Archives Scrapbooks

The image appears to be a scanned page from a book or a collection of articles, likely from the early 20th century. It includes two distinct sections of text, each with a header and body content.

The larger section on the left, titled "New Museum Designed for Instructing, Not for Storing," discusses the plans and purpose of a new Fogg Museum. It mentions the detailed plans for the museum, which is under construction at Quincy Street and Broadway. The article highlights the director's emphasis on the museum's role in instruction, rather than storage, and details the types of exhibits and educational facilities that will be included, such as lecture halls, drawing rooms, and special rooms for different types of art studies.

The second section, on the right, titled "The Art News," contains a news article about an art exhibition. It reports on the attendance of the Sargent show at the Museum of Fine Arts, mentioning the number of visitors and providing brief descriptions of various artworks on display, including paintings by John Whorf and etchings by modern French artists.

The text is formatted in a typical newspaper style, with bold headings and a mix of serif and sans-serif fonts. The page has a yellowed appearance, indicating its age, and the text appears to be in black and white. The page is part of a book or collection, as indicated by the visible spine and the folded edges of the paper.

This image shows a page from a scrapbook or collection of newspaper clippings, focusing on articles about a new museum design. The main article, prominently displayed at the top left, is titled "New Museum Designed for Instructing, Not for Storing" from The Crimson, dated November 18, 1925. The article discusses the detailed plans for the new Fogg Museum, highlighting its purpose for instruction rather than mere storage of artworks. It emphasizes the importance of original works for education and mentions the involvement of Edward W. Forbes, the Director of the Fogg Art Museum.

To the right of the main article, there is a smaller clipping from The Art News, dated Saturday, November 21, 1925. This article discusses various art exhibitions and events in Boston, mentioning the high attendance at the Sargent show at the Museum of Fine Arts and other art exhibitions by various artists.

The scrapbook page itself appears aged, with yellowed paper and some wear and tear visible along the edges. The clippings are pasted onto the page, and there are some visible creases and folds, indicating the age and handling of the material. The overall layout suggests a personal collection of articles related to art and museum developments, likely for historical or personal interest.

This image displays an aged, yellowed newspaper clipping, likely from the Boston Globe, dated Saturday, November 21, 1925, as indicated in the "The Art News" section at the bottom right. The clipping is from a larger page, with portions of the text and layout suggesting it was torn or cut out roughly from its original context.

The clipping contains two distinct articles:

1. Main Article (Left and Center Columns):
Title: "New Museum Designed for Instructing, Not for Storing"
Subtitle: Director Gives Out Detailed Plans of New Fogg Museum to Crimson
Date: Crimson, November 18, '25
Author: By E. C. Sherburne

This article details the architectural and educational philosophy behind the design of the new Fogg Art Museum at Harvard University. Director Edward W. Forbes outlines a radical departure from traditional museums. The core idea is that the museum is primarily a teaching tool, not a repository for storing art. Key features mentioned include:

• A large lecture hall for 400+ people.
• Separate rooms for different disciplines (Greek and Roman art, Classical Archaeology, advanced students, etc.).
• A "Print Room" for students to study prints and engravings.
• A "student-material room" equipped with casts, photographs, and plaster models ("more than 'mere learning' needed now") to facilitate hands-on learning.
• Emphasis on displaying original artworks, especially from the museum's own collections (e.g., the "Roosevelt Collection," the "Molcaser" collection, Romanesque art from J.C. Hopkins' collection), rather than relying solely on reproductions.
• The museum will be located on Quincy Street and Broadway, adjacent to the new art and medical school buildings, with a direct entrance from the library.

The article concludes with the note that the museum is not planned to acquire photographs or books separately but will integrate them into teaching.

2. "The Art News" Section (Right Column):
Dated Saturday, November 21, 1925, this part provides a roundup of Boston art events.

• More than 18,000 people visited the Sargent show at the Museum of Fine Arts.
• Thirty original pencil drawings by Sidney Woodward were shown at the Caton Gallery.
• Landscape miniatures by Carl H. Nordstrom were being shown at the Byrd Studio.
• Etchings in black and colors by John W. Howell were exhibited at the Grace H. Horne Gallery.
• A talk by Percy D. Haughton at the Boston City Club was noted.
• The article mentions Mr. J. H. H. Haughton's "Fogg Museum" sketch, the Woodstock Art Association's upcoming show, and the Boston Art Club's annual show.
• It concludes with a note about the work being done by Howard Gillet at the Fogg Museum and mentions that the Woodstock Art Association will be shown at the Boston Art Club, with a note about the "B. C. Sherburne" signature – likely the author's credit for this section of the article.

The paper itself is visibly old, with foxing (brown spots) and creases, consistent with its 1925 date. The text is set in a traditional serif font common for newspapers of that era. The overall impression is one of historical documentation regarding the development of modern museum pedagogy and the Boston art scene of the mid-1920s.

The image is a newspaper clipping from the Crimson, dated November 18, 1925, and November 21, 1925. The clipping discusses the detailed plans for the new Fogg Museum, which is being designed for instruction rather than for storing objects. The article emphasizes the museum's focus on teaching and learning, with a distinction between museums used for purposes of instruction and those used for storage. It highlights the museum's intention to display original artworks and photographs instead of casts, and it mentions the inclusion of various collections, such as primitive painting, Italian Renaissance art, and Romanesque architecture. The article also notes the museum's emphasis on providing an educational experience for students, with separate lecture rooms and a Print Room for studying prints and engravings.

The image depicts a spread from a newspaper or magazine, dated November 21, 1925. The spread contains two distinct articles, each with its own headline and text.

The left article is titled "New Museum Designed for Instructing, Not for Storing" and is authored by someone named Crimson. The article discusses the plans for a new museum, specifically the Fogg Art Museum, which is designed with a focus on instruction rather than merely storing artifacts. It mentions the director's vision for the museum, emphasizing the importance of displaying original works of art and photographs for educational purposes. The article highlights the museum's intention to provide exhibition space and detailed plans for its construction, including lecture rooms and a print room. It also describes the museum's collection, which includes casts, photographs, and original artworks, and its aim to offer a comprehensive educational experience.

The right article is titled "The Art News" and is dated Saturday, November 21, 1925. This article reports on various art-related events and exhibitions, including the attendance at the Sargent show, which attracted over 18,000 visitors during its first six days. It mentions the display of Sargent's watercolors and sketches at the Museum of Fine Arts, as well as the exhibition of thirty original pencil drawings by Sidney Woodward at the Casson Galleries. The article also notes the showing of etchings by Carl H. Nordfeldt and the display of modern French artists' works under the auspices of Georges L. P. Desvallières. Additionally, it highlights the exhibition of American artists' works, including portraits by Jane Honson Kilham and Giovanni B. Trocolli, and mentions the upcoming annual Boston Art Club exhibition at the Copley Gallery of the Guild of Boston Artists.

Both articles are written in a formal and informative tone, providing detailed information about the museum's plans and the various art exhibitions taking place at the time. The spread is well-organized, with clear headings and subheadings, making it easy to navigate and understand the content.

Description of the Image

The image depicts an open page from a historical newspaper or magazine, dated November 18, 1925, featuring an article titled "New Museum Designed for Instructing, Not for Storing." The article discusses the plans for a new museum, specifically the Fogg Museum, which is described as being designed to prioritize education and instruction rather than mere storage of artifacts.

Key Elements of the Article:

1. Title and Context:

   • The headline, "New Museum Designed for Instructing, Not for Storing," emphasizes the educational purpose of the new museum.
   • The article is attributed to Will Porbes, who is identified as the director of the Fogg Art Museum.

2. Main Focus:

   • The article details the detailed plans for the new Fogg Museum, which were revealed by Edward M. Forbes, the museum's director, at a meeting of the Fogg Art Museum Advisory Committee.
   • The new museum is intended to be more than just a repository of objects; it is designed to serve as a learning space for students and the public.

3. Design and Features:

   • The new museum will feature classrooms, lecture rooms, and study rooms, reflecting its educational focus.
   • It will include original casts and photographs rather than just reproductions or stored artifacts.
   • The design prioritizes accessibility and interaction, with spaces for students to engage directly with the materials.

4. Exhibition and Display:

   • The article highlights the exhibition space, which will include a lecture hall, classrooms, and study rooms.
   • It mentions that the museum will display original works of art, such as Roman antiquities, Renaissance paintings, and modern art, to provide students with direct access to high-quality examples.

5. Educational Emphasis:

   • The museum is described as a “new university museum”, emphasizing its role in teaching and learning.
   • It will serve as a resource for students, offering hands-on learning opportunities through direct interaction with artifacts and artworks.

6. Architectural Details:

   • The article notes that the museum will be constructed under the direction of Edward M. Forbes.
   • It will include specialized rooms for different types of study, such as Roman archaeology, Chinese art, and Renaissance art.

7. Historical and Cultural Significance:

   • The article discusses the importance of the Fogg Museum in the context of art education and preservation.
   • It references the Fogg Museum’s collection, which includes Roman antiquities, Renaissance paintings, and modern art, underscoring its role as a center for art study.

8. Additional Content:

   • The right side of the page includes a smaller article titled "The Art News", dated Saturday, November 21, 1925, which reports on an art exhibition in Boston.
   • This secondary article mentions a show at the Sageunt Gallery, featuring works by artists such as John Singer Sargent, John Singer Sargent, and others, providing context about the art scene of the time.

Visual Characteristics:

• The page has a classic typeset layout typical of early 20th-century newspapers or magazines.
• The text is typed in a serif font, with clear headings and subheadings.
• The page is slightly worn, with visible edges and creases, suggesting it is from an old publication.
• The left margin includes the publication’s name, "Crimson," and the date, November 18, 1925.

Summary:

The image shows a historical newspaper or magazine page from November 18, 1925, featuring an article about the new Fogg Museum. The article emphasizes the museum’s educational purpose, detailing its design to include classrooms, lecture rooms, and study spaces, and highlighting its focus on original artworks and artifacts. The page also includes a smaller article about an art exhibition in Boston, providing a glimpse into the cultural context of the time. The overall layout and typography reflect the style of early 20th-century print media.

• The image shows an old scrapbook page with yellowed paper and a torn top edge.
• It contains newspaper clippings from 1925 about a new museum design (the Fogg Museum) and its educational purpose.
• The main headline on the left reads: “New Museum Designed for Instructing, Not for Storing,” with smaller subheads about the director issuing detailed plans and the display of originals.
• The article describes the museum’s intended features (lecture rooms, a library, spaces for original displays, etc.) and quotes the director about better educational use beyond “mere learning.”
• A second clipping on the right is titled “The Art News” (Boston) with a date of Saturday, November 21, 1925, providing a local arts-news note.
• The page appears to be part of a scrapbook or archival collection, likely related to Harvard’s Fogg Museum or a similar music/arts institution, given the historical content and formatting.

This image shows a page from an old scrapbook or book with news clippings. The largest clipping is an article titled "New Museum Designed for Instructing, Not for Storing," dated November 18, 1925, from the Crimson publication. The article discusses plans for the Fogg Museum, emphasizing the design's focus on displaying original works for educational purposes rather than simply storing them. It mentions the use of casts, photographs, and a print room for student learning, as well as the development of collections, the architecture, and the educational activities planned for the museum.

Another clipping in a smaller column is dated "Saturday, November 21, 1925," and titled "The Art News," detailing art events in Boston and attendance figures for a Sargent exhibition. It highlights a mix of painting exhibits, artist features, and specific art-related updates in the city.

The page shows a vintage, yellowed effect, with neatly arranged articles and visible text marking a historical perspective on museum and art developments during the 1920s.

The image you supplied shows the open page of a historical newspaper. The paper is titled "Crimson, November 18, '25" at the top. The main article headline reads "New Museum Designed for Instructing, Not for Storing" with the subheading "Director Gives Out Detailed Plans of New Fogg Museum to Crimson". The article details plans and philosophies regarding the function and layout of the Fogg Museum.

A column on the right edge of the paper is titled "Saturday, November 21, 1925 The Art News" and mentions a location in Boston. The articles appear to address various topics related to art exhibitions and museum collections.

The newspaper has aged, evidenced by its yellowed pages, and it is placed within a folder or a larger book with tabs that appear to be card catalog or archival reference tabulations. The worn edges of the paper and its placement suggest this could be from an archive, historical collection, or a library.

This image shows two newspaper articles affixed to a scrapbook page. The main article is titled "New Museum Designed for Instructing, Not for Storing," published in Crimson on November 18, 1925. The article discusses the plans for the new Fogg Museum, emphasizing its role in education rather than storage and detailing how the museum will display originals, casts, and photographs for instructional purposes.

The text explains the museum's features, including separate spaces for lectures, books, and study materials. Theodore Sizer, Edward W. Forbes, Professor W.H. R. Rodgers, Professor G.N. Chase, and several prominent artists are referenced in connection with exhibitions and various art collections, spanning from Greek and Roman eras to the medieval period. The article mentions that casts of rare and significant pieces will be provided and highlights the museum's aim to enhance students' technical understanding of art, especially through practical exposure.

Below the main article, there is a smaller excerpt from "The Art News," dated Saturday, November 21, 1925, which provides information about an exhibition in Boston, noting the high attendance at the Sargent show during its first six days. Various artists and exhibitions in the Boston area are mentioned, including watercolors by John Marin and sculptures by Carl H. Nordenfalk.