Archives Scrapbooks

The image is a page from a publication titled "The Harvard Crimson," dated Monday, November 30, 1925. The page features two main sections:

1. Left Section:

   • There is an illustration titled "A Day at the Races."
   • The illustration depicts a scene of a horse race with several horses and riders in action.
   • Below the illustration, there is a caption that reads: "A drawing by Maurice Prendergast, one of the works in the exhibition of drawings by Maurice and Charles Prendergast in the Fogg Art Museum."

2. Right Section:

   • The right column contains a text article titled "Collecting Drawings."
   • The article discusses the importance of collecting drawings and the role of the Museum of Fine Arts in Boston in this endeavor.
   • It mentions the exhibition of drawings by Maurice and Charles Prendergast and highlights the significance of their work.
   • The text also notes the contribution of the Friends of American Art to the acquisition of these drawings for the museum.

The page is from a newspaper or magazine, and it appears to be a transcript dated December 23, 1926, indicating that the content might have been reprinted or documented at a later date. The overall theme of the page revolves around art, specifically the exhibition of drawings by the Prendergast brothers at the Fogg Art Museum.

The image shows a page from a newspaper clipping titled "Transcript. Thurs. Dec. 23, 1926" from a section about "Collecting Drawings." This page is from the Harvard Crimson, dated Monday, December 20, 1926.

The left side of the page features a black-and-white illustration titled "A Day at the Racetrack." It depicts a horse race scene, including several horses and riders in motion.

The right side contains a transcribed article discussing the importance and challenges of collecting drawings. The text highlights the following points:

1. Delight and Esteem: It discusses how drawings are highly valued and can be a delightful and gratifying activity for art enthusiasts.
2. Market and Collectibility: It mentions that the market for drawings is not as saturated as that for paintings, and many collectors prefer them due to their accessibility and lower prices.
3. Exhibition and Preservation: It talks about the efforts to exhibit and preserve these drawings, including the creation of a collection at Harvard.
4. Contributors: The article lists various prominent individuals and institutions involved in collecting drawings, such as the Harvard Art Museums, the Friends of American Art, and several notable collectors like Mrs. John D. Rockefeller Jr., Mr. Robert H. Taft, and others.

The text emphasizes the significance of collecting drawings, their historical and aesthetic value, and the support from various influential figures in the art community.

The image shows an open book or scrapbook with two visible pages. On the left page, there is a newspaper clipping from "The Harvard Crimson" dated Monday, December 20, 1926. The headline of the article is "A DAY AT THE FIRS," with a subheading mentioning an exhibition at the Fogg Art Museum. The article features a black-and-white photograph of a scene, likely depicting people and possibly horses and a carriage, with a caption that is not fully readable.

On the right page, there is a typewritten document with the heading "Transcript. Thurs. Dec. 23/26" and the title "COLLECTING DRAWINGS." The document appears to be discussing the collection of drawings, mentioning that it is one of the most delightful and intimate aspects of contemporary art. The text references specific artists and the nature of collecting drawings, emphasizing the personal and immediate connection drawings provide to the artist. The text also mentions the Fogg Art Museum, suggesting that the content is related to the clipping on the left page.

The pages show signs of age, with some discoloration and a few stains. The layout suggests that someone was compiling or documenting articles and transcripts, possibly for academic or research purposes.

The image shows a page from a December 29, 1926 issue of "The Harvard Crimson," the daily student newspaper of Harvard University. The page contains several elements:

1. Main Article Illustration:

   • There is a drawing titled "A Day at the Fogg Art Museum," featuring a scene of people observing art. The caption mentions Degan, an art student, and his friend French, who was noted for his enthusiasm about art at the museum.

2. Article: Collecting Drawings

   • The article discusses the practice of collecting drawings, particularly focusing on an exhibition at the Fogg Art Museum. It highlights the value and rarity of certain drawings, mentioning that many old masters' drawings are scarce and often found in prominent museums or private collections.
   • The article notes that collectors are eager to possess original works by great artists like Raphael, Michelangelo, and Rembrandt, and it describes the characteristics of such drawings.
   • It also mentions an exhibition featuring drawings by American artists, including notable figures like John Singer Sargent, James McNeill Whistler, Winslow Homer, and others.

3. Details of Exhibition:

   • The exhibition includes works by artists such as Washington Allston, John Singleton Copley, Benjamin West, Gilbert Stuart, Charles Bulfinch, John La Farge, and others.
   • The exhibition aims to showcase a broad range of American artistic talent, providing a comprehensive overview of the evolution of drawing styles and techniques in America.

Overall, the article emphasizes the cultural and artistic significance of collecting and exhibiting drawings, particularly highlighting the current exhibition at the Fogg Art Museum.

The image shows a page from a book or a notebook, with two distinct sections visible.

1. Left Side:

   • The left side contains a clipping from "The Harvard Crimson," dated Monday, December 20, 1926.
   • The headline is "Crimson" and there is an article titled "A Day at the Races" featuring a black-and-white photograph of a horse race.
   • The article is accompanied by a caption: "A painting by Degas, an old French school, which was included in the exhibition of the Fogg Art Museum."

2. Right Side:

   • The right side contains a transcript dated Thursday, December 23, 1926.
   • The heading reads "COLLECTING DRAWINGS."
   • The text is a discussion about collecting drawings, specifically mentioning the most delightful and intimate form of art.
   • The content mentions a lecture or discussion by the President of the Society of American Artists, Mr. George Luks, on the subject of collecting drawings.
   • The transcript highlights the importance and value of drawings, mentioning notable artists such as Degas, Daumier, and others.
   • It discusses the history and significance of drawings in the art world, including the contributions of various collectors and artists.
   • The transcript includes names like Mr. J. Pierpont Morgan, Mrs. Potter Palmer, and others who are significant figures in the art community.
   • The text also mentions the Harvard College Library and the Fogg Art Museum, indicating a focus on academic and institutional art collections.

The page appears to be part of a record or collection of notes, possibly from an academic or art historical study. The presence of a ruler along the right edge suggests it may have been used for taking notes or transcribing information.

The image shows an open book, specifically an issue of "The Harvard Crimson," dated Monday, December 20, 1926. The page contains two primary sections:

1. Newspaper Article:

   • The main section on the left side of the page is a newspaper article titled "A Day at the Races" with a subtitle "A painting by Degas, an example of French school, which was exhibited in the Fogg Museum, will be the subject of this article."
   • The article is accompanied by a black-and-white illustration of a horse race scene, likely from a painting or a print, showing several horses and jockeys in action.

2. Transcript:

   • The right side of the page is a transcript of a lecture or discussion titled "Collecting Drawings," dated Thursday, December 23, 1926.
   • The transcript discusses the importance of collecting drawings, mentioning that one of the most delightful and intimate aspects of the contemporary art community is found in the collecting of drawings by artists.
   • The text talks about the differences between collecting drawings and paintings, noting that the drawing is often spontaneous and less polished than paintings.
   • It mentions the value of drawings by masters such as Degas, who are particularly sought after, and the importance of the Fogg Art Museum's collection.
   • The transcript also highlights the value of certain studies by artists like Degas, which can be more valuable than the finished work.
   • It includes a discussion of the American collection of drawings, mentioning the contributions of several individuals and institutions, including the Fogg Museum, the Metropolitan Museum of Art, and the Art Institute of Chicago.
   • The text lists several individuals and their contributions to collecting drawings, such as Mrs. Potter Palmer, Mr. Robert Alton and Mrs. James H. Berry, and mentions the Friends of American Art.

The book appears to be an old newspaper with a transcript of a lecture or discussion placed alongside it, giving a historical perspective on art collecting and appreciation.

The image shows a page from an old scrapbook or newspaper dated Monday, December 20, 1926, from "THE HARVARD CI..." (likely The Harvard Crimson). The page contains two main items:

1. On the left side, there is a black-and-white reproduction of a painting titled "A DAY AT THE RACES" by Degas, an artist of the modern French school. The painting depicts a scene at a horse race, showing a coach or cart pulled by a horse, with people interacting around it. The source of the painting is noted as being loaned by Messrs. Durand-Ruel for exhibition at the Fogg Art Museum.

2. On the right side, there is a newspaper clipping titled "COLLECTING DRAWINGS," dated Thursday, December 23, 1926, which discusses the appreciation and understanding of drawings as an intimate and delightful phase of contemporary art. It emphasizes the importance of drawings by masters such as Degas and Daumier and mentions notable collectors and artists. The article notes that drawings are gaining more recognition and that many artists' sketches reveal personal characteristics.

Handwritten notes are present at the top of the page, reading "Transcript, Thurs. Dec. 23, '26." The word "Crimson" is written above the painting. The overall tone is archival, preserving and discussing art appreciation and collecting in the early 20th century.

This is an image of an open book or journal displaying a page from "The Harvard Crimson" dated Monday, December 20, 1926. A black and white reproduction of a painting takes up approximately the upper half of the page, with the text immediately below it and to the right.

The heading above the image reads "THE HARVARD CRIMSON" in capital letters. The painting is titled "A DAY AT THE RACES." The caption underneath notes that the painting is by Degas, an artist often identified by his paintings of dancers and race scenes. It was loaned by Mrs. Widener and is described as being exhibited at the Fogg Art Museum.

The right side of the open book has another article titled "COLLECTING DRAWINGS," but we don't see much of it due to the angle of the photo. The visible part discusses the intimate nature of collecting drawings and the role of a collector versus that of a museum. There’s also a reference to drawings that were on display in a specific year at a museum.

The book appears to be of a certain age, given the yellowing of the pages, and it shows some wear along its edges. The image is likely part of a historic document or archive collection.

The image is a page from a scrapbook or album, dated Monday, December 20, 1926, from "The Harvard Crimson." It includes a black-and-white reproduction of a painting titled "A Day at the Races" by Degas, an artist of the modern French school. The painting features a scene with horse-drawn carriages and people gathered in an open field, possibly at a race track. The image is slightly cut off on the left side.

Adjacent to the picture, on the right side of the page, there is a newspaper clipping from "Transcript. Thurs. Dec. 23, 1926" with a text titled "COLLECTING DRAWINGS." The article discusses the importance of collecting drawings, which are described as intimate phases of contemporary art often neglected by purchasers. It highlights various points regarding the interest in drawings, both historical and contemporary, and mentions notable collectors and institutions involved in collecting and exhibiting drawings. The article lists several prominent individuals and organizations contributing to the appreciation and collection of drawings.

The scrapbook page is slightly aged, showing yellowing typical of old paper, and has a piece of tape near the bottom right corner, possibly from an attempt to secure the article or image to the page.

The image shows an open book with two pages visible. The left page is dated Monday, December 20, 1942, and is titled "THE HARVARD CRIMSON", a student newspaper. The content includes a black-and-white illustration depicting a scene titled "A DAY AT THE EAGLES", which shows a group of people in a carriage or sled, dressed in early 20th-century attire, traveling through a snowy landscape. Below the illustration is a caption providing context: it describes the artwork as a painting by Degas, an artist from the French school, and notes that it was part of the Musée d'Orsay's collection and later exhibited at the Fogg Art Museum.

The right page, dated Transcript: Thurs. Dec. 23 '26, features a typed document titled "COLLECTING DRAWINGS". The text discusses the value and significance of collecting drawings by notable artists, emphasizing their historical and artistic importance. It mentions that drawings by masters of the past are often more valuable than their paintings due to their rarity and the insight they provide into the artist's creative process. The document also references specific artists and collectors, such as John Singer Sargent, John Sloan, and others, and touches on the role of institutions like the Fogg Art Museum in preserving and showcasing these works.

The book appears to be a scrapbook or archive, combining newspaper clippings, typed documents, and possibly other materials, reflecting a historical or academic context, likely related to art, collecting, and museum studies. The pages are aged, with visible wear and discoloration, suggesting the document is from an earlier period.