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The image shows a newspaper clipping with a headline that reads "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE." The subheadline states "Old Masters Will Be but Smudges in Another Hundred Years."

The article discusses concerns among artists about the fading colors in paintings, particularly those of old masters. It mentions that a group of American and English artists are disturbed by the thought that their paintings might not retain their original colors over time. They are forming a committee to study the problem scientifically, aiming to uncover the lost color secrets of the Dutch masters.

The article also highlights the financial value of old master paintings, noting that they are cracking and fading despite being worth millions of dollars. It mentions specific artists like Frans Hals and John S. Sargent, and the efforts of wealthy individuals like Mr. John R. Thompson, who is willing to invest in finding a solution to this problem.

The article concludes by mentioning a scientific study of paints, canvases, and other materials used by artists. The goal is to develop pigments that will last longer, with the hope of sending these findings to prominent painters in England and America.

The image shows an old newspaper clipping from an unknown source and date. The headline of the article is "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE." The subheading reads, "Old Masters Will Be but Smudges in Another Hundred Years."

The article discusses a movement to investigate why the paintings of old masters, such as Van Eyck, have resisted the effects of time, while many modern paintings by American and English artists show signs of fading and discoloration within a few years. The artists are concerned that their work may not endure.

The text mentions that some of the most famous works in American collections are already showing signs of fading, such as Frans Hals, whose portrait of his wife, according to the article, will be a smudge in a hundred years. It also references that John Singer Sargent is experiencing similar issues.

The article further explains that a scientific study of paint, canvas, and other materials used by the old masters has not been conducted. The artists are calling for a revival of the pre-war scheme for a scientific investigation of the secret of the old masters' pigments. The promoters of this scheme are circulating a 'round-robin' among Paris artists to be sent to prominent painters in England and America for support.

The image is a newspaper clipping from a section titled "The Arts." The headline reads "Fading Colors Worry Artists, Who Seek Cause," indicating a concern among artists regarding the deterioration of their artwork over time.

Key points from the article include:

1. Van Eyck's Influence: The article begins by referencing Van Eyck, a famous artist known for his meticulous techniques, and mentions that his methods are considered the benchmark for modern painters.

2. Old Masters' Concerns: Artists are worried that their works, particularly those of the "old masters," will fade and crack over time. The article highlights that many of these famous artists' works are already showing signs of degradation.

3. Specific Examples:

   • It notes that a painting by Frans Hals, a Dutch master, is expected to be smudged within one hundred years.
   • It mentions that Whistler’s portrait of his mother, known as the "Whistler Mother," is also suffering from the same issue.
   • John S. Sargent, a renowned American artist, is also facing similar challenges with his artworks.

4. Scientific Study: There is a mention of a scientific study of paints and pigments. The study aims to develop techniques to preserve artwork by finding out the secrets of the old master painters. Scientists are trying to replicate these techniques to ensure that the pigments used in modern artworks last longer.

The article is part of a broader movement to understand and mitigate the effects of time on art, emphasizing the need for research to preserve artistic heritage.

The image is a newspaper clipping with the headline "Fading Colors Worry Artists, Who Seek Cause." The article discusses concerns among artists regarding the fading colors of old masterpieces and the potential deterioration of paintings over time.

Key points from the article include:

1. Concern Over Paintings:

   • A movement is gaining traction in the Paris art colony, where artists are worried about their paintings losing color and clarity over time.
   • This issue is attributed to a chemical reaction known as "confyart," which causes the fading of colors in paintings.

2. Old Masters in Danger:

   • The article mentions that famous works, such as those by Van Eyck, are not immune to this problem. Artists are concerned that their own paintings might fade significantly over a couple of hundred years.
   • The article references a committee of twenty scientists working to understand the fading process and to preserve the color secrets of the past, particularly those of Van Eyck, who had a unique ability to maintain color freshness.

3. Notable Paintings Affected:

   • The article cites specific examples of famous paintings, such as a Frans Hals portrait, a Whistler portrait, and a Sargent portrait, that are expected to become smudges in the next hundred years due to the fading of colors.

4. Scientific Study:

   • A scientific study is underway to understand the causes of color fading in paintings. This study involves examining the surfaces of paintings and plaster, and the scientists are planning to revive an old scheme for preserving paintings.
   • The scheme involves using pigments that are expected to last longer than traditional ones. The promoters of this scheme are planning to distribute it among artists in Paris, and potentially in England and America.

The article emphasizes the importance of scientific research in preserving the integrity of artworks and mitigating the fading of colors over time.

The image is a black-and-white newspaper clipping from the "International New York Herald Tribune" section titled "The Arts." The headline reads: "Fading Colors Worry Artists, Who Seek Cause."

The article discusses concerns among artists about the fading colors in old paintings, particularly those by the "Old Masters." It highlights a movement in the Paris art colony that has identified the chemical cause of this fading. The article explains that the chemical formula, Horace to the contrary, is very short, and many American and English artists are worried about the durability of their works.

The article mentions that the pigments in many famous paintings, such as those by Van Eyck, are losing their vibrancy and turning into muddy colors over time. It references specific works, like John S. Sargent's portrait of John R. Thompson, and James McNeill Whistler's portrait of his mother, which are also suffering from the same issue.

The text also mentions a scientific study that has been conducted on the surfaces of paintings and plaster casts, but no specific findings have been published yet. Scientists plan to share their findings and possibly revive a scheme for a round-robin among Paris artists, which will include eminent painters from England and America.

The article concludes by emphasizing the urgency of the situation and the need for further research to preserve the integrity of these artworks for future generations.

The image is a newspaper clipping from an article titled "Fading Colors Worry Artists, Who Seek Cause" in the "New The Arts" section. The article discusses concerns among artists regarding the fading of colors in paintings, particularly those of old masters, which might turn into "smudges" over the next hundred years.

Key points from the article include:

1. Movement in Paris: A group of artists in Paris is actively investigating the chemical formulations of paint to understand why colors fade over time.

2. Concern Among Artists: Both American and English artists are troubled by the idea that their paintings might not endure for more than a few hundred years due to fading colors.

3. Historical Context: The article notes that old masters like Van Eyck used a formula that has kept their colors vibrant for centuries. Modern artists, however, often do not know the exact methods and materials used in these old formulas.

4. Financial Impact: The article highlights the economic value of these artworks, mentioning that pieces by artists like Frans Hals and John Singer Sargent, worth millions today, may degrade significantly in the future.

5. Scientific Study: Efforts are being made to scientifically study and preserve the colors. A group of painters and scientists is working on a project to analyze pigments, aiming to revive techniques that ensure longevity. This project is supported by the French government and involves collaboration with artists in Paris, England, and America.

Overall, the article underscores a significant concern within the art community about the preservation of artwork and the urgent need to uncover and apply historical and scientific knowledge to prevent future degradation.

The image shows a narrow, aged newspaper clipping with the headline "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE" and the subheadline "Old Masters Will Be but Smudges in Another Hundred Years." The article discusses concerns about the durability of paint colors, mentioning a movement back to Van Eyck's techniques as a possible solution. It highlights that some American and English artists are worried their paintings may not withstand time. The clipping notes an appeal from a committee of artists to uncover the secret to preserving color, with a mention of John R. Thompson's Chicago collection and Whistler's portrait of his mother showing yellowing. Additionally, it references a scientific study involving paint, canvas, and plaster surfaces, and efforts by Anglo-Saxon artists to revive long-lasting painting methods. The promoters plan to circulate information to prominent painters in England and America. The article appears to be from a historical context, possibly early 20th century or earlier, judging by the tone and style.

The image shows a piece of newspaper clipping with a partial headline that reads "NEW THE ARTIS". The full headline and article text are not entirely visible, but the visible portion discusses a topic related to art conservation. One can read "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE" and "Old Masters Will Be but Smudges in Another Hundred Years." The article seems to talk about concerns in the art community over the fading colors of paintings by old masters due to aging pigments and the potential loss of these artworks over time. There is mention of a scientific study of paint, canvas, and wood, as well as the names "John H. Thompson" and "John S. Sargent," possibly in reference to collectors or artists. The article suggests that artwork is not immune to the ravages of time and that efforts are being made to understand and counteract this process.

The background behind the newspaper is plain and appears to be a light neutral color, providing contrast and making the text on the clipping readable. The newspaper itself has tanned with age, indicating that it is likely quite old.

The image depicts a yellowed, old newspaper clipping with text discussing the concern among artists regarding fading colors in paintings. The headline reads, "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE," followed by a subheading, "Old Masters Will Be but Smudges in Another Hundred Years." The text within the clipping elaborates on this concern, mentioning scientific studies of paint, canvas, and wood to determine the cause of the fading colors. It also describes the efforts of artists and researchers to preserve the vibrancy of artwork through new techniques and chemical formulas.

The image depicts a newspaper clipping from a publication titled "The Era", featuring an article titled "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE." The article is subtitled "Old Masters Will Be but Smudges in Another Hundred Years."

Visual Description:

• Header: The top of the clipping prominently displays the newspaper's name, "THE ERA," followed by the section title "NEW THE ARTS."
• Main Title: The bold headline reads "FADING COLORS WORRY ARTISTS, WHO SEEK CAUSE," emphasizing concerns about the deterioration of old artworks.
• Subtitle: Below the main title, the subtitle states, "Old Masters Will Be but Smudges in Another Hundred Years," highlighting a dire prediction about the future state of historical art.
• Article Content: The body of the text discusses a movement led by Van Eyck, a prominent figure in the art world, which has sparked concern among artists in Paris. The article describes the issue of fading and changing colors in old paintings, particularly those by the Old Masters. It mentions that these changes could render priceless artworks into mere smudges over time.
• Examples Provided: The article cites specific cases, such as a painting by John R. Thompson that recently sold for a quarter of a million dollars, and a collection by Whistler, which is said to be suffering from fading colors. It also references John S. Sargent, another renowned artist, whose works are reportedly experiencing similar issues.
• Scientific Context: The article touches on a scientific study conducted by artists and scientists, suggesting that the fading of colors is a well-documented phenomenon. It notes that Anglo-Saxon artists have been studying this issue for decades and that efforts are underway to revive a scheme to study the revival of painting techniques and the behavior of pigments.
• Call to Action: The article mentions a "round-robin" being circulated among prominent painters in Paris, England, and America, indicating a collective effort to address the problem.

Overall Tone:

The article conveys a sense of urgency and concern about the preservation of art, blending scientific inquiry with artistic anxiety. It highlights the vulnerability of historical artworks to the passage of time and the efforts being made to understand and mitigate this issue. The layout and typography suggest it is from an early 20th-century newspaper, given the style of the print and the subject matter.