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ARCH.2003.23, Rendition: 795125
This image shows a page from a publication, likely a university newsletter or gazette, from the 1920s. The top section contains an article titled "List of books on the Fine and Applied Arts," by Ernest Benn, dated Spring 1925. It discusses the book "Blake's Drawings & Paintings" by Darrell Figgis, which is scheduled to be ready in September 1925. The article provides details about the book, including its content, the selection process of the reproductions, and the various institutions and individuals who have contributed to the publication.
The bottom section of the page features a notice about the "Harvard University Gazette." It advertises the "Summer School of Arts and Sciences and of Education," which took place from July 6 to August 15, 1925. The newsletter lists the courses offered, including subjects such as Anthropology, Architecture, Astronomy, Botany, Chemistry, Economics, Education, Engineering Sciences, English, Fine Arts, French, and more. It also mentions the "Harvard-Princeton Fine Arts Club" and the "Summer Institute in the Fine Arts at Princeton University," which took place from August 24 to September 19, 1925.
This image shows a page from a book with several clipped articles pasted onto it. The top of the page has handwritten text that reads:
"List of books on the Fine and Applied Arts
Ernest Benn – Spring 1925"
The first article is titled "BLAKE'S DRAWINGS & PAINTINGS. By DARRELL FIGGIS." It discusses the need for a book of reproductions of William Blake's work as a painter, mentioning the selection of pictures to be reproduced, some in color and others in collotype. The article also lists various collections and individuals who have provided access to Blake's works for this publication. It mentions the price of the book and the availability of a limited edition.
The second article is from the "Harvard University Gazette" and is titled "SUMMER SCHOOL OF ARTS AND SCIENCES AND OF EDUCATION." It provides information about the Summer School session in 1925, detailing the courses offered in various subjects such as anthropology, architecture, astronomy, botany, chemistry, economics, education, engineering sciences, English, fine arts, French, geology, German, government, history, horticulture, hygiene, Italian, Latin, mathematics, medical sciences, music, philosophy, physical education, physics, psychology, public speaking, social ethics, and Spanish. It also mentions the rules for obtaining credit for the courses.
The third article is titled "HARVARD-PRINCETON FINE ARTS CLUB" and discusses the Summer Institute in the Fine Arts at Princeton University, mentioning the lecturer and the application process for the institute.
This image displays an open, aged newspaper or newsletter, likely from the 1920s, resting on a flat, light-blue surface. The pages are yellowed and worn, indicating their age, and are bound in what appears to be a simple, softcover or pamphlet-style binding.
The content is typographically styled in a classic, formal print format, characteristic of early 20th-century academic or institutional publications.
The top of the left-hand page is handwritten in ink:
“List of books on the Fine and Applied Arts / Ernest Benn – Spring 1925”
Below this, the main article begins, headlined in bold caps:
“BLAKE’S DRAWINGS & PAINTINGS. By DARRELL FIGGIS.”
This article, dated “READY ABOUT SEPTEMBER, 1925,” reviews and promotes an upcoming book on William Blake’s art. It discusses the historical lack of accessible reproductions of Blake’s work, the difficulty in obtaining permission to reproduce his art from major collections (such as the Fogg Art Museum and the British Museum), and the unique value of this new publication for scholars and lovers of Blake. It mentions Lord Leconfield, General Archibald Stirling, Mr. W. Graham Robertson, and others who have granted permission for reproductions, including for the first time the “Paradise Lost” series. The article notes the book will include 16 color plates, 84 in collotype, priced at approximately £6 6s and a limited deluxe edition for £12 12s.
Beneath this is a section title in bold and centered:
“—Harvard University Gazette—”
This section contains two articles:
“SUMMER SCHOOL OF ARTS AND SCIENCES AND OF EDUCATION” — Announces the 1925 summer session at Harvard, detailing course offerings in subjects like Anthropology, Architecture, Astronomy, Botany, Chemistry, Economics, Education, Fine Arts, French, German, History, Horticulture, Music, Philosophy, Political Science, Psychology, and more. It outlines credit policies for Harvard undergraduates, graduate students, and external students, and notes that courses may count toward degrees A.B., A.M., and S.B.
“HARVARD-PRINCETON FINE ARTS CLUB” — Announces the “Summer Institute in the Fine Arts at Princeton University,” to be held from August 24 to September 19, under the auspices of the club. The lecturer is Professor Michael Francis Roosfort, of the University of Wisconsin. Applications are to be made to Professor A.M. Friend, McCornick Hall, Princeton University, before June 1.
Overall, the document appears to be a promotional or informational broadsheet from Ernest Benn, Ltd., likely aimed at academic and cultural institutions, combining a book announcement with institutional news from Harvard University. The juxtaposition of Blake scholarship with summer school schedules at elite universities reflects the interwoven worlds of academia, art, and publishing in the early 1920s.
The image shows a page from the Harvard University Gazette from Spring 1925. The page contains two advertisements. The first advertisement is for a book titled "Blake's Drawings and Paintings" by Darrell Figgis. The advertisement explains that the book will feature reproductions of many of William Blake's most important paintings and drawings, many of which have never been published before. The book will also include a 30,000 word introduction by Darrell Figgis. The second advertisement is for the Harvard University Summer School of Arts and Sciences. It provides information about the courses offered and the requirements for admission.
The image depicts an open book, specifically a page from a catalog or magazine, featuring text and advertisements. The page is from a publication titled "Harvard University Gazette," which suggests it is likely a university publication. The book is open to a page that includes a list of books on the fine and applied arts by Ernest Benn, dated Spring 1925.
The main content on the page is an advertisement for "Blake's Drawings & Paintings" by Darrell Figgis, which appears to be a catalog or promotional piece for a collection of works by the artist Blake. The text describes the importance and quality of Blake's work, highlighting the need for a comprehensive range of his powers and the care required in reproducing his works. It mentions the involvement of various collectors and institutions in providing access to Blake's original works for reproduction.
Below this advertisement, there is another section titled "Harvard University Gazette - SUMMER SCHOOL OF ARTS AND SCIENCES AND SCHOOL OF EDUCATION." This section advertises summer courses offered by Harvard University, detailing the various subjects available, such as Anthropology, Architecture, Astronomy, Botany, Chemistry, Economics, Education, Engineering Sciences, Fine Arts, French, Geology, German, Latin, Mathematics, Medical Sciences, Music, Philosophy, Physics, Psychology, Public Speaking, Social Ethics, and Spanish. It notes that most courses are accredited toward degrees like A.B., A.A., and S.B., but not toward the degree of A.M. or Ed.M.
The advertisement further explains the requirements for undergraduates and graduates, mentioning that Harvard undergraduates with an average of B or better during the previous academic year and men who, for special reasons, have obtained the consent of the Dean of Harvard College, may in the Summer of 1925 be allowed to count toward the degrees of A.B. or S.B. two summer courses, but no undergraduate shall be permitted to obtain credit for more than one full course. Undergraduates not in the above categories will not be permitted to obtain more than one half-course. Undergraduates from other colleges taking summer work in order to make up a deficiency should consult the Dean of their college and also the Director of the Summer School regarding their choice of courses.
Additionally, there is a mention of the "HARVARD-PRINCETON FINE ARTS CLUB Summer Institute in the Fine Arts at Princeton University," which is scheduled to be held from August 24 to September 15, 1925. The institute will be under the auspices of the Harvard-Princeton Fine Arts Club, with Professor Michael Ivanovich Rostovtzeff of the University of Wisconsin as the lecturer and seminar director. Applications must reach the Secretary-Treasurer, A. M. Friend, McCormick Hall, Princeton University, Princeton, N.J., before June 1. Further particulars in regard to the Institute may be obtained from Professor Sachs at the Fogg Art Museum.
The book's pages are bound, and the text is printed in a serif font. The advertisements are clearly demarcated with borders and headings, making them stand out from the rest of the content. The overall appearance suggests a formal and academic publication, likely aimed at students, educators, and art enthusiasts.
The image shows an open book with two visible pages, each containing distinct content.
The image captures a blend of scholarly review and institutional communication, reflecting the interdisciplinary nature of the content.
The image shows an open book with two pages visible, featuring a list of books on fine and applied arts from 1925. The left page is dedicated to a review of Blake's Drawings and Paintings by Darrell Figgis, while the right page contains an advertisement for Harvard University's Summer School of Arts and Sciences and Education, as well as the Harvard-Princeton Fine Arts Club.
Here is a detailed description of the image:
In summary, the image shows an open book with two pages visible, featuring a review of Blake's Drawings and Paintings and advertisements for Harvard University's Summer School of Arts and Sciences and Education, as well as the Harvard-Princeton Fine Arts Club. The text is arranged in a clear and readable format, with headings and subheadings in bold font. The background of the image is a light gray color, providing a neutral and clean backdrop for the text.
The image depicts a page from an old book, featuring a newspaper clipping about the Harvard University Gazette. The clipping is titled "Harvard University Gazette" and contains information about the Summer School of Arts and Sciences and Education, as well as the Harvard-Princeton Fine Arts Club.
Key Features:
Conclusion:
Overall, the image provides a glimpse into the past, showcasing a historical document that has been preserved for future generations. The clipping offers valuable information about the Harvard University Gazette and its contents, making it a valuable resource for researchers and historians.
The image depicts a vintage book page featuring a list of books on fine and applied arts, specifically from the spring of 1925.
Overall, the image provides a glimpse into the world of art and education in the early 20th century, highlighting the interest in William Blake's work and the opportunities available for students to engage with fine arts.
The image presents a vintage, open book with yellowed pages, featuring two newspaper clippings. The book is positioned on a light gray background.
The image showcases a unique and fascinating piece of history, highlighting the intersection of art, education, and culture in the early 20th century.