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This image displays a vintage press clipping and its accompanying clipping card, likely from an archive or personal collection. The items are set against a plain, light gray background.

Top Item: The Clipping Card

This is a rectangular piece of aged, beige cardstock, characteristic of early 20th-century press clipping services. It contains pre-printed fields in French, with handwritten entries filling in specific details.

• Heading: At the top, it reads "LE COURRIER DE LA PRESSE" (The Press Courier), followed by the motto "'LIT TOUT' 'RENSEIGNE SUR TOUT'" (Reads Everything, Informs on Everything). Below this, a description explains that it publishes extracts from journals and publications on all subjects and personalities.
• Publisher Information:
  • Director: Ch. DEMOGEOT
  • Address: 21, Boulevard Montmartre, PARIS (2^e)
• Handwritten Information:
  • Fiche Tableau N°: A handwritten entry, possibly "41" or "44".
  • Extrait de: "Art Trade Journal" (The source of the clipping).
  • Adresse: "London" (The city of the source publication).
  • Date: "Avril 1923" (April 1923).
  • Signé: The signature field is left blank.

Bottom Item: The Clipping

Tucked beneath the card is the actual article clipping, printed on lighter paper. The visible text is in English.

• Heading: "'Faking' Antiques."
• Body Text: The article discusses a scandal involving a Parisian antiquarian dealer, M. Domette, and his former manager in New York, M. Vigouroux. It details allegations that Vigouroux has been making damaging claims that most of the art sold by Domette is faked. The article also mentions Mme. Boutron, widow of a sculptor, who provides evidence of faking for Domette and Vigouroux. It specifically cites three bas-reliefs sold to the Louvre Museum of Paris, which, after examination by experts, were declared fakes by Vigouroux — one of which sold for 30,000 francs.

Overall Context

The image captures a historical document related to a controversy in the art world of 1923, specifically concerning the authenticity of artworks and accusations of forgery. The clipping, sourced from the Art Trade Journal in London and dated April 1923, was collected and organized by the Paris-based clipping service "Le Courrier de la Presse," which was used to track press coverage for clients or for archival purposes. The subject matter highlights the ongoing issues of art provenance and forgery in the early 20th century.

The image shows a document with two main sections. The top section appears to be a form titled "Le Courrier de la Presse 'Lit Tout' 'Renseigne Sur Tout'". It includes fields for information such as "Fax gabion" (with a number scribbled next to it), the name "Ch. DEMOGEOT, Directeur", and an address "21, Boulevard Montmartre, PARIS (2)". There is also space for an "Extrait de" (Extract from), "Adresse" (Address), "Date" (August 1923), and "Signé" (Signed). The form seems to be related to some kind of press or information service, possibly related to art or antiquities, given the reference to "Faking" Antiques in the text below.

The bottom section is a printed article or excerpt from a publication. It discusses a sensational case involving alleged "faked" antiques and a manager at the New York branch of a Paris antiquarian dealer, M. Domotte. The article mentions a manager named M. Vigouroux making damaging statements about the business of M. Domotte and the works of art sold by him. It also refers to evidence given by Mme. Boutron, the widow of a sculptor, and a case involving three bas-reliefs sold to the Louvre Museum of Paris, which were declared to be fakes after expert examination. The text is dated August 1923 and is noted as an "Extrait de: Art Trade Journal".

The image appears to be a document from "Le Courrier de la Presse," a French press service. The document is titled "LIT TOUT" and "RENSEIGNE SUR TOUT," which translates to "READS EVERYTHING" and "INFORMS ABOUT EVERYTHING." It is directed by Ch. DEMOGEOT and located at 21, Boulevard Montmartre, Paris.

The document includes handwritten notes, indicating it is an excerpt from the "Art Trade Journal" addressed to "London" and dated "August 1923."

The printed text on the document discusses a scandal involving alleged fake furniture and art. It mentions a Paris antiquarian dealer named M. Demotte, whose New York branch manager's conduct led to criticism and legal charges. The manager, M. Vigouroux, is accused of fraudulently appropriating money from clients. Vigouroux also claims that most of the works of art sold by Demotte are faked. Mme. Boutron, the widow of a sculptor, provides evidence supporting Vigouroux's claims. The document mentions that three bas-reliefs sold to the Louvre Museum of Paris, after examination by experts, were declared by Vigouroux to be fakes.

This image depicts a document with two sections, one written in French and the other in English. The French section appears to be an excerpt from a newspaper, titled "Le Courrier de la Presse" and dated August 1923. It discusses a case involving a Parisian antique dealer who has been accused of selling fake antiques. The English section is an article from the "Art Trade Journal," discussing similar cases of fake antiques being sold by dealers. The article mentions a dealer named M. Domette who was accused of selling fake furniture and was later charged with fraud. The article also mentions another dealer, M. Vigouroux, who has been accused of selling fake art pieces to the Louvre Museum. The document appears to be a clipping from a newspaper or magazine, with the French section on the left and the English section on the right.

The image depicts a clipping from a French newspaper, specifically from "Le Courrier de la Presse," with the headline "Lit Tout" and a subheading "Renseigne sur Tout." The clipping is dated April 1923 and includes a letter written by Felix Goblet, addressed to the director of the newspaper, Ch. Demogeot, at Boulevard Montmartre, Paris. The letter discusses the issue of "faking" antiques, referencing a case involving M. Domette, an antique dealer, and his manager, M. Vigoureux. The letter mentions allegations of fraudulent activities and the displacement of the manager due to criticisms of his conduct. The clipping also includes a note about the widow of a sculptor providing evidence of "faking" for three bas-reliefs sold to the Louvre Museum. The document is printed on paper and appears to be a historical artifact, possibly from the early 20th century.

The image depicts a document titled "Le Courrier de la Presse", which translates to "The Courier of the Press" in English. The document is a formal notice or announcement, likely an excerpt or clipping from a publication, dated April 1923. The header indicates it is an official communication from Ch. Demoget, Director, located at 21, Boulevard Montmartre, Paris (2e).

Key Details:

1. Header Information:

   • The document is labeled as "Lit Tout" and "Renseigne sur Tout", which translates to "Read Everything" and "Informed about Everything", suggesting it is a comprehensive or general-purpose publication.
   • It is noted as being published in journals of various natures and as a newspaper for extracts and personal news.

2. Content:

   • The main body of the text discusses a scandal involving "Faking" Antiques.
   • It references a case similar to one previously reported, involving M. Domette, a noted Paris antiquarian dealer.
   • The text details allegations of fraud, specifically mentioning that Domette's New York branch was implicated in selling allegedly faked furniture.
   • The manager of the New York branch is criticized for severe conduct, leading to legal action against Domette for fraudulent appropriation of client funds.
   • M. Vigouroux, the late manager, is mentioned as making damaging statements about Domette's business, claiming that most of the works sold were fakes.
   • Evidence of fraud is provided by Mme. Boutron, the widow of a sculptor, and by Louvre Museum experts, who examined three bas-reliefs sold to Vigouroux for 30,000 francs and declared them to be fakes.

3. Handwritten Elements:

   • The top of the document includes handwritten notes:
     • "N" followed by "Faire gableno No. 247", which appears to be a reference or filing number.
     • "Extrait de: Art Trade Journal", indicating the source of the excerpt.
     • "Adresse: Lorches", likely a recipient's address.
     • "Date: avril 1923", confirming the date of the document.
     • "Signé:", indicating a space for a signature, though no signature is visible.

4. Visual Characteristics:

   • The document has a slightly aged, sepia-toned appearance, consistent with historical documents from the early 20th century.
   • The text is typed, with some handwritten annotations, suggesting it was part of an archive or collection.

Summary:

This document is an official excerpt or clipping from a French publication dated April 1923, detailing a scandal involving the alleged forgery of antiques by the Parisian antiquarian dealer M. Domette. It highlights legal troubles, fraudulent activities, and expert testimony confirming the authenticity issues surrounding the works sold by Domette and his manager, M. Vigouroux. The document serves as a historical record of the art trade scandals of the time.

This image features a historical document containing text in French and English. The top part is a printed form from "Le Courrier de la Presse," with handwritten entries noting the name "Art Trade Journal," the address "London," and the date "Août 1923." The form mentions "Lit Tout" ("Reads Everything") and "Renseigne Sur Tout" ("Informs Everything") as part of its publication attributes. The director is listed as Ch. Demogeot, located at 21, Boulevard Montmartre, Paris.

Below the form is a newspaper clipping titled "Faking Antiques." It discusses a case involving the falsification of furniture and artwork by an antiquarian dealer and others affiliated with his business. Allegations of fraudulent practices and statements about forged sculptures and items sold as genuine are detailed. There is mention of specific pieces connected to the Louvre Museum that were declared fake after examination by experts. The text discusses a notable controversy in the art world at the time.

This image features a yellowed paper with printed and handwritten text. The printed text is mostly in French, with "LE COURRIER DE LA PRESSE" and "LIT TOUT" "RENSEIGNE SUR TOUT" prominently displayed. Below that, there's an address "Ch. DEMOGOT, Directeur 21, Boulevard Montmartre, PARIS (2e)" followed by the title "Extrait de :" and a handwritten notation "N.Y. Herald Journal Sarthe". Additionally, there's handwritten text indicating an address and a date that reads "Août 1921" (August 1921).

Below the French header, there is an English text section, with the heading "Faking" Antiques. The text discusses an incident relating to antiques and mentions the New York Branch of M. Demotte, a noted Paris antiquarian dealer. There are references to fraudulent activities related to art sold that were later deemed as fakes by experts. A mention of Vignouroux and the Louvre museum is also present in the text, citing a specific example involving bas-reliefs sold to the Louvre.

The English text is inverted at the bottom of the image, indicating that the paper might have been printed on the back of another document or that it is a reflection or a copy error.

The image shows a vintage newspaper clipping attached to a card mentioning "LE COURRIER DE LA PRESSE." The top portion of the card has handwritten details. Here are the specifics:

• The heading of the card reads "LE COURRIER DE LA PRESSE 'LIT TOUT' 'RENSEIGNE SUR TOUT'."
• Below the heading, it states that the director is Ch. Demogeot, with an address at 21 Boulevard Montmartre, Paris.
• There is a handwritten portion that says "Extrait de: Art Trade Journal," "Adresse: Londres," and "Date: Août 1923."
• The card includes the words "Signé:" followed by a blank space that might have been intended for a signature.

The clipping discusses "Faking Antiques," detailing a scandal involving faked furniture, and the involvement of a noted Paris antiquarian dealer, M. Demotte. It mentions allegations of fraudulent appropriation of money and further elaborates on the damaging statements made by a manager, M. Vigoureux. There are references to three bas-reliefs sold to the Louvre Museum that were declared fake.

Overall, the image reflects a historical document addressing an antique forgery issue from the early 20th century.

The image shows a small, clipped newspaper article or excerpt attached to a beige card with printed and handwritten text. The printed header on the card reads "LE COURRIER DE LA PRESSE 'LIT TOUT' 'RENSEIGNE SUR TOUT'" with the name "Ch. DEMOGEOT, Directeur" and an address in Paris (21, Boulevard Montmartre).

Handwritten information on the card includes:

• Extracted from: "Art Trade Journal"
• Address: "London"
• Date: "Août 1923" (August 1923)
• The top of the card also has a handwritten note that says "Faux tableaux."

The attached newspaper clipping is titled "Faking" Antiques and discusses a sensational case involving alleged fake furniture handled by M. Demotte, a noted Paris antiquarian dealer, and mentions a New York Branch manager and various accusations of fraudulent activities related to art works being faked. It also refers to statements by individuals involved and mentions the Louvre Museum and expert examination of alleged fakes.

Overall, this is a historical press clipping concerning a scandal involving fake antiques and fraudulent art dealers.