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ARCH.2003.22, Rendition: 809173
The image shows a page from an old book or magazine. It appears to be from the early 20th century, judging by the style of the text and the photograph. The page is titled "Finds Buddhist Art in Wilds of China" and features an article by Langdon Warner, a fellow for research at Harvard University, detailing his expedition to China. The text discusses the discovery of Buddhist artifacts and cave carvings in the wilds of China, highlighting the importance of these findings for the study of ancient art and culture.
The photograph on the page shows a group of individuals standing around a carved statue, presumably one of Buddha's attendant gods, as indicated by the caption. The individuals are dressed in traditional clothing, and the statue appears to be of significant historical and cultural value.
The page also includes additional articles and captions that reference other topics, such as "Art Forgeries Put on Display" and "Prize of Warner Expedition Brought from Western China," but the main focus is on Warner's expedition and the artifacts he discovered. The overall appearance of the page suggests it is a well-preserved historical document, offering insight into early 20th-century archaeological expeditions and the significance of Buddhist art in China.
This image shows an open scrapbook containing clippings from a newspaper. The clippings are related to an archaeological expedition in Western China, specifically focusing on the discovery of Buddhist art. The main headline reads "FINDS BUDDHIST ART IN WILDS OF CHINA," and it is dated May 8, 1924. The article is written by Langdon Warner, who gives an account of his expedition as a Fellow for Research.
The top right of the page features a photograph with the caption "PRIZE OF WARNER EXPEDITION BROUGHT FROM WESTERN CHINA," showing a group of people standing around a statue dating from the ninth century of one of Buddha's attendant gods.
The text details the expedition's findings, including rare carvings in nearly perfect condition along the world's oldest trade route. It mentions the discovery of a cave that was untouched, filled with nearly perfect carvings covering every inch of the surface. The text also describes the challenges faced during the expedition, such as dealing with bandits and the harsh environment.
The left side of the page contains another article titled "ART FORGERIES PUT ON DISPLAY," which seems unrelated to the main content about the Buddhist art expedition.
This image shows two adjacent pages from an old newspaper, bound into a book with a reddish-brown cover visible at the top. The paper is yellowed with age and shows signs of wear, including creases and a small tear at the bottom right corner.
The main headline, spanning the top of the right-hand page, reads: "FINDS BUDDHIST ART IN WILDS OF CHINA", with the date "May 9, 1925" printed just below it. The article is an "Account of His Expedition" by Langdon Warner, who was a Fellow for Research.
The article details Warner’s journey to find and document Buddhist art along China’s oldest trade route. It features a large captioned photograph titled "Statue, Dating From Ninth Century, of One of Buddha’s Attendant Gods", depicting two individuals standing next to a large, seated stone statue.
The article is divided into several sub-headings, including:
The text on the left-hand page is partially visible and appears to discuss "ART FORGERIES PUT ON DISPLAY," suggesting this newspaper contained a variety of cultural and historical news items. The overall presentation suggests a first-hand report by an American scholar and archaeologist on a significant expedition of discovery in early 20th-century China.
An open book with a picture of a statue and people is on a white surface. The book has a title, "Finds Buddhist Art in Wilds of China," and a subtitle, "Account of His Expedition." The picture shows people standing in front of a statue and a text that reads, "Prize of Warner Expedition Brought From Western China." The book is printed with a blurry image of the statue and people.
The image shows an open book with a newspaper clipping pasted on the left page. The clipping is from the "Camberwell Times" and is dated May 19, 1934. The headline reads, "Finds Buddhist Art in Wilds of China." The article discusses the discovery of Buddhist art in Western China by Langdon Warner, who was conducting research as a fellow for the University of Pennsylvania Museum. The article details Warner's journey through the remote regions of China, his encounters with local traders, and the significance of his findings.
The right page of the book features a photograph of a group of individuals, likely local guides or traders, standing in front of a statue. The photograph is titled "Prize of Warner Expedition Brought from Western China." The statue appears to be of a Buddhist deity, possibly from the 9th century, and is described as one of Buddha's attendant gods.
The book is opened to a page that includes additional text and images, suggesting it is part of a larger collection or scrapbook. The pages are aged, indicating the book is old and has been well-used. The text on the right page continues the narrative from the newspaper clipping, providing more context about the expedition and the significance of the discovered artifacts.
The overall theme of the image is the documentation of an archaeological expedition and the discovery of significant cultural artifacts. The combination of the newspaper clipping and the photograph highlights the importance of the find and the efforts of the researcher in bringing these artifacts to light.
The image depicts an open book with two visible pages. The left page is titled "FIND BUDDHIST ART IN WILDS OF CHINA" and features a headline that reads, "Langdon Warner Gives Crimson Account of His Expedition as Fellow for Research." The page is filled with dense text, discussing Warner's archaeological expedition to China, focusing on the discovery of Buddhist art and artifacts. The text mentions details about Warner's journey, including his exploration of caves, the discovery of Buddhist carvings, and his interactions with local traders and scholars. The page also includes a captioned photograph at the top, showing a group of individuals, presumably Warner and his team, with a caption that reads: "Statue, Dating From Ninth Century, of One of Buddha's Attendant Gods."
The right page continues the narrative, with the headline "ONE CAVE UNTOUCHED" and a subheading "Perfect Trade Carvings in Nearly Oldest Condition Along World's Oldest Trade Route." This page elaborates on Warner's findings, including the discovery of a cave filled with Buddhist artifacts, such as carvings and statues, and provides context about the historical and cultural significance of the site. The text describes the cave's location, the condition of the artifacts, and Warner's efforts to document and preserve these discoveries.
The overall appearance of the book suggests it is a historical or academic publication, likely from the early to mid-20th century, given the style of typography and layout. The content focuses on archaeological exploration, specifically the discovery and documentation of Buddhist art in China, highlighting the significance of Warner's expedition in the field of art history and archaeology. The inclusion of a photograph adds a visual element, enhancing the narrative and providing a glimpse into the expedition's findings.
The image shows an old newspaper clipping with a headline that reads "FINDS BUDDHIST ART IN WILDS OF CHINA." Below the headline, there's a smaller subheading stating, "Langdon Warner Gives a Vivid Account of His Expedition as Fellow For Research." The article discusses an untouched cave and describes discovered cave carvings along a well-known trade route. On the right side of the article is a smaller headline that continues the story of the expedition with the caption reading "PRIZE OF WAREEN EXPEDITION BROUGHT FROM WESTERN CHINA."
The newspaper itself appears aged and yellowed with time, indicating it's a historical document, and there are visible fold marks and slight tears along the edges. The layout is typical of classical newspaper formats, with multiple columns of text and a black-and-white photograph accompanying the article. The photograph seems to depict figures from a different time period, likely connected to the subject matter of the article, but details about the photograph and its contents cannot be discussed due to constraints. The page looks to be part of a scrapbook or a bound collection of papers, given the rounded edge on the right side of the image and the apparent binding at the top.
This image shows a historical newspaper clipping pasted on a scrapbook page. The clipping contains an article titled "Finds Buddhist Art in Wilds of China," which details Langdon Warner's account of his expedition and discovery of Buddhist art along an ancient trade route in Western China. The article describes the discovery of rare carvings in pristine condition and Warner's experiences in the region. Above the article, there is a photograph showing a group of people standing behind a statue dating from the ninth century, identified as one of Buddha's attendant gods. The page also includes an article on "Art Forgeries Put on Display."
This image shows a historical newspaper or scrapbook clipping discussing Buddhist art discovered in Western China. It includes both text and a photograph. The text mentions an expedition led by Langdon Warner and highlights the discovery of rare carvings and artifacts along ancient trade routes. The title references Buddhist art found in "wilds of China," emphasizing the unique cultural significance of these findings.
The photograph included in the clipping depicts a group of individuals standing near a statue identified as dating back to the ninth century and described as one of Buddha's attendant gods. The group appears to be composed of expedition members and possibly local guides.
The page has an aged appearance with yellowed paper and some visible marks or imperfections, indicative of its archival nature. Additional clippings and text are partially visible on the left side, though their details are unclear.
The image shows an old scrapbook or album page containing a newspaper clipping. The clipping is titled "FINDS BUDDHIST ART IN WILDS OF CHINA" with a subheading "Langdon Warner Gives Crimson Account of His Expedition as Fellow for Research ONE CAVE UNTOUCHED."
Above the title, there is a photograph with the caption: "Statue, Dating From Ninth Century, of One of Buddha's Attendant Gods." The photo depicts a group of six people standing around a seated statue, which appears to be an ancient Buddhist figure.
The article describes Langdon Warner's expedition to China for researching Indian Buddhism. It mentions the discovery of rare Buddhist carvings in nearly perfect condition along the "World's Oldest Trade Route." The article details the significance of the finds, including frescoes, statues, and temples from the time of the Turkestan to Loyang, highlighting the importance of these artifacts in the study of Buddhist art.
There are also smaller text sections, including one about the harsh conditions of the expedition, mentioning encounters with bandits and the difficult terrain. The page itself is yellowed, indicating age and preservation as part of a historical document or collection.