Archives Scrapbooks

The image shows a page from a newspaper or a similar publication, dated Friday, October 17, 1924. The page contains several articles related to the Fogg Museum and its collections. Here is a summary of the articles:

1. Fogg Museum Plans:

   • The Fogg Museum is planning to establish a complete laboratory for the study of paintings and methods of the Italian primitives. This laboratory will be a significant addition to the museum, allowing for the scientific study of art.
   • The article mentions the need for a new Fogg Museum wing to house the laboratory and other facilities. It discusses the importance of such a laboratory in understanding the techniques and materials used by artists.

2. Add Old French Etchings to Fogg Art Collections:

   • The Fogg Museum has acquired twenty prints by Charles Meryon, donated by Joseph S. Marvin. One of the prints is an autographed etching titled "Le Petit Pont."
   • The article highlights the significance of Meryon's work and his contribution to the art of etching. It mentions that Meryon's prints are highly valued and that the museum is fortunate to have such a collection.

3. Why Not the Workshop?:

   • This article discusses the potential for establishing a workshop at the Fogg Museum to study and replicate the techniques of old masters. It argues that such a workshop would be beneficial for art students and researchers.
   • The article mentions the high cost of establishing such a workshop but suggests that it would be a valuable investment for the museum and the art community.

Overall, the page focuses on the Fogg Museum's plans for expansion and the acquisition of significant artworks, highlighting the museum's commitment to the study and preservation of art.

The image displays a newspaper page dated Friday, October 17, 1964. Here is a detailed summary of the content:

Main Articles and Headlines:

1. FOGG MUSEUM PLANS:

   • Funds for Expansion of New Wing:
     The Fogg Museum at Harvard University plans to erect a new wing. The project requires significant funding, estimated at around $5 million, and the university is seeking donations.
     • The article mentions that the new wing will house modern and contemporary art collections, which currently cannot be adequately displayed.
     • It will also improve facilities for conservation and research.

2. ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS:

   • Twenty Prints by Charles Meryon:
     The Fogg Art Museum has added twenty etchings by Charles Meryon, noted for his detailed prints of Paris.
     • The acquisition includes etchings donated by Lelia Joseph B. Martin, late of Worcester, Massachusetts, and one from the collection of Lessing J. Rosenwald.
     • These etchings are significant as they represent some of Meryon's greatest architectural etchings of Parisian landmarks.

3. MERYON ETCHINGS:

   • Fogg Museum Acquires More Prints by Famous Etcher:
     This article provides further details about the acquisition of Charles Meryon's etchings, highlighting their importance.
     • The etchings are described as rare and valuable, with only a few complete sets in existence.
     • The article also mentions other works by Meryon in the museum's collection, including those by other artists like Whistler.

4. WHY NOT THE WORKSHOP?

   • This opinion piece discusses the Fine Arts Department's plan to build a new workshop.
     • The author argues that the current proposal lacks proper planning and foresight.
     • They suggest that the workshop should be more carefully integrated into the museum's overall facilities rather than being a standalone project.

Additional Content:

• MORE FUNDS NOW VOUGHT:
  • This small section notes that Harvard University is raising funds for various projects, including the Fogg Museum expansion.

The newspaper also contains typical sections such as classifieds, though they are not the focus of the main articles mentioned above. The overall theme centers on the expansion and enhancement of the Fogg Museum's collections and facilities.

The image shows a page from a newspaper dated Friday, October 17, 1924, with articles related to the Fogg Art Museum at Harvard University.

1. Top Left Article - "FOGG MUSEUM PLANS"

   • The Fogg Museum is planning a new wing for its collection, which will house etchings, drawings, and prints. The plans are designed by the firm of Shepley, Rutan, and Coolidge. The total cost of the project is estimated to be $250,000, with $200,000 allocated for the new wing and $50,000 for the purchase of additional works of art.

2. Top Right Article - "ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS"

   • The Fogg Art Museum has acquired twenty prints by Charles Meryon, a noted French artist. These prints depict scenes from Paris and are drawn from the collection of the late Joseph B. Marvin. The etchings are autographed and include some of the artist's most significant works.

3. Bottom Left Article - "MORE FUNDS FOR FOGG"

   • The Fogg Art Museum has received additional funds, amounting to $110,000, from the estate of the late Samuel H. Kress. This donation will be used to purchase more artworks for the museum's collection.

4. Bottom Right Article - "WHY NOT THE WORKSHOP?"

   • This article discusses the potential for a workshop at the Fogg Art Museum. The author argues that the workshop would provide valuable laboratory experiences for students and would be a practical addition to the museum's educational offerings. The workshop could offer facilities for valuable laboratory experiments and would be a unique feature in academic art museums.

The page is a snapshot of the museum's ongoing efforts to expand its facilities and collections, highlighting both new acquisitions and plans for future improvements.

The image is a page from an old newspaper or magazine, featuring several articles related to the Fogg Art Museum (now known as the Harvard Art Museums).

1. Top Left Article: "FOGG MUSEUM PLANS"

   • The article discusses plans for the erection of a new wing at the Fogg Art Museum in Cambridge, Massachusetts.
   • The estimated cost is $250,000, with funds raised through public subscription.
   • The article notes the museum's current state and its need for expansion, including more space for the growing collection of prints and drawings.
   • It mentions that the new wing will be designed by a prominent architect, with a focus on providing better facilities for the curation and preservation of artworks.

2. Top Center Article: "ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS"

   • This article describes the addition of twenty prints by Charles Merion to the Fogg Art Museum's collection.
   • These etchings are notable for their depiction of old Paris and were gifted by Joseph B. Marvin.
   • The article highlights the significance of Merion's work, particularly his etchings of Parisian architecture and his technique of autographing his prints.

3. Top Right Article: "FRIDAY, OCTOBER 17, 1924"

   • This article discusses the reasons why a workshop was not held on the specified date.
   • It mentions the need for a new workshop space, with a focus on the practical aspects of constructing and furnishing the new facility.
   • The article notes that the current space is inadequate and the new workshop should provide better conditions for the work being done.

4. Bottom Left Article: "MORE FUNDS FOR FOGG"

   • This article is about the efforts to raise additional funds for the Fogg Art Museum.
   • It mentions a gift of $100,000 from the Rockefeller Foundation and other significant donations, indicating the museum's ongoing fundraising efforts to support its expansion and preservation projects.

5. Center Boxed Article: "MERION ETCHINGS"

   • This section provides a detailed description of the etchings by Charles Merion, focusing on the techniques and themes of his work.
   • It includes a mention of the artist's prints and their historical significance, particularly those depicting Paris.

Overall, the page is dedicated to the updates and developments at the Fogg Art Museum, including architectural plans, acquisitions of artworks, and the challenges and solutions related to expanding the museum's facilities.

The image shows a page from a newspaper or magazine dated Friday, October 17, 1924. It contains several articles related to the Fogg Museum of Art.

1. Top Left Corner - "Fogg Museum Plans":

   • This article discusses plans for a new wing or structure at the Harvard Art Museums, including the Fogg Museum. The plans involve extensive renovations and expansions, with an estimated cost of $250,000. The museum aims to create a more comprehensive and aesthetically pleasing environment for its collections, including the acquisition of new artworks and the improvement of existing facilities.

2. Top Right Corner - "Add Old French Etchings to Fogg Art Collections":

   • The article mentions that twenty prints by Charles Meron, a noted French artist, are to be added to the Fogg Art Museum collections. Meron's etchings, which were made during his time under Louis Napoleon, are significant and include notable pieces such as "Autographed Etching in Recent Sequest" and other works. These prints are valued for their historical and artistic merit.

3. Center Bottom - "More Finds for Fogg Museum":

   • This segment highlights the continued efforts to acquire more artworks for the museum. It notes that $100,000 was raised, with contributions from various donors, including notable figures and private individuals.

4. Main Article - "Why Not the Workshop?":

   • This piece discusses the potential for setting up a workshop at the Fogg Museum. The author argues that such a facility would be beneficial, not only for the preservation and conservation of art but also for educating the public and encouraging artistic research and practice. It mentions the need for a dedicated space to allow for experimental and innovative work in art, which is currently lacking.

5. Small Boxes and Ads:

   • There are several smaller sections and advertisements at the bottom, including a box that mentions additional funds raised for the museum and a small advertisement related to a product or service.

Overall, the article focuses on the museum's efforts to expand its collections, enhance its facilities, and foster educational and artistic activities.

The image shows an open scrapbook with three newspaper clippings pasted onto its right-hand page. The clippings are from different publications and dates, focusing on art and museum-related news. Here is a detailed summary of each clipping:

1. Top Left Clipping (Date: October 17, 1924, Source: The New York Times)

   • Title: "ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS"
   • Content: This article reports that twenty prints by Charles Meryon, a noted French artist, have been left to Harvard's Fogg Art Museum by the late Joseph B. F. Marvin. The etchings, created in the 19th century, depict old Paris and include the famous "Maison de S. Gervais" and "Le Pont N. D. de Paris." The collection also includes a rare autographed etching by Meryon, adding significant value to the museum's prints and drawings department.

2. Middle Right Clipping (Date: October 17, 1924, Source: The New York Times)

   • Title: "WHY NOT THE WORKSHOP?"
   • Content: This opinion piece discusses the need for a workshop at the Fogg Art Museum where students and faculty can work on restoration and conservation of art. The author argues that such a space is essential for the practical study of art and that its absence is a serious oversight. The article suggests that the workshop could be used for frame-making and other practical art applications, and that its creation should be a priority for the museum.

3. Bottom Left Clipping (Date: October, 1924, Source: Unidentified Publication)

   • Title: "MORE FUNDS FOR FOGG"
   • Content: This brief announcement mentions that additional funds have been secured for the Fogg Art Museum. The money will be used for the purchase of new equipment and for expanding the museum's collections. The funds were raised through a concerted effort by the museum's supporters and friends.

The left-hand page of the scrapbook is blank, waiting for more clippings to be added. The overall focus of these clippings is on the development and enrichment of the Fogg Art Museum's collections and facilities.

The image shows a scrapbook or album page with several newspaper clippings pasted on it. The clippings contain articles and text related to the Fogg Museum, an art museum at Harvard University.

Key details from the clippings:

1. Plans for a new Fogg Museum building have nearly been realized, including the completion of the Laboratory for the Study of Paints and Mediums. The funding and donations mentioned amount to $2,000,000, with contributions from notable families and individuals. Edward W. Forbes is mentioned in connection with the museum.

2. Twenty prints by Charles Meryon, a noted French artist, were left to the university by late Joseph B. Marvin. These prints are autographed and represent a valuable addition to the Fogg Art Museum's collection, including impressions from Louis Napoleon's era and other rare works.

3. An article titled "Why Not the Workshop?" discusses the importance of practical artistic work and facilities at the Fogg Museum, advocating for experimental and hands-on art production areas to complement the museum’s collections.

4. Other smaller clippings discuss funds for the Fogg Museum, mentioning gifts and endowments that support the museum's development and research.

The clippings are dated around October 1924, providing historical context about the museum’s growth and cultural contributions during that time.

The image shows a page from a publication, which seems to be an archival document or a clipping from an old newspaper or magazine. On the page, there are multiple columns of text, with the layout typical of newsprint from an earlier era, including headlines, subheadings, and densely packed text blocks.

There are three main articles visible on the page:

1. The primary and largest article on the left is titled "FOGG MUSEUM PLANS, Funds for Education -- New Building Nearly Realized -- Complete Laboratory for the Study of Paints and Mediums to Be Provided". This article discusses the plans for a new Fogg Museum structure and funding details. References to laboratory work for the study of art appear as well. The document is weathered, showing its age with some discoloration and fraying at the edges.

2. The top-middle article has the headline "ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS". It mentions the addition of twenty prints by Charles Meryon, a noted French artist, to a university collection. It specifies that an autographed print is included in this collection. The date "Oct. 18, 1924" is visible above the article, likely indicating the date of the publication.

3. The top-right article is headlined with "WHY NOT THE WORKSHOP?" and critiques an architectural opinion about the Fogg Art Museum's design. It appears to defend the museum's choice of having a workshop as part of its design, explaining the usefulness of such a facility. The date "FRIDAY, OCTOBER 17, 1941" is visible at the top of the column.

Below the articles, on the left, there is a small section titled "MERYON ETCHINGS" that continues the discussion on the Fogg Museum's acquisition of Charles Meryon etchings.

In the bottom left corner, there's a smaller article titled "MORE FUNDS FOR FOGG", highlighting additional financial details and further funding for the Fogg Museum.

The document appears quite old, with notable yellowing and some minor damage at the edges. The overall feel is informative and historical, providing insight into the museum's past expansions and acquisitions.

The image depicts a scrapbook page containing several newspaper clippings. The newspaper articles are adhered to the page and are all related to the Fogg Museum at Harvard University.

1. The top left article is titled "FOGG MUSEUM PLANS" and mentions the nearly completion of the new building and the provision of a laboratory for paint and mediums study. The clipping has annotations at the top indicating the date "Oct 5 '24".

2. The middle clipping is titled "ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS" discussing the addition of twenty prints by Charles Meryon to the museum's collection, including an autographed print from the late Joseph H. Marvin.

3. The article on the right is dated "FRIDAY, OCTOBER 17, 1924" and headlined "WHY NOT THE WORKSHOP?" The discussion centers around the potential functionality of transforming the museum into an experimental basis for educational and laboratory work based on the architectural value.

4. The clipping on the bottom left is titled "MERYON ETCHINGS" and reaffirms the acquisition of twenty prints by Charles Meryon by the Fogg Museum, explaining the significance and charm of the etchings.

5. The final clipping at the bottom right is titled "MORE FUNDS FOR FOGG" and discusses the financial aid received which was crucial for the museum's operations and expansions.

Each clipping varies in font size and layout, suggesting diverse sources and chronological entries related to news and events about the museum. The scrapbook page and the newspaper clippings are aged, with yellowish paper and some portions show minor tears and wear, indicating their archival nature.

The image shows an open book with aged, yellowed pages, likely from an archive or historical document. The book appears to be a collection of records, possibly from a museum or institutional setting, given the formal and structured content. Here is a detailed description:

Left Page:

• Title: "FOGG MUSEUM PLANS"
• Date: "Oct 19, 24"
• Content: The left page discusses plans for a new building, referred to as the "Fogg Museum of Fine Arts." It outlines the museum's purpose, which includes housing a collection of paintings, sculptures, and other artworks. The text mentions:
  • The museum's role in housing a comprehensive collection of art.
  • The need for a new building to accommodate the growing collection.
  • Details about the museum's location and the expected cost of construction.
  • References to specific artists and works, such as "Merion Etchings" by Charles Joseph B. Martin.
  • Financial estimates, including costs for the building and collection.

Right Page:

• Title: "ADD OLD FRENCH ETCHINGS TO FOGG ART COLLECTIONS"
• Date: "Friday, October 17, 1951"
• Content: This page discusses the acquisition of old French etchings for the Fogg Art Museum. Key points include:
  • A note about twenty prints by Charles Joseph B. Martin, dated 1914, being added to the museum's collection.
  • A description of the etchings, including their historical significance and artistic value.
  • Mentions of specific works, such as "Autographed Print Included in Recent Bequest."
  • References to other acquisitions, including a collection of etchings by Jacques Callot and others.
  • Discussion of the architectural and historical context of the etchings, such as their depiction of Mont Saint-Michel and other notable sites.
  • A section titled "Merion's Work Under Louis Napoleon," which details the historical and artistic background of the prints.

General Observations:

• Condition: The pages are aged, with visible wear, creases, and discoloration, suggesting the document is from an earlier time period.
• Layout: The text is typed or printed in a formal, structured format, typical of institutional records or reports.
• Content Focus: The document appears to be part of a museum's administrative or archival records, detailing acquisitions, plans, and discussions related to the Fogg Art Museum.
• Annotations: There are handwritten notes and markings on the pages, indicating that the document may have been reviewed or annotated by someone in the past.

Conclusion:

The image depicts a page from an archival or institutional record, likely from the Fogg Art Museum, detailing plans for a new building and the acquisition of old French etchings. The content reflects the museum's efforts to expand its collection and build its facilities, with a focus on historical and artistic significance. The aged appearance of the document suggests it is from the mid-20th century.