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ARCH.2003.22, Rendition: 809079
The image shows a page from a document or a newspaper clipping. The text is printed in a serif font and discusses several topics. The main content appears to be about the sale of historical artifacts, specifically mentioning four busts of "Kings" from the old Parthenay Monastery and a 13th-century image from the Church of St. Sauveur-sur-Ecole. It also mentions a controversy surrounding these items, with claims of fakery and a model being made of the artifact. The latter part of the text discusses the sale of personal effects of Sarah Bernhardt, a famous actress, including a sale attended by a large crowd. It mentions the prices paid for various items, including an ink sketch and an oil painting. The text also references names like M. Demotte, Vigouroux, and Sacha Guitry, who were involved in the sale and discussion of these items. The page is slightly curled at the edges, and there is a yellow border around it, suggesting it might be part of an older document or clipping.
The image shows a printed document with two distinct sections of text. The first section discusses the sale of four busts of "Kings" from the old Parthenay Monastery, which were allegedly faked and sold in America. It mentions the involvement of M. Demotte's former manager and a 13th-century image from the Church of St. Saveur-sur-Ecole. The text also describes the behavior of Vigouroux during court proceedings and his interactions with the press, including a quote from the New York Herald about the authenticity of certain artworks.
The second section is titled "Sarah Bernhardt Relics" and talks about the sale of personal effects of the famous tragedienne, Sarah Bernhardt. It describes the large crowds attending the sale, the little value of the items from a curiosity standpoint, and the high prices paid by buyers for souvenirs. Specific items and their prices are mentioned, such as an ink sketch by Victor Hugo and a portrait of Sarah Bernhardt herself.
The document appears to be an excerpt from a newspaper or a magazine article, and it is placed on a plain, light-colored background. The text is in English and is printed in a serif font. There are some small markings or stains on the document, indicating it might be an old or well-used piece of paper.
This image displays a single, aged, rectangular newspaper clipping laid flat on a plain, neutral gray background. The clipping consists of two pieces of paper: a larger, off-white or light beige upper sheet containing the main text, and a smaller, slightly yellower sheet partially visible underneath it at the bottom. Both papers show signs of wear, such as slight discoloration and minor creases.
The text is printed in a traditional serif font, characteristic of late 19th or early 20th-century newspapers, and is arranged in multiple paragraphs with justified alignment. A distinct subheading, “Sarah Bernhardt Relics,” is printed in a slightly bolder font, marking a shift in topic within the article.
The article contains two main sections:
Art Forgery Scandal: The first part discusses the sale of four fake busts of “Kings” and a 13th-century image from the Church of St. Saveur-sur-Ecole, which were all allegedly faked up in America. It details the involvement of M. Demotte and Vigouroux, who made and sold the forgeries. Vigouroux reportedly behaved defiantly before a Magistrate, even stating he wanted to be “tried by a jury,” and the article mentions he would be arrested if he insisted. A quote attributed to Vigouroux is provided, where he critiques the authenticity of artworks at the Boston Museum.
Sarah Bernhardt Relics: The second section, under the subheading, recounts the auction of personal items belonging to the famous actress Sarah Bernhardt. It notes that while the sales attracted large crowds, the buyers were largely motivated by curiosity, paying significantly more than the items’ estimated value. Specific examples are given: Sacha Guitry paid 4,100 francs for an ink sketch by Victor Hugo; Max Dearly paid 5,100 francs for a portrait by Spindler; a picture by Vastagh Gezah fetched 4,700 francs; and a view of an Italian fort by Lacroix of Marseilles sold for 7,500 francs.
The overall content is an exposé on art forgeries and a report on the sentimental, inflated value of celebrity memorabilia. The clipping is presented simply, without any other objects or distractions, focusing the viewer’s attention entirely on the historical text.
The image is a scanned page from a book or magazine featuring an article about the sale of art pieces, including busts, statues, and personal effects, following the death of Sarah Bernhardt, a famous French actress. The article discusses the prices fetched by these items at auctions, highlighting the high demand for souvenirs and memorabilia. It mentions the sale of four busts of "Kings" from the old Parthennay Monastery, which were sold in America, and a 13th-century image from the Church of St. Saveur-sur-Ecole, which was also sold to a wealthy American for 400,000 francs. The article also touches on the controversy surrounding the authenticity of some of these items, with claims that some were entirely faked. Additionally, it notes the sales of personal effects of Sarah Bernhardt, including an ink sketch by Victor Hugo, an oil painting by Max Dearly, and a portrait of Sarah Bernhardt by Vastagh Gezah. The total sales amounted to 5,000 francs, which was double the experts' estimated value.
The image shows a page from a book or magazine, likely from the early 20th century, given the style of the text and the subject matter. The page contains two distinct sections of text, each discussing different topics related to art and historical artifacts.
The first section of the text discusses the sale of four busts of "Kings" from the old Parthenon Monastery. These busts were restored and sold in America. There is a mention of a controversy surrounding their authenticity, with M. Demotte's former manager claiming they were all fakes. The text also mentions a 13th-century image from the Church of St. Saviour-sur-Ecole and a model made of this latter, which was deposited in the Church. There is a discussion about the original bust being sold to a wealthy American for 400,000 francs. The purchaser is rumored to be Mr. Vanderbilt, but M. Demotte refuses to disclose the names of purchasers. The text also describes a confrontation between Vigoureux and the Magistrate, who laughed boisterously and made irrelevant observations. Vigoureux continued to provide information to newspapers, suggesting that when American art students visit the Boston Museum and see the Virgin and Child of the Vosges School, the curator might tell them that the child Jesus is entirely fake and that the front hem of her dress is also restored.
The second section of the text, titled "Sarah Bernhardt Relics," discusses the sales of personal effects of the famous actress Sarah Bernhardt. Despite the great tragedy that attracted large crowds, the buyers were primarily interested in souvenirs rather than valuable items. The total sales amounted to 5,000 francs, which was double what the experts considered the value of the items. Specific items mentioned include an ink sketch by Victor Hugo, an oil painting by the music hall artist Max Spindler, a portrait of Sarah Bernhardt by Vastagh, a picture of a Lion and Lioness, and a view of an Italian fort by the work of Lacroix of Marseilles.
The text is written in a formal and somewhat archaic style, typical of early 20th-century publications. The page appears to be from a book or magazine that focuses on art, history, and cultural relics.
The image shows a page from a book or document containing text in English. The content appears to discuss historical and art-related topics, focusing on the restoration, authenticity, and legal consequences surrounding certain artworks.
Restoration and Authenticity of Artworks:
Controversy and Legal Issues:
Sarah Bernhardt Relics:
The page provides a narrative about the restoration and sale of historical artworks, highlighting issues of authenticity and fraud, as well as the high demand and value placed on personal relics of famous figures like Sarah Bernhardt. It also touches on legal consequences for those involved in fraudulent activities.
The image shows a newspaper clipping on a gray background. The clipping is in black and white and appears to be from an old newspaper.
The clipping appears to be from a newspaper article about art, as it mentions "Kings" and "Relics". It also mentions the names of several artists, including Sarah Bernhardt, Victor Hugo, and Max Dearly. The article discusses the sale of various art pieces, including paintings, sculptures, and relics. The clipping is likely from the early 20th century, based on the style of the writing and the mention of specific artists and artworks. Overall, the image provides a glimpse into the art world of the past and highlights the importance of preserving and appreciating cultural heritage.
The image depicts a yellowed newspaper clipping, likely from the early 20th century, featuring an article about art forgeries. The clipping is rectangular with a slight tear at the bottom right corner and is set against a gray background.
Article Content
The article discusses the sale of four busts of "Kings" from the old Parthenay Monastery, which were restored by their limbs and broken parts being carefully reassembled. The busts were sold in America, and M. Demotte's former manager claims they have been all faked up, as well as a 13th-century image from the Church of St. Saveur-sur-Ecole (in the Seine et Marne Departement, not far from Paris). A model was made of this latter, so Vigouroux says, and deposited in the Church, whilst the original has been "done up" and then sold to a wealthy American for 400,000 francs. It has been said that the purchaser was Mr. Vanderbilt, but M. Demotte refuses to give the names of purchasers. Vigouroux, before the Magistrate, conducted himself in a somewhat singular manner, laughing boisterously and making irrelevant observations. In addition he continued to give information to newspapers. He told the New York Herald: "When American Art students visit the Boston Museum and see the Virgin and Child of the Vosges School, which is partially authentic and very beautiful, the curator might tell them that the child Jesus is entirely faked; that the hands of the Virgin are modern; and that the front hem of her dress is also 'restored.'" But a dramatic climax has caused the matter to be put off until October, for Vigouroux, beginning to feel that the Magistrate was inclined to be "against" him, announced his desire to be "tried by a jury." He had not consulted his lawyer about this, and was a bit taken aback when the Magistrate then said that in that case he would have to be arrested and kept in prison awaiting the time of trial.
Sarah Bernhardt Relics
The article also mentions Sarah Bernhardt Relics, stating that it is too late to refer to the sales of the personal effects of the great tragedienne, which were attended by large crowds of people, but there was very little of value from a curiosity standpoint, and most of the buyers apparently only wanted souvenirs—and were evidently willing to pay for them? Four thousand and 5,000 francs were current prices for items, and the total of the sales was quite double what the experts considered the value. Sacha Guitry paid 4,100 francs for an ink sketch of the "Vieux Burg en ruines," by Victor Hugo, Max Dearly, the music hall artist, bought an oil painting by Spindler for 5,100 francs, being a portrait of Sarah Bernhardt herself. Picture of a Lion and Lioness, by Vastagh Gezah fetched 4,700 francs, and a view of an Italian fort, the work of Lacroix of Marseilles, went to 7,500 francs.
Overall, the article highlights the issue of art forgery and the willingness of buyers to pay high prices for items that may not be authentic.
The image presents a yellowed newspaper clipping set against a gray background, featuring an article that discusses the sale of four busts of "Kings" from the old Parthenay Monastery in America. The article is divided into two sections, with the first part detailing the sale of the busts and the second part focusing on the sales of Sarah Bernhardt's personal effects.
In summary, the image presents a yellowed newspaper clipping discussing the sale of four busts of "Kings" from the old Parthenay Monastery and the sales of Sarah Bernhardt's personal effects. The article provides details about the sale of the busts, including their restoration and reassembly, and the controversy surrounding their authenticity. Additionally, it discusses the sales of Sarah Bernhardt's personal effects, highlighting the high prices paid for certain items and the lack of value from a curiosity standpoint.
The image presents a vintage newspaper clipping, likely from the early 20th century, featuring two articles. The clipping is rectangular in shape and has a yellowed appearance, with visible signs of aging.
Article 1:
The first article discusses the sale of four busts of "Kings" from the old Parthenay Monastery, which were restored and sold in America. The article mentions that M. Demotte's former manager claims these busts have all been faked up, as well as a 13th-century image from the Church of St. Saveur-sur-Ecole (in the Seine et Marne Departement, not far from Paris). A model was made of this latter, so Vigouroux says, and deposited in the Church, whilst the original has been "done up" and then sold to a wealthy American for 400,000 francs. It has been said that the purchaser was Mr. Vanderbilt, but M. Demotte refuses to give the names of purchasers. Vigouroux, before the Magistrate, conducted himself in a somewhat singular manner, laughing boisterously and making irrelevant observations. In addition, he continued to give information to newspapers. He told the New York Herald: "When American Art students visit the Boston Museum and see the Virgin and Child of the Vosges School, which is partially authentic and very beautiful, the curator might tell them that the child Jesus is entirely faked; that the hands of the Virgin are modern; and that the front hem of her dress is also 'restored.'"
Article 2:
The second article, titled Sarah Bernhardt Relics, discusses the sale of personal effects of the great tragedienne, which were attended by large crowds of people, but there was very little of value from a curiosity standpoint, and most of the buyers apparently only wanted souvenirs - and were evidently willing to pay for them? Four thousand and 5,000 francs were current prices for items, and the total of the sales was quite double what the experts considered the value. Sacha Guitry paid 4,100 francs for an ink sketch of the "Vieux Burg en ruines," by Victor Hugo. Max Dearly, the music hall artist, bought an oil painting by Spindler for 5,100 francs, being a portrait of Sarah Bernhardt herself. Picture of a Lion and Lioness, by Vastaglz Gezah fetched 4,700 francs, and a view of an Italian fort, the work of Iacrolx of Marseilles, went to 7,500 francs.
Background:
The clipping is set against a plain gray background, which helps to highlight the yellowed color of the paper. The overall appearance of the image suggests that it is an archival or historical document, possibly used for research or educational purposes.