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This image shows a fragment of a vintage newspaper, dated May 6, 1923, from the New York Herald. The paper is yellowed with age and shows signs of wear and tear — it is torn along the edges and has been mounted on a light blue archival backing sheet for preservation.

The headline reads:

CALUMNY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES

Below the headline, a subhead explains:

Paris Art Dealer, Charged With Selling Fakes in America, Brands Insinuations as Lies.

The article features a statement by M. George Demotte, a well-known Paris art dealer, who is defending himself against accusations that he sold counterfeit or restored statues to major American institutions — notably the Metropolitan Museum of New York and the Rockefeller collections.

Key points from the article include:

• Demotte denies selling “fakes,” calling the accusations “calumny.”
• He addresses specific claims, such as a statue of a seated king sold to the Met, which he says was broken and restored at the time of sale — and he announced this openly.
• He also discusses a statue of St. Paul bought by a collector, who demanded a replica made from a mold — a process Demotte explains as standard for detecting authenticity.
• He asserts that 115 statues sold to Mr. Rockefeller are “indisputably authentic,” though some required minor restorations.
• He mentions that American connoisseurs have already “done justice to these lying allegations.”
• He refers to the concurrent Vigorous case, involving M. Vigorous, a former manager at his New York branch, who is accused of possessing stolen manuscripts (valued at 1,200,000 francs) and whose legal proceedings may provide “sensational evidence” related to the Demotte sales.

The article reflects the intense art world controversy surrounding authenticity, restoration, and attribution in the early 20th century — particularly involving high-profile collections and international dealers.

The text is printed in a traditional serif font typical of early 20th-century newspapers, with the headline in bold, heavy lettering to attract attention.

Summary:
This is a preserved newspaper clipping from 1923 detailing Parisian art dealer George Demotte’s firm denial of charges that he sold forged or falsely represented sculptures to American museums and collectors — including the Met and the Rockefellers. He refutes “calumny,” defends his transparency about restorations, and links the controversy to a parallel legal case involving a former employee.

This image appears to be a fragment of a vintage newspaper article, dated June 6, 1923, from the New York Herald. The article is titled "CALUMNY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES," and it discusses a controversy involving a Paris art dealer named George Demotte. The text mentions that Demotte is accused of selling fakes in America and that he is defending himself against these allegations. The article also references a case involving a former employee, Joanny Vigoroux, and mentions the authenticity of statues sold to Mr. John D. Rockefeller. The content indicates a period of public scrutiny and legal disputes related to the authenticity of artworks and the integrity of the art trade. The piece seems to be part of a broader discussion about the reliability of art dealers and the accuracy of historical and cultural artifacts.

This image shows a torn newspaper clipping from the "New York Herald," dated Monday, June 6, 1923. The headline reads: "CALUMNY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES." The article discusses a Paris art dealer, M. George Demotte, who is charged with selling fake art objects in America. Demotte denies these charges and brands the insinuations as lies. The article details Demotte's response to the accusations, mentioning that he has sold statues to the Metropolitan Art Museum and to Mr. John D. Rockefeller. Demotte claims that the statues are authentic and that any restorations were minor and disclosed at the time of sale. The article also mentions the Rockefeller Statues and the Vigoroux case, which is related to the charges against Demotte. The clipping is torn and appears to be old, with some parts missing.

The image shows a page from a newspaper featuring a headline and several paragraphs of text. The headline reads "Calumny Campaign Made Against Him, DeMotte Declares Paris Art Dealer, Charged With Selling Fakes in America. Brands Insinuations as Lies." The article discusses accusations against M. George DeMotte, a well-known art dealer, who has been charged with selling fake art pieces in America. DeMotte denies these allegations and claims that they are lies. The article mentions that DeMotte has broken his silence for the first time since the accusations were made and has issued a statement refuting the charges. The article also mentions a case against DeMotte's lawyer, M. Vigoroux, who is accused of having taken manuscripts with him when he left DeMotte's employ in New York. The article suggests that the case against Vigoroux may provide sensational evidence that could influence the New York hearings.

The image shows a torn piece of paper with a headline and text written in black font. The headline reads "HERA DAY. JUNE 6. 1923. CALUMMY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES." The text is about a man named Demotte who is a Paris art dealer and is being accused of selling fake statues to the Metropolitan Museum of Art and other museums. Demotte denies these charges and is fighting back against them. The text also mentions that Demotte has been forced to remove the stain which dealers the world over regret has been forced upon their profession. The image is torn and has a few creases, and the background is a light blue color.

Description of the Image

The image depicts a scanned page from a newspaper dated May June 6, 1923, titled "HERA". The page features a prominent headline: "CALUMNY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES", which is the central focus of the article. The subheading reads: "Paris Art Dealer, Charged With Selling Fakes in America, Brands Insinuations as Lies."

Main Content:

The article discusses M. Demotte, a well-known Parisian art dealer, who has been accused of selling counterfeit artworks in the United States. The accusations involve statues and other artworks allegedly sold to prominent institutions and individuals, including the Metropolitan Art Museum of New York and John D. Rockefeller. Demotte has responded to these allegations, denying them vehemently and claiming they are part of a smear campaign against him.

Key points from the article include:

1. Accusations Against Demotte:

   • Demotte is accused of selling "fakes" to American museums and private collectors, including the Metropolitan Museum of Art and John D. Rockefeller.
   • The article mentions that Demotte has been charged with selling counterfeit artworks, branding the insinuations as lies.

2. Demotte's Response:

   • Demotte has broken his silence after a month of refusing interviews.
   • He denies the accusations, stating that the artworks were authentic and that any restorations were disclosed at the time of sale.
   • He criticizes the campaign against him, calling it a "calumny campaign" and asserting that he has always been transparent about the condition of the artworks he sold.

3. Specific Allegations:

   • Statues of St. Paul: Demotte claims that the statues of St. Paul, which he sold to the Metropolitan Museum, were authentic and that any restorations were disclosed.
   • Rockefeller Statues: Demotte acknowledges selling 115 statues to Mr. Rockefeller, which he describes as "imprudently restored" but authentic. He denies that any fakes were involved.

4. Legal Proceedings:

   • The article mentions a Vigorous Case, referring to legal proceedings involving Joanny Vigouroux, a former manager of Demotte’s New York branch. Vigouroux is accused of having taken manuscripts valued at $120,000 from Demotte’s gallery in Paris.
   • Demotte’s lawyer, M. Vigouroux, is expected to appear in court to defend against these charges.

5. Context and Tone:

   • The article portrays Demotte as a respected figure in the art world who is fighting against what he perceives as unfair and malicious accusations.
   • It highlights the tension between Demotte and his accusers, emphasizing his insistence on the authenticity of the artworks he sold.

Visual Layout:

• The text is presented in a classic newspaper format, with dense paragraphs and clear headings.
• The headline is bold and prominently displayed at the top of the page.
• The article is divided into sections, with subheadings and quotes from Demotte and other sources.
• The page appears slightly worn, with visible creases and discoloration, suggesting it is an old or preserved copy.

Summary:

The image is a historical newspaper clipping from May June 6, 1923, reporting on a scandal involving the Parisian art dealer M. Demotte. The article details accusations of selling counterfeit artworks to prominent American institutions and individuals, including the Metropolitan Museum of Art and John D. Rockefeller. Demotte denies these allegations, claiming they are part of a smear campaign and asserting the authenticity of the artworks he sold. The article also mentions ongoing legal proceedings involving Demotte’s former manager, Joanny Vigouroux, who is accused of embezzlement. The tone of the article reflects the tension and controversy surrounding the case.

This image is a piece of archival material consisting of two columns of text, likely from a newspaper, mounted on a light blue background. The article appears to discuss a controversy involving Georges Demotte, a Parisian art dealer, accused of selling counterfeit or altered statues to American institutions.

The headline reads:
“Calumny Campaign Made Against Him, Demotte Declares.”

The article mentions refutations of allegations concerning the sale of art pieces to the Metropolitan Museum of Art and John D. Rockefeller. It details Demotte’s defense against accusations of selling fakes and undergoing restorations on statues without clear disclosure. Additionally, there is reference to legal actions involving a case against Joanny Vigouroux, a former associate of Demotte, alleging similar fraudulent activity.

The content is aged, featuring yellowed and torn paper edges typical of old newspapers. Some parts of the text are missing or cut off.

This image appears to be a photograph of a vintage newspaper clipping, specifically, an edition of the "HERALD" dating back to June 6, 1923. The headline of the article reads "CALUMNY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES," and it discusses the controversy surrounding a Paris art dealer named Demotte, who is charged with selling fakes in America. The article mentions that accusations have been made against items sold to the Metropolitan Museum as well as to Mr. John D. Rockefeller, labeling them as "fakes."

The article details that Demotte has made a statement through the New York HERALD, denying the accusations and branding insinuations as lies. He refutes the claims that he was out of the country and addresses the issue of counterfeit or restoration concerns about the art pieces sold. The text covers Demotte's clarification that certain restorations were disclosed at the time of sale and his assurance of authenticity, mentioning a now-famous painting as fully intact.

Another portion of the text focuses on a case against M. Joanny Vigoroux, who is associated with the Demotte galleries. It's mentioned that Vigoroux is accused of removing valued manuscripts when leaving Demotte's employment in New York, with a total value of 1,200,000 francs being cited.

The condition of the newspaper itself is quite delicate and worn, with signs of age, including yellowing paper, tears, and areas where the paper has been damaged or lost. Some portions of the text are missing due to these tears, including parts of the publication's name and other text content.

The image shows the newspaper clipping placed on a flat surface with a slightly different color, providing a contrast that highlights the edges and state of the newspaper.

This image features two cut-out newspaper columns pasted onto a blue background. The column on the left appears to be part of a larger article from the "New York Herald" dated June 6, 1923. The headline reads: "Calumny Campaign Made Against Him, Demotte Declares." Subheadings state: "Paris Art Dealer, Charged With Selling Fakes in America, Brands Insinuations as Lies."

The article details the story of Georges Demotte, a Parisian art dealer accused of selling fake statues to American museums and Mr. John D. Rockefeller. Demotte denies these charges, claiming that the statues sold, especially to the Metropolitan Art Museum of New York, had undergone minimal and declared restorations. Demotte insists the sold items are authentic and laments the ongoing campaign against him.

The column on the right seems to continue the article, mentioning specific statues criticized and authentication processes. It discusses how some statues sold to Mr. Rockefeller were restored but remained mostly intact. It also touches on the investigation involving a former manager, M. Joanny Vigouroux, related to Demotte’s case.

Overall, the image depicts an art and antiquities scandal from the early 20th century, focusing on accusations, denials, and authenticity concerns surrounding valuable statues.

The image shows two torn and aged newspaper clippings pasted on a blue background. They appear to be from a June 6, 1923 edition of the New York Herald. The headline on the left clipping reads "CALUMNY CAMPAIGN MADE AGAINST HIM, DEMOTTE DECLARES." The subheadline states that a Paris art dealer is charged with selling fakes in America and brands the insinuations as lies.

The article discusses M. George Demotte, a well-known art dealer, denying charges that statues he sold to the Metropolitan Art Museum and Mr. John D. Rockefeller were fakes. It mentions his refusal for a month to receive interviewers, his consent to categorically refute the innuendoes, and notes that dealers worldwide regret forced upon their profession. There's also mention of a former manager of Demotte's New York branch, Joanny Vigoroux.

The right clipping continues the article with Demotte addressing accusations about selling restored or faked art objects, including statues, a king seated, and a statue of St. Paul. Demotte defends the authenticity of the Rockefeller statues, says American connoisseurs have already vetted the issue, and claims the calumny campaign is carried out simultaneously in Paris and New York.

The article also references the Vigoroux case, indicating it is related to the Demotte sales charges, describing ongoing legal proceedings, and mentioning medical certificates for Vigoroux, who was unable to attend a hearing but is expected to appear later.

Overall, the clippings relate to a 1923 scandal involving accusations against George Demotte concerning the sale of fake or restored art to notable institutions and individuals, with emphatic denials from Demotte.