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ARCH.2003.24, Rendition: 795675
This image is a page from a newspaper, specifically from the "Boston Evening Transcript." The page is titled "Seventeenth Century Dutch Paint" and discusses an exhibition of 17th-century Dutch paintings at the Fogg Museum in Cambridge. The article is written by Harley Perkins and focuses on the art of the "Little Masters of the Netherlands," as exemplified in the loan exhibition.
The page includes a black-and-white illustration of a self-portrait, which is attributed to Jan Steen. The portrait depicts a man seated in a relaxed pose, wearing a large hat, and appears to be engaged in some activity. The text below the illustration identifies it as a painting by Jan Steen, Dutch (1626-1679), lent by Sir Joseph Duveen and included in the current exhibition of Dutch paintings at the Fogg Art Museum.
The article discusses the exhibition's purpose, the impact of Professor Adolph Goldschmidt's course at Harvard University, and the broader context of Dutch painting during the 17th century. It also touches on the exhibition of American paintings at the Fogg Museum, which was subsequently discontinued, and the discussion of Dutch art in relation to the American art scene.
This image shows a newspaper clipping from the Boston Evening Transcript dated as "Page Eight," likely from the early 20th century. The clipping discusses a loan exhibition of "Seventeenth Century Dutch Painting" at the Fogg Museum in Cambridge, Massachusetts. The main article, written by Harley Perkins, describes the exhibition as a tribute to Professor Adolphe Goldschmidt of the University of Berlin, who was spending the year at Harvard University.
On the right side of the clipping, there is a black-and-white illustration of a self-portrait by Jan Steen, a Dutch painter who lived from 1626 to 1679. The text beneath the illustration provides additional information about the painting and its inclusion in the exhibition.
The article delves into the significance of the exhibition, discussing the art of the "Little Masters of the Netherlands," the reputation of the Fogg Museum, and the context of contemporary art education in American universities. It also touches on themes of censorship, artistic expression, and the democratic nature of Dutch paintings from the 17th century.
This image shows an open, aged newspaper clipping from the Boston Evening Transcript, specifically Page Eight. The page is visibly yellowed with age and is bound into what appears to be a scrapbook or album with a black hardcover binding visible on the left. The clipping is secured with two thin white strings threaded through the top and bottom of the page, likely to keep it from falling out.
The main headline reads:
Seventeenth Century Dutch Pain
(The word “Paintings” is partially cut off on the right edge of the page.)
The sub-headline clarifies the article’s focus:
The Art of the Little Masters of the Netherlands Exemplified in Loan Exhibition at the Fogg Museum—Other Items of Local Interest
The article is authored by Harley Perkins.
It discusses an exhibition of 17th-century Dutch paintings held at the Fogg Museum in Cambridge. The exhibit was curated by Professor Adolphe Goldschmidt, a visiting scholar from the University of Berlin, who was teaching at Harvard University. The article frames the exhibition as a tribute to the museum and highlights the educational value of exposing American students and the public to Dutch masterworks, especially those lesser-known “Little Masters” who painted detailed scenes of daily life.
The text makes comparisons between American and Dutch art, questions the censorship of art at Harvard, and reflects on how Dutch paintings reflected the culture, customs, and interiors of their time.
On the right side of the page is a large, monochrome reproduction of a painting, captioned:
Self Portrait
Below that, a credit line identifies the work:
A Painting by Jan Steen, Dutch, 1626-1679. Lent by Sir Joseph Duveen and Included in the Current Exhibition of Dutch Paintings at the Fogg Art Museum.
The image itself shows a figure — presumably Jan Steen — depicted as a jolly, robust man in rustic clothing, leaning forward with a drink in hand. The style is typical of Dutch genre painting or portraiture, rendered in chiaroscuro tones, emphasizing mood and character.
This clipping documents a significant art event from the early 20th century — the display of Old Master Dutch paintings in an American academic setting. It reflects the era’s interest in cultural education, museum pedagogy, and the canonization of European art in America. The presence of Sir Joseph Duveen (a major art dealer of the time) as the lender underscores the prestige of the exhibition.
The physical condition — aged paper, scrapbook binding, string fasteners — suggests this clipping was saved by a collector or researcher, adding historical and sentimental value.
In summary, the image captures a historic newspaper article reviewing a 17th-century Dutch art exhibition at Harvard’s Fogg Museum, featuring a reproduction of Jan Steen’s Self Portrait, preserved as a cherished artifact in a personal collection.
The image shows an old newspaper article titled "Seventeenth Century Dutch Painting" from the Boston Evening Transcript. The article discusses an exhibition of 17th-century Dutch paintings at the Fogg Museum in Cambridge, which were loaned from various sources, including Harvard University and private collections. The article highlights the significance of the exhibition for both the student body and the teaching force, as well as the importance of preserving and studying Dutch art. The article also mentions the presence of a self-portrait by Jan Steen, which was included in the exhibition.
An open book with a page that has the text "Seventeenth Century Dutch Paint" on top. The book is probably a newspaper, and the page has a black-and-white image of a man playing a lute. The image has the text "Self Portrait" on the bottom. The book has a black border on the left side, and the page has a black border on the right side.
The image depicts a page from a publication titled "Seventeenth Century Dutch Painting" by Harley Perkins. The page is part of a transcript or catalog, as indicated by the header "BOSTON EVENING TRANSCRIPT" at the top. The page is numbered "Page Eight" and features an article discussing the exhibition of 17th-century Dutch paintings at the Fogg Museum in Cambridge.
Text Content:
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Additional Context:
The image portrays a scholarly and educational piece, likely from an art history or museum catalog, focusing on the appreciation and study of 17th-century Dutch art. The inclusion of both textual analysis and visual representation (the painting illustration) underscores the interdisciplinary nature of the content, blending art criticism with historical context. The page reflects the era's interest in preserving and showcasing classical art for educational purposes.
The image shows a page from a newspaper named "Boston Evening Transcript." The page is labeled as "Page Eight" and is dedicated to discussing "Seventeenth Century Dutch Paintings." An article by Harley Perkins mentions an exhibition of paintings from various centuries, particularly from the 17th century Netherlands, at the Fogg Museum in Cambridge. A painting is featured on the page alongside the article, with a caption identifying it as a "Self Portrait" by Jan Steen, Dutch, 1626-1679, which was included in the Current Exhibition of Dutch Paintings at the Fogg Museum.
Various columns of text are visible, discussing aspects of the 17th century Dutch style of painting, its significance, and details about the exhibition and some historical context. The paper appears aged, and the article conveys a historical interest in the art.
The condition of the newspaper suggests it may be an older issue, or it has aged due to paper's nature to yellow and degrade over time.
This image depicts a page from a newspaper or magazine titled "Boston Evening Transcript." The page is labeled "Page Eight" and features an article titled "Seventeenth Century Dutch Painters" by Harley Perkins. The article discusses Dutch painting, focusing on an exhibition showcasing works by 17th-century painters, particularly at the Fogg Museum in Cambridge.
The text is accompanied by an illustration of a man holding a lute in a dimly lit setting, identified below as "A Painting by Jan Steen, Dutch, 1626–1679", subtitled "Self Portrait...Loaned by Sir Joseph Duveen." The article contains additional content exploring Dutch art and its historical context. It includes mentions of Jan Steen and references to specific trends and contributions of Dutch painters to art history.
The newspaper and page appear aged, with the paper yellowed and creased over time. There is some handwriting or markings in the bottom-right corner and visible text on the surrounding edges.
The image shows an old newspaper or magazine page titled "Seventeenth Century Dutch Pain..." with the subtitle "The Art of the Little Masters of the Netherlands Exemplified in Loan Exhibition at the Fogg Museum—Other Items of Local Interest" written by Harley Perkins. The article discusses an exhibition of 17th-century Dutch paintings held at the Fogg Museum in Cambridge. On the right side of the page, there is a black and white illustration labeled "Self Portrait," which is a painting by Jan Steen, dated 1626-1679. The painting depicts a man sitting on a chair with a musical instrument, likely a lute, in his hands, with a table nearby holding a glass and a bottle. The page number at the top left corner is eight, and the newspaper is identified as the "Boston Evening Transcript."