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ARCH.2003.23, Rendition: 795117
The image shows an open book or magazine with an article from the "Boston Transcript" dated May 1925. The article is titled "AT THE FOGG MUSEUM" and discusses an exhibition at the Fogg Museum, which includes a collection of woodcuts, drawings, and lithographs by various artists such as Matisse, Beardsley, and Pisarro. The text is a review of the artwork on display, with detailed descriptions and critiques of specific pieces and artists. Additionally, there is a handwritten note on a separate piece of paper attached to the page, which mentions the "Boston Transcript," the date May 1925, and a book review of "Bomarzo" by Dominique, along with the name "Kinsley Postes" and the page number 251. Another article titled "THREE YEARS OF AN ART UNION" is partially visible, discussing the accomplishments of the Art Union.
The image shows a page from a newspaper or a magazine featuring several articles. Here is a detailed summary of the contents visible:
Top Left Article:
Top Right Article:
Middle Section:
Bottom Left Article:
The articles collectively provide insights into the cultural and artistic activities at Harvard University and the Fogg Museum during the early 20th century.
The image shows two pages of an old newspaper or magazine, featuring articles related to art exhibitions and reviews.
Left Page:
The headline reads, "AT THE FOGG MUSEUM," dated May 23, 1925. The article discusses a representative collection of woodcut prints, engravings, and lithographs of the 19th and early 20th centuries. Notable artists mentioned include Mary Cassatt, Mary Beardsley, and others like Matisse, Pissarro, and Mary Cassatt. The article highlights the diversity of techniques and styles, with praise for the depth and quality of the works. It mentions specific pieces by artists such as Cassatt, Beardsley, and Toulouse-Lautrec, describing their unique qualities and the overall impact of the collection.
Right Page:
The page includes several smaller articles:
"ART AT HARVARD UNIVERSITY": This article, dated May 1925, mentions original drawings by Ashley Beardsley and other artists in the Fogg Museum. It notes that these works have been lent to the Fogg by the Fogg Art Museum for a special exhibition.
"LEE BUNNINGTON MAGAZINE": A small note indicating a book review of "Romance" depicted by Kinsey Postes on page 251.
"THREE YEARS OF AN ART UNION": This article discusses the accomplishments of the Harvard Art Union over three years, including the establishment of a permanent collection and the organization of exhibitions. The article highlights the union's role in promoting art and culture, and its efforts to engage the community, including students and faculty. It mentions the union's successful exhibitions and the positive response from both students and the wider community.
The articles collectively emphasize the importance of art exhibitions and the contributions of various art institutions to the cultural landscape of their respective times.
The image shows an open book with two distinct articles on art exhibitions, each from different publications.
Headline: "AT THE FOGG MUSEUM"
Subheading: "Representative Collection of Woodcuts, Engravings, and Lithographs of Recent Works by Matisse, Beardsley, Piranesi, Mary Cassatt and Others"
Date: March 23, 1925
The article discusses an exhibition at the Fogg Museum featuring woodcuts, etchings, and lithographs by renowned artists. The article highlights the works of Mary Cassatt, Matisse, Beardsley, and others. It describes the variety of techniques and styles, emphasizing the skillful use of lines, contrasts, and the distinctiveness of each artist's work. Notable pieces include Mary Cassatt's etchings, which are praised for their delicate lines and expressive quality.
Headline: "ART AT HARVARD UNIVERSITY"
Subheading: "Original Drawings by Ashley Beardsley Exhibition Have Won Distinction"
Date: May 1925
This article reviews the work of Ashley Beardsley, focusing on his original drawings exhibited at Harvard University. The article mentions Beardsley's success and the high regard for his work, which has been noted by critics and collectors alike. It also references a review from the Boston Transcript, which praises Beardsley's ability to capture character and emotion in his drawings.
Lower Section:
Headline: "THREE YEARS OF AN ART UNION"
Subheading: "The Harvard Union of Art Students and Its Accomplishments as Reviewed in the Fogg Art Museum Notes"
Date: May 1925
This section discusses the Harvard Union of Art Students and its achievements over three years. It highlights the union's efforts to improve the appreciation of art among Harvard students and the broader community. The article mentions various events and exhibitions organized by the union, including collaborations with other institutions and notable figures in the art world. The union's activities are seen as fostering a deeper understanding and enthusiasm for art among students and the public.
Both articles provide a glimpse into the cultural and artistic activities at Harvard University and the broader art scene in the mid-1920s.
The image shows a page from an old issue of "The Burlington Magazine," dated March 1925. The page contains several articles and reviews related to art.
At the Fogg Museum (Top Left)
Art at Harvard University (Top Right)
Book Review (Middle Right)
Three Years of an Art Union (Bottom)
Overall, the page offers a glimpse into early 20th-century art scholarship, focusing on exhibitions, collections, and the role of art unions in promoting art appreciation and education.
The image depicts an open page from a book or magazine, specifically from the Fogg Museum Magazine dated May 1925. The page features two main articles:
"At the Fogg Museum" by E. H. F.
"Three Years of an Art Union" by Edward W. Forbes
Additionally, there is a handwritten note on the page that reads:
"See Burlington Magazine
May 1925
Book review - Rembrandt
destruction by
Kinley Carter - Aug. 25."
This note suggests a reference to an article or review in the Burlington Magazine from May 1925, which discusses Rembrandt and mentions a destruction event documented by Kinley Carter on August 25. The note appears to be a reminder or annotation for further reading or research.
This image shows an open book or scrapbook page with several pasted newspaper clippings. The clippings contain text related to art exhibitions and events, particularly as it appears, related to the Fogg Museum at Harvard University.
The top left clipping is titled "AT THE FOGG MUSEUM" and references a Representative Collection of Weaving, Cots, Etchings and Lithographs, Rodin casts, Wednesday Work Done By Menit Women, Persian Ware, May Celebration, and Other items.
The top right clipping is titled "ART AT HARVARD UNIVERSITY" and talks about original drawings by artist Sir Joshua Reynolds being privately exhibited.
The central column begins with a handwritten note that says, "The Arlington Magazine May 1925 Book reviews 'Bazaar detailed by Sidney R. Rittenberg, April 25th." This suggests that someone named Sidney R. Rittenberg wrote book reviews for "The Arlington Magazine" in May 1925. Below this note are clippings related to "THREE YEARS OF AN ART UNION" discussing the Harvard-Princeton Fine Arts Club and its achievements and events surrounding the Fogg Art Museum.
These clippings provide historical context to the art scene and museum activities during the reported time. The pages look aged, indicating that the book or scrapbook is quite old, which adds to the historical value of the information presented.
The image depicts a page from an old scrapbook or album, featuring several newspaper clippings with articles and a handwritten note. The clippings and note are pasted onto a slightly yellowed and aged paper.
The page is placed slightly diagonally, and appears to be part of a bound collection judging by the crease and binding visible along the right edge.
The image shows a page from an old scrapbook or album. The page contains three newspaper clippings and one small handwritten note.
The top left clipping is titled "AT THE FOGG MUSEUM," dated May 24, 1925, and discusses a representative collection of woodcuts, etchings, and lithographs of recent workmanship, featuring artists like Matisse, Beardsley, Pissarro, Mary Cassatt, and others.
The top right clipping is titled "ART AT HARVARD UNIVERSITY," and mentions original drawings by Aubrey Beardsley and modern prints of great distinction exhibited at the Fogg Art Museum, with some prints by notable artists such as Scofield Thayer, Frederick Keppel, and others.
The bottom left clipping is titled "THREE YEARS OF AN ART UNION," dated June 3, 1925 (with the date handwritten), and discusses the Harvard-Princeton Fine Arts Club, its accomplishments, and the purchase of books and art for a larger library, as well as the club’s organization and progress.
In the center, there is a small handwritten note that reads:
"See Burlington Magazine
May 1925
Book review 'Romanesque Sculpture' by Kinsley Potter. Page 251."
The page is yellowed, indicating age, and the clippings have been neatly pasted onto the page. The overall presentation suggests an archival collection of art-related press clippings from the 1920s.
The image shows an open book with two visible pages, likely from a historical or academic publication. The left page is titled "AT THE FOGG MUSEUM" and discusses a representative collection of woodcuts, engravings, and lithographs, referencing works by artists such as Matisse, Braque, Picasso, Mary Cassatt, and others. The text appears to be an article or essay, providing detailed commentary on the artistic works displayed at the Fogg Museum, highlighting their significance and characteristics.
The right page is titled "THREE YEARS OF AN ART UNION" and discusses the activities and achievements of the Harvard Art Club and its accomplishments as reviewed in the Fogg Art Museum Notes. This section also includes a handwritten note in the margin, which reads:
See Burlington Magazine
May 1925
Book review: "Romanticisme"
by Henry Porter, page 251
The handwritten note suggests that the reader or annotator was referencing a review or article from the Burlington Magazine from May 1925, specifically a book review titled "Romanticisme" by Henry Porter, located on page 251. The book appears to be related to the themes or content discussed in the printed text on the page.
The overall appearance of the book indicates it is an older publication, possibly from the early to mid-20th century, given the style of the text and the handwritten annotation. The pages are aged, with a yellowish tint typical of paper from that era. The layout includes dense, typeset text with headings and subheadings, characteristic of scholarly or art-related journals or books.