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ARCH.2003.24, Rendition: 795611
The image shows a page from a book or a document, featuring a collage of historical newspaper clippings and text. The central element is a photograph of a classical-style statue of a woman's head, framed within an oval. This photograph appears to be from "The New York Times," dated Sunday, February 19, 1928, and is accompanied by the text "ITALIAN TONES" and the name "Allan Clark."
To the left of the image, there is a section of text that seems to be from an official publication, possibly a university bulletin, as indicated by the heading "HARVARD BULLETIN." This section discusses the Harvard-Yenching Institute and its plans for the upcoming year, mentioning the establishment of an endowment of $2,000,000 for the "Harvard-Yenching Institute of Chinese Studies."
The surrounding text on the page provides additional information about the institute and its objectives, including the promotion of research in Chinese history, art, literature, philosophy, and religion. It also mentions the cooperation between Harvard and Yenching University in Beijing, with a focus on the cultural and linguistic challenges of conducting such research.
The overall layout suggests that this page is part of a collection of historical documents or clippings, possibly related to the study of Chinese culture and the activities of the Harvard-Yenching Institute at the time.
This image shows an open scrapbook or collection of clippings. The central focus is a newspaper clipping from "The New York Times," dated Sunday, February 19, 1928. The clipping features an oval photograph of an Italian sculpture titled "Italian Tones" by Allan Clark. The sculpture depicts a female head with closed eyes and flowing hair.
To the left of the newspaper clipping is another piece of paper with the title "HARVARD BULLETIN" and the subtitle "OFFICIAL PUBLICATION." This paper discusses an announcement made at the Harvard-Yenching Institute regarding the establishment of the "Harvard-Yenching Institute of Chinese Studies." The text mentions an endowment of $2,000,000 and describes the institute's focus on promoting research in Chinese history, art, literature, philosophy, and religion.
The background paper contains additional text, possibly related to cultural or historical topics, but it is partially obscured by the other clippings. The overall appearance suggests a collection of articles and announcements related to cultural, educational, and artistic subjects from the late 1920s.
This image captures an open scrapbook page, showcasing a carefully curated collection of newspaper clippings from the late 1920s.
The central and most prominent item is a clipping from The New York Times, dated Sunday, February 19, 1928. This clipping features a large, oval-framed photograph of a stylized, Art Deco-style bust of a woman’s head and shoulders. The caption identifies the image as “ITALIAN TONES, by Allan Clark.” The article likely discusses an art exhibition, as it references galleries in Cambridge and Paris, mentioning artists like Jacques Ruhlmann and Francis Jourdain, and discussing the influence of Chinese culture on Western decorative arts. This clipping is mounted with a slight overlap onto another article below.
Beneath and to the left of the Times clipping is a partial article from the “HARVARD BULLETIN,” identified as VOLUME XXX. This piece discusses the establishment of the Harvard-Yenching Institute, a new $2,000,000 endowment dedicated to the promotion of research in Chinese history, art, literature, philosophy, and religion. It details the collaboration between Harvard and Yenching University in Peking and the plan to establish fellowships for students from both institutions.
The overall appearance of the page is vintage, with yellowed paper, aged newspaper print, and handwritten pencil markings, including the number “120” at the bottom of the page. The scrapbook itself has a dark, textured cover visible on the left edge. The arrangement suggests a personal collection, possibly documenting cultural events, academic developments, and personal interests from that era. The juxtaposition of the modern art review and the announcement of the Harvard-Yenching Institute creates a compelling snapshot of the intellectual and artistic currents of 1928.
In summary, the image displays a historically significant scrapbook page, preserving articles on the burgeoning field of Chinese studies and contemporary avant-garde art from early 1928.
The image appears to be a page from an old book or magazine, with a combination of text and illustrations. The text is in a slightly faded, yellowish color, suggesting it is from an older publication. The image shows a woman's bust sculpture, with her head tilted to the side and her eyes closed. The bust sculpture is placed within an oval frame, with the text "HARVA BI" above it. Below the sculpture, there is a text that reads "The New York Times, Sunday, February 19, 1928". The text on the page discusses the Harvard-Yenching Institute, which was established to promote research in Chinese history, art, literature, philosophy, and religion. The page also mentions the Institute's efforts to establish fellowships for distinguished scholars and Chinese students to study at Harvard and Yenching University.
The image shows an open book with a collage of newspaper clippings. The book is opened to a page with the title "The New York Times" and the date "Sunday, February 19, 1928." There is a picture of a woman's face in the center of the page, surrounded by text. The text is written in different fonts and sizes, and some of it is in a foreign language. The book is old and has a worn-out look.
The image depicts an open book featuring a page from The New York Times, dated Sunday, February 14, 1928. The page is part of a larger collection or scrapbook, as indicated by the visible spine of the book and the text overlay that reads "HARVA BU", suggesting it is related to Harvard University.
The image captures a historical moment, blending journalistic content from The New York Times with academic or institutional documentation from Harvard University. It reflects the intersection of cultural discourse (art, design, and architecture) and scholarly pursuits during the early 20th century. The layout and content suggest a curated collection, possibly for research, personal interest, or archival purposes.
This is an image of an open book or journal showcasing pages from "The New York Times" dated Sunday, February 19, 1928. The right page features a section with the title "ITALIAN TONES," by Allan Clark. To the left, there is a part of another page visible, with text discussing an endowment related to "Harvard Business" and involving Chinese studies. The text is informative, referring to a $2,000,000 endowment for a new institute at Harvard focused on Chinese history, art, literature, philosophy, and religion. Additionally, the left page makes references to Yenching University and the promotion of research in Chinese history.
The physical condition of the book suggests it's historical or archival, given the yellowing of the pages and the vintage typography and layout commonly found in early 20th-century newspapers. There are references to various exhibitions and cultural events, providing a snapshot of the period's intellectual and artistic discussions as well as a glimpse into the cultural and academic pursuits of the era.
The image shows an open scrapbook or album with several newspaper and magazine clippings pasted inside. The main clipping visible is from The New York Times, dated Sunday, February 19, 1928. It features a sepia-toned portrait of a bust sculpture of a person, surrounded by text including a headline "ITALIAN TONES" by Allan Clark. Underneath this clipping, there are other fragments of printed text and articles, including one titled "HARVA BU" which likely refers to Harvard Bulletin or Harvard Business Review. The pages are aged and have yellowed, with the clippings overlapping each other. The scrapbook has a dark brown fabric spine and appears to be quite old.
An old bound scrapbook opened to a collage of clipped pages. The main piece is a The New York Times clipping (Sunday, February 11, 1928) with an oval portrait in the center, whose face area is obscured by a large square patch. Surrounding it are other vintage clippings, including a Harvard University bulletin on the left and various columns of small text. The pages are yellowed and slightly worn, giving a nostalgic, archival feel. The book itself has a dark cover and is lying open on a flat surface.
The image shows a scrapbook or collage featuring a variety of clippings from newspapers or publications. In the foreground, there is a piece from The New York Times dated Sunday, February 19, 1928, with the headline "Italian Tones by Allan Clark." The clipping has an image of a sculpture or bust in an oval frame, though the face has been blurred. The layout also includes text from a publication titled "Harvard Bulletin," discussing research initiatives and institutes related to Chinese studies.
Several pages and clippings overlap, and visible portions have paragraphs of text with diverse content, including an announcement about a lecture and design-related summaries. The pages appear aged, with a yellowish color that suggests they are archival materials. The black fabric along the side indicates a binding, likely part of a scrapbook or bound collection.