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ARCH.2003.23, Rendition: 795125
This image shows a page from a publication, likely a university newsletter or gazette, from the 1920s. The top section contains an article titled "List of books on the Fine and Applied Arts," by Ernest Benn, dated Spring 1925. It discusses the book "Blake's Drawings & Paintings" by Darrell Figgis, which is scheduled to be ready in September 1925. The article provides details about the book, including its content, the selection process of the reproductions, and the various institutions and individuals who have contributed to the publication.
The bottom section of the page features a notice about the "Harvard University Gazette." It advertises the "Summer School of Arts and Sciences and of Education," which took place from July 6 to August 15, 1925. The newsletter lists the courses offered, including subjects such as Anthropology, Architecture, Astronomy, Botany, Chemistry, Economics, Education, Engineering Sciences, English, Fine Arts, French, and more. It also mentions the "Harvard-Princeton Fine Arts Club" and the "Summer Institute in the Fine Arts at Princeton University," which took place from August 24 to September 19, 1925.
This image shows a page from a book with several clipped articles pasted onto it. The top of the page has handwritten text that reads:
"List of books on the Fine and Applied Arts
Ernest Benn – Spring 1925"
The first article is titled "BLAKE'S DRAWINGS & PAINTINGS. By DARRELL FIGGIS." It discusses the need for a book of reproductions of William Blake's work as a painter, mentioning the selection of pictures to be reproduced, some in color and others in collotype. The article also lists various collections and individuals who have provided access to Blake's works for this publication. It mentions the price of the book and the availability of a limited edition.
The second article is from the "Harvard University Gazette" and is titled "SUMMER SCHOOL OF ARTS AND SCIENCES AND OF EDUCATION." It provides information about the Summer School session in 1925, detailing the courses offered in various subjects such as anthropology, architecture, astronomy, botany, chemistry, economics, education, engineering sciences, English, fine arts, French, geology, German, government, history, horticulture, hygiene, Italian, Latin, mathematics, medical sciences, music, philosophy, physical education, physics, psychology, public speaking, social ethics, and Spanish. It also mentions the rules for obtaining credit for the courses.
The third article is titled "HARVARD-PRINCETON FINE ARTS CLUB" and discusses the Summer Institute in the Fine Arts at Princeton University, mentioning the lecturer and the application process for the institute.
This image displays an open, aged newspaper or newsletter, likely from the 1920s, resting on a flat, light-blue surface. The pages are yellowed and worn, indicating their age, and are bound in what appears to be a simple, softcover or pamphlet-style binding.
The content is typographically styled in a classic, formal print format, characteristic of early 20th-century academic or institutional publications.
The top of the left-hand page is handwritten in ink:
“List of books on the Fine and Applied Arts / Ernest Benn – Spring 1925”
Below this, the main article begins, headlined in bold caps:
“BLAKE’S DRAWINGS & PAINTINGS. By DARRELL FIGGIS.”
This article, dated “READY ABOUT SEPTEMBER, 1925,” reviews and promotes an upcoming book on William Blake’s art. It discusses the historical lack of accessible reproductions of Blake’s work, the difficulty in obtaining permission to reproduce his art from major collections (such as the Fogg Art Museum and the British Museum), and the unique value of this new publication for scholars and lovers of Blake. It mentions Lord Leconfield, General Archibald Stirling, Mr. W. Graham Robertson, and others who have granted permission for reproductions, including for the first time the “Paradise Lost” series. The article notes the book will include 16 color plates, 84 in collotype, priced at approximately £6 6s and a limited deluxe edition for £12 12s.
Beneath this is a section title in bold and centered:
“—Harvard University Gazette—”
This section contains two articles:
“SUMMER SCHOOL OF ARTS AND SCIENCES AND OF EDUCATION” — Announces the 1925 summer session at Harvard, detailing course offerings in subjects like Anthropology, Architecture, Astronomy, Botany, Chemistry, Economics, Education, Fine Arts, French, German, History, Horticulture, Music, Philosophy, Political Science, Psychology, and more. It outlines credit policies for Harvard undergraduates, graduate students, and external students, and notes that courses may count toward degrees A.B., A.M., and S.B.
“HARVARD-PRINCETON FINE ARTS CLUB” — Announces the “Summer Institute in the Fine Arts at Princeton University,” to be held from August 24 to September 19, under the auspices of the club. The lecturer is Professor Michael Francis Roosfort, of the University of Wisconsin. Applications are to be made to Professor A.M. Friend, McCornick Hall, Princeton University, before June 1.
Overall, the document appears to be a promotional or informational broadsheet from Ernest Benn, Ltd., likely aimed at academic and cultural institutions, combining a book announcement with institutional news from Harvard University. The juxtaposition of Blake scholarship with summer school schedules at elite universities reflects the interwoven worlds of academia, art, and publishing in the early 1920s.
The image shows a page from the Harvard University Gazette from Spring 1925. The page contains two advertisements. The first advertisement is for a book titled "Blake's Drawings and Paintings" by Darrell Figgis. The advertisement explains that the book will feature reproductions of many of William Blake's most important paintings and drawings, many of which have never been published before. The book will also include a 30,000 word introduction by Darrell Figgis. The second advertisement is for the Harvard University Summer School of Arts and Sciences. It provides information about the courses offered and the requirements for admission.
The image depicts an open book, specifically a page from a catalog or magazine, featuring text and advertisements. The page is from a publication titled "Harvard University Gazette," which suggests it is likely a university publication. The book is open to a page that includes a list of books on the fine and applied arts by Ernest Benn, dated Spring 1925.
The main content on the page is an advertisement for "Blake's Drawings & Paintings" by Darrell Figgis, which appears to be a catalog or promotional piece for a collection of works by the artist Blake. The text describes the importance and quality of Blake's work, highlighting the need for a comprehensive range of his powers and the care required in reproducing his works. It mentions the involvement of various collectors and institutions in providing access to Blake's original works for reproduction.
Below this advertisement, there is another section titled "Harvard University Gazette - SUMMER SCHOOL OF ARTS AND SCIENCES AND SCHOOL OF EDUCATION." This section advertises summer courses offered by Harvard University, detailing the various subjects available, such as Anthropology, Architecture, Astronomy, Botany, Chemistry, Economics, Education, Engineering Sciences, Fine Arts, French, Geology, German, Latin, Mathematics, Medical Sciences, Music, Philosophy, Physics, Psychology, Public Speaking, Social Ethics, and Spanish. It notes that most courses are accredited toward degrees like A.B., A.A., and S.B., but not toward the degree of A.M. or Ed.M.
The advertisement further explains the requirements for undergraduates and graduates, mentioning that Harvard undergraduates with an average of B or better during the previous academic year and men who, for special reasons, have obtained the consent of the Dean of Harvard College, may in the Summer of 1925 be allowed to count toward the degrees of A.B. or S.B. two summer courses, but no undergraduate shall be permitted to obtain credit for more than one full course. Undergraduates not in the above categories will not be permitted to obtain more than one half-course. Undergraduates from other colleges taking summer work in order to make up a deficiency should consult the Dean of their college and also the Director of the Summer School regarding their choice of courses.
Additionally, there is a mention of the "HARVARD-PRINCETON FINE ARTS CLUB Summer Institute in the Fine Arts at Princeton University," which is scheduled to be held from August 24 to September 15, 1925. The institute will be under the auspices of the Harvard-Princeton Fine Arts Club, with Professor Michael Ivanovich Rostovtzeff of the University of Wisconsin as the lecturer and seminar director. Applications must reach the Secretary-Treasurer, A. M. Friend, McCormick Hall, Princeton University, Princeton, N.J., before June 1. Further particulars in regard to the Institute may be obtained from Professor Sachs at the Fogg Art Museum.
The book's pages are bound, and the text is printed in a serif font. The advertisements are clearly demarcated with borders and headings, making them stand out from the rest of the content. The overall appearance suggests a formal and academic publication, likely aimed at students, educators, and art enthusiasts.
The image shows an open book with two visible pages, each containing distinct content.
The image captures a blend of scholarly review and institutional communication, reflecting the interdisciplinary nature of the content.
This is a page from a vintage scrapbook or notebook. The top margin has a handwritten title: “List of books on the Fine and Applied Arts Ernest Benn Spring 1925.” The page shows two clipped newspaper items pasted onto the paper.
The upper clipping is titled “BLAKE'S DRAWINGS & PAINTINGS, by DARRELL FIGGIS.” It appears to be a short promotional or review piece about a book on Blake, with a dense block of text describing the work and publication details (e.g., “Ready about September, 1925”).
The lower clipping is from the Harvard University Gazette and is headed “SUMMER SCHOOL OF ARTS AND SCIENCES AND EDUCATION.” It discusses the 1925 Summer School schedule and courses, and there is a smaller section titled “HARVARD-PRINCETON FINE ARTS CLUB” toward the bottom. The text is small and tightly set, typical of old newspaper clippings.
The page itself is aged and yellowed, with the clippings mounted in a bound notebook or scrapbook. The overall impression is of an archival page collecting references on the fine and applied arts from the 1920s.
This image shows an open book or scrapbook page featuring text and two separate articles. Written annotations on the top margin include the heading: "List of books on the Fine and Applied Arts, Ernest Benn – Spring 1925."
The first article is titled "Blake’s Drawings & Paintings. By Darrell Figgis." It discusses an upcoming publication (planned for September 1925) featuring reproductions of artist William Blake's works. The text highlights the artistic and historical significance of Blake's work, the process and intention behind the reproductions, and the inclusion of rare and unique pieces. Details such as the sources of the material (e.g., museums and collectors) and examples of works included are mentioned. Pricing information and special editions are also noted at the bottom.
The second article is from the "Harvard University Gazette" and announces the "Summer School of Arts and Sciences and of Education." The text outlines the summer school session at Harvard in 1925, running from July 6 to August 15, with a list of courses offered in disciplines like Anthropology, Fine Arts, Mathematics, and more. Details about eligibility, credit policies, and student qualifications are provided.
The section also includes a note about the "Harvard-Princeton Fine Arts Club" and its summer institute to be held at Princeton University, emphasizing its focus on advanced fine arts studies. Prof. Michael Ivanovich Rostovtzeff is noted as one of the lecturers.
The tones and physicality of the page suggest it's from a historical archive or a preserved document collection.
The image displays an open book with text on both pages; it seems to be an old document considering the coloration and texture of the pages. The left page is titled "List of books on the Fine and Applied Arts Ernest Benn Spring 1925" and features the subtitle "Blake's Drawings and Paintings. By Darrell Figgis." The text under this heading seems to be a review or commentary on the body of work created by the artist William Blake. It discusses the availability of his work, representations of his paintings, and references to exhibitions and collections where his works can be seen or are held.
The right page is headed with "Harvard University Gazette" and beneath it is a section entitled "SUMMER SCHOOL OF ARTS AND SCIENCES AND OF EDUCATION." This section provides information about the Harvard Summer School, listing the fields of study available, including Astronomy, Biology, Chemistry, Economics, Education, Engineering, Government, History, Literature, Mathematics, Philosophy, and many others. It mentions the time frame of the courses—from July 6 to Saturday, August 15—and that these courses are additional to the corresponding ones in Harvard College.
Below that section on the right page, there is a smaller paragraph about the "HARVARD-PRINCETON FINE ARTS CLUB Summer Institute in the Fine Arts at Princeton University." It calls attention to the lectures that will be given by Professor Michael Rostovtzeff of the University of Wisconsin. It details that applications must reach the Secretary-Treasurer, A. M. Friend, at McCosh Hall, Princeton University, before June 1.
Overall, the book appears to be an educational or scholarly publication from the year 1925, with topics spread across art reviews and academic course offerings, suggesting it might have been a resource for students, scholars, or individuals interested in the arts and higher education of that era.
The image depicts a page from a book or a collection featuring two distinct sections. At the top, handwritten text reads, "List of books on the Fine and Applied Arts Ernest Benn - Spring 1925."
The main content starts with an announcement of a forthcoming book titled "Blake's Drawings & Paintings" by Darrell Figgis, expected to be ready by September 1925. The text discusses the significance of reproducing William Blake's work, emphasizing the detailed approach and the influence of Blake's art over time. It mentions specific features of the book, including the quality of reproductions, the involvement of the Fitzwilliam Museum at Cambridge and other institutions, and the availability of previously unshown Blake works. The book will include 40 full-size facsimile reproductions and a 30,000-word introduction by Figgis, aiming to showcase the best and most distinctive works of Blake. It is printed at 6 guineas per copy and 12 guineas for a de luxe edition.
Below this, a section titled "Harvard University Gazette" provides details about the Summer School of Arts and Sciences and of Education for the year 1925. It outlines the course offerings, which range across various disciplines, emphasizing the acceptance and credit of these courses toward degrees. Additionally, it discusses the Harvard-Princeton Fine Arts Club, detailing a Summer Institute in the Fine Arts at Princeton University scheduled from August 24 to September 19, 1925. Notable professors and application instructions are included.
The page overall covers topics related to art education, upcoming publications on fine arts, and summer educational opportunities at notable institutions.