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The image appears to be a clipping from an old newspaper, specifically the "Baltimore Sun" dated July 1, 1924. The article discusses the historical use of egg as a medium in painting, particularly in tempera painting, which predates the use of oil paints. The text highlights how both the white and yolk of the egg were used to mix various pigments, with the yolk being preferred for the faces of young people due to its lighter color. The article also mentions how egg painting reached its perfection in Italy in the 15th century and how it has since been replaced by oil paints. The clipping is attached to a piece of paper that has a handwritten note at the top reading "E.R. Fogg Museum." This note suggests that the clipping might have been personally collected by someone associated with the E.R. Fogg Museum, which is now part of the Harvard Art Museums.

The image is of a vintage newspaper clipping from the Evening Sun newspaper in Baltimore, Maryland, dated July 1, 1924. The headline reads: "‘OIL’ IN PAINTINGS DECLARED TO BE EGG". The article discusses the use of eggs in painting, specifically how both the white and yolk of eggs were originally used to mix various pigments.

The article explains that many paintings thought to be done with oil were actually created using egg-based mediums. It traces the history of egg-based paints back to the twelfth century in Italy and discusses their use in creating tempera paint. The article also mentions that the white of the egg was used for gilding, to hold gold leaf on panels and frames, while egg yolks were used for painting faces, especially for young persons, due to their lighter and less red color.

The text is divided into several sections, each with its own subheading, such as "Both White And Yolk Were Originally Used To Mix Various Pigments" and "Difference in Eggs, Too." The article also touches on the rivalry between city and country hens in the fifteenth century and how their eggs were used differently in painting. The clipping is slightly worn, with some folds and creases, and appears to be cut from a larger page.

This image displays a historical newspaper clipping mounted on a larger, aged piece of beige paper, which appears to be part of an archival collection.

Main Newspaper Clipping:

• Headline: The most prominent text reads, ““OIL” IN PAINTINGS DECLARED TO BE EGG”. Below this, a sub-headline states: “Both White And Yolk Were Originally Used To Mix Various Pigments.”
• Content: The article, dated “Boston, July 1,” explains that many paintings traditionally labeled as “oil” paintings were actually created using egg as a binder. It details how egg white and yolk were mixed with water and pigment to form “tempera,” a technique used since the 12th century in Italy and across Europe. The article notes differences between egg whites from city hens (lighter, used for faces of young people) and country hens. It also mentions the use of egg yolk alone, and how egg painting (tempera) reached its peak in Italy during the 15th century before declining, unlike oil painting which persisted. It references the Fogg Art Museum at Harvard and notes Russia’s continued use of egg paint for religious icons.
• Layout: The clipping is divided into two columns of dense, typewritten text.

Accompanying Paper:

• Affixed above and slightly to the left of the clipping is a larger, aged, yellowed piece of paper with rough torn edges.
• On this paper, there is handwritten text in pencil or a light ink at the top, which reads “21. R. Fogg Museum”.
• Below this, stamped in purple ink, are the words: “eve. Sun, Baltimore, Md. JUL 11-1921”. This likely indicates the clipping was saved or cataloged on Sunday, July 11, 1921, by someone associated with “eve.” in Baltimore, Maryland, possibly linked to the Fogg Museum mentioned above.

Overall Appearance:

The entire object is presented against a plain, light grey background. The paper components are visibly aged, with yellowed tones and slight wear, suggesting it is an artifact from the early 20th century. The image captures an early example of art historical research being preserved, documenting a common misconception about painting materials that was corrected nearly a century ago.

The image depicts a newspaper clipping with a headline that reads "Oil" in Paintings Declared to Be Egg. The clipping is placed on a gray background, and it seems to be part of a collection or archive. The clipping is from the Baltimore Evening Sun, dated July 4, 1924. The text discusses the historical use of eggs in painting, particularly the use of egg yolk and white as binding agents and pigments. It mentions that the practice of using eggs in painting persisted in Russia even after the introduction of oil, and that the art of egg painting reached its perfection in Italy during the fifteenth century. The clipping also touches upon the rivalry between city and country artists in the fifteenth century, where city artists used egg yolks from lighter hens to achieve brighter colors.

A piece of paper is folded into a cross shape and is placed on a gray surface. It is an article from a newspaper, and it is titled "Oil in Paintings Declared to be Egg." The article talks about how oil was originally used to mix various pigments and how the yolk of an egg was used for faces and young persons. The article also talks about the rivalry between city and country in the fifteenth century in Italy.

The image shows a historical newspaper clipping from the Baltimore Sun, dated July 1, 1924, discussing the use of egg in oil paintings. The article is titled "OIL" IN PAINTINGS DECLARED TO BE EGG, and it highlights the origins and significance of egg as a binding medium in various forms of art.

Key Details from the Image:

1. Headline and Subheadings:

   • The main headline reads: "OIL" IN PAINTINGS DECLARED TO BE EGG.
   • Subheadings include:
     • "Both White And Yolk Were Originally Used To Mix Various Pigments."
     • "DIFFERENCE IN EGGS, TOO."
     • "City Hen's Yolk Lighter, And Was Used For Faces Of Young Persons."

2. Content Overview:

   • The article discusses how egg was historically used as a binding medium in paintings, particularly in oil paintings, frescoes, and glass painting.
   • It explains that both the white and yolk of eggs were used to mix pigments, with the yolk being lighter and preferred for painting the faces of young people.
   • The article references historical practices in Russia, Italy, and other European countries, noting that egg was favored over oil in the Renaissance for its superior quality and durability.
   • It also mentions the perfection of egg painting in Italy during the fifteenth century, citing the example of a painter who spent 300–400 years achieving mastery.

3. Visual Elements:

   • The clipping is slightly worn, with visible creases and edges, suggesting it is an archival or historical document.
   • There is a handwritten note at the top left corner, reading "2/E Frigg Murstand", which may indicate a cataloging or filing reference.
   • The text is printed in a standard newspaper font, with clear headings and body text.

4. Historical Context:

   • The article provides insights into the evolution of painting techniques, emphasizing the role of natural materials like egg in achieving high-quality art.
   • It contrasts the use of egg with oil, highlighting the preference for egg in certain artistic traditions and its association with longevity and perfection in painting.

Summary:

The image depicts a historical newspaper article from the Baltimore Sun (July 1, 1924) that explores the use of egg as a binding medium in paintings. The article emphasizes the historical significance of egg in art, detailing how both the white and yolk were used, the preference for yolk in certain contexts, and the superiority of egg over oil in achieving high-quality, long-lasting paintings. The worn appearance of the clipping suggests it is a preserved historical document.

The image features a newspaper clipping with the headline "Oil" in Paintings Declared to Be Egg, dated July 1, 1924, from the Baltimore Sun.

The article discusses how artists used eggs in their paintings, with the yolk being used as a pigment and the white serving as a binding agent. It also mentions that the use of eggs in painting was not limited to oil paintings, but also used in fresco paintings. The article highlights the benefits of using eggs in painting, including its ability to create vibrant colors and its durability.

The background of the image is a solid gray color, providing a clean and neutral backdrop for the newspaper clipping. Overall, the image provides a glimpse into the history of art and the creative techniques used by artists in the past.

The image depicts a newspaper clipping from July 11, 1924, featuring an article about the use of egg yolks in oil painting. The clipping is yellowed and worn, with some text faded or torn off.

Article Title: "Oil" in Paintings Declared to Be Egg

Content:

• The article discusses the use of egg yolks as a binding agent in oil painting.
• It mentions that both white and yolk were originally used to mix various pigments.
• The article also notes that the difference in eggs, too, was used for faces of young persons.
• Additionally, it mentions that city hen's yolk lighter and was used for faces of young persons.

Visuals:

• The clipping features a small illustration of a painting, possibly an example of an artwork created using egg yolks.
• The illustration is not clearly visible due to the yellowing and wear of the clipping.

Context:

• The article appears to be from a newspaper or magazine published in 1924.
• The topic of egg yolks in oil painting suggests that the article may have been written for an audience interested in art history or techniques.

Overall, the image provides a glimpse into the history of art techniques and the use of unconventional materials in creative processes.

The image is a digital scan of a newspaper clipping and an envelope, both aged and yellowed. The clipping is from the "EVE. SUN Baltimore, Md." dated "JUL 1 -1894" and features a headline that reads "'OIL' IN PAINTINGS DECLARED TO BE EGG." The article discusses the use of egg yolks in painting, citing historical examples and the benefits of using this medium.

Key Features:

• Newspaper Clipping:
  • Date: July 1, 1894
  • Headline: "'OIL' IN PAINTINGS DECLARED TO BE EGG"
  • Article content: Discusses the use of egg yolks in painting, including historical examples and benefits
• Envelope:
  • Aged and yellowed
  • Handwritten notation: "2/27/99 museum"
  • Appears to be related to the newspaper clipping

Summary:

The image presents a historical newspaper clipping and an envelope, both of which provide insight into the use of egg yolks in painting. The clipping, dated July 1, 1894, features an article that highlights the historical significance of using egg yolks as a painting medium. The envelope, with its handwritten notation, suggests a connection to a museum or archival collection. Overall, the image offers a fascinating glimpse into the history of art and the materials used by artists.

The image presents a vintage newspaper clipping, accompanied by a yellowed envelope, set against a gray background.

Newspaper Clipping:

• The clipping is titled "'OIL' IN PAINTINGS DECLARED TO BE EGG"
• It features two subheadings: "Both White And Yolk Were Originally Used To Mix Various Pigments." and "DIFFERENCE IN EGGS, TOO"
• The article discusses the use of egg in paintings, specifically the use of both white and yolk to mix various pigments.
• The text is written in black ink on a yellowed paper with a rough edge.
• The clipping appears to be from the Baltimore Sun, dated July 4, 1924.

Envelope:

• The envelope is positioned above the clipping.
• It has a handwritten note in pencil that reads "2/8 799 Museum".
• The envelope is also yellowed and has a rough edge.

Background:

• The background of the image is a solid gray color.

Overall, the image showcases a historical newspaper clipping and an accompanying envelope, likely from an archive or collection. The clipping provides interesting information about the use of egg in paintings, while the envelope adds a personal touch with its handwritten note.