, 1928, and includes handwriting in some parts, suggesting it is a curated collection of art-related news and images from that time.

The image shows a page from a vintage scrapbook or newspaper clipping spread about art and museum exhibitions. Dominating the page is a large black-and-white photograph of a stone courtyard with a two-story arcade of rounded arches surrounding an inner square. Below it on the left is a portrait photograph of a 17th-century Dutch-style painting of a woman in a dark dress with a white collar, captioned with its attribution. To the right is a column headed “Collections and Critiques,” describing the Fogg Museum’s exhibits of facsimile engravings and reproductions of Dutch and Flemish masters. The left column contains blocks of text about museum notices and art-related events. The overall look is sepia-toned, with printed clippings pasted onto an old-bound page and a few handwritten notes along the top edge.

This image shows a page from a scrapbook or newspaper clippings collection, dated April 23, 1916, with content related to art, theater, music, and museums. Several articles and sections are visible:

1. Left Column: Contains text about various art and cultural events, including exhibitions at the Museum of Fine Arts, Isabella Stewart Gardner Museum, Copley Gallery, Society of Arts and Crafts, and more. Each entry provides a brief description of exhibitions and events, along with dates and locations.

2. Center Image: A photograph of a quadrangle from the Fogg Art Museum is included, showcasing an architectural courtyard with multiple archways and columns.

3. Right Column: Contains a headline, "FOGG MUSEUM EXHIBITS FACSIMILE ENGRAVINGS," followed by an article about reproductions of works by Dutch and Flemish masters being displayed at the museum.

4. Bottom Right: Displays an image titled "PORTRAIT OF A LADY," described as a Dutch 17th-century painting by Gerard Terborch (1617–1681). The painting is mentioned as being on loan from Samuel Sachs.

The layout combines text, images, and captions focusing on art history and exhibitions. It seems to document art news for educational or archival purposes.