Archives Scrapbooks

The image appears to be a page from a newspaper or magazine, specifically from "The Boston Herald" dated April 1, 1928. The page is titled "In the World of Art" and features several articles about art exhibitions and artists.

The main article discusses various artworks and artists, including "The Chewgum Bluegum" by Harold Gaze. There are also shorter articles about the work of Mr. Grant, Jacob Binders' Ratshesky portrait, George Pearse Ennis's watercolors, and the work of William Ratcliffe and Dante Ricci.

The page also includes a section titled "In the Graduate Schools," which mentions a competition for Prix de Rome designs exhibited in Old Fogg.

There is a small illustration of what appears to be a fairy tale scene with a child and a horse. The page is aged and has a vintage appearance, typical of newspapers from the early 20th century.

The image shows an old newspaper clipping from "The Boston Herald," dated Sunday, April 1, 1928. The page is titled "In the World of Art" and contains several articles and advertisements related to art exhibitions, lectures, and events in Boston and Cambridge.

1. Main Article: The central article discusses various art exhibitions happening in Boston. It mentions artists like Dante Ricci and Gordon Grant, whose watercolor paintings are on display at the Robert C. Vose gallery. The article highlights the artists' experience and style, noting that they are not newcomers and have exhibited in Boston before.

2. Illustration: There is a black-and-white illustration titled "The Chewgum Bluegum" by Harold Gaze. The illustration appears to depict a whimsical scene with a central figure that seems to be a bird or a creature with wings, surrounded by other elements that are not clearly identifiable.

3. Other Articles:

   • There is a mention of a lecture by Henry L. Seaver at the Museum of Fine Arts on "Comparisons and Contrasts: the Creation."
   • Another article discusses the art collection of the Museum of Fine Arts, including a Persian velvet tent of Solyman the Magnificent and a sketch by Giambattista Tiepolo.
   • There is a section about the Casson galleries showing watercolors by George Pearse Ennis.
   • Another article mentions the Robert C. Vose gallery's collection of Italian watercolors by Dante Rici.

4. Right Column: The right column is titled "In the Graduate Schools" and discusses the Prix de Rome designs exhibited in the Old Fogg Museum. It mentions the School of Landscape Architecture and the competition for the Prix de Rome fellowship.

5. Additional Notes: There is a small note at the bottom right corner that appears to be from the Christian Science Monitor, dated April 2, 1928, which seems to be related to art exhibitions.

The overall layout of the page is typical of newspapers from the early 20th century, with dense text and a central illustration. The page is slightly yellowed, indicating its age.

This image shows an open, vintage newspaper, specifically The Boston Herald, dated Sunday, April 2, 1922. The newspaper is resting on top of or inside what appears to be an old, dark leather-bound book or portfolio, its edges frayed and foxed with age, indicative of its historical value.

The newspaper's front page is titled “In the World of Art”, presented as a special section or supplement focused on the art scene. The page displays several distinct articles and a large, prominent illustration.

Key Features of the Page:

1. Main Illustration:

• Centered on the page is a black-and-white ink drawing titled “The Chewgum Bluegum” by Harold Gaze.
• The artwork depicts a whimsical, cartoonish scene: a tall, slender, bird-like figure with large wings stands on a branch of a leafless tree, reaching down to a smaller, gnome-like figure on the ground. The composition is dynamic and surreal, with strong linework and a sense of motion and character interaction.

2. Main Article by F. W. Coburn:

• Below the illustration, an article by F. W. Coburn discusses several art exhibitions in Boston.
• It mentions events at the Museum of Fine Arts, including a speech by Henry L. Stowe, and highlights new acquisitions, including the painting “The Chewgum Bluegum” which was donated by Joseph Lindon Smith.
• Other featured artists and works include Robert David Gauley, William Morris Hunt, and a large collection of 400 pieces donated from the estate of Albert Durer (likely a reference to the German Renaissance artist Albrecht Dürer).
• It also notes the opening of the new Museum School Alumni Association gallery.

3. Smaller Articles and Headlines:

• “BINDER’S BATHESKY PORTRAIT”: Describes a portrait of Jacob Binder by V. C. Ratschek, noting its artistic merit and the artist’s reputation.
• “MR. ENNIS’S AQUARELLES”: Reports on watercolors by George Pearse Ennis on display at the Cason Galleries, praising their “dignified and strong” presentation.
• “NATION’S ART DEALERS IN BOSTON”: Announces a gathering of art dealers and collectors, aimed at improving Boston’s position as a center for fine art.
• “OLD BOSTON AGAIN”: Features watercolor drawings of Boston by William Ratcliff, described as having “a definite sense of antiquity.”
• “DANTE RICCI AND GRANT”: Mentions paintings by Dante Ricci at the Cason Galleries.
• “In the Graduate Schools” (on the right-hand page): Discusses art exhibitions and fellowships for graduates of the School of Landscape Architecture.

4. Typography and Layout:

• The layout is dense, with multiple columns and varied font sizes typical of early 20th-century newspapers.
• Headlines are large and stylized, while body text is compact and closely set.
• The paper itself is yellowed and brittle, with visible aging marks, adding to its authenticity and historical character.

Overall Impression:

This page is a vivid snapshot of the American art world in 1922, centered on Boston. It reflects a vibrant cultural scene with museum events, artist spotlights, gallery exhibitions, and academic programs. The inclusion of the surreal drawing by Harold Gaze alongside more conventional news items suggests a broad interest in diverse artistic expressions.

The image captures a moment in time: the intersection of journalism, fine art, and cultural patronage, preserved in a tangible, aged artifact. It’s both a document of historical art events and a piece of visual culture itself.

Note: There is an error in the article’s text: It refers to the 400th anniversary of the death of “Albert Durer,” which likely intends to refer to the German artist Albrecht Dürer (1471–1528). This typographical error is preserved as written in the original newspaper.

This image is a treasure for historians, art lovers, and collectors interested in early 20th-century American art circles.

The image is a page from an old newspaper, featuring a section titled "In the World of Art." The page has a mix of black and white images and text, with a focus on art and culture. The top of the page has a headline "In the World of Art" and an illustration of a man and a woman, possibly representing a couple or characters from a story. Below the illustration, there is a text that reads "The Chewum Bluem." The page also includes various articles and advertisements related to art, architecture, and culture.

The image shows a newspaper clipping from the Boston Herald, dated Sunday, April 1, 1928. The clipping features an article titled "In the World of Art" with a focus on various art exhibitions and events happening in Boston. The article highlights several exhibitions, including works by Robert C. Vose, Mr. Ennis's Aquarelles, and an exhibition of Old Boston prints. It also mentions an exhibition of wings in competition for the Prix de Rome in Landscape Architecture at the School of Landscape Architecture in Cambridge. The clipping includes a small illustration of a painting titled "The Chewum Bluem" by Harold Gaze, depicting a whimsical scene with a woman and a bird. The text is dense with information about the exhibitions, artists, and events, providing a snapshot of the art scene in Boston during that time.

The image depicts a page from a newspaper titled "The Boston Herald", dated Sunday, April 2, 1923. The page is filled with various articles and illustrations, showcasing a mix of cultural, artistic, and educational content from that era.

Key Elements in the Image:

1. Headline and Illustration:

• The most prominent feature is a large headline that reads:
  "In the World of Art".
• Below the headline is an illustration titled "The Chewum Bluegram" by Harold Gaze. The illustration depicts a whimsical, surreal scene featuring:
  • A central figure, possibly a woman, wearing a crown and holding a staff or scepter.
  • A large, exaggerated blue creature or figure with a long, flowing tail or ribbon, which appears to be part of the scene's fantastical setting.
  • The style of the illustration is expressive and somewhat surreal, typical of early 20th-century art commentary or artistic critique.

2. Article Content:

• The article beneath the illustration is authored by F. W. Coburn and discusses an exhibition of fine arts at the Museum of Fine Arts in Boston.
• Key points from the article include:
  • The exhibition, titled "Comparisons and Contrasts on the Creation," was held on April 11, 1923, under the auspices of the Boston Society of Artists.
  • The event featured works by artists such as Joseph Lindon Smith, James Ormsbee Perkins, and Arthur Cary Brown.
  • The exhibition aimed to showcase a variety of artistic styles and themes, with a focus on comparisons and contrasts in the creative process.
  • The article mentions specific artworks, including a "Chewum Bluegram" by Harold Gaze, which is highlighted as part of the exhibition.

3. Additional Articles:

• To the right of the main article, there are several other headlines and snippets of text:
  • "In the Graduate Schools": This section discusses academic developments, including a mention of the Prix de Rome Designs Exhibition at the Old South Gallery of Landscape Architecture.
  • "Watercolorists at the Boston Art Club": This mentions an exhibition of watercolor works by artists such as William Ratcliffe.
  • "Christian Science Monitor": A brief mention of the newspaper's April 2, 1923, edition.
  • "Dante Ricci and Grant": A note about an exhibition or event related to Dante Ricci and Grant.
  • "At the Fogg Museum, Cambridge": A reference to an exhibition or event at the Fogg Art Museum.

4. Layout and Design:

• The page has a classic newspaper layout with dense columns of text and illustrations.
• The typography is typical of early 20th-century printing, with clear headings, subheadings, and body text.
• The illustration is placed prominently at the top left, drawing attention to the artistic theme of the article.

Overall Impression:

The image captures a snapshot of early 20th-century cultural life in Boston, highlighting the importance of art exhibitions, artistic commentary, and educational developments. The "Chewum Bluegram" illustration serves as a focal point, illustrating the whimsical and imaginative nature of the art being discussed. The page reflects the era's interest in fine arts, academic achievements, and the intersection of culture and education.

This image shows a yellowed newspaper page titled "The Boston Herald, Sunday, April 4, 1920." The page heading reads "In the World of Art." Below this title is a black and white image titled "The Chieftain Bluejay" by Harold Gaze, but the image itself has been obscured at the center. The page is filled with text in various font sizes, discussing topics related to art, such as a portrait by Anders Zorn, watercolors by George Pearse Ennis, and an exhibition at the Museum of Fine Arts. There is a smaller section with a different font style on the right titled "In the Graduate Schools" detailing a prix de Rome design being exhibited in an old school.

The page appears to be part of a bound collection of newspaper pages, as evidenced by the vertical strip of black that could be a binding, visible on the left side of the image. It's evident that the newspaper page is aged and authentic from the time period given, due to the natural yellowing of the paper and the style of the printed text.

The image shows an old newspaper page titled "In the World of Art" from The Boston Herald, dated Sunday, April 1, 1928. The page features an article titled "The Chewgum Bluewgum" by F.W. Coburn. Accompanying the article is an illustration of a person wearing a hat and coat, apparently smoking a pipe or playing an instrument, standing beside a large weather vane or similar object atop a rocky cliff or structure.

The page also includes several other articles related to galleries, exhibitions, and art notices. Some highlighted topics include:

• Mr. Ennis's aquarelles (watercolors) exhibited at the George Pearse Ennis show.
• Art dealers in Boston opening new exhibitions.
• An article on Dante Ricci and Grant, painters from Boston.
• Notices about graduate school exhibitions of landscape architecture and design.
• Art exhibits taking place in various museums and galleries.

The text is dense and printed in a classic newspaper column format, with some sections emphasizing artistic events, exhibitions, and annotations on painters and their works. The overall theme revolves around art exhibitions, artist profiles, and art world events during that period.

• The image is a scan of an old newspaper page (The Boston Herald) laid open in a book or binder. The date shown is from 1928 (Sunday, April 7).

• The left side features a decorative header “In the World of Art” and a framed black-and-white illustration. The caption below the image reads “The Chewgum Bluegum” and it is credited to Harold Gaze, with the article written by F. W. Coburn.

• The surrounding text appears to be art-news copy and a review, with several columns of small print.

• The right side shows a separate article heading, “In the Graduate Schools,” about exhibitions or competitions (e.g., Prix de Rome) and mentions schools such as Landscape Architecture. The page overall is yellowed and shows typical newspaper typography and layout from that era.

This image depicts a newspaper page from The Boston Herald dated Sunday, April 1, 1928, focusing on art-related articles. The page is headed "In the World of Art," with decorative embellishments around the text.

Key features:

1. Central Illustration: A printed artwork by Harold Gaze titled "The Chevyrun Bluwgum" is prominently displayed in the center-left. It depicts a whimsical scene featuring imaginative characters, possibly anthropomorphized animals, on a rocky surface. One figure appears adorned in fur, interacting with a staff or cross-like object.

2. Articles: Surrounding the image are several articles discussing art exhibitions, notable artists, and activities related to painting, illustration, or the study of art. Specific topics include artistic trends, individual artist contributions, and upcoming events.

3. Right-Side Headline: A section titled "In the Graduate Schools" discusses a Prix de Rome design exhibition at a school of landscape architecture. It highlights associated drawings and mentions contributions by aspiring architects.

4. Overall Layout: The newspaper page is neatly formatted, with the illustration and different articles organized into columns. Small print highlights a mix of textual and visual information relevant to the art world.

This appears to be a preserved historical document archived for its insights into early 20th-century art and culture.