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Fogg Art Museum Scrapbook, October 1920-June 1924

ARCH.2003.22, Rendition: 809163

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The image is a photograph of a newspaper clipping from the Boston Evening Transcript dated Wednesday, April 16, 1924. The article is titled "A Laboratory Plays Detective in an Art Museum."

The article discusses the Fogg Art Museum's efforts to establish a laboratory to study the effects of environmental factors on paintings, particularly modern paintings. The laboratory aims to understand how factors like heat, moisture, and varnish affect paintings over time.

Key points from the article include:

  1. Environmental Impact on Paintings: The article notes that heat and moisture can cause paintings to warp and crack. It mentions that American museums face challenges due to humidity and temperature changes, which can damage paintings.

  2. Modern Paintings: The laboratory at the Fogg Art Museum focuses on modern paintings, which are particularly susceptible to damage. Modern paints dry quickly, leading to issues like cracking and blistering. The article highlights the importance of allowing paintings to dry thoroughly to prevent these problems.

  3. Purpose of the Laboratory: The primary goal of the laboratory is to conduct experiments to understand the aging process of paintings and to provide artists with better materials and techniques to ensure the longevity of their work. The laboratory also aims to educate connoisseurs, critics, and teachers about the scientific aspects of art preservation.

  4. Experiments and Research: The laboratory is conducting experiments on the drying processes of paints, the effects of varnish, and the impact of environmental factors on different types of paintings. The goal is to develop better methods for preserving artworks and to provide artists with the knowledge to create more durable paintings.

Overall, the article emphasizes the importance of scientific research in art preservation and the role of the Fogg Art Museum's laboratory in advancing this field.

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A Laboratory Plays Detective in an Art Museum

Boston Evening Transcript

Wednesday, April 16, 1924

dim relics of the church. If the hot sun shines down with almost unbearable heat the church does not become warmer. Thus for centuries the paintings never change in temperature. But in an American mansion it lies in danger. Many imported old masterpieces show signs of deterioration soon after arrival on these shores.

American homes as a rule are steam heated. The worst enemy of the picture is the heat. In the winter when the heat is turned on, the rooms become as dry as a desert, and the glue which is in every layer of the picture, and which holds the layers together, is dried out and becomes brittle. Then as spring and summer approach, the heat is turned off, the humidity of the air increases, and the glue swells again. The layers of the painting, which is an albumenous material, naturally swell with the glue. The swelling causes the layers to the naked eye, imperceptibly, soon crack and blister. Often the wood or canvas on which the picture is painted will crack, while the gesso, or plaster, will move in another, and the pigments will move in a third direction. The result is that the picture becomes cracked, blistered and torn. There would be no objection, according to the experts, to the heat if the temperature could be kept at a constant degree and if constant humidity could be kept in generous range throughout the year.

Modern Paintings

It has been established at the Fogg Art Museum that the most important factor in the preservation of modern works of art, which is the third most important factor, that paintings ought to be treated with a coat of varnish. But it is not the kind of varnish that is used. The paint will quickly contract and that paint will, upon drying, expand. Thus it is absolutely necessary that paintings be treated with the varnish. Otherwise if the varnish is applied too soon the painting will tear. The greatest fault with modern painters is that they lack the patience to wait until the paint is thoroughly dry; sometimes the result is that many of the best of modern paintings will disintegrate. However, he pointed out that some of the modern painters, as many do, and the best ground to work on, and then took pains to see that the paintings were properly treated they would last as long as those of the old masters.

Speaking of the purpose of the Fogg Art Museum to the university, Mr. Forbes said, “The purpose of a university Fine Arts course, as distinguished from the popular conception of the art school, is to give to a large number of men a familiarity with the art of the past, and to give to a limited number of men the training and experience necessary to enable them to become connoisseurs, critics and teachers of the arts.”

For this purpose more than for any other that experiments are being made. It is for this purpose that Mr. Forbes and his assistants are devoting a great deal of time to the study of the methods of the old masters. They are searching the art

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The image shows a newspaper clipping from the Boston Evening Transcript dated Wednesday, April 16, 1924. The headline of the article is "A Laboratory Plays Detective in an Art Museum."

The article discusses the preservation of artworks, particularly paintings, and the challenges they face due to environmental conditions. Key points include:

  1. Environmental Factors: The article explains that paintings are susceptible to damage from fluctuating temperatures and humidity. It notes that in homes, especially American ones, the heating system can cause significant temperature changes, leading to the swelling and shrinking of the paint layers, which can result in cracking and blistering.

  2. Modern Paintings: The piece highlights the challenges associated with modern paintings, which are often treated with varnish. It mentions that modern painters tend to use quick-drying paints, which can lead to paint contraction upon drying, causing issues if not handled properly.

  3. Preservation Efforts: The article references the work at the Poggese Museum, which aims to preserve modern works of art. The focus is on the proper treatment of paintings, ensuring they are dried thoroughly before applying varnish to prevent premature deterioration.

  4. Purpose of the Poggese Museum: Mr. Forbes, in relation to the university Fine Arts course, discusses the museum's role in fostering experimentation and understanding the creation and preservation of art. The museum seeks to provide a comprehensive training ground for art students, aiming to educate them on the proper care and techniques for preserving art.

The text underscores the importance of controlled environmental conditions and proper handling techniques to preserve the integrity of artworks over time.

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The image is a newspaper clipping from the "Boston Evening Transcript" dated Wednesday, April 16, 1924. The headline reads "A Laboratory Plays Detective in an Art Museum."

The article discusses the challenges and methods of preserving artworks, particularly paintings. It mentions that the preservation of paintings is affected by temperature and humidity, which can cause physical damage such as cracking and blistering. The text notes that modern paintings, which often use varnish, can be especially vulnerable if not properly handled.

The article highlights the work being done at the Fogg Art Museum (now part of Harvard Art Museums) to preserve modern artworks. It explains that the museum is conducting experiments to determine the best methods for handling and treating these paintings. The focus is on preventing the paint from cracking or blistering by ensuring the varnish is applied correctly and that the paintings are stored in optimal conditions.

Additionally, the article mentions the purpose of the Fogg Museum's Fine Arts course, which is to educate a broad audience about art and provide hands-on experience for those interested in art preservation, criticism, and teaching. The museum is also conducting research on the materials used by old masters to inform their preservation efforts.

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The image shows a newspaper clipping from the Boston Evening Transcript, dated Wednesday, April 16, 1924. The headline reads, "A Laboratory Plays Detective in an Art Museum."

The article discusses the preservation of paintings, particularly the challenges posed by environmental conditions such as heat and humidity. It explains how changes in temperature and humidity can cause paintings to crack, blister, or become brittle. The text mentions that American houses, with their steam-heated rooms, are especially problematic for paintings during the winter months.

The article also highlights the work being done at the Fogg Museum at Harvard University to preserve modern paintings. It notes that modern paintings often contain varnish, which can lead to cracking and peeling if not properly applied. The museum is conducting experiments to determine the best methods for treating these paintings to prevent premature decay.

Additionally, the clipping mentions that the purpose of the Fogg Museum's Fine Arts course is to provide a large number of men with familiarity and experience in the arts, enabling them to become connoisseurs, critics, and teachers. The museum is working to gather information on the pigments, oils, and canvases used by old masters to better understand and preserve modern art.

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The image is of a newspaper article from the Boston Evening Transcript, dated Wednesday, April 16, 1924. The headline reads "A Laboratory Plays Detective in an Art Museum."

Summary of the Article:

Main Points:

  1. Temperature and Humidity Control in Museums:

    • The article discusses the importance of maintaining a stable environment for paintings in museums.
    • Paintings, particularly older ones, are sensitive to changes in temperature and humidity. When the heat is turned on in winter, the air becomes drier, causing the layers of the paintings to react differently. This can lead to cracking, blistering, and deterioration.
    • The article notes that ideally, museums should maintain a consistent temperature and humidity to protect the artwork.
  2. Modern Paintings and Varnish:

    • It highlights the challenges faced by modern paintings, which are often not treated with varnish immediately, unlike older paintings.
    • Modern paintings require time for the paint to dry and settle. Applying varnish too soon can lead to issues like cracking and disintegration.
    • The article suggests that many modern artists lack the patience to wait for their paintings to dry properly before varnishing them, leading to premature deterioration.
  3. Purpose of the Fogg Art Museum's Research:

    • The article mentions the Fogg Art Museum at Harvard University, which has established a laboratory to study these issues.
    • The goal is to conduct experiments to understand and improve the preservation of artworks.
    • Mr. Forbes, speaking on behalf of the university, explains that the purpose of this research is not only to train future artists and connoisseurs but also to gather information on the materials used by old masters, such as pigments, oils, and canvases.

Overall, the article emphasizes the scientific approach being taken to preserve and understand art, blending laboratory research with art conservation.

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This image shows a newspaper article mounted on a white background. The article is titled "A Laboratory Plays Detective in an Art Museum" from the "Boston Evening Transcript" and is dated Wednesday, April 16, 1924. The text of the article appears to discuss the intersection of scientific methods with the curation and maintenance of artwork in museums. There's also handwritten text at the top which repeats the information about the article's title, source, and date. The background seems to have a watermark or stamp that reads "COLLON COUNCIL" in reverse, possibly indicating the name of the collection or council that owns the document or the watermark of the paper manufacturer.

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The image shows a newspaper clipping attached to a white sheet of paper. The clipping contains text from an article titled "Modern Paintings" and discusses the preservation and issues faced by paintings. The sheet has a handwritten note on it with the title of the article "A Laboratory Plays Detective in an Art Museum" from the Boston Evening Transcript, dated Wednesday, April 16, 1924. The clipping appears to be historical and the decision to preserve it on white paper suggests it is considered valuable or noteworthy.

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The image shows a scanned page from a newspaper or publication titled "A Laboratory Plays Detective in an Art Museum", dated Wednesday, April 16, 1924, as indicated by the handwritten annotation at the top. The document appears to be an article or transcript from the Boston Evening Transcript, focusing on the preservation and care of modern paintings in an art museum setting.

Key Observations:

  1. Handwritten Title and Source:

    • The top of the page features handwritten text: "A Laboratory Plays Detective in an Art Museum", followed by "Boston Evening Transcript" and the date "Wednesday, April 16, 1924". This suggests the page is a transcript or excerpt from a newspaper article.
  2. Content Overview:

    • The article discusses the challenges of preserving modern paintings, particularly those in steam-heated environments. It highlights issues such as temperature fluctuations, humidity, and the effects of these conditions on paintings.
    • The text mentions that modern paintings are often treated with varnish, which can expand or contract upon drying, leading to potential damage over time. It also notes that many modern artists lack the patience to wait for paintings to dry thoroughly, which can result in premature decay.
  3. Preservation Concerns:

    • The article emphasizes the importance of maintaining a constant temperature and humidity level to protect paintings. It describes how temperature changes can cause paintings to crack, blister, or deteriorate.
    • It also references the Fogg Art Museum and its role in preserving modern works of art. The museum is described as having established a modern factory for painting preservation, which is considered the third most important factor in art preservation, relative to the creation of the works themselves.
  4. Purpose of the Fogg Art Museum:

    • The article quotes Mr. Forbes, who explains that the purpose of the Fogg Art Museum is not merely to serve as a university fine arts course or a popular art school but to create a laboratory for the study of art. This includes training a limited number of men to become curators, directors of museums, and critics, as well as conducting experiments to understand the materials and techniques of past artists.
  5. Visual Layout:

    • The page has a clean, typed layout with a narrow margin on the left and a wider margin on the right. The text is organized into paragraphs, and there is a faint horizontal line near the bottom of the page, possibly indicating a page break or formatting guideline.

Summary:

The image depicts a historical newspaper transcript discussing the challenges of preserving modern paintings in an art museum, specifically the Fogg Art Museum. It highlights issues related to temperature, humidity, and the treatment of paintings with varnish, as well as the museum's role in advancing the science of art preservation and training future art professionals. The handwritten title and date provide context, indicating the article was published in the Boston Evening Transcript on April 16, 1924.

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The image appears to be a newspaper clipping or article. It is divided into two sections, with the upper section containing a headline and subheading, and the lower section containing the main article text. The headline reads "A Laboratory Plays Detective in an Art Museum," and the subheading reads "Boston Evening Transcript Wednesday, April 6, 1924." The article discusses the importance of temperature and humidity control in art museums to prevent damage to paintings, particularly those using oil paints. It mentions the Fogg Art Museum in Boston and its efforts to preserve modern art by controlling the environment in which the paintings are stored. The article also touches on the challenges of preserving oil paintings and the importance of understanding the techniques and materials used by artists in the past.